Aubrey Beardsley (1872-1898), ''The Studio'', Vol. 13, 1898
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I LIKE TO WEAR MY HUMAN SKIN OUTSIDE, IN DISGUISE
I CONTORT MY BODY INTO SOMETHING THAT YOU'D LIKE
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‘The Studio Almanac’ (1900). Poster design by Charles Robinson (1870-1936).
Bibliothèque municipale de Lyon.
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So where was Jimmy planning to go if he didn't decide to kidnap David lol
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Late nights in the studio.
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I assume the ask was deleted due to Issues but in response to the question if I have a better option to The Boss, sure I do! The Studio would be a better option, albeit a little more… complicated. For one, It’s a building of sorts, and for another It speaks through Host, who is not necessarily It. All you’d need to be is entertaining and It’d be hooked! You would have to accept It will be interested in others, though, but rest assured - you’d be treasured! Just don’t make a habit of participating in Games where you’d lose.
And then there’s Trick! Trick doesn’t entirely… understand humans, but you could convince it to avoid its less human-friendly ideas of how to be friendly with humans with a little bit of frank conversation.
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Barry Windsor-Smith: The Witch and Withering
The Studio (1977)
Front row, l Bernie Wrightson, Michael Kaluta, Jeff Jones.(back) Barry Windsor-Smith
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Room update...
Cosplay prints arrived, I had planned to just hang up the food themed ones in that corner but somehow it looked so lost I ... decided to make a full cosplay corner.
Plus ordered the (for now) last missing furniture as the Detolf gets discontinued here I had to order T_T .. otherwise we would have picked up the Kallax and I would have gotten the cabinet later on.
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Once upon a time (1902) - Ann Macbeth
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Anne French (1872-1965), 'The Picture Book', ''The Studio'', Vol. 38, #159, 1906
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Hollywood is a technological crapshoot. Table stakes open at a million dollars. It was true in 1968, it is true now.
John Gregory Dunne, The Studio
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What now?
Now it's my fucking turn.
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‘The Studio’ Almanac’ by West (1897). Poster..
Image and text information courtesy Bibliothèque municipale de Lyon.
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