#Two are only explicitly Jewish in one episode each around an important life stage.

[some-teeth-in-a-trench-coat]

You've heard of gay character who can say they're gay and be in a gay relationship onscreen now get ready for Jewish character who does literally anything beyond avoid pork and celebrate Khanuka in the Christmas episode or stomp on a glass at their wedding

[todos-quieren-ser-corsario]

Calypso's wedding

OK, so I'm out sick and have had time to do, um, maybe a few rewatches. And doing that has me bowled over by just how good this season is. So well-crafted and tightly narratively structured. Not only all the callbacks to S1, but all the internal callbacks within the season. Some of them IMO really adds to the understanding of the sex scene, hence another meta. 

There are so many incredible takes out there on episodes 6 and 7. (It’s a brilliant arc and narrative because the acting, writing, staging and lighting choices can be read many different ways and multiple things can be true at once). Ed and Stede's first time together didn’t happen under good circumstances. Things happened that they couldn't control, and it sent them crashing into that next stage in their relationship. Even so, their first time scene is set to not just an incredibly romantic song, but a song that's very much about long-term partnership.

I only know the French version, and I'm so glad they used that one. Others have written on this, but despite the title, the song is not about seeing life through rose-colored glasses, i.e. in an unrealistic way. The lyrics talk of how being in love and being in a committed relationship can make living easier and less lonely. For two people who both live with complex trauma and with a lot of guilt and shame, that's such a hopeful message. The lyrics even state that being in love is ‘une parte de bonheur’, one part of happiness, further underscoring the season’s themes that you need more than just romantic love to have a fulfilling and meaningful life. 

The song keeps going over the credits, i.e. the fade to black love scene, and includes this part: ‘It's him for me, it's me for him/He has sworn it to me for life’. Like, these are vows. These are wedding kind of vows.

This is a deeply romantic and necessary moment for them, maybe even unavoidable because they are so deeply attracted to one each other. They're being so careful around each other and the ways in which they touch and speak. But circumstances changed, the past intruded in punishing ways and so did the plan of taking it slow. The fireworks couldn’t wait because they are alive right now, one of them needs comfort and Calypso’s birthday demands to be recognized. And so the sex scene both foreshadows a wedding and is a deeply intimate wedding moment in itself.

There's been so much wedding imagery during the season, and it's interesting to see how episode 6 has many callbacks to the beginning of the season. Calypso’s birthday party is colorful, exploding with flowers, dressing up, music and song. This in contrast to the the joyless wedding raid and the bizarro wedding cake party on the revenge with a lonely Ed playing with his cake toppers. This last imagery is replayed in episode six, now in actuality and in golden light with Stede leading Ed around the room in a dance of desire to live music. The very brief screen time explicitly shows an exchange of question and consent. It ends by drawing the curtains, giving both the sense of a veil and allusions to a chuppa (a Jewish wedding canopy the couple stands under; this is important to me as someone who headcanons Ed as Jewish). 

Their morning after has something of a post-nuptial feel to it, with the lazy lounging in bed. (It also feels true to first-time early relationship sex and the new reality of bridging distances after you've touched each other so intimately). But Ed’s warm in his robe. He’s had fireworks-grade orgasms. He’s both made and eaten something for the first time this season after rejecting food as poison in the gravy basket. The food is shared toast and marmalade, a callback to the first night they ever spent together in which marmalade became both a symbol of comfort and the possibility of change. There’s even a morning gift, which is a tradition in Northern Europe at least: A husband is to give his wife something (usually jewelry) the first morning after marriage. Ed hands Stede a piece of twine with a present of emotional intimacy and vulnerability: His memory of mermaid Stede saving his life. 

I love how this arc explicitly thematizes the way sexual intimacy can be so much easier than psychological intimacy and emotional vulnerability. Ed and Stede spend the next day initially relaxing together. As others have said, the color scheme across this entire two-episode arc is deeply symbolic, going from the very bright colors of the party, the red flower between them symbolizing red love, the purple symbolizing Ed's love for Stede, to a golden light that fades into the harsher light of the next day which brings back the realities of the external world. Ed is content and relaxed, eating meals, sharing of himself. But of course the disruption of the pirate world they exist in keeps growing until it's too much for him.

The mermaid scene in episode 3 was brilliant on so many levels. One of them was allowing us to see Ed’s deepest feelings and love for Stede in a situation in which he is unguarded and fully himself. The love. The affection. The trust. The joy. The comfort. The genius of structuring the narrative in this way is that we get to know about it. We get to know that these are Ed's true feelings for Stede, while seeing how guarded he still is emotionally and how much communicating they still have to do. It makes the painful lack of casual touching and the physical distance in their body language this season easier to witness, because it's completely understandable that Ed needs to protect himself still. 

The twine is a callback to rope, to fishing nets, to the imagery of the gravy basket. Ed is giving Stede a morning present of a piece of twine as an offering, a gift, a piece of his most intimate self. However, a piece of twine is also a string, a part of the ceremony of handfasting, another Northern European tradition: The old practice of a betrothal or temporary wedding if you couldn’t afford an actual wedding yet. (It’s the reason it's called tying the knot). Ed is giving Stede, in a rare moment in which he’s taken off his rings, the equivalent of a wedding ring.