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#Wayne Francis Woodard
thefugitivesaint · 3 months
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Hannes Bok (1914-1964), ''Super Science Stories'', Vol. 1, #4, 1940 Source
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oldschoolfrp · 2 years
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“Hear the song of the strings, and the clangor of swords, and shout, for the wild harp of death!  --  The Vikings fight again; what chance had battle axes against machine guns?”  Hannes Bok illustration for Gordon Keyne’s story “The Kings do Battle Again,” about Norse warriors returning to aid the Allies in Norway during WWII (Weird Tales, V35 N5, September 1940)
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kekwcomics · 5 months
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John W Campbell: "Who Goes There?" (Shasta, 1948)
Art: Wayne Francis Woodard aka "Hannes Bok"
The art has a weird Rich Corben vibe...
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chronivore · 1 month
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Wayne Francis Woodard "Hannes Bok" (1914 - 1964)
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oldpaintings · 3 years
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Illustration for "Dragon Moon", a short tale by Henry Kuttner, appeared in the January 1941 issue of Weird Tales by Hannes Bok (American, 1914--1964)
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everythingstarstuff · 2 years
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Wayne Francis Woodard a.k.a Hannes Bok (1914 - 1964)
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bookmaven · 2 years
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Hannes Bok’s chilling illustration for H.P. Lovecraft’s “Pickman’s Model” appeared in Famous Fantastic Mysteries, December 1951.
The story is about an artist (based on fellow writer and artist Clark Ashton Smith) who has dedicated himself to depicting monstrous creatures, making magnetic, life-like works of art. Pickman disappears mysteriously, and those looking for him discover that Pickman’s creatures were so lifelike because he was modelling them from life.
Hannes Bok (1914-1964) was an American artist and illustrator, as well as an amateur astrologer and writer of fantasy fiction and poetry. He painted nearly 150 covers for various science fiction, fantasy, and detective fiction magazines, as well as contributing hundreds of black and white interior illustrations. Bok's work graced the pages of calendars and early fanzines, as well as dust jackets from specialty book publishers like Arkham House, Llewellyn, Shasta Publishers, and Fantasy Press. His real name was Wayne Francis Woodard.
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fromthedust · 3 years
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Hannes Bok - aka  Wayne Francis Woodard (American, 1914-1964)
The Sentry - 1944
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raypunkzero · 4 years
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Wayne Francis Woodard a.k.a Hannes Bok (1914 - 1964) https://ift.tt/35EaKvF October 26, 2020 at 08:31PM +visit our fellow Goethepunk art page
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gokinjeespot · 4 years
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off the rack #1303
Monday, March 2, 2020
 This is a public service announcement. You will be ticketed for parking on the street during a parking ban even though the snow has already been cleared from the roads. We got a ticket parked in front of our house last week because we couldn't get into our driveway after the grader left a big snow bank at the end of it. I hope to spare anyone from being dinged with what I think is an unfair fine.
 Amazing Spider-Man: Daily Bugle #2 - Mat Johnson (writer) Mack Chater (art pages 1-12) Francesco Mobili (art pages 13-20) Dono Sanchez-Almara, Protobunker & Peter Pantazis (colours) VC's Joe Caramagna (letters). I can't read the rest of this 5-issue mini. The art really bothered me this issue. It was hard to tell what was going on the first few pages and then seeing Peter Parker in civvies looking almost exactly like the bad guy confused me further. There are interesting mysteries about Spidey's webbing and a Wilson Fisk involvement with an explosion, but this story probably won't matter in the grand scheme of things, so I don't think I'll miss anything if I bail out here.
 Punisher Soviet #4 - Garth Ennis (writer) Jacen Burrows (pencils) Guillermo Ortego (inks) Nolan Woodard (colours) Rob Steen (letters). Frank and Valery go after Konstantin by kidnapping his trophy wife. She's amenable to divorce by Punisher. Thank Garth for improving my mood.
 Basketful of Heads #5 - Joe Hill (writer) Leomacs (art) Riccardo La Bella (additional pencils) Dave Stewart (colours) Deron Bennett (letters). Everything leading up to this issue has been circumstantial. Now the villain tells the complete story. I'm rooting for June to survive this mess.
 Year of the Villain: Hell Arisen #3 - James Tynion IV (writer) Steve Epting & Javier Fernandez (art) Nick Filardi (colours) Travis Lanham (letters). Heh, it's the Joker who helps Lex beat the Batman Who Laughs. It looks like next issue's pulse pounding conclusion will be Lex and his super villains versus the Batman Who Laughs and his infected super heroes. It's been a while since the Main Man has been in a comic that I've read.
 Avengers #31 - Jason Aaron (writer) Gerardo Zaffino, Geraldo Borges, Szymon Kudranski, Oscar Bazaldua, Robert Gill & Mattia De Iulis (art) Rachelle Rosenberg & Mattia De Iulis (colours) VC's Joe Caramagna (letters). I haven't seen Tony Stark in a while so I assumed he was dead. Nope. He was zapped a million years into the past by the master manipulator Mephisto. The devil tries to get Tony's soul. This is a wonderful full issue of Iron Man and if Jason wrote an Iron Man book, I'd read it.
 Amethyst #1 - Amy Reeder (story & art) Gabriela Downie (letters). I remember reading the original Amethyst book when it hit the racks in 1983 with the Ernie Colon art. It was fun and weird with a plucky heroine. This new Wonder Comics book has the appeal of having art by Amy Reeder who wowed me with her work on Madame Xanadu and Rocket Girl. Here she is writing as well and the art and story is tight and concise. This is a nice substitute for the dearly departed Naomi book.
 Avengers of the Wastelands #2 - Ed Brisson (writer) Jonas Scharf (art) Neeraj Menon (colours) VC's Cory Petit (letters). It's the origin of Captain America of the Wastelands. His name is Grant. I think this is a great way to change tried and true Marvel characters to make them fresh and new. Having them fight an evil Doctor Doom is nice and simple. Four Avengers may become five but they have to contend with a super villain first.
 Suicide Squad #3 - Tom Taylor (writer) Bruno Redondo (art) Adriano Lucas (colours) Wes Abbott (letters). The new Squad's first mission under Lok's leadership does not go according to plan. Neither are these super villains what they seem. This is why I read Tom Taylor books. Forget about any new Crises and DCeased and pick up this most excellent comic book for some straight up action and skulduggery.
 Kill Lock #3 - Livio Ramondelli (story & art) Tom B. Long (letters). I get why the calligraphy font is used in the Wraith's word balloons but man, is it hard to read. This issue explains why The Kid is innocent and shouldn't be branded. The four droids find the one who can lead them to the Kill Lock's off switch but she betrays them. This universe of sentient robots is pretty cool.
 Jessica Jones: Blind Spot #4 - Kelly Thompson (writer) Mattia De Iulis (art) VC's Cory Petit (letters). Each issue has started off with Jessica held captive by the bad guy. The end of this issue reveals who that is and how she was killed and resurrected. I am looking forward to the conclusion to see how she defeats the villain.
 Batman Superman #7 - Joshua Williamson (writer) Nick Derington (art) Dave McCaig (colours) John J. Hill (letters). A new story starts here. Part 1 of "The Kandor Compromise" pits the World's Finest duo against Ra's Al Ghul and General Zod. One of the bad guys is working with the good guys. I got bored of the fight between Superman and Rogol Zaar so what happened to the city of Kandor was a surprise to me. I'm interested to see the final fate of the shrunken city.
 Giant-Size X-Men: Jean Grey and Emma Frost #1 - Jonathan Hickman (writer) Russell Dauterman (art) Matthew Wilson (colours) VC's Clayton Cowles (letters). This mostly wordless $4.99 US one-shot will be a quick read but I read it twice just to soak in the beautiful art. The story starts with the discovery Storm's body and ends with a problem after Ororo is resurrected. This leads into a story where Jean, Emma, Logan and Scott will have to save Storm again.
 Leviathan Dawn #1- Brian Michael Bendis (writer) Alex Maleev (art) Josh Reed (letters). Leviathan succeeded in shutting down every spy agency and the leader has been revealed to be an ex-spy named Mark Shaw. The good guys are still trying to fight back but they're going to need help. Time for Kingsley Jacobs to start up Check Mate again. I like the players he's gathered. I'm looking forward to watching this game unfold.
 Finger Guns #1 - Justin Richards (writer) Val Halvorson (art) Rebecca Nalty (colours) Taylor Esposito (letters). And now for something completely different. This new urban fantasy introduces two teenagers with a weird power. Wes discovers that when he shoots people with his left hand he can make them angry. Sadie can calm people down when she uses her right finger gun. They meet by accident at the mall and try to get a handle on their newfound powers. It's a cool concept and I wonder where these kids are going to end up.
 Fantastic Four: Grimm Noir #1 - Gerry Duggan (writer) Ron Garney (art) Matt Milla (colours) VC's Joe Caramagna (letters). This one's all about Ben's bad dreams. I thought the bad guy was Nightmare but it's another one of those mystical villains that generally mess with Doctor Strange. I expected some sort of Mickey Spillane type story but there's no murder, just a pretty dame needing rescue. It's a nice character study of the ever lovin' blue-eyed Thing.
 Detective Comics #1020 - Peter J. Tomasi (writer) Brad Walker (pencils) Andrew Hennessy (inks) Brad Anderson (colours) Rob Leigh (letters). Two-Face is back and he's more bipolar than ever. This is what I like to see, an old villain presented in a slightly new way. We still have the scarred coin dictating how Harvey acts but there's a new twist with a cult of fanatics and the Church of the Two Strikes. I love how the first page hints at the return of the Court of Owls too.
 Falcon & Winter Soldier #1 - Derek Landy (writer) Federico Vicentini (art) Matt Milla (colours) VC's Joe Caramagna (letters). This 5-issue team-up starts off with a heavily armed and armoured hit squad attacking Bucky Barnes in his home. The Winter Soldier emerges unscathed and hops his motorcycle to find out who sent the killers. Meanwhile Sam Wilson is searching for a missing vet. The two meet at a government agency office where all the staff are dead. Wanting to know who's doing all the killing has got me interested in reading the rest but when a preppy killer shows up and kicks both of the heroes asses I decided to put this mini on my "must read" list. The kid's name is the Natural. Picture a blonde Damian Wayne in a pair of Chuck Taylors.
 The Amazing Spider-Man #40 - Nick Spencer (writer) Iban Coello & Ze Carlos (art) Brian Reber & Peter Pantazis (colours) VC's Joe Caramagna (letters). The fight between Spider-Man and Chance had to do with a bet that Chance could get one of Spidey's web shooters. What bothered me was how easily that was done and Spider-Man's lack of urgency to get it back. There's a couple of foreshadowing scenes that will keep me reading however. One involves the Clairvoyant device and the other is who Norah Winters is working with.
 X-Men #7 - Jonathan Hickman (writer) Leinil Francis Yu (art) Sunny Gho (colours) VC's Clayton Cowles (letters). This issue is dedicated to a new Mutant Ritual called the Crucible. It's a lot shorter than calling it the Arena of Death and Rebirth. It shows how mutants who have lost their powers can get them back. But first we have to endure a deep philosophical discussion between Cyclops and Nightcrawler. It's a real snoozer if you're an action fan.
 Action Comics #1020 - Brian Michael Bendis (writer) John Romita Jr. (pencils) Klaus Janson (inks) Brad Anderson (colours) Dave Sharpe (letters). I wish they would stop with the deceiving covers. It looks like Superman is trying to come between Lex Luthor and Leviathan but what actually happens inside is Superman fighting Lex and the Legion of Doom. If it weren't for Young Justice helping out I would have found this issue boring.
 X-Men/Fantastic Four #2 - Chip Zdarsky (writer) Terry Dodson (pencils) Rachel Dodson, Karl Story & Ransom Getty (inks) Laura Martin (colours) VC's Joe Caramagna (letters). There's a lot of heroes accusing heroes of shenanigans concerning the disappearance of Franklin and Valeria. They are actually guests of Doctor Doom. Victor wants to reverse what Reed did to his son and I want to know why. With the X-Men converging on Doom Island, good old Doc Doom is prepared for an attack.
 X-Force #8 - Benjamin Percy (writer) Bazaldua (art) Guru-eFX (colours) VC's Joe Caramagna (letters). Why did Oscar Bazaldua stop using his first name in the credits? Domino and Colossus attack the flesh factory making assassins using Neena's DNA. The organisation funding the flesh factory has a mysterious benefactor and I'm hanging around to find out who that is. I wish they would change either Sage or Jubilee's costume. I keep getting them confused.
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mkamyx · 4 years
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Skull-Face and Others by Wayne Francis Woodard a.k.a Hannes Bok, 1946
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thefugitivesaint · 2 years
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Hannes Bok (1914-1964), ''Skull-Face and Others'' by Robert E. Howard, 1946
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skullofjoy · 6 years
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Hannes Bok (Wayne Francis Woodard) - 1941
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swipestream · 5 years
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Sensor Sweep: John Carter Miniatures, The Metal Monster, Carcosacon, Call of the Wild Art, Robot Man
RPG (Modiphius): The John Carter Swords of Mars miniatures line is made up of 32mm scale high quality multi-part resin miniatures which come complete with resin scenic bases. The Swords of Mars campaign book includes a set of rules to play out battles involving squads and heroes, fighting across moving airships, desolate ruins or the beautiful palaces of Barsoom.
  Writing (One Last Sketch): A long while back, I wrote a short essay called “Writing the city” that I never published, yet the misgivings that went into that essay keep stirring my brain. The main question is this:
  In literary criticism of fantasy, why are long descriptions of the natural world and farmland or villages often labeled as boring, but when China Miéville fills page upon page with adjective-laden descriptions of architecture, this passes without comment, or even gets praise?
  Art (DMR Books): Fifty-five years ago today, Wayne Francis Woodard, better known as “Hannes Bok,” died in poverty. He was friends with, and had his work admired by, the likes of Ray Bradbury, A. Merritt, August Derleth, Farnsworth Wright and others.
I must confess that I’ve always been ambivalent about Bok’s art. While I find some of his work truly excellent, I consider much of it average or even poor.
    Fiction (DMR Books): It’s fascinating how the paths we take in life shape who we’ll become and what we’ll leave behind, when–on that fateful day–we’re blasted by the emerald lightnings of The Emperor’s Guard at the Pit of the Metal Monster.
For me, the dregs of life will be a room full of books.  For A. Merritt, luckily for us, it was his wonderful novels, few tho’ they may be, and the short stories and poetry he crafted during a relatively short lifetime.
But, whereas the ashes of our mortal clay will be scattered before the feet of the Metal Things
    Fiction (Gardner F. Fox): This is book #011 on the list of 160 books that Gardner Francis Fox wrote from 1953 to 1986. I will not be working on
Blank bookcover with clipping path
books in the order as Mr. Fox wrote them. I am doing the book cover designs based on when the transcribers who are assisting me, finish one. As they complete a book, it will be the newest release, so it will get a new book cover design. I also have to go back and replace the photo-bashed covers I made when I first started The Gardner Francis Fox Libraryin 2017.
  Conventions (William King): So that was Carcosacon and it was a lot of fun. A bunch of us drove up from Prague to Czocha Castle for a weekend of games, panels and live action roleplaying all dedicated to the Cthulhu mythos. We got there on Friday morning, checked in and were gaming by one o’ clock that afternoon in a library that looked like something from Dennis Wheatley complete with a secret doorway hidden in a bookcase that swung out to reveal a spiral staircase up to yet another gaming room. I thought there never was a better setting for a Call of Cthulhu session but I was wrong, and I’ll get to that later.
  RPG (Sorcerers Skull): Gygaxian Esoteric Planes: Places that often bear the names and some of the characteristics of various historical conceptual realms but are more defined in their characteristics. They are inhabited by supernatural beings that tend to behave like mundane beings, the only difference being “power.” Geography tends to be more important than in conceptual realms; planes can be mapped to a degree, and travel along associated terrain may be necessary.
Reviews (Don Herron): Our resident expert in everything Arkham returns to review a new (if repurposed) book on the fabled press. John D. Haefele certainly burst fully-formed on the scene with his A Look Behind the Derleth Mythos, but he’s done a ton of stuff on the subject, most recently a run of articles appearing in Crypt of Cthulhu. See his Amazon page for a thorough list of books, chapbooks, monographs, web and print surveys. He knows the turf.
        Cinema (Superversive SF): Can the story take a place on a bus rather than on a space ship without being fundamentally different?
Outland, an obscure movie starring Sean Connery at the low point of his career, cannot be set on a bus, but it most definitely did not need to be placed in space. It is, no pun intended, fully grounded in the traditional western genre in the theme, plot and pacing. There are even shotguns. Lots of shotguns. In a pressurized environment. All that’s missing is the tumbleweeds. We do get treated to the sight of some gyrating balls of… something, but the less said of those the better.
      Gaming (Rampant Games): In case you haven’t figured it out, I am a Virtual Reality enthusiast. I’ve been looking forward to the coming of consumer-level Virtual Reality since the early 90s. I expected it a lot sooner than it got here, to be honest, but I’m glad it’s here now. I love that I get to work with it as part of my day job. Anyway, I have been willing to sink a bit of cash into it this hobby… to the extent that I pre-ordered a Pimax 5K+. Offering about the highest resolution out there and 170+ degrees of field-of-view, it seemed like a game-changer for PC-based VR.
    Cinema (Men of the West): First, the good: As you would expect from any sort of Peter Jackson flick, it has gorgeous F/X. The visuals and modeling for the various vehicles and aircraft are marvelous. The colorizing to help set the tone, the costuming, etc., are all spot on. The acting was decent. The set design was pretty cool. The basic premise for the story was decent if absurd (mobile cities on treads?), with an interesting twist on the post-apocalypse genre. They had a fun dig at the near illiteracy of today’s people in the “screen age” (showing iPhones, etc), saying “they didn’t write much down.”
  Author Interview (Superversive SF): What does superversive mean to you? Superversive is the building of things never seen before to heights unreached. It builds where others have torn down, and gathers together all good things to be made into something greater and more wonderful than they were before. Where before one might find a blasted heath, one finds a garden growing by the Grace of God.
  Review (Fantasy Literature): As I mentioned in my review of Gray Lensman, Book 4 of E.E. “Doc” Smith’s famed six-part LENSMAN series, that installment, although it followed its predecessor, Galactic Patrol, by mere seconds storywise, was actually released over 1½ years later; 20 months later, to be exact. Book 5 of the series, Second Stage Lensman, would follow the same scheme. Although the events therein transpire just moments after the culmination of Book 4, readers would in actuality have to wait a solid 22 months to find out where author Smith would take them next.
        Art (Northwest Adventures): Jack London’s The Call of the Wild was serialized in The Saturday Evening Post from June 20 to July 18, 1903, only five years after the Stampede of 1898. It was an instant classic and the quintessential novel of the Klondike. The five-parter was accompanied by illustration from two artists, Charles Livingston Bull (1874-1932) and Philip R. Goodwin (1881-1935). Bull was hitting his stride, illustrating books for Charles G. D. Roberts as well as magazine covers but Goodwin was only 22 and just starting out on his career that would include illustrating Teddy Roosevelt’s book on hunting. The two artists together is a nice blend of Bull’s stylized poster art (which remind of Kay Nielsen’s fairy tale art) and Goodwin’s realistic dog forms.
  Art (One Last Sketch): No other imagined world has generated as much illustration as The Lord of the Rings. Considering the sheer amount of artistic material to draw from, however, even before the live action adaptations came out in 2001, we already had a consensus “look” for Middle Earth in John Howe and Alan Lee’s paintings. Why the collective consensus for what Middle Earth should look like coalesced around these two has a host of factors, one being how prolific they were, how often they appeared on book covers and ancillary material, and the last being their obvious skill.
  Fiction (Pages Unbound): You may have some familiarity with The Silmarillion and seen these newer works being published that are part of it. But maybe you are not sure where they came from, or how they fit in to the larger work. Here is the scoop: you can pick up any one of the three separate works from The Silmarillion that have been released as standalone volumes and enjoy it on its own. They are The Children of Hurin, Beren and Luthien, and The Fall of Gondolin. Some say the reading order should be publication order, but you would not be wrong to read Beren and Luthien first.
  Obituary (Washington Post): George Stade, a Columbia University literary scholar who became an early champion of “popular” fiction within the academy and worked as a critic, editor and novelist, most notably with the grisly satire “Confessions of a Lady-Killer,” died Feb. 26 at a hospital in Silver Spring, Md. He was 85.
  Tolkien (Alas Not Me): The Mouth of Sauron’s encounter with the Captains of the West in The Lord of the Rings has been reminding me of the Green Knight’s visit to King Arthur’s court in Sir Gawain and the Green Knight.
The initial set-up is quite different, naturally.  The Green Knight comes in uninvited without any introduction or explanation — the reader is thus in the same boat as members of Arthur’s court — whereas Tolkien gives us some backstory on the Lieutenant of the Tower of Barad-dûr when he comes out in response to the heralds’ challenge.  The Green Knight arrives alone on a color-coordinated steed that seems an ordinary animal except for its hue, but the poet hints the knight himself might possibly be supernatural (“Half etayn in erde I hope þat he were”).  Intriguingly, the similarly color-coordinated fellow who approaches Aragorn & Co. is almost exactly the inverse, i.e., a living man on a possibly supernatural mountm
    Sensor Sweep: John Carter Miniatures, The Metal Monster, Carcosacon, Call of the Wild Art, Robot Man published first on https://medium.com/@ReloadedPCGames
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magictransistor · 10 years
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Hannes Bok, Gnome Press Calenders, c. 1950.
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everythingstarstuff · 4 years
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Wayne Francis Woodard a.k.a Hannes Bok (1914 - 1964)
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