#UnitX2018

[abiekio]

Scene 7.1 (Raw Footage, only a few seconds)

This is part of the last scene where Gikuyu tells Ngai and his people to multiply and fill all the land.

Once again I filmed this separately, similarly to scene 5 I rotoscoped the footage and added him to the back of the Mountain. His movements are a bit different as he lifts his hands up and down which does look like he’s asking for more. 

[emmaplover]

these were some of my initial ideas

[abiekio]

Scene 5 (Raw footage, only a few seconds)

This scene is a part of the scene where Gikuyu asks Ngai for 9 sons to marry his daughters. I recorded it separately because I couldn’t get Ngai elevated high enough to be overlooking Gikuyu all in one shot. I also had to put him on a crate to get him high enough for the camera, I then rotoscoped the footage to get rid of the blue screen, brown crate and, his knees. When I overlayed this footage with the Gikuyu footage, I tilted Ngai to the left to make him look like he immerged from the back of the Mountain.

[abiekio]

Scene 7 (Raw Footage, only a few seconds)

This is the second to last scene of the animation, which is followed by a short speech from Ngai. (seen in finished animation)

Ngai talks to the 9 sons that he finds at the Mugumo tree just as Ngai promised, he tells of them of his beautiful daughters, what they like, what they dislike like. He’s just trying to be a good father and matchmaker, the men are intrigued and ask several questions.

And of course, I tossed in a little bit of humour, actually two little bits. The man on the tree is asked to come down by one of his brothers, he does this by jumping off the tree and landing on his brother. The man at the back right is kind of a bully and constantly bothers the brother in front of him, at one point the brother being bullied confronts his brother but of course, they hug it out at the end.

[abiekio]

Scene 6.1 (Raw footage, only a few seconds)

Gikuyu takes the family back to the homestead. This is another scene where I used the magical crate. Since I added Gikuyu and I decided to add another crate. This meant that I didn’t have to stick them on to the sides and back, however, the second crate is a bit higher. I placed the short puppets in the bigger crate and the tall puppets (including Gikuyu) in the smaller crate.  I placed the short puppets in the bigger crate and the small puppets (including Gikuyu) in the smaller crate. This scene also has some humour, the girl being carried on Gikuyus back plays with her father by placing her hands over his eyes. I think this is really cute and is probably what daughters would do with their dads, Gikuyu responds by pulling her hands down so he can see where he's walking. Another piece of humour is one of the girls managed to carry a piece of meat from the bonfire, she shares it with one of her sisters that catches her eating. (not seen in this clip)

[abiekio]

Scene 4.1 (Raw Footage, just a few seconds)

In this scene, the girls are each introduced with their names: (for this short clip on the last 5 appear)

Njeri

Wanjiku

Wangari

Wairimu

Wacera

Waitherandu

Wambui

Wanjiru

Wangui

The scene takes place in the hut as they walk out they each look towards the camera. I realised just recording their faces would make the scene short, and I would find that a bit hard to match with the narration. So I got a bit playful and tried to create a personality for each girl, some are quite close to each other,  some are mean to each other and one of them is slightly hyper since she is the youngest.

[abiekio]

Scene 5.2 (Raw Footage)

In this scene, the girls and Mumbi each carry a stick as instructed by Ngai and walk to the Mugumo tree to build a bonfire. Seeing as the female puppets physical structure wasn’t made for walking sequences, I sat them on a small wooden crate that I flipped upside down with a piece of fabric so as not to catch onto the wood. I pulled the crate in slow increments to create the illusion of them walking, this only worked because i shot them from the chest up. If i set the camera any lower, the legs of the girls would have been seen.

The crate was a bit to too small, so some of the girls had to be taped on the sides and back and pulled along the way.

This scene was a bit tedious as some of the girls kept falling off the crate, and the trees at the back fell down countless times because, as I moved the crate the fabric beneath it would pull the tree as well. 

[abiekio]

Other Props

1. Pestle and Mortar  2. Bowl 3. Knife

These 4 props were made with air drying clay, the knife has a matchstick for the handle and the pestle has a stick for the handle. I painted the clay with light brown and brown acrylic paint, for the knife I used silver acrylic paint.

4. Bonefire

I used 5 little sticks similar to the handle of the knife, glued them together overlapping each other. The rocks are made of brown plasticine clay shaped into little cubes, I used plasticine because I could easily shape them and if I place them close together they don’t move as much during recording.

5. Cloud I cut out two rough cloud shapes from a white 8x8cm felt sheet, I placed them on top of each other and stitched the corners with white thread. I left a little bit of space to pull it inside out, I then stuffed it with duvet fluff and stitched the remaining hole. 

[abiekio]

The Hut

For the base I used 28 jumbo lolly sticks that started out as 15cm in length and i cut them down to 13.3cm. I glued them side by side to make a circle shape and layered several layers of plaster strips. That took about a day, day and a half to dry completely. 

I then painted it with 3 shades of acrylic brown, 1st colour is brown and the lighter colour is a mix of yellow ochre and light brown. I stuck a double layer of rope that has wire in the middle, 2/3 at the top of the hut. 

The top of the hut is a large 30 cm cone shape cartridge paper, painted with brown acrylic paint and covered with 3 different coloured raffia paper strips. I stuck the raffia paper strips a 1cm over the end of the cone. 

I covered the tip of the cone with dark coloured twine to make it a little bit neat, and also because it looked like a straw hat without it.

The hut is approximately 40cm in length and 30cm in width.

[abiekio]

Scene 5.3 (Raw Footage, just a few seconds)

In this scene, the girls (just two of them) help Mumbi build the bonfire, the first time I recorded the scene it only lasted 2 secs because the movements were too fast and followed the script. I decided to move the plasticine rocks one at a time, and I made the girls fight at the back to add a little bit of humour.  I think it’s kinda funny how Mumbi tells them off, the girl that started the fight ends up the innocent one whereas the one that didn't start the fight gets in trouble and out of anger she slowly moves away from her sister.

The reason I didn't include all the girls is the shot didn’t have enough space to fit all 9 of them, also animating them all in one scene would take away the importance of the bonfire being built as there would be too many movements happening in the background.

[abiekio]

Scene 5.1 (Raw Footage, just a few seconds)

In this scene, Gikuyu sacrifices the goat and the kid. I tried out a different camera panning technique to make the shot a bit longer, I moved the camera out of the trees from the left to the center. This scene was a bit gruesome and required a lot of blood, therefore, i decided to record Gikuyus back to the camera and summarise the whole sacrifice as the quick movements of the knife. The little kid tries to get to its mother and is pushed away by Gikuyu, when it hears the cries of its mother it runs to the other side only to picked up and sacrificed too.

I didn’t like recording this scene...it was sad, I couldn’t look at meat the same way for a couple of days. However, it looks realistic. The blood is made of red tissue paper that has 2 strands of wire to make its movement more rigid and controllable.

[abiekio]

The Granary

I used pipe cleaners and wire to create the skeleton of the granary, I then covered it in air drying clay and left some space as the opening.  The top is made of paper, cut into a circle and folded into a cone. I painted it with acrylic paint and covered it with 3 different types of raffia paper. 

The bottom of the granary has 6 rods made of air drying clay, painted with acrylic paint and tied together with twine that looks like rope. It helps keep the little fruits inside and makes the granary look like it's on a platform.

I stuffed the granary with colourfull felt balls which are meant to represent fruits and plants, I didn’t have enough time to create little clay fruits. However, it’s only seen in the homestead scene so I realised that realistic fruits wouldn’t be necessary.

[emmaplover]

I really liked the image of the two models in a fashion magazine. And this Proenza Schouler advert, the combining of nature in the video but also the distortion and making it unclear what it was was what drew my attention.

I liked the voiceover in the video and not actually the sound from the recordings. 

[emmaplover]

my favourite pop

[emmaplover]

I really enjoy Dame Danger’s still life pieces

I’d really like to work a similar colour palette and style into some of my videos, with complex meaning behind individual items, symbolism

[emmaplover]

a poem i wrote about the conflict i was feeling about being queer in the city and wanting to be at home in nature but not being able to be queer and safe in that space