#Ty segall band tabs

[chemvewor]

Ty segall band tabs

#TY SEGALL BAND TABS SERIAL#

#TY SEGALL BAND TABS FULL#

I’ve played a lot of Quad Reverbs and the silverface Fenders are all over the place. What amps did you use on the record? Segall: My main squeeze is a ’72 Fender Quad Reverb. My main guitar now is a Les Paul with P-90s. I actually don’t have that guitar anymore. Instead of the original P-90 pickups, it had Seymour Duncan Antiquities in it. Emmett Kelly: The guitar I played on the record was a modified ’59 Les Paul Special. There’s no whammy bar or anything on the Les Paul, so I’ve had to step up my actual playing instead of relying on sound effects. Have you found that your style has changed at all since you got the Les Paul? Segall: With the Mustang, I was super-reliant on the tremolo bridge. It’s like a grown-up’s version of an electric guitar.įor his new album, Segall enlisted the skills of veteran indie-rock producer Steve Albini, who got beefy guitar tones and kept the tracking lean. The sustain is insane compared to the Mustang. The Mustang-it’s bright and twangy, whereas the Les Paul is full-bodied, resonant. What’s it like going from the Mustang to the Les Paul in terms of sounds? Segall: It’s like a similar thing with how it feels. It feels like a toy compared to the Les Paul. I wouldn’t say I’m technical or anything, so it’s funny, now going back to the Mustang-realizing it’s a three-quarter scale. I don’t know much about guitars really, and I’m not like a studied guitar player. Before that, I played a Mustang kind of exclusively. It’s totally beat to shit, but I love that thing.

#TY SEGALL BAND TABS SERIAL#

I play a ’69 Les Paul, but I got it looked at, and supposedly it’s a late ’50s one that just has a ’60s serial number. I chatted to Segall and Kelly about the period-correct gear they used in creating those sounds, how Albini captured them perfectly in the studio, and how their home state of California plays into all of this. Joined by guitarist Emmett Kelly, multi-instrumentalist Mikal Cronin, drummer Charles Moothart, and keyboardist Ben Boye, Segall continues to explore pre-1980s sounds on the recording while stretching out with extended jamming and clearly relishing the energy of leading a live band.

#TY SEGALL BAND TABS FULL#

Segall recorded with a full band for the first time on his latest album, which is also called Ty Segall. “I’ve played with people where you’re both racing each other to the finish line or some shit like that, and that’s totally wack.” -Ty Segall He approaches the guitar in an appropriately non-schooled way, getting maximum mileage from a select palette of harmonic and melodic sources, all with great frenzy and groove. Since releasing his self-titled debut in 2008, Segall has played most of the instruments on his albums. But over the past decade, working solo and with various bands in the Bay Area and Los Angeles, he’s already created an impressive body of work that neatly synthesizes the sounds of his wide-ranging 1960s and ’70s influences: surf and garage rock, and early metal, among others. Segall, a native of Laguna Beach, California, isn’t yet 30. Segall’s label, Drag City, posted a video of the act (the YouTube search term is “A Flush Down the Tylet”) to its website without any explanation, but this weirdness was hardly surprising coming from a musician known to perform onstage in an elaborate satanic baby costume. Albini pushed the porcelain bowl, emblazoned with Segall’s name, off a loading dock, causing it to shatter into many pieces, and Segall finished off the job with an axe. Last November, singer-songwriter and guitarist Ty Segall smashed a toilet with the help of the legendary producer and engineer Steve Albini.

[wub-fur-radio]

Walk, Don’t Run ’19 🚦🚶🚫🏃

Nineteen hot new indie/garage/punk/glam/psych/rock sides that will make you wanna run to your radio (or radio-equivalent digital device) and TURN IT UP (but please don’t run, walk—it’s safer). Featuring Ty Segall, Ex Hex, Guided by Voices, Tacocat, Filthy Friends, Sad Planets, Amyl & the Sniffers, the Mystery Lights, and 11 more of 2019’s least pedestrian talents.

Our excellent cover photo is by (and copyright by) Tara L. Key of Antietam (the band), used by her very kind permission.

Apologies to Johnny Smith, The Ventures, Dottie Faye, and Tommy Leonetti.

Play on: 8tracks | Mixcloud | Apple Music | Spotify | YouTube (or scroll down to use one of the embedded players below)

Running Time: 1 hour, 22 seconds

Tracklist

Radio (3:54) — Ty Segall | Southern California

Little Friend (3:15) — Tacocat | Seattle, WA

Want You to Want You (3:23) — Sad Planets | Akron, OH

Blue Jay House (2:01) — Guided By Voices | Dayton, OH

Not Like You (3:10) — The Pinheads | Wollongong, Australia

Shelled Pagans (3:16) — Vacation | Cincinnati, OH

Angel (2:49) — Amyl and The Sniffers | Melbourne, Australia

Only Lovers Are Broken (3:22) — Filthy Friends | Portland, OR

Scar Crow (4:15) — The Minus 5 | Seattle, WA

Faces for Radio (3:42) — Cosmonauts | Los Angesles, CA

Little Drama (2:49) — Mike Krol | Los Angeles, CA

Odd Only Grows (3:14) — The Astounds | St. Louis, MO

Can't Get Through to My Head (2:43) — The Mystery Lights | Brooklyn, NY

Spun Gun (3:15) — The Murlocs | Melbourne, Australia

Prisoners (3:38) — Crocodiles | San Diego, CA

Outside (1:56) — Edwyn Collins | Edinburgh, UK

Stadium West (3:41) — L7 | LA / NY

Good Times (2:51) — Ex Hex | Washington, DC

Surrender (3:07) — Th Da Freak | Bordeaux, France

All tracks released in 2019.

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🚦🚶🚫🏃 🚦🚶🚫🏃 🚦🚶🚫🏃 🚦🚶🚫🏃 🚦🚶🚫🏃 🚦

Promotional Video

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Video Soundtrack: “Prisoners” by San Diego glam punk band Crocodiles from their latest album “Love Is Here”.

[wub-fur-radio]

A Spoonful Weighs a Fuck Ton

(Heavy Rock for the Hardly Woke)

(Hard Rock for the Heavily Woke)

It could be a spoonful of metal, it could be a spoonful of punk But just a little spoon of your heavy psych, it’s good enough for me…

They say the mountain is high and the valley is low, so, understandably, you're confused on which way to go. So we’ve come here to give you a hand and lead you into the promised land. Wub-Fur’s Woke Hard Rock Revolution is on and we’re breaking the chains that have trapped heavy music in a prison of its own retrograde and reactionary rockist tendencies with this mix of a dozen heavy contemporary hard rock tunes for you to hum, whistle, or just sing along with as we march forward to the barricades! Featuring Datura4, Hot Lunch, Motorpsycho, Ty Segall & Freedom Band, The Death Wheelers, Brant Bjork, Green Lung, and 5 more acts that clearly have no intention of ever signing their music up for Weight Watchers.

Apologies to the Flaming Lips, Willie Dixon, Edgar Winter, and Dom Mariani. Cuillère à café (teaspoon) photo by Frédérique Voisin-Demery (CC License).

Play on 8tracks | Play on Mixcloud (or scroll down to use one of the embedded players below)

Running Time: 1 hour, 17 seconds

Tracklist

Woodland Rites (4:55) — Green Lung | London | 2019

Blessed Is the Boogie (4:17) — Datura4 | Fremantle, Australia | 2019

Doom Child (3:25) — Cruise Forever | Leeds, UK | 2019

Gimme Skelter (5:20) — Hot Lunch | San Francisco | 2019

Are You Dizzy? [ft. Rosa Mendoza] (3:40) — Satans of Swing | Rammelsbach, Germany | 2019

Psychotzar (8:43) — Motorpsycho | Trondheim, Norway | 2019

They Told Me Too (2:15) — Ty Segall & Freedom Band | California | 2019

Roadkill 69 (2:37) — The Death Wheelers | Quebec, Canada | 2018

The Abyss (3:53) — Black Rainbows | Rome | 2018

Let It Burn (5:47) — King Weed | France | 2018

Oui (4:54) — Brant Bjork | Los Angeles | 2019

San Fernando (10:36) — Lady Electric | Gdynia, Poland | 2018

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🏋 ⚖ 🎸 🏋 ⚖ 🎸 🏋 ⚖ 🎸 🏋 ⚖ 🎸 🏋 ⚖ 🎸 🏋 ⚖ 🎸

Promotional Video

Sorry, your browser does not support this video embed. Click here to open the video in a new tab or window.

Video Soundtrack: “Blessed Is the Boogie” by Western Australian full-tilt garage psych boogie band Datura4.