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aion-rsa · 4 years

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The Teleprompter Interview: Daniel Mays ‘I’d jump at an Ashes to Ashes Return’

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‘He pops up absolutely everywhere doesn’t he?’ says Daniel Mays about his Code 404 co-star Stephen Graham. You could say the same of Mays. A draw on any cast list, between them in the last year alone they’ve appeared in almost 20 major titles – 1917, Good Omens, White Lines (Mays), The Irishman, The Virtues, Line of Duty, Save Me (Graham) to name just a handful.

Why Mays and Graham are in such high and regular demand is no mystery; they’re two of our best. Mays has an instant affability on screen that he’s able to turn to tragedy or comedy or both at once. Graham’s characters are often the reverse, unknowable and dangerous before he lays their vulnerabilities bare.

In sci-fi comedy Code 404, they play detectives with a tangled personal history. Mays is a DI unexpectedly brought back from the dead via some bug-ridden experimental AI tech. Graham is the trusty partner who’s been keeping his colleague’s wife (Anna Maxwell Martin) company during his absence.

Already renewed for a second run, Mays tells Den of Geek it’s the most binge-watched show on Sky in eight years. “We’re all buzzing about doing another series.” As the first is released on DVD, he talks us through his TV memories…

Which TV show inspired you to start your acting career?

Robbie Coltrane in the Jimmy McGovern drama Cracker. I find his stuff heart-breaking at times but it’s astounding social realist television. Any script written by Jimmy is nuanced and powerful. He’s one of this country’s most amazing writers.

More than anything though, it was Robbie Coltrane’s performance. I remember all the incredible performances, Robert Carlyle as the skinhead with those fantastic interrogation scenes, Christopher Eccleston… but Coltrane as this antihero, a gambler and a womaniser and a drinker, a maverick copper, he was amazing.

That and Prime Suspect.I could go further back, but in terms of when I was really getting serious about becoming an actor, those were the two that were compulsive viewing. I’ve subsequently gone on to work with Jimmy McGovern so it feels like it’s gone full circle.

Which TV character did you want to be when you were younger?

As a kid I was really into The A Team and whassisname, David Hasselhoff! Michael Knight from Knight Rider. As a kid I was obsessed with that show. I had all the action figures. That car was so cool wasn’t it? And when he did the turbo boost and jumped over everything!

In The A Team I probably wanted to be Face, but in reality, if I was to be cast as anyone now it wouldn’t be Face [laughs], it would be Murdoch wouldn’t it?

And which TV character would you like to be now?

When I was working, I didn’t really watch much telly at all but obviously that’s all changed now we’re in lockdown. Before, I hadn’t ever delved into The Sopranos, and I love that character, Tony Soprano. If I could pick one TV character I’d like to have a go at now, that’s the one.

Has any TV programme ever given you nightmares?

Oh man, I’m telling you! There was an ITV adaptation of Jekyll & Hyde with Michael Caine. I’m going back years and years, I must have been about 10 or 11. The make-up that they used in this show when he changed from Dr Jekyll to Mr Hyde, the Hyde make-up was absolutely terrifying, to the point where it really affected me.

I was far too young to watch it and I even had to sleep in between my mum and dad at 10 years old, I was absolutely petrified of that character. Even in preparation for these questions, I went on YouTube and typed it in and there he was again, petrifying, even today!

When did you last laugh out loud watching TV?

The new Alan Partridge when he’s doing the talk show with Susannah Fielding, that particular sketch when he was attempting to use the toilet on the train without using his hands, when he went into that whole routine of opening the door with his knee. Anything with Alan Partridge I find absolutely hysterical.

I’m an absolute sucker for Only Fools and Horses as well. I’m such a die-hard fan of that show and whenever that pops up on UK TV or Gold, if I end up watching five minutes, I have to sit down and watch the whole episode. I’m such a lover of that relationship between David Jason and Nicholas Lyndhurst, I think it’s absolute gold, all of those characters, John Sullivan’s writing, it’s part of my fabric growing up. It’s probably my favourite ever TV show.

Name an iconic TV moment for your generation

The opening ceremony of the London 2012 Olympics was an amazing moment of television isn’t it? It started out in like a farmyard [laughs] and I remember thinking, ‘what have we got going on here? We’ve got the eyes of the world watching us…!’ But it then proceeded to be the most engaging and emotional extravaganza. In terms of Olympics opening ceremonies, nothing comes close to that, even in Beijing when you had that huge number of people. It was so brilliantly British. I don’t know why I ever doubted Danny Boyle. He hit it out of the park.

What was the last TV show you recommended to someone?

I recommended Save Me, the Lennie James show. I watched the second series of that in lockdown and the second series was even better than the first, and I absolutely adored the first series. I thought that was an absolute breath of fresh air, I think it was really amazing that Lennie had written this piece set on a sink estate and yet it felt vibrant and I loved the characters. It was just a wonderful piece of television. They’ve got to do another series. I definitely recommend that.

Life on Mars Creator Wants to Bring Back Sam Tyler

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Starring your Code 404 co-star Stephen Graham

Yes! He pops up absolutely everywhere doesn’t he?

Which TV show does everybody keep nagging you to watch that you haven’t yet seen?

Ozark and Succession. They’re two shows I’m yet to delve into really. They’re two on my list I’ve got to tick off, along with everything else!

Which TV show would you like to bring back from the dead?

There’s all this talk that there’s going to be a final instalment of Life on Mars and Ashes to Ashes, which I keep hearing rumours about. From what I’ve read, it’s more based around what happens to John Simm’s character Sam Tyler. I don’t know if it’s going to be a modern-day thing but I always wanted to see Gene Hunt in the 90s. It’s difficult to make that happen because Ashes to Ashes was sewn up brilliantly. I’m sort of hesitant to say it should come back but Gene Hunt is such an iconic character and Phil Glenister was so incredible in that role.

I’ve always gone on record and said that Jim Keats – the character I played, the devil – was one of the most enjoyable things I’ve ever done so if there’s an opportunity to play that role again, I’d jump at that. Is it egotistical of me to pick a show that I’ve been in myself?!

Which show do you wish more people would watch? If you were forced to pick another one of yours?

I did a single drama on BBC Two called Mother’s Day about the Warrington bombing. That’s a really important moment in history and it’s such a heart-felt drama. If anyone’s not seen it, that would be something I would recommend to people to watch. It’s not for the faint-hearted.

Have you ever done fancy dress as a TV character?

[Laughs] I went to an EastEnders fancy dress party dressed up as Frank Butcher! My then-girlfriend went as Pat so we were Pat and Frank. Then when I got there, there was another guy dressed up as Frank Butcher but he was gangster-Frank so he had all the bling on. We had a bit of a Frank Butcher-off.

Tell me you were the Frank Butcher with the spinning bow-tie?!

[Laughs] I didn’t go that far! Actually, scrap the Olympics opening ceremony, do the Frank Butcher bow-tie as the most iconic moment of my generation [laughs].

Which TV theme song do you know all the words to?

I know all the words to Friends and I have to say, Only Fools and Horses again, whenever that comes on I always end up singing all over it.

Which TV character would you like to beat in a fight?

What’s the TV show that The Rock does? It’s set in LA, Russell Brand’s been in it as well. I wouldn’t mind beating up the Rock, because my wife loves a bit of the Rock! So I could beat him up in a TV drama. Who wouldn’t want to beat The Rock up?!

What is the most fun you’ve had making television?

White Lines for Netflix, without a shadow of a doubt. That’s a complete no-brainer. The locations, the character I was playing, the actors I was working with and the scripts were just absolutely brilliant and bonkers. Fingers crossed we get a second series.

If you get a second series, your character Marcus has quite a different role set out for him, doesn’t he?

Yeah! He’s going to become the drug baron of the Calafat family. It’s all to play for isn’t it, especially for Marcus, the whole thing’s been left wide open for him to get into all sorts of mishaps and scrapes.

That character was probably the most enjoyable character I’ve played, him and Jim Keats. I just had such a ball, he was so funny and he had this sort of tragedy to him as well. He’s just so hapless. The thought of Marcus in Colombia or Bolivia or wherever just makes me howl even thinking about it.

And when else do you get to give mouth-to-mouth resuscitation to a dog?

That’s true! I forgot I did that scene. That’s mad isn’t it. Though I actually only punched the dog’s chest. At one point I did say ‘Shall I give the dog actual mouth-to-mouth?’ and the director Nick Hamm said ‘I think that’s too much Danny, even for this show.’

Code 404 is out on DVD & digital 6 July.

The post The Teleprompter Interview: Daniel Mays ‘I’d jump at an Ashes to Ashes Return’ appeared first on Den of Geek.

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moosterrecords · 7 years

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King Kong

To Open on Broadway in Fall 2018

At the Broadway Theatre

Written by

Jack Thorne

Score Composed and Produced by Marius de Vries

With Songs by Eddie Perfect

Direction & Choreography by

Drew McOnie

Producers Global Creatures (CEO Carmen Pavlovic) and Roy Furman are pleased to announce that King Kong, will arrive on Broadway in the fall of 2018 at the Shubert Organization’s Broadway Theatre.

King Kong’s first preview, press opening, and on-sale dates will be announced in the coming months. King Kong will play the Broadway Theatre following the limited engagement of Miss Saigon which as previously announced will begin its North American tour in September 2018. King Kong is written by Jack Thorne, who received the 2017 Olivier Award and the Evening Standard Award for Best Play for Harry Potter and the Cursed Child, and wrote the critically acclaimed play Let the Right One In. The show will be directed and choreographed by Drew McOnie, an Olivier Award winner for the London production of In the Heights and an Olivier Award nominee this year for Jesus Christ Superstar. McOnie directed the U.K. premiere of Baz Luhrmann’s Strictly Ballroom The Musical, and the recent London productions of The Wild Party and On the Town. The score for King Kong is composed by four-time Grammy nominee Marius de Vries (the films La La Land, Moulin Rouge, and Romeo + Juliet) with songs by Helpmann Award winner Eddie Perfect, composer and lyricist of the Broadway-bound Beetlejuice, Strictly Ballroom The Musical and Shane Warne The Musical. Pioneering creature designer Sonny Tilders developed Kong for the show, bringing together the worlds of animatronics and puppetry that has never been seen on stage before. Tilders was honored by the Helpmann Awards, Australia’s highest theatrical honor, for Outstanding Theatrical Achievement. Carmen Pavlovic said, “I’m thrilled that King Kong will be coming to Broadway next season led by Drew McOnie and Jack Thorne, who will bring a new dimension to the telling of Kong’s story. Drew’s physical world will allow Kong to live in ways we never thought possible, propelled by Jack’s text and the score and songs written by Marius de Vries and Eddie Perfect.” Producer Roy Furman said, “King Kong is a quintessential New York story and I’m proud to be involved in this historic production. Our team is creating a theatrical experience that we hope will astound audiences, while delighting them with its heartfelt storytelling." Based on the novel of the original 1933 screenplay, the stage show of King Kong is a contemporary take on the classic tale of beauty and the beast. King Kong’s design team for Broadway will include Peter England (Set Design), Sonny Tilders (Creature Design), Roger Kirk (Costume Design), Peter Mumford (Lighting Design), Peter Hylenski (Sound Design), Gavin Robins (Aerial and King Kong Movement Director), King Kong is authorized by the Merian C. Cooper Estate. Casting, additional members of the creative team, and ticketing details for King Kong will be announced at a later date. BIOGRAPHIES JACK THORNE (Text) writes for theatre, film, television, and radio. His theatre credits include Harry Potter and the Cursed Child, Hope, and Let The Right One In, all directed by John Tiffany; Junkyard, a Headlong, Rose Theatre Kingston, Bristol Old Vic and Theatr Clwyd co-production; The Solid Life of Sugarwater for Graeae Theatre Company and the National Theatre; Bunny for the Edinburgh Fringe Festival; Stacy for the Trafalgar Studios; 2nd May 1997 and When You Cure Me for the Bush Theatre. His adaptations include Woyzeck, Old Vic; The Physicists for the Donmar Warehouse and Stuart: A Life Backwards for Hightide. On film his credits include Wonder, War Book, A Long Way Down, and The Scouting Book for Boys. For television his credits include “National Treasure” (2017 BAFTA winner), “The Last Panthers,” “Don’t Take My Baby,” “This Is England,” “The Fades,” “Glue,” and “Cast-Offs.” He won 2016 BAFTAs for Best Mini-Series (“This Is England ’90”) and Best Single Drama (“Don’t Take My Baby”), and in 2012 won Best Series (“The Fades”) and Best Serial (“This Is England ’88”). DREW McONIE (Director, Choreographer) is one of Britain's most sought-after emerging directors and choreographers. He is the Artistic Director of The McOnie Company and a proud Associate Artist at The Old Vic theatre. Drew won the Olivier Award for Best Theatre Choreography for In the Heights in 2016 and he was nominated for the same award in 2017 for the ground-breaking production of Jesus Christ Superstar at Regent’s Park Open Air Theatre. Theatre credits as director/choreographer include: On the Town (Regent’s Park Open Air Theatre); The Wild Party (The Other Palace); Strictly Ballroom (Toronto/West Yorkshire Playhouse). Theatre credits as a choreographer include: Jesus Christ Superstar (Olivier Award Nomination for Best Theatre Choreography 2017 – Regents Park), Kinky Boots (Malmo Opera), In the Heights (Olivier Award Winner for Best Theatre Choreography, WhatsOnStage Award Nomination for Best Choreography, Winner of the Off West End Theatre Award for Best Choreography – Southwark Playhouse and Kings Cross Theatre), The Lorax (Old Vic), Hairspray (BroadwayWorld Award Winner for Best Choreography – U.K. national tour), Bugsy Malone (Lyric Hammersmith), Oklahoma! (U.K. national tour), The Sound of Music (Curve Theatre Leicester), Little Red Riding Hood (NYB), Chicago (Curve Theatre Leicester), West Side Story (NYMT), British Style (collaboration with Matthew Bourne at Buckingham Palace – BBC), Laurel and Hardy (The Watermill), James and the Giant Peach (U.K. national tour), 13 (directed by Jason Robert Brown – West End), Tommy (European tour), Spring Awakening (German premiere – Frankfurt), The Full Monty (German premiere – Frankfurt), Kes (Liverpool Playhouse & U.K. national tour). For The McOnie Company: Jekyll and Hyde (BroadwayWorld Award Winner for Outstanding Achievement in Dance – Old Vic Theatre), DRUNK! (Curve Theatre Leicester/ The Bridewell Theatre London) which lead to him being nominated for the Emerging Artist Award at the National Dance Awards, Making Midnight (Jermyn Street Theatre/ Latitude Festival) Slaughter (Audience Choice Award Winner – The Place Prize), and Be Mine! (Robin Howard Theatre). Film credits include: Me BeforeYou (directed by Thea Sharrock) and Recordare: Days of Remembrance (pre-selected for the Cannes & Berlin Film Festivals). Upcoming projects include: choreographer of Stephen Sondheim’s Company (directed by Marianne Elliott for the new Elliott Harper Theatre Company in the West End). MARIUS DE VRIES (Composer) has won two BAFTAs, an Ivor Novello award, and four Grammy nominations. He is best known recently for his music direction and production on the multi-award-winning musical La La Land, which won 2017 Academy and Golden Globe Awards. Beginning his career playing keyboards for The Blow Monkeys, he has worked with artists such as Madonna, Bjork, David Bowie, Rufus Wainwright, Chrissie Hynde, Neil Finn, Annie Lennox, Bebel Gilberto, David Gray, P.J. Harvey, U2, Massive Attack, Elbow, Perry Farrell, Josh Groban, and many others. In the film and theatre world, he has collaborated with Baz Luhrmann, George Lucas, Andrew Lloyd Webber, A.R. Rahman, Zack Snyder, Daniel Kramer, and Stephan Elliott. De Vries' long collaborative relationship with Nellee Hooper was responsible for landmark recordings with Massive Attack, Björk, Madonna, The Sneaker Pimps, Tina Turner, and U2, and ultimately the soundtrack and score for Baz Luhrmann's Romeo + Juliet and the groundbreaking Moulin Rouge. Marius composed the score for Stephan Elliot’s The Eye of the Beholder and Easy Virtue. In musical theatre, Marius has worked with Andrew Lloyd Webber on Bombay Dreams and the sequel to The Phantom of the Opera: Love Never Dies. He also produced the cast album for Jerry Springer The Opera. In 2010, Marius contributed score and song productions to Kick-Ass and Sucker Punch, as well as co-producing an LP with Robbie Robertson. Another collaboration with Rufus Wainwright arrived in early 2016, an album of musical settings of nine Shakespearean sonnets, released to coincide with the 400th anniversary of Shakespeare's death, entitled Take all My Loves. Marius worked on George Lucas' animated fairytale musical, Strange Magic. He is now attached to Teen Spirit, starring Elle Fanning, directed by Max Minghella, and earlier this year he signed an agreement with the English National Opera to develop new and adventurous opera-related projects. He is also completing an album with The Pretenders’ Chrissie Hynde. EDDIE PERFECT (Songwriter) is one of Australia’s most diverse, respected and prolific writer/composer/performers, having made his mark in the fields of comedy, music theatre composition, playwriting, screenwriting, classical music, jazz and acting for stage and screen. Perhaps best known for his portrayal of Mick Holland on Ten’s Offspring, a judge on Australia's Got Talent, and as the new host of Play School, Eddie has won multiple awards for his work both as a performer and a writer. His stage credits include Baz Lurhmann and Global Creatures’ Strictly Ballroom, Malthouse Theatre Company (Babes InThe Wood, Drink Pepsi Bitch, The Big Con), Shane Warne The Musical, Keating! The Musical, Songs From The Middle in collaboration with ANAM, Iain Grandage and the UK’s Brodsky Quartet, Opera Victoria’s The Threepenny Opera and Opera Australia’s South Pacific. His solo music comedy shows (Angry Eddie, Drink Pepsi Bitch, Misanthropology) have received Helpmann and Green Room Awards, touring Australia, New Zealand, Edinburgh and London. His first play The Beast (for Melbourne Theatre Company) was a commercial and critical hit, before touring Australia with Ambassador Theatre Group in 2016. Eddie is currently writing a new play (Vivid White) for Melbourne Theatre Company, a musical adaptation of Beetlejuice for Warner Bros. Theatricals in New York, and is co-Artistic Director of Adelaide Cabaret Festival.

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