#TBF it's not implausible either

[maeamian]

About to go insane trying to find sources for this, but starting to develop a theory that the idea that the bottom of the ocean is totally unknown is pretty outdated, but is an extremely compelling factoid and as such has persisted longer than it is true.

[majorbaby]

There is no reason why I shouldn't believe that Trapper had at least an inkling of how much his leaving suddenly would affect Hawkeye, regardless of the fact that Trapper had no reasonable means to do anything about how had to leave. And I could get even more meta about that because the line between actor and character is so blurry wrt Trapper's departure because it was Wayne's decision that became, for many, the final word on the Trapper character. Unfairly so imo, because Trapper cannot speak for himself on the matter. I think it was a decision influenced primarily by the reality of production and not what made sense for the Trapper character or the Trapper-Hawkeye relationship.

By narrative requirement (and interpretation, if you're like me and you fancy that), Trapper and Hawkeye had a near-psychic connection which ensured that Trapper could finish Hawkeye's sentences and always be on board with his schemes no matter how "silly" or "pointless" they appeared to be to everyone else.

In Dr. Pierce and Mr. Hyde, Henry asks "McIntyre, why does he do these things?" and even tho Trapper has been at his wit's end with Hawkeye and even told him he was turning into a fruitcake, the narrative knows there's a reason for Hawkeye's mania and backs it up constantly as being the only sane reaction to an insane situation - and because Hawkeye is incapacitated, it's Trapper who has to do the talking for him, which is the practical reason he answers Henry's question without skipping a beat. But we are also still meant to believe that Trapper gets Hawkeye.

So although Hawkeye's whole deal about goodbyes isn't addressed, I think Trapper knew, and he has to shoulder the burden of that knowledge while also having just lost his other half, and having been without him for a week, right after Henry's just died, under Frank and Margaret's heel. The "us against him" Frank and Margaret gleefully fantasize about in WtK 2? That's been Trapper's reality just before he gets his discharge. I have to imagine it was an intensely lonely time for him, and then he's denied any kind of closure with Hawkeye. Hawkeye receives the kiss at least.

We get a onesided look at how Trapper's abrupt exit lands with the character closest to him, but I don't think it's plausible that there wasn't some lasting damage for Trapper too. And tbf, it's true that at least he's home now - I'm not faulting anyone for not wondering about him beyond that because the show isn't concerned with it either. I just don't think we can conclusively say that he never thought about the war or the relationships he built there after he left, and even something like "who knows if he did" seems implausible to me as a read of Trapper.

[mittenlady]

Hi. I am bored and also wanting to bother you specifically. Which theory is better? Athena Cykes being a robot (evidence being widget, how did she never get hurt/see blood, Métis “studying” just being working with her code, autism) or her dad being the Phantom (this evidence is more Métis based like how would the psychological profile work without a match, why didn’t she just kill him, why doesn’t Athena see Bobby as weird, Athena gets double autism genes) Both work well in any context. I like Phantomdad cause Athena and Apollo can bond over terroristic fathers <3

omg me specifically… such an honor… ok lemme think this thru (this is a long one)

robothena:

• actually how does widget connect to her emotions… bc there is a way to judge how someone’s feeling based on bodily signs like pulse, temp., etc., but even at that a lot of emotions have very similar bodily reactions and part of determining how u feel is like… from the mind. if i remember my AP psych 5 correctly 😎 but also even at that widget wouldn’t logically have access to her thoughts that does not make sense unless metis like… chipped her??? or something????? which is still impossible

• i think if she’s sheltered enough then at 11 when she saw metis die, she might not have recognized it? but i feel it’s very implausible that she as a child would be so that intensely cautious + NEVER get into an accident + absolutely always be supervised enough to never get hurt. it is odd that her perspective would be that warped so that she’s unable to recognize it but idk. if she has no frame of reference is it human instinct to recognize blood… (i will not do further research at this time i am lazy)

• last two points u bring up i don’t think it’s mentioned what metis does specifically so no comment also elaborate on what you mean by the autism point because athena is giving neurodivergent but like what do you mean in context of that being evidence 😭

• she does seem to enjoy orange juice and little girl treats tho so how would that work… robots don’t really need to eat…

• also based on the navigation companions (ponco and clonco; only reason i know the proper term is for CAYA) why would her machinery be so more advanced than theirs? if aura and metis r capable of creating something so lifelike then why are ponco and clonco, made after her (i think) so far behind?

phantom dad ??:

• metis likely wouldn’t have a match for the phantom’s identity but it was simon who brought her the audio recording of the phantom’s voice i believe so that’s how she composed the psych profile knowing that. 95% sure because i had to look this up for CAYA

• tbf the phantom was wearing a jacket, but also yeah she likely could have done something in self-defense… but if they used the sword on her it’s likely any attempts @ self-defense wouldn’t have gone well regardless. there’s not really enough information in the game i don’t think to say whether or not there was an attempt or not

• bobby was able to fuck w his emotions in game and put on the appearance of emotions, if i remember correctly that was an aspect during the cross-examination/mood matrix part during it, so that’s likely why she didn’t find it off. and if she did, the game didn’t think to actually foreshadow anything by having her mention it either in passing or in her own narration during turnabout academy

i think athena and apollo both having terrorist fathers would be funny tho lol

but based on my minimal research as i consider this, the robothena one seems more plausible as it does better explain some of the illogical parts of the game. ofc it’s in the “future” but literally this made me realize that widget doesn’t make much sense with his ability to literally know what she’s thinking. like unless there’s some wack-ass science shit the writers just didn’t think necessary to share like… what is going on with that

[haljathefangirlcat]

still thinking about that “we Have To Talk about how quips are ruining fandom by destroying meta and turning all fic into shitposts” post @ms-demeanor wrote a great rebuttal to, and about the other posts she wrote about it and about the You’re Doing Fandom Wrong attitude in it, and about the notes on those posts. not gonna reblog or reply to any of those because my thoughts are admittedly kind of random and jumping from place to place and probably OT to the point of the discussion, but you know. still thinking.

so, uh. not trying to start wank or anything but enjoy the ranting that got way out of hand under the cut.

so, like... that one “we can’t just block everyone who quips and shitposts because some of these people also write actual meta but then they unfortunately go back to Not Engaging With Canon by writing quippy shitpost-y stuff” line, or however it was actually phrased? besides the blatant entitlement with the “you have to fandom ONLY in ways I like, I can’t just engage with the part of the content you create that I’m interested in and scroll past the rest” thing (which kinda reminds me of the whole “you can’t CNTW on some of your fics, I should be able to read ALL of your fics” thing, in a way) and the ”I refuse to curate my fandom experience and I’ll make it some stranger’s problem” thing (which... reminds me of a few other things, but tbf it has probably been around since the very first days of fandom), what if someone doesn’t even see meta and quips/shitposts as fundamentally different and mutually exclusive approaches to fandom? what if they see them as just two ways to be interested in a specific fandom and interact with it, and maybe even closely linked together, so going from one to another is actually very, very easy for them? hell, what if they (gasp!) even mix quips and meta together sometimes?

I have a few posts about what I think Baran bo Odar and Jantje Friese might have been doing with mythological references and themes in Dark, and about what I got from the series finale. some are meme-like, phrased in a joking tone, probably even shitpost-y? another one is literally just a gifset plus me having intense Feels in the tags, and the last one is an edit of the kind I’ve seen people complain about as “those cringey unoriginal tumblr aesthetics that all look the same” in at least a couple of occasions. does that automatically mean I only wanted to “win” at fandom (with my hard-earned prize being... a handful of notes in a fandom that’s not even that big compared to others) and that I haven’t actually spent probably way too much time thinking about the significance of Martha’s Ariadne play as a commentary on character interactions/plot/narrative themes (and honestly still do from time to time), or that I don’t occasionally read the captions under other people’s gifsets and suddenly feel very much enlightened about why the Ariadne play mentions the myth of the Flood of all things? that I didn’t start reading posts and comments and reviews and theories about the series finale as soon as I finished watching it? that, just because I didn’t write 10K+ words of Perfectly Serious Seriousness about all that stuff, I simply refused to Engage With The Text? 

... and if I said that I feel a little irrationally self-conscious at the idea of writing down all of my (often rambling, sometimes jumbled) thoughts about a series that to me actually does feel very deep and complex, so adding memes and humor to that or finding different means to put my ideas out there makes me feel more comfortable expressing myself while also taking off the (admittedly made-up) pressure of having to write a whole coherent essay where I have to find a clear and explicit way to explain where every single thought comes from and how it leads to the next like I’m gonna get graded on it? or that a lot of those thoughts stem from memories of spending five years of high school translating and analysing ancient Greek poetry and reading and watching and discussing every available interpretation and reinterpretation of it from Nietzsche to Vernant to Dürrenmatt to Christa Wolf to Pasolini to a lot of others and from certain things in Dark violently hurtling me back to those times without even asking for permission, so a part of my self-consciousness is actually “I probably don’t actually know/remember enough about this to base a whole in-depth analysis on it even though I do think there’s something there” and another part is “shit I’m too lazy to dig through all of my old textbooks and homework and additional readings to hunt for the thing I feel the desperate need to reference or figure out who might have said it, so no extended explanation here either”? I guess in the end it would all boil down to “there’s an amount of effort and physical and mental energy I’m willing to put into fandom but I also have limits to stop something that makes me feel happy from becoming a chore”, which. considering the whole “you have to put all your resources into constantly pouring out 100% serious meta and nothing else because that’s what I like, no deviations allowed” thing? yeah, I can see saying stuff like that would still make me a blight upon fandom. and/or Not Engaging.

which, I realize, it’s a thing I keep coming back to. but that’s because I really, really, really hate it? seriously, what even counts as Engaging With The Text correctly? not shitposts, and not quips either, apparently. Regardless of the fact that humor and crack have existed in fandom since forever and that it’s actually not uncommon AT ALL for them to be born out of looking at canon from different angles, pointing out whatever the fan in question finds surreal/strange/implausible/convoluted/awkward/just kinda funny about it. 

also, not canon divergence/what if fics motivated not by a desire to “fix” something that made us feel bad when it happened in canon but by a desire to actually fix what we felt was objectively a poor writing choice from the author, because we shouldn’t Engage by analysing the text to criticize it or to think over how and why certain aspects of it don’t work for us or how we think the structure of the text itself could be modified or even improved, we should Engage by... writing meta and/or writing canon-compliant fics with perhaps a little allowance for slightly-to-the-left-of-canon-compliant missing moments fics, I guess? 

from what I’ve gathered from reading other fandom discussion some time ago, AUs are also out, especially Modern/No Powers AUs, because those are always just an excuse to slap your fave’s name on your OC/disguise your original fiction as fanfic to get comments/ignore all that’s interesting about canon to write yet another dumb syrupy high school or coffee shop AU, even if I’m honestly not sure what kind of AUs people are even reading to never get to the “there’s no supernatural threat so let’s focus entirely on the fucked-up family dynamics and blatant mental issues in a world where you can’t just ignore them by marrying off your daughter or sending your son to be someone’s squire” AUs or the “this is pretty much what happens in canon but adding new dimensions and different outlooks on the themes by moving everything to a new context” AUs. seriously, I could rec you a pretty great “this guy would be a horrible father and treat his children horribly in any world, it’s not just the feudal society around him, it’s him as a person” AU and that’s literally just the first thing that came to my mind. but, hey, maybe Engaging is only engaging with the canon plot and setting and nothing else, what do I know.

... fuck, thinking about it, I’m not even sure if by “not shitpost and not quips” I should even mean humor/crack? because it’s not like the OP was clear about it in any way? maybe it’s just all that’s weird and tropey and not-canon-compliant? I can see the “everybody gathers in the main character’s stuff to smoke weed and weird shit happens” fic I got a chuckle out of some time ago being one of the dreaded tumblr-born shitpost fics that are supposedly ruining fandom by ensuring that fans stop thinking (?), but what about the “everything is the same but this one character is a catboy, not for any particular reason but just because” fic I’m currently following and loving? people have been joking and shitposting about catboys a lot on tumblr lately (I distinctly remember that the last catboy joke to pop up on my dash was the “I’m your catboy gf and I’m stuck in a wall” one...) and finding an always-a-catboy!AU initially got an amused smile out of me, so is the mere premise enough to make the fic just a joke/just taking a trope and running off with it/just part of a shallow trend? even when the author literally goes “oh shit just realized this is all a metaphor for neuodivergence and masking” in the story notes? unless writing a character who’s never explicitly stated to be neurodivergent in canon as a being literally or metaphorically neurodivergent in your fic is always shallow projecting or posturing issuefic... instead of, y’know, looking closely at the text and Engaging with it by interpreting it that way....

I feel all this ranting/venting might end up plunging into Why We Slash discussion territory now, so I better stop here.

anyway, in short, good to know I’ve been in fandom for years yet I’ve always been just a Fake Fan who Can’t Think and is constantly Doing It Wrong (by Not Being Transformative Enough, possibly). gonna do my best to stay exactly like that in the future <3

[amorremanet]

11, 14 & 17? ^.^

asks for fanfic writers.

I did 17 over here, but!

11. do you listen to music when writing?

Sometimes, yes! It sort of depends on what I’m writing and what kind of mood I’m in, but I pretty much always listen to something. It’s more just a matter of whether I’m going to listen to music or TV/movies.

And then in each case, there’s the issue of like, “do I want to listen to the Twilight Princess OST or the Silent Hill 2 OST?” (because video game OSTs are great at both evoking mood and increasing focus), or, “do I want a video game OST, or my playlist for [character, ship, project, the mood I’m in, whatever; I have playlists for everything]”

—or if I’m going to listen to TV/movies, then it’s like, “TV or movies?” and then, “Disney movie or superhero movie? Marvel movie or DC movie? Pink Flamingos, Hairspray, or Female Trouble? The Prince of Egypt or Crimson Peak? Star Wars” or in TV Land, it’s more, “Well, I can’t work and listen to something relatively new [which is one of the biggest reasons why I’m perpetually late to everything new on TV], so… House or Criminal Minds? Yuri on Ice dub [because I can’t watch the subs and write at the same time] or SVU reruns? Firefly or Futurama?”

14. easiest character to write

Oh gosh, that’s…… hard. And it often depends on the fandom, and sometimes it depends on what kind of mood I’m in, but…

Barty Crouch Jr. has always been really easy for me (partly because he has Favorite advantage, and partly because I’ve put 16+ years into his character at this point, so like. JKR could drop all of her notes about his family and backstory and everything on us tomorrow — not that I really think said notes exist, but if they did — and I’d probably just go, “Yeah, that’s nice, but with all due respect, Mum? My version’s better, and I’m just going to continue treating it as if it’s canon because bite me, that’s why”).

AlSev Potter and Scorpius Malfoy are both really easy, too, but tbh, I think that’s because my versions of them are essentially glorified OC’s, since my attitude toward Cursed Child with regard to characterization is, “*nods mildly* That’s nice, but I’m going to pick and choose at my leisure, thanks. No offense, but I’ve been working on these kids since DH first came out, and I much prefer my headcanon Scorpius who is the biggest, loudest, gayest Drama Princess you have ever met in your life and has been trying to shock Lucius into having a heart attack and dying since he was like six,

“and my headcanon AlSev who’s sometimes Ruby Minerva Severus, most often genderfluid but sometimes a binary trans girl and other time a gay cis boy, loves Ginny but has a complicated and often strained relationship with her (but in fairness, AlSev-Ruby talks to Godfather Neville and Hagrid about their problems more than they talk to either Harry or Ginny), has a complicated relationship with Harry too but for other reasons and when Harry and Ginny eventually divorce each other, AlSev-Ruby is going to stay at their Dad’s more often than their Mum’s, and never lets anyone forget that their middle name is Severus because AlSev-Ruby likes pissing them off with that fact — especially their Weasley grandparents

“Ron but AlSev-Ruby usually feels bad about this because they know on some level that they’re usually lashing out at Ron unfairly because it’s not about their name in most of these scenarios and entirely about other emotions that AlSev-Ruby has no earthly idea how to handle or express in a healthy or constructive way, and they boil over very easily when people needle them about their name (and if it weren’t Ron on the receiving end of this, it would probably be James)

“and Snape’s portrait, whom AlSev-Ruby accidentally made respect them by going, ‘You’re a painting. You are oil on canvas, magically imbued with the real Severus Snape’s personality and memories. Snap at me all you want, but you can’t do anything to me that’s worse than what Rita Skeeter and Molly have been doing for my entire life so far. If you want to get to know me, instead of using me as some conduit for all of your lingering issues with my Dad, then cool, I’d like to get to know you, too. You’re the closest I can get to getting to know my real middle-namesake instead of the myth of him that’s been built up since the War. But if you’ve got nothing interesting to say, then please shut up and let me wait for the Headmistress in peace’ in their first year, if not as eloquently because they were eleven and being Sulky™”

As much as I still hate being compared to her, even accepting that I totally deserve it, Hermione Granger is another easy one for me to get into and always has been. The hard thing with her is not reducing her to either Perfectly Perfect Hermione (which JKR can even fall into some times, like when Hermione hexed the DA sign-up sheet and it scarred Marietta’s face without regard for how Umbridge is the one to blame in that situation and not Marietta) or some joke about some of the times in canon when she was Over The Top about something, in ways that Harry didn’t entirely get so the narrative treats them as Totally Hilarious, even though SPEW (for example) is actually not funny when held up to scrutiny and Hermione works so hard at school out of deep-set fear of failure and being dispensable, and probably also fear that maybe she doesn’t belong in the magical world

Luna Lovegood is also pretty easy for me, though the hard thing with her is trying to make sure that I write her thought processes honestly but in a way that makes sense for the reader (it’s a variation on the big problem of stream of consciousness writing, where writing actual facts stream of consciousness looks like Finnegan’s Wake and is tedious as fuck to read, so Luna has to be close to stream of consciousness but tamed enough so that the experience of reading anything written from her POV is more likely to be enjoyable, and less likely to be like getting hit upside the head with a tire iron labeled, “IT’S ART OKAY, IT’S NOT FOR YOU”).

Then, Remus Lupin is by far the easiest of the Marauders for me to write, and Andromeda Black Tonks can actually be pretty hard for me sometimes, but she’s easier than either of her sisters and still one of the easiest MWPP-era characters for me, period.

And as far as non-HP characters go: well, my other biggest source of fandom writing in the past while has been Teen Wolf, and the top five easiest kids for me there are Scott McCall (to the surprise of no one ever), Kira Yukimura (#still bitter),

“Camden Lahey (but lbr, he’s pretty much just an OC with a canon name because literally all we know about him in canon is, “Isaac’s older brother, on the 2005/6 swim team, died in the military” so the rest of it is shit that I wholesale made up and of course he’s easier for me to get into character with than, say, Allison — who is probably the third easiest of the ladies for me to get into character with, after either Braeden or Malia but it depends on the day — because Allison has, like, actual canon shit to deal with and Cam…… kinda doesn’t.

Like, all of the vaguely Actual Canon shit that he has to deal with is stuff that’s off in the realm of extrapolation, interpretation, and, “Hey, nothing in canon says that he DIDN’T visit Derek and Laura in New York on his way back from his first visit home during his service, or that he DIDN’T drag Derek uptown to see Patti Lupone as Mama Rose because Cam is a Fanboy for reasons relating to his and Isaac’s late Mother, or that they didn’t argue at the intermission about how IT’S A MUSICAL DEREK STOP TRYING TO QUESTION WHY THE CHARACTERS SING JFC IT’S LIKE I DON’T EVEN KNOW YOU”

or, “lbr, Derek is as subtle as a brick hitting you in the face at 5,000 mph and Paige canonically figured out that he was a werewolf anyway, so I don’t think it’s entirely implausible that, if we accept the idea of him and Cam being friends — and Cam being one of the only people who, like, genuinely likes Derek, instead of tolerating him because he’s okay at basketball and his family is rich — then Cam probably figured out that Derek and Laura are werewolves, and if that’s the case, he probably got trotted over to the Hales’ place so Talia could give him third-degree about whether or not he’s with the Argents or any other hunters.

“And, because he was like fifteen and had literally just found out that supernatural shit is real, Cam probably showed that he wasn’t a hunter by getting way too excited about hearing which magical creatures are real and temporarily shelving his hate-on for Talia to be all, ‘oh my god, are vampires real? can they infect werewolves? could Derek be like, a vampire werewolf, how would that even work’ or, ‘so silver bullets don’t hurt you, but what about someone saying your True Name? is True Name magic real?’ or, ‘do seances actually work? I’m totally not asking because I want to try and perform one to contact my dead Mom, I just want to know, like. For curiosity’s sake. Yeah……’”

[spoilers: Cam was TOTALLY asking because he wanted to try and use a seance to contact Eleanor. Derek and Laura had to stop him from trying to do the thing no fewer than eight times before Cam and Derek graduated. To his credit, Derek at least skipped trying to give Cam any kind of lecture, but tbf, he did that because he knew Cam would argue back at him about how Derek had no right to tell Cam that he was doing something stupid and dangerous and playing with things that he didn’t understand, and that Cam’s argument would probably be more than fair.

This did not stop Laura from giving Cam the lectures that he completely deserved, though, because: 1. he was essentially walking up to a big red button labeled, “do not push” and trying to push it without even reading the owner’s manual or the informational plaque on the wall that had a full explanation of why you shouldn’t push the button, and he KNEW that he was doing this, but he felt like it was all going to work out TOTALLY FINE because he wanted his Mom to be not dead and in lieu of that, why can’t he have a seance, Laura, UGH;

and 2. because, unlike Cam and Derek, Larua generally doesn’t do shit that’s too horribly stupid or that has completely awful consequences (…mostly), so she had an actual high-ground from which to give Cam these, “don’t screw around the magic, what the fuck are you thinking” lectures and wasn’t intimidated by Derek’s loudmouth little friend who, like, actively repels everything that even vaguely resembles chill.]

—so, anyway, the point is that I can pretty much do whatever I want with Cam and it makes him a lot easier to write. Laura is a similar case of, “this character is easy for me to write because I made her up,” and in fairness, a lot of my characterization for Braeden is headcanon, too. It’s just headcanon that has more of a basis in canon than Camden and Laura do.

I mean.

Except for parts like Braeden’s twin sister Belladonna who is a ballerina because fuck Jeff Davis, that’s why and also the only family member Braeden still talks to on any regular basis, and their parents who teach at Miskatonic University because I’m pretty sure it’s in the public domain at this point so nyeh, I’m gonna use it, and also they’re in the know about the supernatural but part of a group who has a policy of strict non-intervention, which Braeden thought was bullshit so she set out to do her own thing, which initially involved more plans to help people…… but then she learned that a girl’s gotta eat, and the mercenary work got started.

Also, she will wipe the floor with you at karaoke. Because I felt like it, that’s why.

Yeah, that’s all pretty, “this is not even remotely implied by canon and I wholesale made it up because canon wasn’t giving me like any damn Braeden backstory beyond the barest implications and I fucking felt like it, so there. PS: fuck Jeff Davis.”)

Derek Hale (I’m not always proud of this fact or entirely thrilled about it because when I get into Derek’s head, I take a lot of things from his canon characterization — especially in earlier episodes, before he started trying to be less of a jerk and discovered that: 1. he sucks as an Alpha, and 2. he loves Scott sooooo much — to their logical conclusions and his head is usually not a very pleasant place to be.

Like, he’s my werewolf disaster and I begrudgingly love him but we’re still talking about a guy who, when I write him, makes leaps of logic like, “Well, Cam said to look out for Isaac because he’s not here to do it himself. That is totally the same thing as giving me verbal permission to stalk his baby brother and manipulate him into accepting the Bite, very good plan, way to go, Derek!! :D” and thinks that, “Scott kissed ME first and didn’t explicitly SAY that he’s NOT 17, therefore I’m totally not obligated to ask him shit about shit or consider whether or not he’s having sex with me as a form of emotional self-harm” is a completely valid conclusion and way of doing things

He’s also a guy who would do things like cheat on Braeden with Cam and Cam with Braeden, while telling neither of them about this, and then when he gets arrested for doing something ridiculous, he would call both of them to come get him at the Sheriff’s station because he’s pretty sure that one of them will be mad and decide to just leave him there to think about what he’s done this time — which would end up in both of them coming, and figuring out that they’ve both been getting cheated on, and skip right past the, “being mad at the other cheated upon party” part to the part that’s more like,

“going for coffee and complaining about the fuck-up they’ve both been dating and making fun of things like his secret One Direction blog, or the Star Wars fanfic he writes where his blatant self-insert OC gets to bang Han, Leia, Mara Jade, Lando, both of the Solo twins, and Padmé (in some wonky shenanigans involving time travel) — oh and sucks for Derek, but Cam and Braeden decided to tell Parrish to just leave him in his holding cell because fuck him, they’ve been getting cheated on so he can just call Laura and beg her to come save his ass tonight”

negl, one of my favorite places to put Derek in non-supernatural AUs is prison. How he wound up there usually involved him killing Peter, and it sometimes involved him panicking and hiding Peter’s body under the floorboards because he’s a loser who thinks Edgar Allan Poe is actually a good model for How To Handle Murdering Someone, and…… yeah, I just. I love Derek, he’s easy for me to write, but he’s a disaster in ways I don’t always feel like dealing with, so sometimes, he gets to just go the fuck to prison so I don’t have to deal with him today.)

and……… ugh, I can’t pick between Danny Mahealani and Jackson Whittemore for the number five spot, but both of them are really easy for me, and like. Jackson, I am still vaguely ashamed of, but I don’t feel that bad about it because I got here by virtue of writing him when Astrid and I RP’d TW stuff together and she didn’t want to just talk to herself for ages by writing Isaac and Jackson, and I refused to half-ass it with Jackson and found a way into his head and here we are.

And Danny as I write him is, in a lot of ways, only somewhat less of an OC than Cam and Laura, so…… basically, that.

And bonuses, because I like talking about my legitimate OC’s, oops: Margot, Pete, and Sebastian are the easiest for me to write at the moment but in fairness, that’s largely because I’ve done the most work developing them as characters, relative to everyone else in the cast.

Like, Todd (who is officially Seb’s “it’s complicated,” and Seb’s Gawain Stacy, if you ask Pete — or sometimes even if you don’t ask Pete, because he will totally tell you this whether you like hearing it or not, especially if your name is Sebastian) — Todd has this notion that he, Margot, and Seb are basically gay boy!Hermione (Todd), lesbian!Harry (Margot), and, “Ron but like what if his family had Malfoy money and he was gay” (Seb). He’s not entirely wrong (and their Houses map onto the Trio’s secondary Houses because of course I know my OCs’ Hogwarts Houses, like why would I not know that)

(This whole Thing of Todd’s actually STARTED because I knew that he is a Ravenclaw, Seb’s a Hufflepuff, and Margot’s a Slytherin, and went, “lol, it’s like the Golden Trio in an AU where none of them wound up in Gryffindor, heh”)

and it makes sense that this is how Todd sees things with them because the three of them found each other in undergrad (though Seb found Margot when their RA paired them up for some “getting to know you” thing during orientation because they were the tallest and the shortest people on the hall, and he found Todd at the first meeting of the campus LGBTIQ students organization, had a crush at first sight on the cute chubby guy in the hot pink t-shirt with the screenprint of the Pink Flamingos poster, and totally meant to go be Super Cool about asking Todd out……

……buuuuuut he got excited and instead it came out like, “Hi, oh my god, I love your shirt, you like John Waters, I love John Waters, he’s my hometown hero, oh my god hi hi hi, my name’s Sebastian what is yours do you want to go get coffee, please be my friend, do you like Rocky Horror too? there’s a theatre a couple blocks from here that does a regular shadow-cast, we should totally check it out, I have just met you and I like you please be my friend” instead of like an actual date invite. And he totally called his Mom later that night to go, “MOM, I MADE ANOTHER FRIEND. TWO IN TWO DAYS, MOM. yeah no i still kind of hate my roommate he’s a jerk BUT I HAVE TWO NEW FRIENDS MOM”

………He was very lonely before undergrad because his only constant friend who wasn’t one of his siblings and didn’t shun him after he got outed at Catholic school [though technically, he sort of outed himself in an attempt to spare his boyfriend/best friend from being outed because Seb’s parents already knew he was gay and were totally cool about it, but Damian’s parents believed in reparative therapy and his uncle was the priest at their Catholic school, so him getting outed was really not an option]? Yeah, that only friend was Pete. But I digress.)

Anyway, Todd’s view of things is a little skewed by how he’s lived them, and strictly speaking, trying to map any of my kids onto the Golden Trio and Company is going to end up being a discussion of archetypes and tropes more than anything else because…… But they’re not the Golden Trio and Company.

There are some similarities, but they are mostly in the realm of archetypes AND the ones that aren’t quite as trope-y happened by accident (like, when I noticed that Seb actually does have quite a few similarities with Ron, aside from having Malfoy money — right down to his dad having an A name (Abraham) and his mom having an M name (Marceline) — I went, “well, FUCK” and started trying to get some of those similarities to be…… less so? Because…… Seb’s not Ron. And I don’t want him to be too overly similar to Ron because I want him to be himself, in his own right.

Fortunately, though, Ron isn’t a filthy rich, gay recovering addict who’s been living with undiagnosed major depression for his entire life and sort of accidentally stumbles into finding his mutant superpowers, and whose abusers aren’t his parents — because Abe and Marceline are pretty chill and have been fab to all four of their kids — but rather a series of douchebag ex-boyfriends who [unlike Molly and Arthur] are for real in-text acknowledged as being abusive jerks, and that’s a pretty solid start on Seb Is Not Ron)

But if you were going to try to do the Golden Trio And Company map here, then Todd would probably be Ginny, actually. They don’t have a lot in common, but there are some points of crossover, and the biggest one for me at the moment? Is that right now, I’m guilty of something that I bag on JKR for doing all the time, which is, “Ginny is a great idea for a character but you didn’t fully actualize her like she deserved in the text, you regularly reduced her existence to being Harry’s Significant Other, and it’s frankly bogus, Joanne” — and I’m aware of this, so I’m trying to fix it by working on Todd as a character

But I’m also trying to not spend forever fine-tuning every last detail about a story and then not having a draft of it so much as I have a two-foot stack of print-outs about different parts of it that kinda sorta look like a complete picture when you arrange them just so and tilt your head slightly to the left. So, basically, at the moment? Getting Todd to be more fully realized is on my List Of Shit To Do, but it’s way less of a priority than, “actual complete draft of this train-wreck” because I can do some of this work in revisions and rewriting

But since I opened this door anyway and want to complete the thought for the amusement factor:

Seb, obviously, is Harry in the bigger picture, even if this is mostly based on, “Harry is The Protagonist of his series, and although MY series is ultimately going to be more of an ensemble cast thing, Seb is the focal character for the first book because, in fairness to all the others, he was here first”

Todd is Ginny for the reasons that I just said

Pete and Margot both have very fair claim to being either Ron or Hermione, so they could arguably take turns, and ultimately, the big reason why I’m going to say Pete’s Ron and Margot’s Hermione?

is that Pete has two older siblings and some Issues with both of them (though he’s working them out with his sister, and not so much with his older brother) and has been Seb’s friend longer

while Margot’s an only child and they have totally used the, “we’re both gay, we love each other like brother and sister” line when they don’t feel like explaining their no romo soulmates kind of relationship to people (and sometimes when trying to make Seb’s siblings be less…… not pleased that Margot is so important to him, because to varying degrees, all three of them kinda sorta blame her for some of his problems in ways that she doesn’t entirely deserve)

Lucy is Neville but, like, a plucky ginger lesbian. This is probably one of the comparisons that looks a lot more like reaching, because on the surface, Lucy has a lot more in common with Ginny outside of their roles in the plot — but the thing is?

Even once I get Todd to be more developed, and even if he and Seb aren’t endgame (which was my original plan and I might stick to it but they have a LOT of shit to work on before they can go there so we’ll see how that goes), Todd is still going to be Ginny’s closest analogue to me because the ideas of them and their arcs are closer than anyone else’s (though in fairness, my idea of Ginny and her arc isn’t necessarily anybody else’s because JKR botched writing Ginny so much that this is almost, “room for wild mass guessing” instead of, “room for interpretation”)

Whereas…… yes. Lucy comes on strong, she’s a plucky go-getter who would probably try to fight the sun if she thought the sun was looking at her girlfriend funny, she’s a complete loudmouth and not always in ways that are conducive to anything, she’ll call you on your shit but usually without realizing that she’s saying something she needs to be hearing too, she tries too hard to do everything on her own and usually needs to experience some kind of big setback before she’ll consider accepting help with anything, and she will probably shout at someone while telling them to go calm down because they told HER to calm down.

Also, she’s the only one in my main ensemble cast who’s a legit Gryffindor, for better and for worse (Pete is a Slytherin — though in fairness, Gryffindor is his secondary House [he is aware of this, thanks to an ex of his who made him get Pottermore Sorted and was dead shocked when he wound up in Slytherin, but he has no idea what this means but he’s offended by it because Gryffindor’s colors are red and gold and no thanks, he doesn’t like how he looks in red and gold. He loves how he looks in green and silver, though] — and Josie’s a Ravenclaw)

—but a lot of how Over-The-Top Extra™ she is? that comes out of insecurity and trying to be various things that aren’t true to herself, because she deeply believes that she isn’t good enough. Granted, a big difference between her and Neville is that, while Neville spends a lot of time in the early books being terrified of his potential because he might screw up and prove right everyone who’s ever called him useless, Lucy instead tries to outrun her all of feelings of self-doubt and self-loathing instead of dealing with them, and basically plays a game of, “if I ignore them and just act like the popular idea of me — or like the me I want to be — but louder, maybe they will go away!!”

She’s going to be shocked when this catches up to her, because when she first shows up in the story, she’s of the mind that hey, she has accepted that she’s a lesbian — even if she’s only out to a small handful of people because…… uh, she’s Damian’s baby sister and their parents are still Not Really Very Safe to come out to. Their dad is probably going to die without Lucy coming out to him and she has VERY fair reasons for being afraid that he’d disown her for this — but!!! She has still accepted this!!!! Clearly it was the ONLY THING in her life that she wasn’t at peace with and now she IS so everything is going to magically be ALL BETTER NOW RIGHT!!!!!

No, not really, Lucy. Your sexuality is just one of the things about yourself that you aren’t at peace with.

Lucy’s response: *throws herself even harder into trying to outrun her self-doubt and being completely disingenuous to herself in the process, while trying to smile and laugh like nothing is wrong even though it really blatantly is*

So, that’s all going over about as well as you’d expect (i.e., not very well, not even a little bit whoops), and a lot of her arc in the series is going to be about finding peace with herself and finding her own ways of being a hero that may not necessarily line up with any more conventional expectations thereof, or even her own preconceived ideas of How To Hero Good, and yeah. She’s Neville, but like, a plucky ginger lesbian.

Also, she and Seb are foils for each other in a loooooot of ways that make them mapping onto Harry and Neville make more sense than trying to make Lucy map onto Ginny, in structural terms

Josie is Luna, and I’m short-changing my genderfluid empath child a lot right now but I’ve also been writing this post for WAAAAAY longer than I intended and ahahaha, everyone’s probably bored

And Conrad is Draco Malfoy, but absent any of the excuses that fans love making for Draco (especially not the age thing, like. Draco behaves in a LOT of ways that are completely unacceptable for any person of ANY age, but I will acquiesce that his age is a contributing factor in some instances because he’s a freaking CHILD. Conrad’s not, though. Like, Conrad is 46 and the oldest member of the main cast in the first book. Conrad gets no excuse for his bullshit based on his age.

He also doesn’t get to claim anything about being terrified for the safety of the people he cares about, because…… uh. While I think that the HP fandom oversells that point re: Draco in HBP because at first, he was completely gung-ho and proud of himself for joining a group of Pureblood supremacist domestic terrorist fascists, Draco was still abused and manipulated by Voldemort here — and during the entirety of HBP and DH — and…… well. Conrad was lied to and played by people who are even bigger douchebags than he is, yeah. But he wasn’t sold on joining the neo-fascist supervillains by having his loved ones threatened; he was sold on it by having his ego stroked and only giving a fuck about how this could benefit him)

So, basically, Conrad is Draco with even fewer redeeming qualities

Given that I think Draco only has, like, TWO redeeming qualities, or maybe three on a good day (and that’s debatable because at least one point here is, “it’s not really a quality of his own so much as the fact that I hate victim blaming more than I dislike Draco”), uh

Yeeeeeeeeeaaaaaaaaaah, no.

Conrad is only not The Literal WORST EVER because there are other douchebags in his neo-fascist supervillain club who are even worse than he is.

i just love my oc mutant weirdos a lot, thank u for reading