#Tumblr and CF are the only places that receive my style well and I feel like I belong on both

[sidhedust]

Damnnnn, I get my work is an acquired taste but to post your art in a server and see one like/heart from a bot while the posts before you and under you have that bot heart AND real hearts from real people...ego DESTROYED rn just devastated lads

[kansetsukiss]

Winter 2018: First Impressions

The new year always comes with a bout of unwarranted confidence and energy, and what better way to spend it, I thought, than by keeping entirely up to date with the new anime season. (I say “entirely,” though I have clearly omitted several shounen / fantasy shows out of respectful disinterest, and Citrus, for reasons that may evolve into their own post.) Here are the first impressions of the season’s first episodes. I’ll be checking back in halfway through and at the end of the season to chart each show’s progress. Saa, hajimaruzamasu yo!

Ramen Daisuki Koizumi-san

Though they’ve since been deleted, the first episode of Koizumi-san encouraged two extremely negative reviews to surface on MAL. Why anyone would submit a formal review after one episode is beyond me (get a tumblr blog, you herbs), but why this of all shows should warrant such backlash also confounds me. Yes, it’s silly - it follows goofy lesbian Oosawa Yuu as she follows her crush, the enigmatic Koizumi, from one ramen eatery to another, while Koizumi rebuffs her flirtations and educates her on various ramen cooking styles. It should be pretty fucking clear from this set-up that we’re not in for a thematically dense thrill-ride - why is this Cute Girls Doing Cute Things show apparently that much worse than others with equally pointless premises? All this said, I’m certainly wondering if the show can expand on its small roster of characters and settings to fill a full cour. Stranger things have happened. I’ll be following along, if only to hear more of Ayaneru’s darling voice acting, dreamy sigh.

Yuru Camp∆

(Don’t forget that delta!) This season’s iyashikei delivers exactly what was promised on the package, resulting in not much to say about it at all. I’m not sure the ambience here is quite luscious enough to warrant this many slow shots (cf. Studio Ghibli, Mushishi), but I was never bored, and it looks like we’ll be heading to more slice-of-life settings soon enough anyways. It’s quiet, thoroughly nice, even somewhat educational. Healing as it may be, it’s also definitely a Cute Girls show, and yes, the girls so far are very good. Fingers crossed we get some yuri with that yuru…

Sanrio Danshi

Ahh, a familiar conflict: a mega-corporation creates / sponsors art that supports progressive politics, but is also using the medium to shamelessly promote their products - cf. Pepsi, Heineken, etc. This time it’s Sanrio fighting restrictive gender stereotypes: why can’t boys be into cute animal mascots too? It’s a sweet message, but the irony of it coming directly from the merchandiser is hefty. Sanrio Boys makes an inoffensive first impression - the titular boys are entirely generic in design and expression, distinguished mostly by their mascot kyara of choice (disappointingly, my lovely Cinnamaroll has been claimed by a boofy-looking doofus). It’s shallow and ironically enjoyable, as most teen-girl-oriented media inevitably is, alas. Here lies another mystifying contradiction: a clearly low-effort show featuring an ensemble cast of five handsome but emotionally vulnerable boys is so clearly aimed at girls, so how is their boys-can-have-feelings-too message even going to land with its supposed target audience? Are the boys themselves just another marketable Sanrio product for girls?? Christ.

Violet Evergarden

Speaking of mega-corporations, Netflix is still on track to subsume all art and artists by 2020 - but hey, they’re putting out some good stuff. Violet Evergarden is a decisive question mark. I’m partial to both its main tropes of “post-war melancholy” and “emotionless person learns to feel again,” but they can intersect respectively with “leaning heavy on the Feels” and “literal objectification of women.” Violet’s emptiness doesn’t make for a compelling main character - it’s strange to see KyoAni’s unparalleled expressivity lavished upon an unexpressive character - and it’s hard to say whether her traumatic past will justify this, or just fall flat. I’m cautiously optimistic for now, and if it all does go south, I’ll always have Sora no Woto to give me the good stuff. (Special shout-out to both all-too-brief timelapse shots. KyoAni, you magnificent bastards.)

Sora yori mo Tooi Basho

I think it’s understandable that I would enter into this with trepidation - it seemed somewhere between a sports anime and a Cute Girls Etc., both of which can stretch to ridiculous settings. But it seems, in a weird way, fairly grounded. Well, I mean, for a show about high school girls travelling to Antarctica. I’m really hoping they’re not just on their way by episode 2 - Shirase’s struggle with the depressive realism of her ludicrous dream is ripe for exploring in itself. Both the main characters are wonderful; Shirase’s design indicated another taciturn raven-haired maiden (cf. Kousaka Reina), but she’s wonderfully expressive, and I’m always happy to hear Kana Hanazawa doing any voice other than Default Kana Hanazawa. Overall, it’s very nicely animated and paced, quietly comic, and almost definitely going to trip over its absurd premise by the time I next check up on it, but I suspect it will still be a fun, if silly, ride.

Cardcaptor Sakura: Clear Card

OH MY GOD. I’ve only been living in a post-Sakura world for about 2 years, and this was still a quasi-religious experience; I can’t imagine how this would feel to the fans who grew up on the show. Everything about this is fucking fantastic. I’m losing the ability to criticise. I’m dangerously close to “I can’t even”-ing. The production is perfect, the sakura petals are abundant, there’s a fucking oboe solo stripped-back rendition of Platinum when Syaoran appears, the fucking ED is so beautifully animated. I’m sorry, I’m doki-doki-ing all over the place. This is the by far my favourite of the season so far. Not even Meilin’s absence can sour this for me. (Okay, maybe a little, if I really think about it :c)

Pop Team Epic

Hmmm. This was preceded by its reputation, evenly regarded by my Twitter feed as “a shitpost in anime form” and “excellent lesbian representation.” Given how dense my watchlist already is, I’m pleased to say I absolutely don’t care about this. It conveys the same humour as short-form absurdities like Teekyuu or Plastic Nee-san, but mostly leans on shallow pop-culture references and crudeness. The face that it’s a full-length show - let alone the fact that the first episode is the same half-length episode played twice - is exasperating. As a fan of Wonder Showzen and the Eric Andre Show, I see the appeal of the style, but it definitely falls short of both such marks. (And though I know this is unfair, it’s a little hard to get into something so well-received by 4chan dipshits.)

Darling in the FranXX

There’s a sexual harassment joke roughly 4 minutes into the first episode - nowhere near Bakemonogatari’s record, and not damning in and of itself, but it unfortunately does reflect the overall tone. This feels like a weird teenage rebellion by Studio Trigger, defying their parent by making their own Evangelion, with blackjack!, and hookers!, and absolutely none of the subtlety or character exploration that made Eva great. Zero Two is a deafening klaxon of fanservice masquerading as a sexually autonomous character - I wanted to believe otherwise, but her fucking robot has nice boobs, and even gets its own panty shot. The robot, which is powered by making out, mind you. I’m not one to hold low-brow shows to higher standards - I will call a fanservice-y spade a spade - but I expected more out of Trigger at this point, especially on the heels of extremely wholesome Little Witch Academia series. Even the mediocre Kiznaiver had loftier goals. I’ll keep tabs on this one - if nothing else, Trigger’s animation style and an excellent OST will sweeten a bitter pill. 

Mitchiri Neko

Hard pass. If you’re gonna watch a banal, cutesy, 3-minute runtime cat show - like, if you really need that - watch Bananya.