#Sony RX100 IV

[dryingpower]

[byaeivrynrv]

should I keep this or let go?

[donncha]

A tree at sunset

A tree at sunset

Walking through the grounds of Blarney Castle late one November evening when the sun is setting. The shadows grow long and black fills the spaces between orange light.

[livefromphilly]

Sony RX100 VII Thoughts After Two Months

PROS:

Stacked sensors are the future. Well, technically the present considering that Canon, Nikon, Sony, Fuji, and OM Systems all use stacked sensors in their top of the line cameras. Either way, finally getting to experience shooting with one on a daily basis has made me want one in pretty much any camera going forward. The benefits are twofold: Not only do you get shutter speeds up to 20 frames per second, and without a mechanical shutter flipping in the way obscuring your view in between shots, but you also get no rolling shutter while doing it. Pretty much every Sony camera can shoot 10 fps bursts with the silent shutter, but any movement can give you a jello-like effect since the sensor reads out so slow on non-stacked cameras. The only con, at least on this camera, is that you can’t shoot flash at higher than 1/100 with the electronic shutter. That’s still plenty fast for a lot of stuff, but well below the 1/2000 you get when shooting the mechanical shutter. 

The fast frame rate wouldn’t make much of a difference if the camera was bad at autofocusing, but this camera is great at it. It has a lot of the same fancy focusing stuff that my full frame Sony has like human/animal eye autofocus and all the tracking modes I’m used to. It actually makes the camera pretty solid for wildlife if you can get close enough at the 200mm end. 

Speaking of that, the 24-200mm equivalent is a great range, and one that I missed a lot since I traded away my Tamron 28-200 to help cover the cost of my A7RIV. The small size and extra 4mm on the wide end actually makes it even more convenient than that Tamron. 

Aside from covering a broader range than the 24-70 equivalent lens from the older RX100 cameras, this lens also seems noticeably sharper. The last RX100 model I had, the Mk. IV, just didn’t seem as crispy as this lens is. 

It has a touchscreen! It’s wild to think that the previous RX100 cameras I owned didn’t have this basic ass feature, but Sony was very late in putting touch screens in their cameras. Ironically, I don’t really use it in this one because the AF is good enough that I can just do focus and recompose with tracking. 

CONS:

It’s still only a 1” style sensor so high ISO isn’t the cameras strong suit. Programs like DXO PureRAW help a lot and let you get somewhat usable images at ISO 6400 in a pinch, but you’re kinda pushing things at that point. 

While the lens is sharper and covers a wider range than the older models, it’s also significantly slower. At 24mm equivalent it’s already at f/2.8 where the old cameras were f/1.8. It’s f/3.2 at 25mm, f/3.5 at 33mm, and f/4 at 40mm. From 109mm to 200mm you’re at f/4.5. The relative slowness of the lens combined with the small sensor means that this can struggle getting quality images in low light without a tripod or something. 

No USB-C. My Fuji, Ricoh, and larger Sony all have USB-C charging, which is amazingly convenient when traveling. I haven’t really gone anywhere with this camera yet, but having to account for a micro USB cable is annoying since pretty much everything aside from my iPhone uses USB-C. 

It’s expensive. Just like my Mk III and Mk IV I got it used so it was cheaper than retail, but the copy I got cost about twice what I paid for the previous models. 

Start up time is just a tad bit slower than I’d like. The GRIII and X100V both beat it that regards, albeit those aren’t zoom lens so I have to cut the Sony some slack. 

SAMPLE PHOTOS: 

(The sample photos were edited in Lightroom Classic and DXO PureRAW2. Also, the sensor creates a roughly 2.7x crop factor, so the 9-72mm lens equates to 24-200ish)

Young Bird | ISO 160. 72mm. f/4.5. 1/200. 

Graffiti Shot from a Car | ISO 100. 33.98mm. f/4. 1/400.

Stickers | ISO 100. 29.67mm. f/4.5. 1/100.

City Hall | ISO 100. 38.13mm. f/4.5. 1/200. 

Flip Up Screen Selfie with My Friend Hanae | ISO 3200. 9mm. f/2.8. 1/40. 

Zoomed in Graffiti | ISO 640. 72mm. f/4.5. 1/500. 

Fishing Store Neon | ISO 800. 28.67mm. f/8. 1/200. 

Flowers | ISO 200. 72mm. f/5. 1/640.

Selfie Shots with My Sister | ISO 3200. 9mm. f/2.8. 1/100. 

[creative-splurges]

Returns to the Bluebell Railway

It’s a roundup post this week, as I post a compendium of visits to the Bluebell Railway.

I have been back to the Bluebell Railway on several occasions since that fateful first visit in 2019 where I bought my DSLR but no SD cards, forcing me to learn how to use my to that point barely used Sony RX100 IV camera – but on each of those occasions I’ve either been partially or wholly responsible for a small child and so I’ve not been able to take as many photos as I did on that first trip.…

[studio52group]

Time-Lapse Photography: Cameras, Duration, and Best Choices

Time-lapse photography is a captivating art that allows us to condense hours, days, or even years into a few seconds of mesmerizing visuals. It’s a technique that has gained immense popularity in recent years, thanks to the advancements in camera technology and the ease of sharing these stunning creations on social media. In this comprehensive guide, we will delve deeper into the world of time-lapse photography, focusing on the cameras you should consider, the optimal duration for your time-lapses, and the best time-lapse camera to make your time-lapse projects truly stand out.

The Magic of Time-Lapse Photography

Before we delve into the technical aspects, let’s take a moment to understand the enchantment behind time-lapse photography. At its core, time-lapse photography is the art of capturing a series of still images at specific intervals and then playing them back as a sequence. This technique condenses time, revealing subtle movements and transformations that are otherwise imperceptible to the naked eye.

Imagine watching a flower bloom, the clouds dance across the sky, or a bustling cityscape transform from day to night in just a few seconds. Time-lapse photography allows us to witness these beautiful moments in a way that traditional photography or video cannot.

Choosing the Right Camera

Selecting the right camera is the cornerstone of successful time-lapse photography. Your choice of camera will greatly influence the quality and flexibility of your time-lapse projects. Here are some considerations to keep in mind when choosing your camera:

1. DSLR or Mirrorless Cameras

DSLR (Digital Single-Lens Reflex) and mirrorless cameras are the preferred choices among time-lapse enthusiasts. They offer interchangeable lenses, manual settings, and excellent image quality. These cameras allow you to have full control over your shots, enabling you to adjust exposure settings to capture the perfect image. Some top choices in this category include the Canon EOS 5D Mark IV and the Sony Alpha a7 III.

2. Compact Cameras

Compact cameras are more portable and user-friendly, making them a great option for beginners or those who want a more straightforward experience. Despite their smaller size, many compact cameras offer impressive time-lapse capabilities. Models like the Sony Cyber-shot RX100 VII and the Canon PowerShot G7 X Mark III are excellent choices for those on the go.

3. GoPro Action Cameras

For outdoor time-lapses or capturing extreme conditions, GoPro action cameras are unbeatable. They are rugged, waterproof, and can capture stunning 4K time-lapses. The GoPro HERO9 Black, for example, is a great option for adventurers and outdoor enthusiasts.

4. Smartphone Cameras

Don’t underestimate the power of your smartphone. Many modern smartphones offer built-in time-lapse modes that can produce impressive results. Apps like Hyperlapse and Lapse It Pro further enhance your smartphone’s time-lapse capabilities. This accessibility means that anyone with a smartphone has the potential to explore the world of time-lapse photography.

Setting the Duration

The duration of your time-lapse can significantly impact its visual appeal and storytelling. Here are some guidelines to help you determine the ideal duration for your project:

1. Short Time-Lapses (1-10 seconds)

Short time-lapses, typically lasting between 1 to 10 seconds, are ideal for capturing fast-moving subjects. These include scenes like traffic, bustling cityscapes, or waves crashing on the shore. To create a sense of urgency and motion in your time-lapse, use shorter intervals between shots, such as 1-2 seconds.

2. Medium Time-Lapses (10 seconds – 2 minutes)

Medium-length time-lapses are versatile and can capture a wide range of subjects. Shooting at intervals of 2-5 seconds works well for most scenarios, including cloud movements, construction projects, or natural landscapes. This duration provides enough context for viewers to appreciate the subtle changes taking place.

3. Long Time-Lapses (2 minutes or more)

For slower transformations like the blooming of flowers, the changing of seasons, or the transition from day to night, longer time-lapses are the way to go. Shoot at intervals of 5-10 seconds or more to create smooth and captivating sequences. Longer time-lapses allow viewers to witness gradual changes and immerse themselves in the beauty of the unfolding story.

Capture Every Moment with Precision!  Hire Us Today for Expert Timelapse Camera Services

Best Practices for Stunning Time-Lapses

Creating breathtaking time-lapses goes beyond just selecting the right camera and setting the duration. To ensure your time-lapse stands out and ranks well among others, here are some best practices to follow:

1. Stable Support

Stability is crucial in time-lapse photography. Even the slightest camera movement can ruin a sequence. Invest in a sturdy tripod or specialized time-lapse equipment to keep your camera stable throughout the shoot. If you’re shooting in windy conditions or on unstable terrain, consider using sandbags or anchor your tripod to prevent vibrations.

2. Manual Mode

While some cameras offer automatic time-lapse modes, shooting in manual mode is often preferred. Manual mode gives you complete control over exposure settings, including aperture, shutter speed, and ISO. This control allows you to adapt to changing lighting conditions and maintain consistent image quality throughout your time-lapse sequence.

3. Intervalometer

To capture precise intervals between shots, invest in an intervalometer or use your camera’s built-in time-lapse feature. Intervalometers allow you to set the duration between each frame, ensuring that your time-lapse flows smoothly and consistently. Be sure to calculate the interval based on the duration you want to achieve.

4. Post-Processing

Editing is a crucial step in time-lapse photography. Use software like Adobe Premiere Pro or LRTimelapse to enhance colors, remove flicker, and add creative effects. Post-processing can elevate the visual quality of your time-lapse video and help you achieve a polished and professional look.

5. Storytelling

While technical aspects are important, remember the storytelling element in your time-lapse. Think about the story you want to tell and the emotions you want to evoke in your audience. A compelling narrative can elevate your work and engage your viewers on a deeper level.

Conclusion

Time-lapse photography is a captivating art form that requires creativity, patience, and the right equipment. By carefully choosing your camera, setting the duration effectively, and following best practices, you can create stunning time-lapse sequences that captivate viewers and stand out in the world of online content. So, pick up your camera, experiment with different subjects and durations, and embark on a journey to capture the passage of time like never before. Your next viral time-lapse masterpiece might just be a click away, waiting to amaze and inspire audiences around the world.

FAQ

Q: What is time-lapse photography?

A: Time-lapse photography is a technique of capturing a series of still images at specific intervals and then playing them back as a sequence, creating a condensed and sped-up video.Q: What is the best camera for time-lapse photography?

A: The best camera for time-lapse photography depends on your needs and budget, but some popular options include DSLRs, mirrorless cameras, compact cameras, GoPro action cameras, and smartphone cameras.Q: How do I set the duration of my time-lapse?

A: The duration of your time-lapse will depend on the subject you are shooting and the effect you want to achieve. Shorter time-lapses are ideal for capturing fast-moving subjects, while longer time lapses are better for slower transformations.Q: What are some best practices for creating stunning time-lapses?

A: Some best practices for creating stunning time-lapses include using stable support, shooting in manual mode, using an intervalometer, and post-processing your footage.Q: How can I use time-lapse photography to tell a story?

A: To use time-lapse photography to tell a story, think about the message you want to convey and the emotions you want to evoke in your audience. Choose a visually appealing subject that will capture the viewer’s attention. Then, use your camera settings and editing techniques to create a time-lapse that is both informative and engaging.

Contact us today at +971-04-454-1054 or mail us at Sales@studio52.tv

[catmilton]

Some of my recent images have featured a new camera - at least on this gallery; the camera itself is some 6-7yrs old, but a real favourite of mine... Day to day I pretty much always have the Ricoh GRiii and Sony RX100 vii stuffed in some pocket but occasionally I grab the heftier but delightful Sony RX10 iv 😎 It's been fun running around with it 🤩 --- #SonyRX10 #SonyRX10m4 #SonyRX10iv #Ibiza #Eivissa #Spain #Espana #blackandwhite #BW #blackandwhitephotography #blackandwhitephoto #bwphoto #bnwphotography #bwphotography #bnwphoto (at Ibiza, Spain) https://www.instagram.com/p/CopCg_HtGP7/?igshid=NGJjMDIxMWI=

[cagohokuhi]

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[dryingpower]

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[lepoponis]

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