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#Walpurgis no Kaiten
sayakube · 2 days
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art by ぴんきー
(Source)
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inspectorcrayon · 8 months
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its finally happenin
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red-skady · 11 days
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Me and the squad at the premiere of the new Madoka movie
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aqours · 8 months
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what really got to me in the trailer is how Homura looked so sinister, how genuinely happy she was to see Madoka happy without her being involved, and how. tired she was at the end.
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the first real shot we get of her looking particularly triumphant, asking her opponent if they can shoulder what she now shoulders, immediately followed by a slideshow of Homura's trauma throughout the show and someone telling her (likely Sayaka as she refers to Madoka as "my best friend," or it could be Madoka herself addressing Homura, as she also calls Homura "her very best friend.") to release her as words float on the screen also making it clear how highly Homura thinks of Madoka.
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"This world is for Madoka."
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but she only looks. completely, genuinely happy the whole time in a way that isn't a look of triumph watching Madoka have fun. watching her genuinely enjoy herself in that gilded cage she created.
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and by the end she looks so. tired. like she looks exhausted.
Homura is an evil demon. that's what she became when she committed an unforgivable sin: ripping off the wings of a goddess and dragging them down to earth.
and she did it all for one person and her happiness, even if its unwanted. she's happy when Madoka is happy in her cage, and wants to protect that cage at all costs: even her own happiness. she's clearly not happy with her own situation. being evil sucks. not being close to Madoka sucks. and the only way to ensure what she feels is Madoka's happiness is to be her enemy. it's so tragic, everything she does and ever will do is for Madoka's sake, no matter how twisted and warped it is. the only thing a child who was never allowed to grow up in 10+ years can think of.
the world is for Madoka. that's the crux of everything the devil called Homura Akemi does. it's for Madoka. it's absolutely not for her.
and it makes me. constantly think of that thing that Madoka's seiyuu once said in a Q&A:
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no matter what happens, Homura is Homura, and Madoka will adore her, even if they're now enemies. this is the last thing in the world Madoka would want for her. Madoka would want to save Homura no matter the cost.
i think of Madoka fully realized what was happening, her greatest wish would be for Homura to just have the good night's sleep she clearly desperately needs.
"Falling in love with someone is wonderful, so don't call yourself the devil. I love you."
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tothepointofinsanity · 8 months
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God shattering star.
[Click for better quality.]
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ghst001 · 8 months
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Can't believe Homura actually silenced Sayaka…
Look at sayakas neck…
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In the movie concept art homura detached her bones and reattached them to her cape while sealing her mouth so she couldn’t fight back or say anything about her new world
While the new trailer changed things up so maybe she has a huge scar under her bandages that prevents her from speaking
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niidsch · 8 months
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My best friend.
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cocoa-bird · 8 months
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now that i’m able to pause and look closely it looks like everyone has different outfits in the trailer!! i wonder why?
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magireco · 8 months
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some homura closeups... she has a new design. VERY much a callback to her devil design...
new headband, diamonds on her leggings are now just outlines and not solid colors, off-the-shoulder top connected to her sleeves with those little feathery trims... and the disconnected collar just like devil homura. Nobody move i want to be the first to draw her
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just-homura-things · 8 months
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"Can you accept the risks and responsibilities?"
— Puella Magi Madoka Magica The Movie: Walpurgisnacht Rising
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mimikyuno · 8 months
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love and hope and kindness being the running motifs in madoka magica and the forces that can single-handedly save and curse someone.
madoka’s love and kindness being what saves homura from her suicidal tendencies, but also what ultimately dooms madoka to die at the hands of the walpurgisnacht. homura’s love for madoka and undying hope to save her what curses her to repeat time and traumatise herself over and over again, while also increasing madoka’s karma and by default, cursing her too. madoka’s refusal for homura’s hope to be in vain being the driving force that grants hope to all, but also ends madoka’s existence. sayaka’s love for kyousuke and her altruistic, heroic ideals being what gives her confidence and hope at first, but when confronted with misogyny and unrequited love (even when you told yourself you would not expect him to love you back just because you sacrificed yourself for him) being what curses her. kyouko’s love for her family being the catalyst that leads it to break apart, because in all her childlike devotion to her parents, she couldn’t see her father for who he was. mami’s kindness forcing her to put up a brave face and resulting in her demise.
but it all does not end in despair! sayaka’s newfound love for kyouko being the reason kyouko is no longer lost and angry and alone. mami’s kindness finding a recipient in nagisa, to whom she can finally be a parental figure. in one universe nagisa was the one to end mami’s existence, but now they can both heal and not be alone anymore. madoka’s love for homura encompassing time and space and saving her, every time, over and over again. even when homura does not want it. even when she refuses her hand. madoka will always reach for her and find her and save her and show her kindness, even when homura thinks she does not deserves any, even when she’s willing to die in her own personal hell. homura’s love being yes, what commits the unforgivable sin and tears god apart, but also it is only through her “selfishness” and “terrible” act that the others get a shot at a normal childhood/adolescence. kyouko and sayaka can be together at last, mami and nagisa find each other, madoka can live with her family again.
this is what i hope will be explored in the next movie. this intrinsic relationship between hope and despair, love as a lifeline and a curse. kindness and selfishness coexisting and influencing each other. i hope the girls manage to finally tip the scale between hope and despair towards the light. i hope madoka’s love will keep on reaching homura even when she thinks she’s evil incarnate, a devil. even when she thinks her existence as antithetical to madoka’s true nature. even when she thinks herself beyond salvation. i hope they get a shot at happiness, together this time.
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burnorgetburned · 8 months
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EVEN MORE CLARA DOLL DETAILS:
So you know how the Dolls have their own distinctive clothes?
Guess who else has their own distinctive clothes!
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That’s right. The multiple Homuras are actually Clara Dolls.
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And that’s why ‘Homura’ is smiling.
Here they are! The one with the striped hat is Nekura (Gloominess or Pessimism) and the one with the flower is Mie (Vanity).
Here’s their descriptions from the art book.
[The second one to come was Gloominess. Walking out with a tapping sound, she sneered at Good-for-Nothing. “This is Good-for-Nothing! How very unbecoming.” These dolls are only disciples of Freedom, and are devoted to their lust for it.]
[The tenth to come running is Vanity. She exaggeratedly avoids Good-for-Nothing's head and says a few words. “I wouldn't be able to bear dirtying my cape with that sticky blood!” These dolls make fun of the witch's self-mutilation.]
Good-for-Nothing is Homura, by the way, but the Clara Dolls seem to consider Good-for-Nothing to be good for something after all after she splits Madoka. She turns into the Devil, and the Clara Dolls are stated to be “okay” with the Devil. If the young voices in the trailer belong to the Clara Dolls, then they also call her “Akuma-sama” now. Something like Mistress Devil, implying a sense of respect.
[… if they are not summoned, they will simmer. There are orders they will comply with, and also orders they will disobey. What they are and the witch herself's own magic are not well understood.]
At the end of Rebellion, Homura gave Madoka her ribbon back. She declared that they might become enemies in the end. Honestly, I thought that Homura would try her best to avoid Madoka entirely. The trailer suggested that Homura was meeting Madoka, though. Here’s the answer: it wasn’t Homura herself, but Gloominess, who wants freedom.
Now, I’m not sure how this situation works out. Do Clara Dolls have free will? Are they obeying Homura’s orders? Acting out Homura’s true emotions? Is Homura perhaps directly puppeteering them in order to fulfill her goals, or do they act on their own?
I find it likely that it’s a mix of both: some of them obey her, and some of them will try and fulfill her (probably very conflicting) desires, as familiars usually do. Gloominess is likely part of Homura who wants the freedom to talk to Madoka, for example, but Vanity seems to me like a Clara Doll who is obeying Homura. After all, she still needs magical girls to fight wraiths, at least until she finds a way to wipe them out.
[I'm Vanity (Mie). I'm pushing myself to the limit for someone.] And she is, of course. All of the theatrics, the calls, the organization of magical girls. These are things that Vanity is shown to engage in. All of this is for Madoka.
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We see with Gloominess, at least, that she seems to be fulfilling a specific desire: in the background are white spider lilies. Instead of the red spider lilies that mean death, final goodbyes, and lost love, white spider lilies mean a hope for the future and a fresh start. Maybe this really is the first meeting for these two in a while, and she wants to be friends again?
Or maybe, being Gloominess, she wants to warn her about something.
[I'm Gloominess (Nekura). Forcing smiles tires me out.]
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Then there’s this Homura.
Nothing about her clothes is very different. She is wearing ribbons as Homura in the wraith universe does, but look closely: the ribbons are different. They have some wavy stripes on them, while Madoka’s ribbons are plain. She does not correspond to any known Clara Doll.
However, there’s mentioned to be a fifteenth Clara Doll that is not yet born: Ai, representing love. This could be her. Is it love for others? Or love for herself? I’m hoping it’s the latter, but very likely it’s love for Madoka and her friends. This would explain why she’s trying to fight Homucifer in the poster, as Homura believes that she’s a danger to everyone else.
How can this be? Well, here’s a few options:
- The Clara Dolls are grown-up familiars. They ate souls, and they became a copy of their witch. This is a process that was explained to us in the original series, where some magical girls are stated to farm familiars by letting them eat people so that they would grow souls/grief seeds.
- The Clara Dolls are not familiars, or wraiths, but instead a secret third thing. “What they are and the witch’s own magic are not well understood”, as said in the Rebellion art book. They could be magical constructs of a different kind, but I do think that this would get into overcomplicated explanations quickly, so I favor the familiar explanation.
- The Clara Dolls could be familiars, but instead of eating souls they’re simply powerful enough to change their shape. Their strength is equal to the strength of a magical girl…. when Homura was a witch, before Homura became something more. It could also be energy from the contracts making them stronger. Maybe it’s me being sentimental, but I don’t like the idea of Homura letting anyone’s soul be nommed on.
Now, before there’s a panic about how they’ll juggle fifteen extra characters, here’s a few thoughts:
- Just because they seem different doesn’t mean they’re actually different. It might be that the Clara Dolls are a way for Homura to present herself. As Vanity, she might show off more, or have dramatic flourishes like her throne and her dress. As Gloominess, it might be that she doesn’t believe that her plans will work, so she tries to do what makes her happy. It’s likely that the Clara Dolls are just extra ways to explore Homura’s character. They’re parts of her soul, after all, and right now she is extremely powerful. She might simply want to keep her true self away from humans.
- They could work like projections. Homura wants more bodies to work with, but she has to filter herself through the Dolls’ personalities. This could result in a lot of juicy character interactions, as the things she tries to keep hidden are closer to the surface.
- Will ‘Ai/Mystery Homura’ fight against Devil Homura? Very likely! How can this be when they’re the same person? Well, who hates Homura more than Homura? That’s right. Nobody. Anyone can fight and argue with their self, it’s just usually not on the level that a reality-warper like Homura can manage.
If this is true, there’s plenty of interesting directions they can take it.
- Because the Clara Dolls have a degree of separation from Homura, they can show other characters things that Homura herself has ignored or locked away. Bad memories, affection for her friends, the resentment she must feel - everything from concern to a cry for help can be plausibly shown through them as the actors.
- Manuke (Stupidity) is specifically more naive/sincere than the others. Maybe interacting with this Doll would show the Quintet that there’s something more going on than a Devil who wants to hurt other people.
- If Ai represents a love for other people, Ai can have a strange character arc where she learns to value Homura/herself, and become self-love.
- On the other hand, Ai can represent self-love from the start, and because Homura looks very fucking unhealthy in the trailer, she only wants to stop her because she’s hurting herself. This option plays into the themes of self-sacrifice and happiness, which I believe to be some of the major themes that they’re going for.
- The poster could be misleading and Ai ends up fighting everyone but Homura. I find this the funniest option.
- Homura can hug herself. It’s possible. In fact, every character can hug Homura 15 different times.
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Smiles are a Clara Doll’s default expression. We have yet to see Homura smile for real.
Is this going to get very ambiguous and confusing? Probably. But rewatching for details was the fun part in Rebellion, so I’m looking forward to it!
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roaringroa · 8 months
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soon
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emm-illustration · 4 months
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Can't wait for the new movie!!
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sleepersailor-blog · 3 months
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Trying to figure out whats going on w Sayakas new design...
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tothepointofinsanity · 3 months
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It was all very well to say “Drink me,” but the wise little Alice was not going to do that in a hurry.
“No, I’ll look first,” she said, “and see whether it’s marked ‘poison’ or not.”
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