#TESo

[ilona-art]

𝐓𝐡𝐞 𝐁𝐨𝐲 𝐚𝐧𝐝 𝐡𝐢𝐬 𝐒𝐢𝐥𝐭 𝐇𝐨𝐩𝐩𝐞𝐫

[triciaisonline]

happy pride to the jarls of skyrim and the way they sit on their thrones.

[coyote-ralyn]

Nirnroots!

[relan-daevath]

Hm, well. I am a bit shocked. 19 jule 2020 i posted this fanart with Sotha, Vivec and Almalexia.

Now I see my very version… in ESO crown skin.

It's.. well… strange.

I really did a lot of work. Now, the new TESO skin:

Should they... well... say to me something? "Hello" or "we'll sell your art as an in-game skin, you are so wonderful Relan Deavath, come and get your NOTHING AT ALL you are welcome, kisses".

He, he, he. Meh. I have PSD and all proofs the art is mine, but what should I do? )) Just yell in anger I think

[palmiarka]

If House of Troubles were a band, Molag would sing and play double-neck guitar, Malacath would play bass, Mehrunes Dagon would be smashing the drums, and Sheogorath would try to fit in with a tiny Korg.

[sweetieastory]

I just drew one of the guild characters in teso

the character's owner describes him as one of the House of Dagoth

[lotusfaebell]

“ You sought the truth for years, but did the revelation justify the sacrifices you made along the way? “

⊱ Done by PaniWolf ⊰

[unohdukseen]

Balmora

[sneakygreenbean]

so we all know that the 36 Lessons of Vivec is considered Vivec's confession- and apology. But what I think yall are sleeping on is the Fables of Almalexia, both the Homilies and the Fables for morning, afternoon, and evening.

Each story in the four books written by Almalexia ends with a moral or lesson, and it is not uncommon for one of the Tribunal to feature in the stories as well. While a few lessons are based on real world fables (such as the Boiled Kagouti or the Gifted Guar), many of the others had lessons that directly related to the flaws and stories of the Tribunal. I think these fables that likely every dunmer child who went to temple heard, were all confessions of their own, and warnings just the same as the 36 Lessons.

Obviously, I don't care about all of these, you can read them yourself and come to your own conclusions, (hell, even synthesize them with some of the 36 Lessons, that would be fascinating for me to read) but I do want to talk about a few of them.

"Sotha Sil and the Scribs" has the moral "And so Sotha Sil discovered that the idle amusements of one may be the solemn tortures of another.", and looking on Sil's character in The Elder Scrolls: Online it is obvious that he sees mortals- even his own disciples- as somewhat lesser than him. And as a god, this belief is not wholly undeserved. Sotha Sil is significantly more powerful, older, and in many quantifiable ways *better* than the mortals he rules, that's just in the territory of being a god. But when the mortals- the scribs, in the fable- suffer, Sil is at best distant and apathetic, seeing suffering as not only not his responsibility, but also inevitable. Luciana Pullo's diary shows us a lot of what this looks like from the perspective of a mortal, even a powerful, interesting mortal that Sil obviously respects.

in "The Tallest Shroom Beetle", a beetle ""ascends"" by climbing, and is killed by a cliff racer. The moral here is stated to be "forsaking one's nature brings nothing but ruin." which would read as terribly hypocritical if taken at face value. The Tribunal, who were once mortals, warning others not to forsake their natures, to me more likely shows regret than hypocrisy.

In "The Friendly Alit" the lesson we are to learn is that "that which we hate in ourselves is often our greatest gift". Sotha Sil is the easiest to compare this to when we see his relationship with time- more on that later. I have thoughts on Almalexia that cannot be summed in a tumblr post about childrens fables, but believe me when I say I've been thinking about her. Despite this, I don't have an answer for what Almalexia might hate most about herself- she is the member of the Tribunal that we know basically nothing about before she becomes a god, her backstory being swallowed by her marriage to Nerevar. She is basically shown as having no weaknesses, and her actions are difficult to interpret even at face value.

Certainly related is the idea of Almalexia or one of the other Tribunal admitting their flaws (it is worth noting that in the Homilies, Almalexia is directly cited as the author, whereas in the Fables for Morning, Afternoon, and Evening, there is no author given. We have *assumed* that these were written by Almalexia, I mean, her name is on the cover, but it is only listed as a group of fables.)

in "The Crow and the Netch" the moral is "none can change their own weakness". Once again I think this is related to the hindsight we see in "The Friendly Alit", which seems to suggest that, if we are to seriously consider these fables, they might show the regret of the Tribunal. Each sees themself as weak in their own way, and even after sacrificing everything to destroy that weakness, they are still the same.

Related, in "The Child of the Councilor", the lesson learned is "We often forget to be thankful for what we have, when thinking only of what we want."

Many of the Homilies can be seen as confessions of regret, hindsight regarding limitations, and most importantly, flaws. I will probably end up writing an essay on this when i get around to it because I'm really normal

[yamikuruku]

Ireh 💕 One of my teso ocs that deserves more love

[blighted-elf]

The Elder Scrolls Online: Clockwork City - “What do you think of Vivec?”

[ilona-art]

Silt Strider Migration. A piece I developed from a doodle made during the event in Amsterdam. For some reason I keep coming back to Morrowind...

[ddeathbody]

inspired by the track "Red Flags"

[risaho]

“I pray to myself that my calculations are correct.”

[arizonaranger]

Yeah, I drew this a year ago and forgot to post it here....

[palmiarka]

Little did he know it was Alik'r desert.