#nagisa momoe

[abyranss]

Smile!

In Magia Record's re-run of the Nagisa's Wish event, Yuu has at long last been given a canon design, and she's adorable.

In the past, I drew a design for her myself (here, and here) based on the old silhouette they used and I talked a bit then about the similarities I saw between her and Nagisa's appearances. Have a look at those for context if you'd like, because I'm going to revisit that again here with her new look. Below the cut ↓

To start with, some of the things I pointed out on Yuu's silhouette as being shared with Nagisa's magical girl outfit did not survive to her final appearance, such as the fuzz around the edge of her neck frill, the shorts she wears, and the bows along her tails and across her frill.

Though the tails themselves which I compared to the pompoms hanging from Nagisa's hat did survive, that alone isn't enough to draw a connection.

So it seems unlikely that when Nagisa made her wish, her appearance was influenced by Yuu being the first and only magical girl she'd met up to that point.

We can scrap that idea.

However, the parts of Yuu that I noted as resembling Nagisa's witch form, Charlotte... those do still hold up. When you look closely at Yuu, she has rings in her eyes which aren't present when she isn't transformed, and we now know that she uses her horn as her weapon.

Charlotte has a pure white face and a split open mouth, like Nagisa's mother described her killer. This is the strongest piece of evidence which the rest of it is built upon.

Charlotte attacks with her face as well.

And admittedly, perhaps reaching a little here, Charlotte as a worm has a cone-shaped pointy nose that might resemble Yuu's horn.

They also just both have clown energy.

Huh. Looking at these pictures I'm now wondering if I could draw a comparison between Charlotte's head wings and the bundles of cloth hanging from either side of Yuu's head.

...

Yuu was instrumental in Nagisa's transformation over the course of the story, from someone accepting of the abuse she experienced every day into a person seeking to cut ties with her family and create her own freedom, and then Yuu played the part of the person who mistakenly took Nagisa's agency away from her at the end which is what tipped Nagisa over the edge, so I like the idea a lot that Nagisa's grief made manifest from that event took a form that recognises the significance of the Sleepwalking Ghost.

[muffinrecord]

I've been pretty positive about Yuu so far, but watching her magical girl story... hmm.

Basically I like everything about Yuu, but man that serial killer bit is the only thing that really sticks out as an overt bad choice. Having Nagisa stand around and watch Yuu kill people is such a weird choice, it feels more like fanfic than actual canon. Like this doesn't feel like something that could happen in Magia Record-- or hell, even in Madoka Magica either.

For example, Sayaka has a scene on a train where some dudes are being sexist assholes and it's left up to the viewer to decide if she kills them or not. It doesn't go: Sayaka killed them and also they were calling out for help the entire time while Madoka watched you know?

That said, this is something I can see in a bunch of the spinoffs (Kazumi, Oriko, Suzune), but I think everyone agrees that the spinoffs are of dubious quality. I love me the spinoffs but they're a hot mess.

I dunno. It's one thing to know that Yuu is a serial killer, it's another thing to have a character watch her go around and kill people and not intervene in any way. Especially in a story that goes out of its way to not do that. Walpy hitting Kamihama is noted to have no causalities at all (which goes a little too far in the other direction imo but it is what it is), Suzune isn't able to kill anyone in Kamihama and is dealt with by kicking her out (and not killing her), the deaths in arc 2 are mostly accidental and have massive consequences, everyone is forgiven in the end-- this isn't a story that really has "watch someone kill people and do nothing" in it's cards, you know?

I actually liked Nagisa's Wish for a lot of things. For example, I like that Nagisa didn't think she could be a magical girl until she saw Yuu, because she assumed that magical girls had to be good people-- aka, Nagisa did not think she was good. But that's not because Nagisa is a bad person. Nagisa is just unloved, and since she's a young kid, she's internalized that to mean that something is wrong with her, not that something is wrong with her mom. It's heartbreaking to see her go from "I can't be a magical girl," to seeing Yuu the murderer, to then going "oh okay if she can be a magical girl then so can I." Like sweet pea, your mother not loving you is not the same as being a killer. You've done nothing wrong. You are not a bad person for having Feelings and Emotions about the neglect you are experiencing.

However the serial killer/organ seller bit just goes too far for me and it kind of overshadows a lot of the better ideas present in Nagisa's Wish. Like how can you focus on the interesting ideas about justice or self worth when there is a serial killer/organ stealer walking around.

I think that the best qualities of Yuu are her design and how creepy she is-- having her actually go all the way and be a serial killer/organ seller actually makes her less creepy in my opinion. Yada yada, less is more, leave it up to the viewer's imagination. If she was just off, if we just knew that something was wrong with her and that people are disappearing but it's not outright stated what she's doing... I dunno. That would make her a lot more scary to me. A lot of fear can be found in apprehension and outright telling all the details will fill in too many gaps.

Like, the things that we all like about Yuu would be her voice direction, her memory issues, the way her Live2D is designed to be slightly off kilter from everyone else, the gap between her attitude and the darkness she engages in, the weird weaponry she uses and how it changes the way she walks/moves-- all of this is effective because it is offputting and different, not because the narrative is telling us "hey she kills people and sells their organs."

Basically I really love Yuu, but I do have some criticisms for her character and I understand why some folks don't like her.

That said, it did lead to this fantastic line from Kyubey so like,

You take some, you lose some.

[grriib]

[memorisleep]

[vhsghostricks]

angels

[cherrywerm]

Bebe x chococat 🧀 ✴️

[homuraholic]

反逆の物語 1 / 2 / 3 / 4 / 5 / 6 by RigeL [pixiv] [twitter]

♡ reprint permission was granted by the artist.

[howdospases]

[gardneels]

[say0ranarts]

nagisa (+ bebe) from pmmm rebellion!🍬 - print commissioned by her english VA, Xanthe Huynh!

[greenkrujalo]

Something something and girls now half-witches

Edit

(May I should make an AU?) Nah

[mdkm444]

MadoHomu wish you a Happy New Yuri!

[mimikyuno]

love and hope and kindness being the running motifs in madoka magica and the forces that can single-handedly save and curse someone.

madoka’s love and kindness being what saves homura from her suicidal tendencies, but also what ultimately dooms madoka to die at the hands of the walpurgisnacht. homura’s love for madoka and undying hope to save her what curses her to repeat time and traumatise herself over and over again, while also increasing madoka’s karma and by default, cursing her too. madoka’s refusal for homura’s hope to be in vain being the driving force that grants hope to all, but also ends madoka’s existence. sayaka’s love for kyousuke and her altruistic, heroic ideals being what gives her confidence and hope at first, but when confronted with misogyny and unrequited love (even when you told yourself you would not expect him to love you back just because you sacrificed yourself for him) being what curses her. kyouko’s love for her family being the catalyst that leads it to break apart, because in all her childlike devotion to her parents, she couldn’t see her father for who he was. mami’s kindness forcing her to put up a brave face and resulting in her demise.

but it all does not end in despair! sayaka’s newfound love for kyouko being the reason kyouko is no longer lost and angry and alone. mami’s kindness finding a recipient in nagisa, to whom she can finally be a parental figure. in one universe nagisa was the one to end mami’s existence, but now they can both heal and not be alone anymore. madoka’s love for homura encompassing time and space and saving her, every time, over and over again. even when homura does not want it. even when she refuses her hand. madoka will always reach for her and find her and save her and show her kindness, even when homura thinks she does not deserves any, even when she’s willing to die in her own personal hell. homura’s love being yes, what commits the unforgivable sin and tears god apart, but also it is only through her “selfishness” and “terrible” act that the others get a shot at a normal childhood/adolescence. kyouko and sayaka can be together at last, mami and nagisa find each other, madoka can live with her family again.

this is what i hope will be explored in the next movie. this intrinsic relationship between hope and despair, love as a lifeline and a curse. kindness and selfishness coexisting and influencing each other. i hope the girls manage to finally tip the scale between hope and despair towards the light. i hope madoka’s love will keep on reaching homura even when she thinks she’s evil incarnate, a devil. even when she thinks her existence as antithetical to madoka’s true nature. even when she thinks herself beyond salvation. i hope they get a shot at happiness, together this time.

[minart-was-taken]

Tomoe and Momoe for my DND au collection!

Kyoko and Homura <-

[silvermoon424]

The PMMM girls repping fairy tales!

Madoka: Sleeping Beauty

Homura: Cinderella

Mami: Alice in Wonderland

Sayaka: The Little Mermaid

Kyoko: Snow White

Nagisa: Puss in Boots

[sayakube]

art by LuckyNeco

(Source)