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#after 1 episode as a 26-year-old i can already pretty confidently say it's not very good lmaooo
thatlittledandere · 2 years
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At this point you can pretty safely assume that if I suddenly get into a piece of media that isn't like current or relevant to my prior interests it's because Yuri Lowenthal is in it. It's getting embarrassing
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deadcool14 · 10 months
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SPOILERS!!!!!
SPOILERS!!!!!
SPOILERS!!!!!
SPOILERS!!!!!
I wanna talk about this show (btw pls watch it, it's so fucking good, the characters are peak and the animation is fucking amazing!):
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Episode 1:
-I can't believe they foreshadowed the final boss with fucking Sonic trivia
-Ngl if I asked out a girl and she didn't know anything about neither Sonic or X-Men, I'm dipping the first chance I get
-I was wondering why Scott had the star t-shirt at the beginning, since he only got that at the finale battle with Gideon, to signify his love for Ramona, but with the added context it's not supposed to matter, it's there because it's his most recognizable look
-Matthew's entrance doesn't have the same umph as the movie's. His actor really went all out in that scene, XD
-Sucks that Scott wasn't very involved in this, since he is the title character, but I still loved everything about this. Hope we get to see his arc in the next season
Episode 2:
-Why is Ramona dyeing her hair so damn satisfying?
-Edit: The fact that STEPHEN of all people was the one that gave Scott a euology and was the only one that actually gave a damn XD
And it's pretty sweet that he would have been ok to find out if they sucked, if they found out they sucked together
-"Mommy!" yeah
-I can fucking believe she actually sang that fucking song XD
-Brie Larston is so talented; if I didn't already know she played Envy, I honestly could not tell that was her, but then again I only know her as Captain Marvel, where she has a deeper and much cooler voice
-So, if in the Scott Pilgrim world people just re-spawn at home after being defeated, does that mean that there no one can be murdered or manslaughtered? And if so, how do people actually get a "permanent game over"? Does everyone just die of old age? Also if people bury the coins dropped after someone dies, would that make grave-robbing the most common crime in the world?
-The fact that all Matthew needed to defeat Gideon was confidence is actually very inspiring. The probable reason why he's so extra (besides being a theater kid) is because Ramona dumped him, which really hurt his self-esteem. And while it's kinda sad and pathetic to let a middle school break-up bring down your self-worth, that doesn't mean it didn't suck for Matthew; and after realizing that Ramona wouldn't take him back just because he beat Scott, he finally got a reality check and decided that their goal was pointless, so he moved on from Ramona and decided to make something out of himself, and using the confidence he got from "beating" Scott, he unleashed his true power and was able to defeat Gideon, take his company, and then became successful Broadway actor
-"Et tu, eat me." Roxie is a fucking queen
Episode 3:
-Hey, I didn't asked to be fucking attacked about my writting process, Scott Pilgrim!
-Knives getting more character development besides being obsessed with Scott is everything I didn't know I ever wanted
-I feel you Stephen, I do 😞
-Omg I ship Knives and Kim so much!
-Since Roxie predates Toga, then should be saying that Toga gives off Roxie vibes?
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-I'm in lesbians with all of them
-Roxie is so fucking horny lol. Tho I can't blame her, I would go rent to that video store everyday to talk to Kim or Hollie... and immediately choke and explode before a word comes out my mouth
-Also, fun fact: Hollie looks like a milf, but she's actually 26!
-Nice of that lady to apologize to Robot-01. He doesn't deserve all the mistreatment he gets, he's a good boi
Episode 4:
-Holy fuck this animation
-Bro, what is that song? XD
-'Edgar Wrong' XD XD XD
-Young Neil is a fucking treasure
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💚 :3
-Straight Wallace is an anomaly that should not be allowed to exist
-Notorious heterosexual
-People are 100% saying some bullshit like, Lucas is only going out with her because he's secretly a pedo is only likes her because she's PLAYING a 17-year-old and that feeds his fetish
-Already saw a meme of the "My God!" clip, keep those coming people!
-Holy fuck this animation!!
-The paparazzi looking like cockroaches, nice
-I feel really bad for Lucas, he's actually a nice guy
-And then he fucking yeets a kid and steals his skateboard XD
-"Watch out guys, Vegan comin' through!"
Episode 5:
-I feel a little bad for Todd, but it's also so satisfying seeing this jackass, who thinks he can get away with anything because he's a rock star, get wrecked
-Weird the Vegan Police didn't show up to take away his powers tho; maybe they were informed of the situation and decided to give him a pass this time.
I really hope they expand on the whole concept of being Vegan in season 2
-Edit:
Envy: Hey, ask them what it feels like to always get his sloppy seconds?
Ramona: How does it feel-?
-I love how they expanded on the Stephen & Knives friendship :3
-I did not recognize Simon Pegg and Nick Frost until the end where they had the cornettos XD
Episode 6:
-Honestly, surprised they didn't bring up that Julie had a crush on Scott, and that's why she's always a bitch to him, specially because this is an anime, they can actually call her a tsundere!
And while we're on that, anyone think it's weird that nearly single girl in the comic had or still has a crush on Scott? Like, seriously? This asshole, really? And you just know that if it was a manga made in Japan, Stacie would have a goddamn bro-con complex with him
-Idk how I feel about them just glossing over Gideon just being an absolute monster; like yeah, Ramona was a bitch with most of her relationships and she does tend to run away from her problems, but Gideon was a manipulative, ego-centric, abusive piece of shit. I mean, the guy kept his 6 ex-girlfriends frozen in stasis for appearences or for whatever else he wanted, and he wanted to do the same to Ramona. I like him and Julie being assholes together, but seriously, I hope they touch on that in season 2
-Dude fuck those kids, I would give Gordon so much respect for actually trying that; I wish I had a third of his confidence
-I never knew I needed to see Captain America and The Spot being goofy friends until now
-I headcanon that one of the reasons why they had Matthew take over Gideon's company was so they could finally give him a job XD, tho it was always insinuated that he was in the army, because of the Private Rank patch on his jacket, which they removed in this version and that really sucka because I liked that little detail; it was also another reference to him being the 1st Evil Ex, because Private is the 1st rank in the military
-At least Ramona does recognize that what she did was messed up, even if the Twins were also being dicks, she should have just called them both out and be done with them
-Those fucking Vegan Robots man, I swear to God
Episode 7:
-When Old Scott spoke, I thought it was Ben Schwartz at first lol
-I love how the world isn't the cliché "terrible post apocalyptic world caused by something that happened to the main character", it just looks really crappy, which... yeah, accurate; the look everyone has just seems to be the current fad, they just embraced the post-apocalyptic looking world they live in.
Also that tech is not that advanced, they have hover vehicles and board, and holo-phones, that does seem like they kind of tech we could have in a few decades, maybe
-The fucking Virtual Boy XD XD XD, surprised Scott's eyes weren't on fire after staring into that thing
-Old Wallace is a fucking GILF
-That lucky motherfucker! He probably got the Switch for free!! 😬😬😬
-Nice Death Stranding reference
-Ramona changing her hair color every week was symbolic of her always running away from her problems, but I like that she keeps doing it in the future, just because she likes it
-Of course Future Ramona has fucking Back To The Future roller blades XD
-Both Ramonas are the same fucking size XD
-At first it felt that they just speedran Scott and Knives, but then again Scott probably read a little of Old Young Neil's auto-biography and figured things out. And since Knives wasn't as obsessed with Scott at this point it makes sense that she'd take this a lot better, Kim and Stephen probably helped her out too
-But at least she catharsis by seeing Scott and Ramona not being able to kiss XD
-Oh! And I just realized that she didn't waste her first kiss on Scott! 😃
Good for her!!
Episode 8:
-I think it's dumb they gave Knives her look from the comics without any reason. She only changed her look to look more appealing to Scott in the comics, and in the epilogue she's back to her normal look, like, at least have people mention the look and her saying that she's trying something new
Edit: I rewatched the whole thing and I just realized that Even Older Scott punched the highlights out of Knives' hair XD
-It's basically a meme at this point, but pls have the Katayanagi Twins do something! They had such a bigger role in the comics. At least I wanted to see their combo moves animated!
It's nice that the Exes are actually cheering for them to kiss, or maybe they're just teasing because they can't; either way it's nice
-Even Older Scott is Ramona's 8th evil ex. He debuts in the 8th episode and has studied the powers of all the other 7 Evil Exes along with his own, which adds up to 8.
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Sucks he didn't actually use their powers, I would have loved it if he used Vegan Powers combined with mystical powers, maybe instead of Demon Hipster Chicks he summons little Nega Scotts, he has stronger skateboard tricks than Lucas, he some robot arms that can shoot lasers and can help him do the Twins' combo moves, but doubled
-Edit: The fact that Knives went for Ramona instead of Scott. CHARACTER DEVELOPMENT!!!!
-Even Older (Nega) Scott is just Evil Ryu and I fucking love it!!
-Even Older Scott's color scheme not only signifyes just how jaded and lost he's become, but also that Nega Scott has completely taken him over is just *chef's kiss*
-Edit: Todd still has the Wallace tattoo XD also his was my favorite attack, he just teleports and slams down, simple, but awesome
Also Even Older Scott defeated him with a headbutt
-Edit: It would've been funny if he had also punched Roxie in the boob again
-Every future character has "Old" in their name, but Ramona is just "Future Ramona", she will cut you if you call her old. Real missed opportunity to not call the oldest Ramona "Future Future Ramona".
"MILF" and "GILF Ramona" also would have been acceptable
-Sex Bob-Bomb became the new Crash and the Boys, except that instead of having an 8-year-old, they have a 17-year-old.
And Scott now has his actual girlfriend watching him perform
-Looks like Ramona actually enjoyed the stunt double gig. Good for her, tho honestly, she should have stuck with Netflix, Idk why, but I feel like they're gonna blow up at somepoint
-I like the idea of Lucas x Kim, but I would still prefer Knives x Kim, and my personal made-up ship: Lucas x Stacie. I just love big bois with cute smol gfs
-At first, it didn't make sense to see Todd and Roxie hanging out, but then I realized that just like Roxie, Todd was hurt by someone who treated their relationship like an un-important after-thought, a phase; and just broke it up like it was nothing, without any consideration for the other's feelings. And now that Roxie got closure with Ramona she's helping him to move on from this in a way healthier way than she did. (That and they're both gay) That is so fucking wholesome, I need to see them being friends in season 2 pls!! Also sucks she didn't interact much with Matthew, because Satya Bhabha said that he thinks Matthew and Roxie would be friends.
Also this was kinda foreshadowed in episode 2, at the end of Matthew and Gideon's fight, where she mentions wanting to get Vegan Powers after seeing how convinient they are. I need Half-Ninja, Vegan, Lesbian, now!!!!
-Wallace: Holy shit! True love does exist!?
-Ramona is finally gonna stop running away, so she keeps most of her hair as her natural color with a little green at the end to not forget her past and where she came from
-Get wait to see what Goose's game, but it must be in pretty early development, probably untitled even
SEASON 2 PLSSSSSS!!!!
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smallersocksx · 4 years
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My Problems with the Pokémon Journeys Anime
Pokémon Journeys as an anime has divided the Pokémon community in so many ways but in particular last week’s episode has sparked a lot of debate and personally, I had mixed feelings about the end result. So, I thought I would write down my opinions on the Pokémon anime in its current state and comparing it to some of the previous anime.
I feel the need to say this: these are my opinions I am just as entitled to my opinions as you are to yours, so you don’t have to read this if you don’t want to. Secondly, this will probably be a long post but I’m going to split it into sections so it’s hopefully not too overwhelming.
But these feelings have been building up and up and I think I’ll feel better writing them all down and getting them off my chest to some extent.
Introduction:
So, I’ve essentially been a fan of Pokémon for as long as I can remember particularly watching the anime when I was very young. The anime didn’t really begin to stick with me though until around AG and DP in particular. The first Pokémon game, I played was DP which is why I have a particular fondness for that series and that cast of characters and Pokémon.
I didn’t watch the series as intently around the time of BW because I found Iris’ character rather annoying and I understand she developed and grew as the series went on but that initial characterization of her kind of ruined the series for me. But I did dip in and out of the series mostly for Ash’s Snivy.
My friend recommended that I watch the XY series and I fell in love with the cast and the storytelling that the series provided as it reminded me of DP. Sun and Moon was a good series as well providing fans with some of the most heart-breaking and tear-jerking episodes to date. (And Rowlet).
When they announced that Journeys was Ash travelling around the world instead of staying and travelling in a specific region, I’ll admit I was sceptical. To be honest, I kind of preferred the old formula particularly as I’m a creature of habit myself but I decided to give this new series a chance as the premise did sound interesting and there was the potential for Ash to reunite with some of his old travelling companions.
With the benefit of hindsight, I realise this was one of the problems: the series kind of relies heavily on the nostalgia provided by older fans.
The Premise:
The whole premise of Journeys was Ash and his new friend, Goh travelling the world and there lies one of the series biggest problems. For a series that is meant to be about travelling around the world, a bulk of the series has been set in Kanto in particular Vermillion City where Sakuragi/Cerise Lab is situated. Now that shouldn’t be a problem as Ash and Go need a place to stay and go home to. The problem is we are nearly 60 episodes into the series, they hardly seem to leave Vermillion City or Kanto for that matter.
I went through all the episode synopses released so far to see how many episodes Ash and Go travelled to an alternative region. In this case a visit to a different region only counts if Ash and Goh (and Chloe) visit the region therefore episode 32 wouldn’t count:
Johto – 2 episodes
Hoenn – 4 episodes
Sinnoh – 2 episodes
Unova – 2 episodes
Kalos – 2 episodes
Alola – 1 episode
Galar – 11 episodes
Arguably, as this is meant to a Gen 8 anime, its not particularly shocking that they have visited Galar the most especially as Ash hopes to battle Leon someday. Nevertheless, the initial premise and selling point of the Journeys series is travelling the world and yet only 2/5 of the series so far has been set outside of Vermillion City. They promised the world (no pun intended) and are kind of falling flat…
 Goh and his goal:
Now Goh is certainly a character that has divided the community some love him and some definitely hate him. Personally, I’m in the middle, I like Goh’s personality I thought his rational and logical personality made him a great counterbalance for Ash. The problem I have with him is: his goal, his rapid character development, and his status as a protagonist.
1)   His Goal:
Goh’s goal is to catch every Pokémon in existence and considering there over 800 Pokémon that is a lofty goal to begin with. Initially, I thought it was an interesting goal as we never had a character wanting to catch every Pokémon as there are some trainers in the anime universe who only specialise in a specific type, some who catch only cute Pokémon, some who only catch evolutionary lines etc. Therefore, I thought this was an interesting goal and wondered how they would execute its portrayal and there lies the problem…
Goh was named after the game Pokémon Go and is essentially being used as a walking advertisement for Pokémon Go and the Let’s Go series as his gimmick is throwing a Poke Ball at a random Pokémon which can get pretty old very fast. I honestly didn’t understand the need to create a character to promote these games as it has been 4 years since the release of Pokémon Go. Arguably, they could be trying to re-ignite the hype around Pokémon Go as after the initial excitement a lot of people stopped playing or uninstalled it as it was taking up a lot of space on their phone.
One of the things, I particularly love about the anime series is not only the human cast gaining character development but their Pokémon as well. Around the AG series, the writers really begun improving on giving each Pokémon their own unique personality traits as well as traits of their species. It gave the Pokémon more depth and made them memorable for example there’s Dawn’s prideful Piplup, Brock’s weird and wonderful Sudowoodoo who would salute every time he came out of his Poke Ball, Clemont’s gluttonous Chespin and Serena’s shy Eevee to later a confident Sylveon. The list could go on and on but I think you get the point. Therefore, this gives me my second issue with Goh’s goal.
Goh’s goal is to catch every single Pokémon currently in existence, with so many Pokémon, there is difficulty feeling any attachment to them. Cinderace and Sobble (and now Grookey) are the Pokémon Goh is most seen with, needless to say, Cinderace underwent a lot of development and was interested in battling which to be honest I found a little strange as Goh’s goal doesn’t particularly align with Cinderace’s interests. Nevertheless, it is clear that Cinderace is Goh’s ace and utilises him when he does need to battle. Sobble didn’t receive any development until 26 episodes after his capture. However, aside from Cinderace and Sobble we don’t feel any particular attachment to his other Pokémon, one strength is that anime does give each of his Pokémon some spotlight like Goh using his Goldeen to teach Jinny’s Feebas how to swim elegantly but aside from that.
My final issue with Goh’s goal is development, from a story-telling point of view his goal isn’t that engaging like with some of the other goals we’ve had in the series. Take Dawn for example her goal is to be Top Coordinator in order to do that she needs to win 5 Ribbons, participate in the Grand Festival and win the Ribbon Cup. On paper it sound simple but it’s not, we have Dawn’s arc where she lost twice in the Performance Stage fell into depression, lost confidence in her abilities and was uncertain as to whether or not she was a good coordinator. It wasn’t until she befriended May and competed against her that Dawn found a renewed sense of confidence in her abilities, even after that Dawn still lost a few contests before being able to compete in the Grand Festival where even then there were a few rough moments like her battle with Ursula.
My point is even though Dawn (and May’s) goal looks simple on paper they had a lot of struggle to get there. Whereas, with Goh’s goal and the current execution of it, I don’t get that same sense of story-telling especially when he’s already caught a Legendary Pokémon, there just isn’t that same level of struggle. The most I could see Goh struggling at this moment is not catching a Pokémon the first time round.
2) His rapid development
One of the biggest issues I have with Journeys is pacing and development, and this issue isn’t just exclusive to Goh. In the beginning, Goh is a rookie trainer after catching Scorbunny and as we saw in the Flute Cup his lack of battling experience caused him to be eliminated very quickly and yet 29 episodes later, he’s defeating a Flygon with a Fire-type and using a technique Ash had once used himself in his battle against Grant. I understand Ash and Goh are close friends and understandably their traits are going to rub off on one another for example Goh’s logic and caution has rubbed off on Ash to the extent Ash had his Dragonite use Dragon Dance in his battle with Korrina. Before this, we’d never seen Ash use these types of moves in his Pokémon battles. I have no issues with Goh developing as a character, everyone loves good character development, my issue is with how rapid it is.
I’ll use Dawn’s arc as an example again, I loved it because it was well-paced, in the first season of DP Dawn was overconfident in her abilities which led to some losses particularly towards the end of the first series and Dawn didn’t fully recover from this until nearly midway through the second series of DP. Arguably, Ash’s influence has caused Goh to develop an interest in battles but I feel like we haven’t seen him go through enough battles to justify the level he is at.
3) His status as a Protagonist
To be honest, I didn’t realise Goh has a protagonist status until someone pointed it out to me, I just saw him as another one of Ash’s travelling companions. This is one of the biggest issues Goh haters have with him and that’s feeling as though Goh is taking the spotlight away from Ash and there are a lot of episodes focusing on Goh. Arguably, Ash has taken on the role of mentor like Brock had done once for him. However, my issue with Goh’s protagonist status is that I don't feel like Goh's goal justifies him having it, even in episodes focusing on Ash and his participation in the World Coronation Series, Goh still manages to catch a Pokémon which as I mentioned before it got old pretty fast. I can understand some people would see this as a good thing they are both closer towards their goals but if an episode advertises its going to focus on one character, I want it to focus on that character.
In some of the previous series when May, Dawn and Serena were participating in Contests or Showcases, Ash would generally put his training the back burner and support his friends. Likewise, his travelling companions would support him during his gym battles. In some cases, Ash would even get ideas for his own battles from watching them compete like the Counter Shield from Ash watching Dawn and Ambipom.
Sometimes, I feel like Goh is there for the sake of being there like in Episode 56, I honestly felt like him and Scyther/Scizor didn’t need to be there. The episode did focus on Ash and Farfetch’d relationship improving but I felt like the only reason Goh was there was to have his Scyther evolve their presence at the training camp didn’t really contribute anything to the story.
Ash and his Pokémon:
Whenever Ash starts a new journey, he always starts with a clean slate leaving his most recent Pokemon with Professor Oak or Kukui. One of the things that excites fans the most is guessing which new Pokemon from the new generation Ash would catch. Arguably, since Sun and Moon, certain traditions have been turned on their head. Some of these traditions included:
Ash catching the regional bird e.g., Starly, Pidove, Fletchling etc.
Catching at least one of the region’s starters
Although, in Sun and Moon, Ash never caught the regional bird and it was one of the first series with Ash not having a water-type either. However, in this current series, Ash only has 2 Generation 8 Pokémon being Farfetch’d (which will evolve into Sirfetch’d) and Dracovish. This is kind of understandable as Ash isn’t based or travelling around Galar but to be honest it’s still disappointing.
As many of you know, in the most recent episode Goh caught Grookey completing the Galar starter trio (which I’ll cover later), however, a majority of the fandom wanted Ash to have Grookey as they felt personality-wise Ash would be compatible with the Chimp Pokémon and it would continue the long-held tradition of Ash catching one of the new region’s starter Pokémon which is why this latest capture has sparked a lot of controversy with some people calling Goh a thief.
Personally, I would have liked Ash to catch Grookey but in one of the earlier episodes like when they first visited Galar. The reason for this being the storyline development and I know many will argue Ash is a Champion he doesn’t need a starter at this point but Leon in the Sword and Shield games took on and trained the starter that was left over after the Protagonist and Hop had chosen theirs. However, as I mentioned earlier one of the things, I love about the anime is each Pokémon having their own personality and character but also their own traumas and trials to overcome alongside their trainer this can be particularly reflected in the case of Ash and Infernape.
I am not trying to suggest they re-create the Ash and Infernape storyline with Ash and a Grookey but one of the ways a Pokémon develops as a character is through evolution or in some cases like Pikachu and Bulbasaur choosing not to evolve and finding strength in staying the way that they are. Pokémon when they evolve can go through personality-changes whether that be good or bad but having a Pokemon at its first evolutionary stage allows us to go through that development and journey with them.
Which is one of the issues, I have with the series, Ash caught two fully evolved Pokémon being Dragonite and Gengar. Before anyone gives me any grief, I love Dragonite and Gengar’s personalities but as they are fully evolved, we don’t get that same sense of development as we’ve had with some of Ash’s other Pokémon. The only development I could see for these two is potentially learning a new move or overcoming a stronger Pokémon alongside Ash. But having two fully evolved Pokémon makes it difficult to go on a journey of development alongside them. There is also the fact, Dragonite and Gengar are meant to be incredibly strong Pokémon and yet Ash hardly uses them.
Another one of the biggest issues in Journeys as previously mentioned is Ash not fully utilising his team. Whenever, a battle occurs Ash either uses Pikachu or Lucario, the others are kind of pushed to the side and that annoys me so much particularly with Farfetch’d and Gengar. I’ll start with Gengar, Gengar was abandoned by its previous trainer and told to wait in an abandoned building that would later become Cerise Laboratory and in the earlier half of the series (before Riolu) Ash utilised Gengar a lot like in his battle with Visquez and Team Rocket but after Riolu came along Ash used Gengar less and less. In Episode 57, Gengar was taking its anger out on Renji, Chloe and Chrysa and Chloe pointed out that it may have been angry Ash left it behind. This is what I found frustrating; Ash is kind of repeating the behaviour of Gengar’s previous trainer.
Next is Farfetch’d, personality-wise Farfetch’d reminds me of Ash’s Buizel and Hawlucha, with how prideful and aloof it is. I feel like the writers thought they couldn’t flesh out Lucario any further so they decided to focus on Farfetch’d and after two Farfetch’d-focused episodes I can’t help but feel that Farfetch’d is going to evolve in the next episode and that’s what annoys me, that is lazy writing, they haven’t given time to develop Ash and Farfetch’d relationship although it has definitely improved since Episode 56, I feel like it’s too soon. Farfetch’d has so much potential to grow as a character before evolving as I previously mentioned evolution in the Pokémon universe can contribute towards development and I feel like for Farfetch’d they’ll use it in a positive light as Sirfetch’d are noted for their fighting spirit and noble personality. But, as I mentioned before, I would have liked to have seen more development before an evolution.
Then there is Dracovish, this was a completely unexpected capture, however, many fans were surprised by how strong Dracovish was in the games. However, Dracovish was captured in Episode 50 and nearly 10 episodes later, we haven’t seen it… On the other hand, many of Dracovish’s Pokédex entries state that it can’t breathe unless its underwater, therefore, applying that logic to the anime world, may make battling with it difficult...
Team Rocket:
One of the biggest complaints’ viewers have is the series use of Team Rocket. Particularly, using their use of the Gacha machine and using them to create easy conflict. I love Team Rocket; they are basically lovable idiots to me. They’re meant to be “bad guys” but we’ve seen on many occasions they’re kindness and compassion such as rescuing a bunch of wild Ekans and Koffing from a Pokémon hunter and releasing their Arbok and Weezing to protect them whilst they distract the hunter, Meowth sympathising and trying to cheer up Litten following Stoutland’s death are just two examples of their kindness.
Nevertheless, the Journeys series has been utilising them poorly using them as convenient plot device and in my opinion Team Rocket deserve so much better than this. Initially, a lot of viewers may have found the Gacha device interesting but much like Goh throwing a Poké ball at a random Pokémon it got old fast. Similar to one of my issues with Goh, we don’t feel any attachment to the Gacha Pokémon they use unlike other series where they had their own Pokémon which I’ll get on to in a minute.
I feel like the writers missed a huge opportunity, as one of the initial selling points of the series, particularly to the older fans was nostalgia. Team Rocket keep some of their old Pokémon in Team Rocket Headquarters and as the series seems to like staying in Vermillion City, Team Rocket could have collected their old Pokémon and use them similar to when they brought some of their Hoennian Pokémon to Sinnoh. I loved some of Team Rocket’s Pokémon like James’ Mime Jr. and Inkay and Jessie’s Gourgeist and her Yanmega was noted to be strong.
Moreover, in series such as AG, DP and XY they expanded on Team Rocket’s role outside of trying to steal. Jessie showed a promising career in Pokémon Coordinating (particularly in DP) and Pokémon Performing, I loved how she became a rival for Dawn and Serena and particularly in XY, Jessie showed maturity in her loss in the Semi-Finals much to Meowth and Gourgeist’s surprise compared to when she begrudgingly congratulated Dawn on her victory. I just loved the fact in these series they expanded on Team Rocket, showed their friendship and support for one another whether it was cheering each other on from the side-lines or willingly helping Jessie in her pursuits of fame and glory. I realize in Journeys, it’s a bit difficult to expand on Team Rocket’s role in this way but they way they are currently using Team Rocket is to be honest kind of insulting to them as characters who we’ve watched grow over the years.
Chloe, Yamper and Eevee
I’ll get this out the way, I honestly love Chloe, and I’ve loved her development so far, I think they’ve gotten the pacing right for her when they’ve given her focus. I think many people like Chloe because she is similar to Serena, in the sense, she doesn’t have a goal and is discovering what she wants to do in life which is something a lot of people find relatable. I think what would be interesting for Chloe’s character if she does decide to be a Pokémon Professor after initially feeling as though the idea was being forced on her by her peers. Anyways, one of the biggest issues with Journeys is pacing, it takes ages before they actually decide to give a character development and ever since Chloe got Eevee, I feel as though Yamper has been pushed to the side (which is kind of ironic as Chloe calls Ash out on this) and I know Yamper is Professor Cerise’s Pokémon but Yamper acknowledges Chloe more than his own trainer. I feel like a great way to use Yamper was for Professor Cerise to actually give Yamper to Chloe when she was old enough to have a Pokémon, as a lot of Chloe’s earlier development was a result of her bond with Yamper.
Next is Eevee, I love Eevee it is one of my favourite Pokemon, but I also feel similar to Goh, she’s a walking advertisement for the Let’s Go Eevee game as she is unable to evolve. However, the fact that Eevee is unable to evolve makes her a good match for Chloe who is uncertain of her own dreams. Nevertheless, what I don’t understand is why they are trying to promote one of their older games in a new generation (especially when Lana’s Eevee (which don’t get me started) should have filled that role). Also, with Chloe catching Eevee, arguably, she should be joining Ash and Goh frequently, this could allow for Chloe and Eevee to develop and find their own path but aside from joining them twice in Galar, they’ve hardly left Kanto. Which is frustrating because I love Chloe and Eevee and I don’t want it to be another 20 episodes before we get any development from either of them.
Structure
I’ve realized that above I’ve kind of been focusing on the characters and some of the issues surrounding them. Arguably, one of Journeys biggest issues is structure or lack of it for that matter and pacing. Everything is all over the place but I’ll cover each section.
Pacing:
One of my biggest gripes with the series is pacing, lately we have been having back-to-back filler episodes and I don’t mind having filler every now and then to give us a break as you don’t want a show to be too content-heavy. And I don’t mind when the filler is at least entertaining but that Gulpin episode from two weeks ago was absolutely pointless, I’m sorry. So much stuff has taken place off-screen and Ash went up by 500 ranks to Rank 415 they could have taken out some of the filler episodes and used it to show Ash training at least or put it towards actual development for characters like Chloe and Eevee or Farfetch’d.
Another issue, I have with the pacing and I think a lot of you will hopefully agree is the pace of Goh catching a legendary Pokemon (which I’m in the middle about). Normally, around the end of the series, all of the respective characters have found or are closer to their goal like Dawn and Serena coming Runner-Up in their respective competitions or having confidence to keep pursuing their goal. This is normally, in the last series of that generation’s anime adaptation but Goh’s already achieved such a huge milestone towards his goal in the second series. I can’t help but feel as though this has been completely rushed.
Continuity:
Continuity in Journeys is strange, I can see it as a strength and a weakness. I’ll start off with the positives, continuity-wise I like the fact that Journeys at least references to past episodes and characters for example episode 57 Chloe’s younger brother says he’s going to a sleepover at his friend, Jinny’s house, the girl with the Feebas from episode 31. Or episode 47, Goh uses his prize from winning the Pokémon Eating Contest to have a dessert tour around Unova’s Castelia City. These small examples of continuity are something I can appreciate. But I can’t help but feel some of the past characters returning are merely fan-service for the older fans, so far, some of the character returns haven’t really contributed to the series’ narrative aside from the Alola episode contributing to Goh’s development.
A good example of utilising a past character is the Wallace Cup arc, with May and Dawn helping each other out of a losing streak and allowing Dawn to renew her confidence. I think no matter the outcome, both Coordinators gained something from the tournament even if Dawn lost to May, I think she would have had a regained her confidence but winning the Aqua Ribbon allowed her to re-affirm her self-belief and skills.
Episodic vs Linear:
Now I’ve watched a few videos on this to have a better understanding, the reason why Journeys feels so unstructured is that for some reason the writers chose to go down an episodic route instead of linear. The best example I know of episodic storytelling is Phineas and Ferb where characters and elements are introduced and can come back. But utilising episodic storytelling in a series like Pokémon feels like an unnatural choice we’re meant to be following these characters and their journeys towards achieving their goals whereas in a linear narrative this would be a lot clearer.
The Setting:
A lot of people have an issue with the fact that a series, that promises travelling the world, it really fell flat. As I have previously mentioned, so far only 2/5 of the episodes have taken place in other regions, most of the time Ash and Goh end up staying in Vermillion City. With the way things are currently being executed, I honestly would have preferred a Sword and Shield anime, with Ash at least travelling around Galar, it would allow for the Galar story to be more fleshed out instead of shoe-horned into a four-episode arc and with the announcement of the Sinnoh re-makes, I feel as though they are going to promote that in some way in the anime later on. (Perhaps with a Dawn cameo).
As I’ve been writing this, I’ve kind of realised one gripe I have with the anime that has become rather blatant as of late. That is the commercialism in the anime, I understand the anime is utilised to promote the game and re-makes of games but with this latest series the commercialism is blatant and honestly annoying. An early example of using the anime to promote a game was the Johto arc in DP to promote HeartGold and SoulSilver. Whereas, currently we have Goh, the human advertisement for Pokémon Go and Chloe’s Eevee promoting Let’s Go Eevee (which I honestly don’t see the need to advertise older games).
The controversary with Grookey…
Needless to say, the latest episode of Pokemon Journeys has sparked a lot of debate and anger particularly from Goh haters who have declared him a thief and are dropping the anime. There are some people who don’t mind Goh catching Grookey, they may have disliked the storyline they used for Goh to catch Grookey. I’ve made my feelings clear, that I would have preferred for Grookey to have been introduced much earlier and for Ash to have caught it.
However, I do have an issue with the way Goh caught Grookey as I can kind of understand why people are calling Goh a thief, I wouldn’t go that far maybe immoral at the most. The initial concept of Grookey belonging to Team Rocket was interesting but the whole story falls flat when they don’t give us any backstory like how did Team Rocket catch Grookey? why was Grookey so desparate to stay with Goh? was Grookey being mistreated by Team Rocket?
Honestly, if Grookey was being mistreated by Team Rocket, I’d understand why it’d want to leave them but this is Jessie, James and Meowth, the trio that released Mimikyu and Mareanie since they didn’t want them to be left in Team Rock Headquarters because they’d thought Mimikyu and Mareanie would be unhappy. So, I honestly can’t see the mistreatment storyline.
Also, the fact that Grookey smashed its own Poké Ball to gain its freedom kind of undermines other storylines that have seen Pokémon being abused by their trainers as they could have arguably smashed their Poké Balls to gain their freedom. Although, you could argue there is an element of fear in these cases.
I feel like if they built up the story more, I may have been more accepting but I kind of find it hypocritical in the sense Goh wants this Pokémon that belongs to someone else and it smashes its own Poké Ball to be with him. Whereas, its bad when Team Rocket try to steal someone else’s Pokémon but its okay for Goh because he’s the protagonist. Considering this is a kids anime that kind of sends the wrong message. I honestly would have found it more interesting if Grookey decided to stay with Team Rocket that would have been an interesting twist with Team Rocket having a starter Pokémon on their side. Plus, we know, James loves his Grass-types.
Conclusion:
Basically, I needed to get this off my chest and honestly, I feel much better for it. No Pokémon anime series is perfect by any means but lately I feel as though the writing has taken a huge dip and it has taken the enjoyment out of the series. I’m still trying to give the series a chance and hopefully I can warm to Grookey under Goh’s ownership, I think if the episodic formula has taken away the storytelling element that I love about the Pokémon series.
I have honestly never seen a Pokémon anime divide the community so much but I’m hoping that things begin to improve particularly if Ash’s Farfetch’d evolves in the next episode.
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tslasvegas · 4 years
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Episode 9: “Dear Diary, it’s me, Jaiden” - Jaiden
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I feel like I've had a breakthrough. I just survived my first merge vote of the game and I wasn't even having a meltdown. That's already miles and miles ahead of my last Tumblr Survivor season where I made the merge. Although I don't think my position in this game is locked yet, I feel pretty good about where I stand. I hope that the Touchy Subjects answers reveal my hopes that I'm not a threat to anybody and that people don't believe the common idea is that I'm shitty or too perfect or something. If that makes any sense. Basically I just want to know that I'm doing okay here so far. I feel good about my chances at that but we need some work to be done before I can say that for certain. I hate seeing Andrew leave because like I said he's someone that I wanted to work with, but I have to believe what people said about him being an over-player, a mess, etc. and just stick to my guns that I made the right call here. I kind of wanted to see if Joey would play his legacy for Ben but I'm glad I held back on that because I hope the legacy will come back in the future to save me. I don't have a lot of confidence when it comes to the literal minefield of idols and nullifiers out there. As long as I continue convincing people I'm on their side, or that I'm not the enemy at least, those things won't get used on me. Right now that we're on the jury, I NEED to focus on my jury management first and foremost. I am super okay with playing my strategic and social game the way I've been doing it thus far (obv learning from past mistakes.....) but the killer to my game 99% of the time I've made it deep in these things is how I get that jury to feel about me. Protect myself in game, but also set up a jury of folks who feel like they can trust me and only me. And.. hopefully some day I'll blindside Joey and he'll give me his legacy advantage.
...five seconds later
Tbh I hope that Jake reads this after the season and realizes that I never once at this point in the merge find him annoying. Somehow in his own mind he thinks hes like, the worst person ever and I'm trying to tell him he's not, he's great, we have a lot of work ahead of, etc and he's not buying it at all. Idk if this is him trying to emotionally manipulate me or not, but.. like.. thats my gameplan tf! 
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So Steph, Pat and Jeff were left out of the vote. But Jaiden said it was supposed to be unanimous. That means that Keegan, Liv and Joey purposely left them out. I don't understand why they would intentionally make enemies. Better for us I suppose. We just got to keep our ragtag group of 6 together: me, John, Jake, Kailyn, Jaiden and Ben.
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So the merge vote was quite interesting. With this being a 13 person merge, I tend to believe it is best to play a tad conservatively early on. This made it to where I figure the OG Palazzo would get a good 1-2 rounds of things their way before Keegan, Jake, and I mounted our little rebellion. As it turns out, I woke up to Jake and Keegan wanting me on call because Andrew was being as messy as he was on our swap tribe. Jake said that Andrew confirmed the OG Palazzo chat, something Keegan and I had already did, and that Keegan threw Jake's name out in said chat and Andrew shot it down. In reality, Andrew is actually the person that threw Jake out. He threw Jake's name out first on our swap tribe and he threw it out first here. I am really unsure what game Andrew really wanted to play beyond making sure he had options outside of the OG Palazzo. So from this point, we went around and got a feel for who we could pull. Joey had already expressed to Keegan that he felt nervous about there being a massive numerical OG Palazzo majority. The game is better for all of us if it is a bad more fluid. We ended up kicking Andrew to the curb in a 9-4 vote with Steph, Jeff, Pat, and Andrew voting in the minority. We talked in the OG Palazzo chat and those left out seemed to understand once we explained some of Andrew's missteps in PM's. This is good because I want some form of OG Palazzo to be there if it becomes something that I need down the line. At this current moment, I have heard no one bring up the super idol that is in Keegan and I's possession so I can only assume that we got lucky and no one actually checked the vault after we grabbed it. This could be due to lack of chips at the time or people just forgetting to. So for now, I shall assume everyone thinks that the super idol is vibing on the idol board, which is very good for me. Typically with a super idol, it would be super easy for you to get voted out the round after saving yourself with it. That is why I would like for it to get as deep into this game as possible. At the end of the day, the best part about having it is knowing its whereabouts and not having someone else possess it. So after TC, Jake, Keegan, and I hopped on call to celebrate. Jake revealed that Joey offered a 4 to him and Jake said I am good and should be included. This is how many current alliances are looking: - F2: Keegan and I - Three of Us: Keegan, Jake, and I - Meninism: Keegan, Jake, Joey, Jaiden, and I - OG Palazzo: Keegan, Joey, Jeff, Pat, Steph, and I This makes it so that the only people I do not have some sort of alliance with are Ben, Kailyn, John, and Xavier. I like these people but that is kind of how the game is shaking out currently. Ideally, I want Ben out next as it would allow my 3 to fade into the background and let what should be a consensus boot happen. After TC, multiple people expressed that Ben hadn't been very social. Now the current challenge is Touchy Subjects and I hope I do not get too many positive ones just because they could result in me being targeted. I think I am in a good spot to where I am doing well socially and having one on one's with everyone in some capacity, but I am hoping I am not perceived as any sort of power player at the moment. That fucked me in Trinity: Deception Island and I would not like for that to fuck me over here. I do think I have the connections to make it through for a little while. I see a path to the end but as I get closer I will have to evaluate whether or not that is a winning path to the end. Below is a short synopsis of my one on ones with people: - Steph: like nothing because I have found her super dry premerge - Jaiden: we have been talking about reading and writing and books and it is a good time - Jeff: he is a king and we have been talking about theatre and work and past games and shit - Jake: not as much one on one stuff due to our calls with Keegan - Keegan: not a lot but I have been updating him prior to updating the 3 chat - Kailyn: college and majors and such - Xavier: not a whole lot but he seems really sweet and messaged me "i am glad we voted together :)" after TC and I found that super wholesome - Ben: he has not responded in a bit but he wanted to strategize for the idol hunt with me - Joey: a decent bit of memes back and forth - Pat: lots of small talk but we have had some good convos and he seems to understand the Andrew move - John: we talked a bit about Atomic Nova Scotia Overall, I think I am doing well but not overtly so. This is ideal when we are still at Final 12 I think.
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I think Palazzo will vote out Stephanie :) They hate women
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Wow. I'm writing this after immunity results. I'm kind of just gonna word vomit. I checked off individual immunity from my checklist. And it's this challenge. The one that eliminated me in 26. The one that crushed 16 year old Jake's self confidence, and made him never want to play again. I got Hero, want to win, funniest, and stop talking which is kind of my favorite. I never ever thought I'd come back after 73 seasons, win THIS challenge, and in an individual setting. I changed history a little bit. And now I'm in the final 11. Ben is the easy vote this round, personally I'd love to see Stephanie go so that I can have Xavier to myself. But I can't push too hard. I controlled last vote, let someone else have a turn in the sun. I get to chill for once.
Now that’s character development!
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Move now or lay low?
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Final 12 feels pretty good, but final 11 will be so much better. If I make it through this vote, this will be the longest I’ve made it in a merge! And I’ll tie my placement with India :) Obviously I am still focused on my goal of making it thru til single digits, but I’m celebrating the small victories now so I don’t focus too hard on strategy that doesn’t need to take place this early. I feel like everyone is going to be looking at Ben as the dude they need to get rid of, so I won’t be surprised if he ends up going home. I don’t think that is the absolute worst thing for my game right now, but I’d prefer Stephanie or Xavier going before Ben at least for right now. I suppose I don’t have a huge voice on the subject but my pitch to keep Ben tomorrow is that it keeps Kailyn away from trying to work with Stephanie and Xavier who, frankly, need to be part of the next couple boots if we’re thinking big picture.. I don’t know if Joey will listen to me. Another option is maybe see if we can swing votes to Pat. Would anybody be upset to see Pat go home? Who knows. But basically my relationships are so little with Pat, Kailyn, Stephanie, and Xavier and idk what to do about them right now. I really just don’t wanna see those four link up and go super far because that would be kinda boring and really devastating LOL Another big win for me today was that I got put into the Meninist alliance with Jake, Joey, Livingston, and Keegan. While I’m not particularly fond of Livingston yet, we’ll see if he grows on me :) if not he can say adios. Since Joey is looking REALLY dangerous I’m gonna try to distance myself from him more and more right now. I don’t want people to think I’m drinking his kool aid bc I’m not, but I don’t want him to think I’ve turned on him bc I definitely want him to still give me that legacy advantage.. This morning I was thinking about how I can really give myself a better trajectory to the end and I’m a little bit confused still on what my winning conditions are for this game. What moves can I start making today that will set me up for six tribals down the line when surely the game is getting messy as fuck and I need protection from all sides? Maybe discrediting people like Xavier, Stephanie, Kailyn, Pat, and even Livingston aren’t the best things for me to do right now. I want to keep people who are in my corner safe such as Jeff, Keegan, Jake, and hopefully Joey but we’re almost to the halfway point of the game and it’s not going to be easy to keep everybody including myself safe. It’s no longer a question of whether I’ll win this or not. It’s a question of how I win. The merge is what counts I think.. everything before that was just the foundation for success. My foundation is cracked and not the best but I’m picking up the pace, I think. Whatever. If I have to use my social connections to Joey or John or whoever, I’m going to manipulate them to what benefits me. I don’t wanna go down that path of being messy but some day soon these ppl are gonna realize they should’ve never trusted me to begin with... because I’m coming for them.
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Me almost forgetting confessionals were a thing. Ben is really popping off here today because he knows he's the boot. And now he has created a "straights alliance". This... is such a weird day. I wanna just go back to bed and not deal with all of this because it's weird.
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6 years ago I wanted to pull of a move like this. I can get Ben to explode in main chat and with everyone. Pick fights, freak out, tank people’s games, just be a monster. And without anyone knowing, I’ll give him my safety without power. Idols will be flushed, mass panic, and I have immunity so I’m just chilling. We’re about to gamble baby.
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Dear Diary, it’s me, Jaiden. Ben went off the deep end today and proved that he was a wasted spot on this season to begin with. This tribe is only big enough for one messy bitch, and not only that but I'm one big fat messy bitch, so sorry Ben but your time has come. 
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I always get a bad feeling before tribal. I just hope Ben goes, and it’s easy and smooth and there’s no issues. 
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I thought Kailyn was horny texting me, turns out she's just high........ Kailyn, 5:15 PM so is the vote tonight ben ?? i’m kind of [redacted] rn don’t know what’s going on 😳 Jaiden, 5:15 PM yeah :/ i feel bad bc ive grown to like ben but no one is offering any sort of alternative omg whats redacted Kailyn, 5:16 PM 😳😳😳 legally, it’s a joke 💖 Jaiden, 5:16 PM IM??? Kailyn, 5:16 PM JSDJKSKA Jaiden, 5:16 PM WHAT do u mean uimm i cant find the up emoji but like UP u know?? Kailyn, 5:16 PM SJHDJDKSLA yes 💖 Jaiden, 5:17 PM omg queeeeeeeen i love that for u JOKINGLY of course hehe Kailyn, 5:17 PM for the laugh 💖💖💖💖💖 thank u Jaiden, 5:17 PM god we stan r u gonna be at tribal?? Kailyn, 5:18 PM if i remember yes ofc 😇 me trying to do my french hw rn: 🧍‍♀️🧍🧍‍♂️ Jaiden, 5:19 PM HAHA good...i wanna see u pop awf hopefully HJAHHAHA i love the emojis Jaiden, Kailyn, 5:19 PM NSHDJSJAJ ofc 💖 Jaiden, 5:19 PM god im truely living my best life thru u rn tell me something french Kailyn, 5:22 PM je can’t remember a word of français rn bc i’m so h word 💖🙏🥵 Jaiden, 5:22 PM *HAPPY!!* Kailyn, 5:27 PM so true 😇 Jaiden, 5:27 PM wait i hope we mean the same h word im starting to think its not the one im thinking of....... Kailyn, 5:28 PM DJDJDJKSAKALKAK uhhh not me accidentally calling Xavier 😭😭😭😭 Jaiden, 5:29 PM DID HE ANSWER Kailyn, 5:30 PM YEAHHHSJDJSKLALA Jaiden, 5:31 PM WHAT HAPPENED IM FUIOHWODIH thats so fucking funy Kailyn, 5:31 PM NDDHJDKSS I SAW MY FACE POP UP ON THE SCREEN AND I WAS LIKE FUCK Jaiden, 5:31 PM H9uhiudheiuhfH Kailyn, 5:31 PM AND HE WAS LIKE. DID U CALL Jaiden, 5:31 PM VIDEO CALL????????????? Kailyn, 5:31 PM AND I WAS LIKE UHHH Jaiden, 5:31 PM IM DYING Kailyn, 5:32 PM AND HUNG UP Jaiden, 5:32 PM KAILYN Kailyn, 5:32 PM NSHDHDKSLSLA Jaiden, 5:32 PM IM LAUGHING SOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO FUCKIGNM HARD Kailyn, 5:32 PM ate some Good chocolate on this night 😤👼 Jaiden, 5:33 PM oh my GOD you're talking about the H i DIDNT THINK U WERE TAKING ABT Kailyn, 5:33 PM JDDHJDKSKALAP WHAT DID U THINK Jaiden, 5:33 PM maybe calling xavier wasnt on accident i THOUGHT you were talking about being high but UGHFWO)DJH CHOCOLATE IS AN APHRODISIAC Kailyn, 5:34 PM YEAH I AM WTF Jaiden, 5:34 PM WHAT] Kailyn, 5:34 PM DJJDDJKSLSPAPS NOOOOOO Jaiden, 5:34 PM I TOHUGHT Kailyn, 5:34 PM SHJDJDKDOEOEOWOWA Jaiden, 5:34 PM OMFG Kailyn, 5:34 PM BCUCNCNDODNDIEOEKOEW Jaiden, 5:34 PM WHEN U SAID CALLED XAVIER AND THE CHOCOLATE Kailyn, 5:34 PM WHAT THE FUCKODKSKSKS NOOOOOOO Jaiden, 5:34 PM I WAS LIKE WHAT THE FUCK IS HAPPENING Kailyn, 5:34 PM DBHDJSKAKAKS BYE NOOOOOO DJDHDJSKALLAA Jaiden, 5:34 PM IM DETLTING MY FUCKING ACCOUNT IM DLEETING MY FUCKING ACCOT Kailyn, 5:34 PM HSHDHDKSKALA
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quintessence-sentimentalist Takes on 30 Days of W.i.t.c.h.versary!: Week Four
Well, I’m a bit late and also exhausted, so not as much to say this time around. Still, Days 22-29!
Day 22 A wonderful pet
Oh, Dormouse/Mr. Huggles, for sure. Comics Dormouse was as iconic a symbol of Will as frogs or, hell, even the Heart. He was as adorable as he was troublesome, and he was just so precious with Will. His death still packs such a wallop that it’s outright unfair.
Mr. Huggles of the cartoon has a slightly better time of it, with the exception of literally being turned into a monster. I generally prefer comics Dormouse’s brown coat (and lack of name, I’ll admit) to Mr. Huggles’s white-gray, but I do think the color change works a bit better for animation. And while it’s a little... odd that they largely did away with Will’s close bond with him, at least they still kept him in his little family by having Matt take him in for good. Their relationship - a boy and his not-a-rat-he’s-a-dormouse - is reminiscent of another one from a certain other Disney teen hero cartoon around the same time, so that’s enjoyable to me. (And now I’m headcanoning Matt and Mr. Huggles meeting Ron and Rufus in a team-up of sidekicks to badass redheaded ladies and I really need this now.)
Day 23 A magical item
Is it too cliché to say the Heart of Kandrakar?
Really though, I absolutely love the design and concept of the Heart. Do its actual powers vary frustratingly from time to time and randomly do incredibly powerful things without any prior hint that it can? Sure. But the fact that such a pretty crystal packs that much of a punch is pretty darn cool.
Day 24 A group shot
I’m sure I could think of multiple from the comics, but hey, I’m just going to go with my header image, because I feel like I’m one of the only sources out there for it (somehow??) and honestly I love it too much because I feel like it should have been the season 3 promo art, with the way it has the girls looking super badass and surrounded by their allies.
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Day 25 A minor character
For some reason I keep thinking of Principal Knickerbocker?? Her comic design is just really sticking out in my head for some reason.
But okay, I’m going to cheat on this one and go with pretty much the whole non-family/non-significant other supporting cast in Heatherfield (with the exception of Uriah and the gang). I just think they made a very... eclectic cast of background characters in the girls’ civilian lives that make for some fun and interesting moments outside of saving the world. There’s a running gag with how Mr. Horseberg and Coach O’Neill can’t stand each other (and literally come to blows over it), poor Bertold the custodian is Knickerbocker’s confidante/sidekick in running the show at Sheffield, and yes, I’m going to include Medina, McTiennan, and Sylla in this group because I enjoyed the concept of getting actual law enforcement involved in a magical girl series. 
Day 26 A fantasy people/race/species
I think I’m going to go with the Banshees, partially for the reasons I discussed already in regards to Yua (beings that are supposedly super evil but frankly just want to be left alone in their bog home). I also find their design fascinating, as they all pretty much look the same and have the silhouettes of a beautiful woman, but get on their bad side and they’ll show you exactly how otherworldly and terrifying they can be. 
Runner-up goes to the Basiliadians, because they’re so markedly diverse and I’d be fascinated by that worldbuilding.
Day 27 A personal headcanon
Oof, okay, let me think of something that I haven’t already blathered on about... 
Hmm, well it’s not so much a headcanon as, like... a vindictive moment of satisfaction I’d love to see (and will maybe one day fic), but sometimes I like to entertain the concept of Will running into her old friends from Fadden Hills - who rejected her in the Year Before special - and just seeing them react to how much better her life is, having these friends who legitimately care about and love her and how she’s grown into this confident leader. I’ve been in pre-series Will’s place before, so this would be a cathartic thing for me, as well as a means to revisit prior canon.
Day 28 A personal memory
Oh dear, there are several of these that come to mind, some of which I’ve definitely mentioned before. But I guess I’ll choose one for the comics and one for the cartoon that I haven’t discussed previously.
I honestly just distinctly remember the wait for new issues - whether of the Philippines comics or the UK magazines - after my dad would order them on Ebay, since the US had largely stopped releasing any books or graphic novels by that point. I just remember being 13 and zoning out in history class because the package was supposed to come that afternoon (it oftentimes took a few more days) and I was so ready to binge-read when I got home. 
As for the animated series, we didn’t get cable until near the very end of season 2, and the series had stopped running on network TV in early season 1, so I had to watch the majority of the series via YouTube. Mind you, YouTube had only been around for a year at this point and I think we had just switched over from dial-up, so most of my viewing happened at the kitchen table on my mom’s brick of a work laptop, having to rewind the low-quality recording every few seconds because it was buffering again, and then having to track down parts 2 and 3 of the episode because there wasn’t a capacity for more than 6-8 minutes of footage per upload. It was tedious, but the memories are somewhat fond. 
And then some six years down the line, when I was a senior in high school, I would pop the DVDs I had into my computer and rewatch the series in the middle of the night after I finished studying, conveniently forgetting that I needed to be up for school about five hours later. I guess I just have memories of watching the series on a smaller screen.
Day 29 A word of thanks to any official W.i.t.c.h. artist(s)/writer(s)
I mean, you can’t have a W.i.t.c.h.versary without toasting to the minds behind our beloved girls: Elisabetta Gnone, Barbara Canepa, and Alessandro Barbucci. Thank you, from the bottom of my heart, for giving us these wonderful, truly magical heroines who have shaped my life in more ways than I can list. I’m a good 15 years into my adoration of this series, and I don’t see that train losing steam anytime soon.
Also, a nod to Greg Weisman and crew for season 2 of the animated series, which took the narrative in some intriguing directions that I still enjoy to this day.
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murasaki-murasame · 5 years
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Thoughts on Fruits Basket 2019 Episode 16: “She Said Don’t Step On Them!”
I feel like I’ve been waiting ages for this episode specifically, and let’s just say it surpassed my expectations!
There’s something surreal and thrilling about finally getting an episode that’s like 99% stuff that wasn’t covered in the 2001 anime at all.
I think this might already be an improvement over this arc from the manga, and it was already one of my favourite bits to begin with, so that probably says a lot about how much I liked it.
Anyway, thoughts under the cut. [Potential spoiler warning for the whole manga]
I guess this is what I do every week, but I want to immediately talk about how this compares to the manga and exactly what material it adapts, since this is the first episode thus far where it’s been unclear in advance exactly how they’d go about it. Every episode thus far has more or less covered one- or two-chapter long self-contained story beats [aside from some rearranging early on], but this is the start of a two-episode arc adapting a three-chapter arc of the manga, so I’ve been wondering how they’d do it.
So basically this episode adapted chapter 39 and the first half of chapter 40. Which is a bit of a jump forward from the last episode covering chapters 25 and 26, but honestly I think it works fine to move Uo’s whole backstory arc up this early. Especially since we know that they’re also going to be adapting Hana’s backstory chapter later in this season, even though it happened even later in the manga, it’s clear that they’re trying to shuffle things about a bit so that the first season of the reboot covers all of the major character introduction/backstory arcs from the first half of the series, which I think is a good choice. This way the second season will be all about introducing entirely new characters and developing old ones.
I was wondering if they might attach chapter 50 to the next episode so that it can keep up a two chapters per episode pace, but I probably should have expected they’d just cover one and a half chapters per episode instead. It should work out for the best, but I guess this means that we won’t be seeing Kureno until season 2. I wonder if they’ll also leave Rin’s introduction to that point too. She gets introduced a little bit earlier than Kureno in the manga, but they’re gonna be shuffling things about later in season 1 anyway so she might also just appear near the start of season 2.
Anyway, that aside, this was a really good and faithful adaptation of the first half of this whole backstory arc. And since it covered less than two chapters, it gave them room to really flesh things out and to add a few things here and there, including an entire post-credits scene. Which was a real surprise, since I don’t think there’s been a single post-credits scene in the whole show before this point. But I’m not complaining or anything, since it was incredible. You’d think it would have been way too jarring after how sad of a note the episode ended on, but I think it did a nice job of just sneaking in some last minute comedy. It was also an entirely anime-original scene, which was nice. It’s pretty similar to a few background moments we get with the delinquent girls, but I’m pretty sure it’s technically still a new scene. I have a feeling that they wanted to give themselves an excuse to throw in some character animation that’s a lot more cartoonish and loose than what this series usually has, and I respect that, lol. It fit these characters really well, and it made the scene really stand out.
It’s also worth noting that back in the New Years episode they also added a scene that gave us a glimpse of Uo’s household, and how her father is a recovering alcoholic. Which at least puts a more positive and hopeful spin on this whole episode.
I’ve always really loved this whole arc from the manga, since it’s one of the best examples of the series’ willingness to take the time to really flesh out it’s supporting cast and to build up this interconnected web of relationships, and thankfully the anime’s really doing it justice so far. We still have another episode to go before this whole part’s finished, but I think it’s safe to say that the next episode should be just as good as this one.
The whole deal with Kyoko having been a delinquent in the past, and even Uo having been one too, have sorta just been running jokes up to this point, but this is where the story really makes it clear that on top of being a running joke, it’s also a topic that it’s willing to seriously dive into and explore the implications of. We haven’t gotten to the part where we really get to know about Kyoko’s own delinquent days [that’ll happen WAY later], but we do get a really interesting glimpse at her post-delinquency life in this episode, and most of all this is where we get all the details about Uo’s time in her gang.
The manga was already pretty explicit and heavy about it, especially for the time it was made, but pretty much everything about the animation and music and voice acting really elevated it even higher, and made the reality of it all even more hard-hitting. The specific type of gang Uo was in probably comes across as a bit more ‘dated’ in the modern day than it’s meant to, but I don’t think it’s super jarring or anything.
I have a feeling that most people getting into this series don’t exactly expect it to end up having a whole arc about how young people can fall through the cracks in society and end up involved in criminal activity before they know it, but that’s just what this series is like, lol.
I think one thing that really gives this whole part a distinctly ‘realistic’ tone is the fact that in several different ways it’s all about looking back on dark elements of your past when you’ve been able to grow past them and become a better and more happy person. Uo is literally narrating this story to everyone as a flashback just to highlight how different she is now and how much happier and more well-adjusted she is with Tohru and Hana in her life, and how she’s channeled her rebellious punk energy into being part of her self-confidence and independence, rather than it all being about her being a vulnerable live wire who just wanted to lash out at everything.
And on the other hand, we find out that the thing that really shook Uo as a child and made her think about her own life and whether or not she was truly happy was seeing how Kyoko had moved on from her own delinquency days and forged her own life and her own family. Like she said, she just learned to relax, and to let it all go, and Uo just didn’t really know how to process that at the time.
It just gives it a more mature and introspective sort of feeling, rather than having it be about characters who are still in the midst of it all. We do get the three delinquent girls who are tailing Uo in this episode. Though they’re mostly just funny background characters, which in it’s own way also spells out how the series isn’t trying to, like, glorify and glamorize the image of deliquency.
But I do still like, on the other hand, how Uo still has largely the same punk aesthetic and attitude going on. It’s just channeled in a more positive way, and she does it just because she genuinely enjoys it, and not out of a need to fit in with a gang. It’s just neat that the story still lets her embrace certain aspects of how she used to be, rather than having her completely abandon all of it and just be conventionally ‘normal’ afterward.
Also, before I forget, they also added a small detail of having Uo’s senpai from the gang watching her leaving Tohru’s house, and I think there were one or two other moments elsewhere that emphasized the way that she was keeping an eye on Uo. It’s not like there wasn’t any of that in the manga, but it was a lot more minor and easy to miss, and it was a bit more out of the blue when we found out later in this arc that she went to Kyoko for help.
And even if it wasn’t exactly a new scene, I really like how moody and atmospheric the scenes at the start and end of the episode with Uo in her apartment were. It’s not the sorta tone this series usually has, but it worked really well. The bit at the very end with Uo’s thoughts and the sound of her father’s TV blending together into overwhelming white noise was a really fantastic touch that helped get across how bad Uo was feeling.
With how this episode managed to be even more intense than the manga version was, I can’t wait to see how the next one goes, since it’ll be the big emotional climax of this arc. And now that we’ve seen how well they’re adapting Uo’s backstory, I can’t wait to see how their adaptation of Hana’s backstory chapter later in the season will be.
Also, on top of all the incredibly good and dramatic Uo content, the cute and fluffy present-day scenes were even more cute and fluffy than they were in the manga. It’s kinda funny at this point how much they’re leaning into the Kyo/Tohru ship-tease, lol. I feel like Kyo’s screen-time in this episode was 90% just him blushing and making a >n< face and honestly I am living for it.
I have a feeling that a lot of anime-only people might not even realize that this is actually the first part of a two-episode arc, rather than a self-contained episode like basically all of the ones before it, since it was still so cohesive and satisfying on it’s own. So I wonder how surprised they might be when they find out that the next episode is a direct continuation of this one.
Anyway this was a great episode and I’m even more excited than ever to see the anime get even deeper into ‘new’ material.
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polar-stars · 5 years
Note
How about the time skip girls: Megumi, Nene and Hinako :)?
Ofc !
Megumi Tadokoro
Why I like them - Megumi is such a sweet, angel-like persona who has so much love and comfort in her heart, I think it’s honestly very hard to not like her. I’d also say Megumi had some of the best moments in the entire manga (I stand by my opinion that the official Shokugeki against Shinomiya was the best Shokugeki for me) and while some aspects offer journey are clunky, especially towards the latter part where she was sort-off denied spotlight more and more, she overall came a very, very long way and it was a joy seeing her gain more confidence in herself over the years. 
Why I don’t 
Favorite episode (scene if movie) - Chapter 21-27/Episode 10/12 (The Shinomiya-Shokugeki, as I said I absolutely enjoyed that one), Chapter 50 (Her butchering the monkfish), Chapter 57 (PRECIOUS ANGEL MAKING IT INTO THE AE AFTER ALL HER HARD WORK), Chapter 69 (Her speaking up for her friends against Ryo’s “Friends-Are-For-The-Weak-Speech” was nice ;w;)
Favorite season/movie - Season 1 and Season 3 (influenced mostly by Moon Banquet Festival)
Favorite line - “All the people who pushed me forward. Don’t speak badly of them!” (Chapter 69)
Favorite outfit -I’d say the nightgown she wore in her chat with Soma on the balcony (It’s a nightgown right? It looks like a nightgown ovo;; Or is it just some frilly dress?)
OTP - Her and Isami Aldini ;w;
Brotp - PSD (mainly Yuki and Ryoko), Erina Nakiri (wether you count her in or not), Miyoko Hojo, her and Ryo or Akira honestly also sounds like fun....to be perfectly honest, she could befriend almost the entire cast and I would love it ahdhd
Head Canon - Loves crafting ! Every member of PSD owns at least one little self-made thing of her.
Unpopular opinion - I don’t really like her Les Dessert 3 hairstyle? ;w; It’s nothing horrible or awful, not at all but...I just prefer her old looks. 
A wish - Full-fledged, detailed Shokugeki where Megumi actually wins and against someone who we know as competent. 
An oh-god-please-dont-ever-happen - Her getting reduced more and more into a side-character *ahEAM*
5 words to best describe them - Gentle. Comforting. Shy. Helpful. Anxious.
My nickname for them - Angel I guess
Nene Kinokuni
Why I like them - I tend to like icy characters with a sort-off hidden softness. It’s also nice to have a few serious characters within the chaos that’s the Elite 10 and with Nene in particular, she’s also the one out of her 3 classmates within the E10 who manages best to just keep her head on straight. Nene is another character who strikes me as an elegant one in her devotion to her craft and also that she’s generally are pretty decent person I’d say. She can be intimidating, she can be adorable, she can expose hidden soft sides and she can be funny in her own right. It’s just a joy seeing her for me! Also there’s a few aspects to her that I can relate so, so that’s definitely also a plus. 
Why I don’t
Favorite episode (scene if movie) - Chapter 207 (that’s pretty much the point where we got to know her a lot better I’d say, since before that she did not get to do much, so), Chapter 208 (More details to her craft !!), Chapter 210 (her and Isshiki being adorbs as children *shrug* That stuff is cute), Chapter 270 (I said it a billion times, her Timeskip-Look was one of the bests) also 202 and 204 for OTP moments (that’s important)
Favorite season/movie - Season 3
Favorite line - “If you think you can even hope to match me with soba, you are sorely mistaken” (Chapter 208), “I hate how barbaric you are”(Episode 8 or so of San no Sara 2nd Cour I think)
Favorite outfit - To be perfectly honest, the outfits she’s seen in as child. They were so neat and adorable. 
OTP - Her and Etsuya Eizan because I hate myself
Brotp - Welp Isshiki and Kuga because 91st Elite Squad as a whole is one big BrOTP, + Momo, Somei and Rindou. Those would be my major ones ;w;
Head Canon - When she’s been somewhere and the place has a visitor’s book, she will leave a straight-up, flat but honest review of her time there. 
Unpopular opinion  - *looks at the OTP-section*
A wish - She shouldn’t have gotten only one Shokugeki in the entire series and loose that one, in her own speciality. She should have faced off against Isshiki, change my mind. She was basically introduced as the best student of the 91st Generation and was barely utilized and even got a downranking in the very end. She !! deserved !! better!!! Also she deserved truly explored redemption.
An oh-god-please-dont-ever-happen - Well, it’s said in the wish already isn’t it? ovo;;
5 words to best describe them - Diligent. Serious. Taciturn. Ambitious. Cold. 
My nickname for them - QUEEN and another one but that’s more based on an insert joke so ahdhdh
Hinako Inui
Why I like them - She’s massive fun! Pretty much almost every of Hanako’s scene is hilarious and she never fails to get a laughter out of me. I love how childlike she is for an adult person, as well as all her tics or few oddities. She’s a character to work very strongly in different character-interactions as she’s quick to weird other people out or straight up annoy them. And that’s just all very entertaining. 
Why I don’t
Favorite episode (scene if movie) - Chapter 16, 18, 19 (Episode 8 and 9, I think) (This is just some of her funniest moments to me), Chapter 22, 23, 26, 27 (Also some of her funniest moments, while also some of her cutest moments with Shinomiya + her adding the last coin to Megumi’s plate was adorable), That one chapter in Shinomiya’s Spin-Off manga that focuses on them. 
Favorite season/movie - Season 1
Favorite line - “Why be so stubborn? Dummy! Blockhead! Narcissist!” (Chapter 22)
Favorite outfit - Her regular one,I guess ;w; 
OTP - SHINOHINA FOR THE WIN BABY (deserved to be canon)
Brotp - Her and Gotoda, partners in crime. As well as Dojima!
Head Canon - Still fills out the quizzes those teen magazines. 
Unpopular opinion - I don’t think I have one ;w;
A wish - Was it ever explained why exactly she was called “Mist Empress” in her school days? That would have been interesting to know. 
An oh-god-please-dont-ever-happen - I just wish she would have appeared a tad bit more and could have possibly be shown mentoring someone. 
5 words to best describe them - Silly. Childish. Enthusiastic. Eccentric. Friendly. 
My nickname for them - I have none ;w;
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watchingspn-blog · 5 years
Text
spn rewatch | the woman in white (pilot)
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Okay so I can safely say I’ve seen the pilot episode at least half a dozen times, if not more. I got season one on DVD for my 14th birthday (which I 100% binged with my BFF at the time to the point where we were beyond exhausted for my actual birthday festivities the next day) and would watch over and over in the days before Netflix. So for me the first couple of seasons are way more familiar to me than the later seasons. Especially since at some point after I started college when I didn’t have as easy access to television and streaming services weren’t quite what they are today I fell off the bandwagon. Pretty much everything I know about the show from mid-season eight onwards comes from gif sets on Tumblr and the occasional Facebook posts. Which brings me to this rewatch/first time viewing. 
It’s easily been at least three or four years since I’ve watched the pilot but it’s still so familiar to me which I feel like says a lot for the show. Or just says that I was way too obsessed with this show as a teenager. But anyway, here we go.
First of all, I don’t know about anyone else but I’m honestly a little weirded out by seeing JDM looking younger and not having a beard. Like it’s strange to me and I don’t know how to feel about it and I’m glad this is the only scene where he looks like this. The beard does him wonders in all walks of life and I’m glad it’s a look he’s stuck with in just about everything he’s in these days. (Also you can totally see one of JDM’s tattoos under the sleeve of his t-shirt and it just makes me want to headcanon John with a couple tattoos from his time in the service despite looking so clean cut when they have the flashbacks with Matt Cohen.)
Secondly, I want to know when they came up with the backstory that Mary was a hunter and came from a family of hunters and that she’d been in that life before she settled down with John. Because I feel like if that backstory had been mapped out before the pilot her reactions when she woke up to the baby monitor would be more suspicious. But that could also be me just being too picky. Like it’s totally valid that Mary, just waking up didn’t pick up on the static or the flickering lights. I just want to know if they’d had her history in mind when this started or if that came up later once they’d developed the story and characters more. 
Okay, so I don’t have any major attachments to Jess, mainly because we just don’t spend enough time with her. She’s got a whole three (?) scenes where she’s mostly delegated to the supportive girlfriend who’s also over-sexualized. Like they seriously chose to introduce a female character and have all of her outfits be revealing to the point where other characters are commenting on it before killing her. Like I have no issues with female characters wearing whatever the fuck they want, there’s nothing wrong with that. But it wasn’t given any more depth than “here’s this sexual object for our audience to look at” and that’s what bugs me. But I am glad that they showed her being genuinely concerned when Sam is packing like wanting to make sure he’s okay and make sure he’s not doing something reckless for people who’ve actively avoided being in his life over the last few years. She’s incredibly supportive of Sam and it makes me happy that he had that in his life even if I do hate that it was taken away in a horribly gruesome way.
Adrianne Palicki is just ridiculously talented and deserves way more recognition than she’s gotten over the years. 
Now, I’m gonna be real. I was a Dean girl from the get go. I loved me a smartass bad boy when I was thirteen and I was head over heels for Jensen Ackles from the first time I saw this show (probably because I’d never seen him anything else before but I already knew Jared as Dean from Gilmore Girls who wasn’t my favorite as a middle schooler). It also probably doesn’t hurt that I saw an episode of season two as my first intro to the show instead of the pilot. Because honestly, watching his first scene as a 26 year old, he doesn’t come off in the best light. Between breaking into Sam’s apartment, their whole tussle in the dark living room, and then him hitting on Jess right in front of Sam, he’s kind of an ass. Which yes, Dean is not perfect by any stretch of the imagination. All of these characters are fucked up, especially after fourteen seasons and counting. But this just doesn’t line up with how Dean is in the rest of season one even, I feel like. 
Like Dean telling Jess that she’s way out of Sam’s league is one thing. I expect nothing less from him. But then him just being creepy and ogling her is just uncomfortable to watch now. 
Also the lighting budget for the entire first season is just horrendous. It’s like they wanted to show that they were scary and edgy but really it just meant I couldn’t make out what was happening in any scene that didn’t take place in broad daylight. 
Okay, on to the spooks. Having a woman in white for the first MOTW (monster of the week) was kind of cool to me because it was something I actually knew about before the show, thanks to reading any and every book on ghosts my school library had to offer. And Sarah Shahi is super gorgeous. Like hot damn. And as cheesy as some of the effects are in the earlier episodes, I actually like the way that she kind of flickers in and out along the side of the road as Troy’s driving up and then the way you don’t actually see her in the passenger seat when it shows her getting in. None of the effects are too crazy over the top (at least not until the very end of the episode when she finally goes home and has that weird as fuck death scene with her creepy kids) and it works.
As a thirteen year old, I thought it was totally believable that Sam and Dean could be US marshals and the local cops were just being jerks. As a twenty-six year old, the idea that those two could pass as any kind of law enforcement other than like maybe a couple of rookie cops is ridiculous. I’m the same age that Dean was at the start of the show and I’ve got people assuming I’m still in high school. I couldn’t get past the crime scene tape for anything. But I guess if you’re confident enough and tall enough, anything’s possible. Also as if they didn’t already look hella conspicuous, they act like a couple of five year olds with all their stomping and smacking, like no wonder the cops were suspicious. 
Also can we take a moment to appreciate the awesome mid-2000s goth look Amy and her friend are rocking? Because it’s fantastic and I’m here for it. Also kudos to them for being the only women to make it to the end of the episode alive. 
I never really thought about it when I was younger but it’s not surprising that Sam isn’t as gung ho about hunting down the demon that killed Mary like John and Dean are. His memories of Mary are entirely built on stories and pictures and not from anything he actually remembers himself. And like it’s totally valid for him to want to get away from the hunter lifestyle and follow a different path instead of just killing monsters and running credit card scams for the rest of his life. 
All I can think about when they break into the room John was renting is that gif of Charlie from Always Sunny with all the papers and strings on the walls. 
One of the better aspects of Supernatural, in my opinion, are the actors they get to randomly guest star on the show. And not necessarily big names (although those can be fun) but like the ones that you’ve never seen anywhere else. Because the guy who plays Joseph Welch is fantastic in his one scene on screen. There’s so much emotion there as he’s talking about a clearly sensitive subject and being able to show the grief and also some of the guilt over being unfaithful. It’s a fantastic scene so like major shoutout to Steve Railsback for being awesome.
The whole showdown with Constance’s ghost is kind of like mediocre compared to future fights. Like it’s a pretty quick scene and the effects once they actually get her to the house to face her creepy children are kind of the worst. Like they used their whole special effects budget doing that flickering thing in her first scene and had to settle for this instead. Also like yes they stopped her and she won’t be able to kidnap and kill skeezy men in the future but like I feel kind of bad for Amy and Troy’s family because they’re just left with zero closure whatsoever. Like I never thought about it but there are a lot of people over the years where it’s like yes we stopped the monster but those families never actually know what happened to their loved ones. 
Okay, I get that it’s supposed to be a serious, intense scene, and the first time I saw it - yes it was shocking and heartbreaking and terrifying but the effects for Jess’s appearance on the ceiling are just bad. She doesn’t look like a person, she looks like a mannequin. And I’m still annoyed that they brought her in and showed how much her and Sam loved and cared for each other only to kill her horribly at the end of the episode. It’s just frustrating. And honestly this should’ve warned all of us that pretty much no female character is safe on this show. None of them. 
The “we’ve got work to do” at the end is still hella iconic. Like there’s a couple of lines that still give me that little excitement I got when I first watched it and that’s one of them. I love it. 
BODY COUNT: 3 humans (Mary Winchester, Troy Squire, Jessica Moore), 1 ghost (Constance Welch - do her kids count too? They didn’t really show up until was time for Constance to like melt into the floor all creepy like)
RATING: 7/10 - the effects are kind of garbage and there’s some stuff that hasn’t aged well but I still think this is one of the better pilots I’ve seen as far as getting you hooked into the story and characters. 
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urdearestmom · 6 years
Text
100 Questions
Tagged by @bob-newby-superhero thanks!!
1. What is your nickname? Sari, Sarita, Sarinha
2. How old are you? 18
3. What is your birth month? December
4. What is your zodiac sign? Sagittarius
5. What is your favourite colour? Green!
6. What’s your lucky number? 17 because it’s my birthday lmao
7. Do you have any pets? No but I really want a cat. Everyone in my family has dogs
8. Where are you from? I’m Luso-Canadian (my family is from Portugal but we live in Canada)
9. How tall are you? My driver’s license says 160 cm but the doctor told me 163. Either way, around 5’3”
10. What shoe size are you? Uhh depends on the shoe but usually 6.5-7
11. How many pairs of shoes do you own? Many, but I always wear the same shit lol
12. Are you random? Sometimes, I guess
13. Last person you texted? I texted myself pictures from my mom’s phone. Last message in general was to @eljane-hoppers
14. Are you psychic in any way? Haha sometimes I think I am, but my mom is more >:^)
15. Last TV show watched? Saw an episode of Four Weddings on TLC this morning
16. Favourite movie? The Book Thief or The Greatest Showman
17. Favourite show from your childhood? iCarly!! Used to watch it religiously after school every day it was on
18. Do you want children? Yes, but definitely not right now lmao
19. Do you want a church wedding? Kind of yeah. It’ll depend on who I end up marrying but it’d probably be some kind of disgrace if I didn’t get married in a church
20. What is your religion? I am Catholic
21. Have you ever been to the hospital? Yup tons of times, whether for myself or other people
22. Have you ever got in trouble with the law? Nope, I am a Child of God™
23. How is life? Could be better, probably, but it’s pretty chill right now
24. Baths or showers? Showers, but I also really like baths
25. What colour socks are you wearing? Bold of you to assume I’m wearing socks at all
26. Have you ever been famous? I mean if you google my name the results are me. I was on CBC because I was in the national spelling bee in 2012
27. Would you like to be a big celebrity? I feel like it’d be fun and cool for a while but then I’d get tired of it. I don’t like having people all up in my business and that seems like what life is like for big celebrities :/ But having a lot of influence would be awesome
28. What type of music do you like? Literally anything except country music (I’m not all that into rap/trap music either, but I can appreciate it from time to time) here’s a playlist of my favourite stuff it’s like seven hours long but if you go through it you’ll see it’s really all kinds :)
29. Have you ever been skinny dipping? Maybe and I don’t remember? My childhood was a questionable era
30. How many pillows do you sleep with? 2, both under my head
31. What position do you usually sleep in? I usually fall asleep on my side but I almost always wake up on my back so I don’t actually know how I’m sleeping
32. How big is your house? 2 stories and a basement
33. What do you typically have for breakfast? Cup of milk with something else, usually a bowl of cereal or bread/croissant with Nutella
34. Have you ever left the country? YeET I’ve been to Portugal a bunch of times, Spain once, and to France on a 5-hour layover but we didn’t leave the airport and I don’t remember it anyway ¯\_(ツ)_/¯
35. Have you ever tried archery? Does it count if it was on Wii Sports? And yeah once and I was terrible at it
36. Do you like anyone? I think so and it sucks because he’s my friend :(
37. Favourite swear word? Probably fuck, I say it a lot. But I also say shit a lot so I mean idrk
38. When do you fall asleep? Oof regularly past midnight, but the time varies
39. Do you have any scars? A giant burn mark on my leg and a very faint lil thing on my right hand from this time I accidentally did an entire flip in my driveway
40. Sexual orientation? Was previously sure I was straight but I’m kind of starting to question that?
41. Are you a good liar? I like to think that I’m a very convincing actress
42. What languages would you like to learn? Mm I already speak Portuguese (if you ever wanna learn something hmu), and I learned some French because that’s mandatory in Canada but I dropped it and I want to get back into it. So, French! I also learned some German this year and I might continue with it. Also maybe Spanish, I can already understand some
43. Top 10 songs? Umm
Love Is A Battlefield - Pat Benatar
Rock You Like A Hurricane - Scorpions
Theme From New York, New York - Frank Sinatra
True Faith - New Order
Age Of Consent - New Order
A Million Dreams - The Greatest Showman OST
Second Waltz - Dmitri Shostakovich
Power Of Love - Celine Dion
Johnny B. Goode - Chuck Berry
Halo - Beyonce
44. Do you like your country? Canada? Yeah, I love it except for the stupid ass weather. I get sick every fucking time the season changes
45. Do you have friends from the web? Yeeee!! They’re all awesome people
46. What is your personality type? INFP- there’s more info here if you want to know what that means
47. Hogwarts House? Ravenclaw ftw bitches
48. Can you curl your tongue? Yesssss
49. Pick one fictional character you can relate to? Buzzfeed told me that, based on my music taste, I am “a student of classic rock like School of Rock’s Dewey Finn” (but actually HA I KNEW THERE WAS A REASON I LOVED JACK BLACK IN THAT MOVIE)
50. Left or right handed? Righttttt
51. Are you scared of spiders? They don’t scare me as much as induce some kind of panic, but it really depends what kind of spider. Really little ones are actually kind of cute, but big spiders send me into cardiac arrest
52. Favourite food? Akjsnfskd PASTA
53. Favourite foreign food? Idk man I’m already picky af with my food. If I live in Canada does that make the Portuguese food I eat on a daily basis foreign because if so I loooooove me some fuckin barbecued chicken
54. Are you a clean or messy person? Fairly clean. If I wasn’t my mother would hurt me lol
55. If you could switch your gender for a day, what would you do? Idk probably figure out how to pee standing up, maybe make use of the ability to lie on my stomach without hurting my chest :)
56. What colour underwear? I think this is turquoise
57. How long does it take for you to get ready? Depends what I’m getting ready for. On a regular day, ten minutes tops. If I’m going out to an event it can be upwards of an hour; sometimes less, sometimes more
58. Do you have much of an ego? Idk if it’s ego so much as me being confident in myself. Anyone who has a problem with me and decides to be rude about it can suck my non-existent dick
59. Do you suck or bite lollipops? I try to suck them but it never lasts for long, I almost always bite them unless I’m really concentrating on not biting
60. Do you talk to yourself? Lmfao only ALL THE TIME
61. Do you sing to yourself? Yeee
62. Are you a good singer? I don’t think I’ll blow out your eardrums but I know I’m not the best either. I’ll just say I’m not terrible
63. Biggest Fears? Heights and deep water
64. Are you a gossip? I live for drama does that make me a gossip
65. Are you a grammar nazi? Yeah if I’m talking to someone I’m very comfortable with (my cousin for example) or if I’m trying to be petty
66. Do you have long or short hair? Long! I’m growing it out so I can be really dramatic and chop it all off later (also thinking of donating it)
67. Can you name all 50 states of America? I can name almost all of them but I always forget a few. I think it’s pretty good considering I was never taught American geography
68. Favourite school subject? Instrumental music and history were my favourites
69. Extrovert or Introvert? Idk I guess extroverted introvert? Is that a thing???? I’m really awkward and panicky in social situations with people I don’t know but if I have friends around I’m just here to have the time of my life
70. Have you ever been scuba diving? No
71. What makes you nervous? Having to talk to people I don’t know (it literally makes me panic it’s horrible)
72. Are you scared of the dark? Sometimes, yeah
73. Do you correct people when they make mistakes? Lmao ok this depends on who the person is and if I’m in that kind of mood (but when I was a kid I used to correct my teachers)
74. Are you ticklish? Yes very
75. Have you ever started a rumour? No
76. Have you ever been out of your home country? Yes, I’ve been to Portugal a bunch of times, Spain once, and France on a layover
77. Have you ever drank underage? Chugged a cup of beer by accident when I was 6 oops
78. Have you ever done drugs? No but even if I had I don’t think I would say it here unless it was something minor like weed
79. What do you fantasize about? Travelling the world!!!!! And like, being a successful adult because right now I have no idea what the actual fuck I’m doing with my life
80. How many piercings do you have? Two, one in each ear
81. Can you roll your Rs? You gotta in Portuguese! I’m also fairly sure my French and German pronunciations are pretty much on point most of the time so I can do those types of R sounds as well
82. How fast can you type? Pretty fast on my phone and not slow on my laptop either (when you’re a writer you end up learning to type faster than you thought you would lol)
83. How fast can you run? Oof I’m not slow when I first start off but that only goes for like max 10 seconds
84. What colour is your hair? Dark brown
85. What colour are your eyes? Also dark brown
86. What are you allergic to? Bigots
87. Do you keep a journal? I have a diary I’ve had since I was like 10 but I don’t write in it very often. I also have a notebook where I write down fic ideas and outline plots
88. Are you depressed about anything? I actually think I might have seasonal depression or something but I’m not sure
89. Do you like your age? Yeah I guess being 18 is cool
90. What makes you angry? People who refuse to listen to reason
91. Do you like your own name? Yes it means princess!
92. Did you ever get a foreign object up your nose? No but I ate lead once
93. Do you want a boy or a girl for a child? No preference as long as it is alive and healthy
94. What talents do you have? Uhh I can play two instruments and will be learning a third does that count? I just remembered I can also balance a spoon on my nose
95. Sun or moon? Moon
96. How did you get your name? My mom had a friend named Sara when she was a kid and she always liked the name so here I am having been named Sara
97. Are you religious? Kind of? I don’t go to church very often but I think I believe in God (I believe that there’s something, at least). I’ve also received all the Sacraments that I can (as of right now that’s baptism, first communion, and confirmation)
98. Have you ever been to a therapist? Nope
99. Colour of your bedspread? Right now it’s just plain white
100. Colour of your room? Bright green!
Yeet I’m finished! Took forever ‘cause I kept getting interrupted but oh well
tagging: @eljane-hoppers @hannahberrie @mikeywheelerr @queer-deckovskij
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dfnews · 7 years
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Season 7 or 8, I'm not sure - Episode 1 First Aired: February 26, 2018
Episode Recap of "In Love in Switzerland"
From TV Guide: "In the Season premiere, Joy and Austin finally get to enjoy some alone time in Switzerland after saying "I do." Meanwhile, Joe and Kendra get their engagement photos taken; and the siblings help Jinger and Jeremy move into their new house." The house moving is the next episode.
I’m back! My recap season of life has returned and I pledge to make my recaps shorter so I can have a life. I always say that but then find too much stuff to comment on.
1. The season begins a few days after Joy’s wedding way back in May 2017. They show the clip of their first kiss and I swear they faked it. I can see no lip on lip action. This may be a precursor to Gideon’s faked home birth episode. Yeah, I know, I’m speculating. But some conspiracy is obviously going on there. Jessa, Jinger, and pulled off the show Jill, talk about how barriers break down after you say, "I do". Barriers that shouldn’t have been up in the first place except for the saving yourself for marriage if that is your choice. Barriers don’t make for a great understanding of who you are marrying. As for Jill, Derick is a liar. Pulling your family off the show means just that. That’s what you said and it isn’t what you did. You are a lying hypocrite.
2. TLC again airs the honeymoon suite that has occurred in all of the previous marriages to much my horror and snark. Why must they show off the deflowering room? Joy is happy to have thirty minutes to read the Bible with Austin before flying off to Switzerland on TLC’s dime. She is most likely already pregnant at this point.  Austin has always wanted to go to the Swiss Alps and marrying Joy made that dream come true. They debate who is going to be the better skier and I hope they both break legs. Yep, I’m already bored and need a wake me up. They drive up to the airport and abandon their car out front for a tow truck to take care of for them. I guess they were too distracted by the thought of sweet Swiss sex to care about their car.  Austin talks about being able to navigate their own lives without any outside guidance all while a crew from TLC films his every move. You’re not on your own yet, buddy.
3. 24 hours later, they are finally in Geneva, Switzerland and are very tired and horny. After solving both those problems they go out for lunch at a fondue place. The waiters tease them with a French menu but then later give them a menu in English. Joy is then bewildered by sparkling water. She calls it water with gas. As bewildering as water is for Joy, the cheese fondue is mind blowing. Austin checks out the other diners using his phone to figure out how to eat cheese fondue. The waiter instructs them on how to fundue but Austin does it wrong and burns his mouth. I wonder who instructed them on how to fundue in the honeymoon suite that first night. Dip it in and swirl it around. Suffer some serious burns if done wrong.  End up with an after taste of morning sickness if done without thinking. Too much fondueing  leads to weight gain and sleepless nights. Who knew cheese was so dangerous. Too much fondue can also lead to yodeling. Joy is set up by TLC and some local yodelers to try her old yodeling skills in the restaurant. Talking head Duggars try their yodeling skills as well. You can tell they have all seen The Sound of Music. They all do the yodel from that movie. Jessa and Ben are interviewed separately here. I wonder why. They don’t show much but Joy does pretty well with her yodeling skills. Austin just continued to stuff his mouth with cheese.
4. Joeken are taking their engagement photos back in Arkansas. Jinger wasn’t available to take them so another ATI trained photographer, Elizabeth Shoemaker, is in charge. Elizabeth is a long-time Duggar friend and Gothardite who is now wearing jeans!  Joy is amazed by sparkling water and I am amazed by Gothardite women who are breaking free from legalistic rules. Joeken brought Kendra’s younger sister, Lauren, to chaperone because Kendra says the desire to jump each others bones is too strong for them to be trusted alone. When will these kids develop some self-control? The photographer tells Joe to put his hand on Kendra’s waist and Joe seeks the approval of Lauren. What is wrong with these young adults? They are so emotionally stunted. Joeken are now allowing a few more sidehugs, hand holding, and I love yous, throughout their engagement days but holding out on kissing, sex, and really getting to know each other for after the wedding. Joe says the wedding is for the girl and for her to look back on and remember. I guess the honeymoon night is for the guy. The producers ask the talking head Duggars which Duggar guy is next for a relationship. There isn’t a lot of confidence in John. John just needs to run off and elope and stop with his families’ silly games.
5. Joystin take a chocolate making class. This is the typical honeymoon activity for these people. In the class they meet a couple who have been married for eleven years and have five kids and their advice to Joystin is to have a lot of kids. Seriously?!! Did Jim Bob arrange this ahead of time? They are in the same cooking class as a Swiss couple with five kids which they admit is a lot in Switzerland? Talk about coincidence. The brainwashing continues out of Arkansas. Joy says God won’t give you more kids than you can handle which is sad when some are only blessed with two or three or even none. They must think God thinks those women are incompetent. Does Joy know about those big families who abuse and neglect their kids? The Turpins, the Willises, the Rodriguezes, and so many more, including her own parents? Michelle couldn’t handle all her kids, she has admitted this, without depending on her own little village to raise her children. Don’t these people ever think beyond the silly little catch phrases they are taught?
6. Hang gliding time. A lot of death jokes happen here. I think they’re all freakin' insane! At least when Josh and Anna went parasailing on their honeymoon they had the water to fall into. Joy lands by belly flopping on baby Gideon. I’m sure hang gliding is pretty safe and controlled but just watching it gave me a panic attack. I’m rewinding back to chocolate class to ease my nerves.
7. JinJer finally show up on the show to play a safer sport. It’s tennis time for these two. I have taken tennis classes myself so my nerves are calming down until the producers make it a big point of showing Jeremy and then Jinger exiting their car in modern day clothing that doesn’t fit into the Duggar tin box. Jinger in a short skort and a sleeveless top and Jeremy is wearing what looks like a bathing suit that doesn’t quite match his shirt. What happened to his vane style? They are both competitive and sweaty. The producers spring a strange question on the Duggar talking heads as the tennis scene is playing. They ask, “What seed are you in the Duggar family?” Seed is a tennis term which of course they are clueless about. They all look terribly confused which I don’t blame them. They all watch football, not tennis. The producers know the family lacks diversity and are clueless about most things. Jessa claims to be a watermelon seed and Jed is the seed of Jim Bob and Michelle which is sadly accurate. My seed in tennis is the bench warmer as Jeremy's was in soccer. Jeremy beats Jinger and I imagine Jinger taking secret tennis lessons from a pro and you know how that usually ends up. Next season on Counting On: Jinger courts the tennis pro and Jeremy seeds himself.
8. Back to the honeymoon of cheese, chocolate and terror.  Joystin are now heading to Zermatt to go skiing but first they must buy tickets for the train. They hold up the ticket line by trying to buy a ticket in German but fail. They get yelled by some guy in German…I think. They flirt on the train and kiss through some tunnels. How Freudian. They worry about there being no snow on the glacier. Just wait a few years. Climate change is working on that. They finally find snow and hope a magically arranged by TLC ski instructor would pop up out of thin air but I guess TLC decided watching them flail and fall would be more fun. They actually both do pretty well except for not knowing how to stop. Joy later stands on the mountain barefoot because that is her natural state of being and her boots were too damn tight.
9. The episode ends with them packing up to go home which is a lie because they were out of the country for two or three weeks and ended up in Israel for awhile.  Anyway, besides the lie, it was a nice travelogue episode. I hope to go to Switzerland someday so it was nice to see the scenery. You won’t catch me hang gliding though. Hell no! Chocolate making and eating is my thing!
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samdukewieland · 4 years
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Stuck Inside Media Diary Week 6
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It was during this week that it dawned on me just how many movies I’ve watched since when I started keeping track of it. Then I got to wondering how long I keep this going-it’s kind of a bit, but also not one totally. I guess as soon as I go back to work and no longer spend my days playing PlayStation for hours on end and there’s no longer The Ticket to listen to for the day, that’s when it stops. Got real close to breaking the streak this week, which is probably the most harrowing thing I’ve been through in about 7 weeks (for the record, Week 1 was not documented as there was not much to document).
Sunday, April 26
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Mad Men, “The Mountain King”, “Meditations In An Emergency” [Season 2 Finale], “Out Of Town” [Season 3], “Love Among The Ruins”
California Don Draper/Dick Whitman is a real nice sweet spot that Mad Men taps into this season, or at the very least it comes across as much more interesting than the adventures of young Dick Whitman. It’s, obviously, the most honest we see Don/Dick whenever he’s around Anna and makes you realize just how much work he puts himself through to not be honest to anyone or himself. But to see Jon Hamm go between both characters really knocks you back on your ass-Draper is a pretty surface level “showy” character display, at least in the first season, and I’m glad they decided to flesh him out now like this, by giving the audience something that isn’t so wooden or warn out (wooden is usually an insult, but take it to mean like a gorgeously polished oak table or redwood or something else you could stare at for hours). That ending with him and Betty at the kitchen table is an incredible showcase for both of them (I used to be very dismissive of Betty, but I realize now that that was super unfair and dumb of me! so it’s been kind of eye opening re-watching this and realizing that January Jones was/is actually really good)
Season 3 is probably my favorite season of the show, from what my brain can recall and it really hits the ground running. You can feel the energy radiating off of it (when they were writing it they had already won their first Emmys and were already looking highly favored to repeat success in season 2).
Plot Against America, “Part 5″
Beef House, “Army Buddy Brad”, “Prunes”
Three Busy Debras, “A Very Debra Christmas”, “Cartwheel Club”
People really underrate Adult Swim and Cartoon Network, especially when you find yourself with an awkward amount of time before watching something at a scheduled time. Just nice li’l 15 minute (barely) long episodes before The Last Dance, that’s nice. Also I think the last time I talked about Debras I compared it to Stella which I stand by, but I’d also throw in Strangers With Candy and Pee Wee’s Playhouse. So if you like that kind of stuff.
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The Last Dance, Parts 3 & 4
Dennis. Rodman. The downside of these episodes is that they go fully into the time jumping aspects that it didn’t do as heavily in the first two installments. I also think they might play better if they ran right after the first two parts, rather than have that week long simmer. That’s like the most critical thing I can say about them, and it really just boils down to “I want more now.” Love that Isiah Thomas has no shame in being in the doc, despite just being taken to the dome by e v e r y o n e featured in it. Probably the best example of “no such thing as bad press”-it should be taught in business school or wherever agents go to school.
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Monty Python’s Life Of Brian, Jones 1979 [as of now this is available on Netflix]
This was, somehow, a big blind spot in my Monty Python catalog. I think I very quietly went through a contrarian phase of “Monty Python isn’t that funny” somewhere in college, probably a li’l in high school too. It’s definitely been a thing I’ve been worried about re-visiting (I can’t remember the last time I watched Holy Grail, which I considered a religious text) and wanted to keep at arm’s length. That was very uninteresting and there is nothing at all interesting in me admitting that this movie’s really fucking funny; I was cackling when they bring out the huge stone during the stoning scene. The alien thing, while I respect in a purely “well, we don’t know how to get from this point to this point with it ‘making sense’ so let’s just go all the way to nothing”-stance, I’m just pretty allergic to anything Gilliam (I’m guessing) thinks of as incredibly clever. Life Of Brian: good!
Monday, April 27
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Parks And Recreation, “Tom’s Divorce”
This feels like a very underrated episode of Parks, not in the conversation a lot, which feels like an oversight. I also just realized that it’s a Harris episode, so that could be why I am trying to champion it right now. Honest, I didn’t know until two minutes ago.
Mad Men, “My Old Kentucky Home”
Mmmmm. There’s an image from “Old Kentucky Home” of Roger Sterling that is still so shocking and I’m using a great deal of restraint to not post it above (because it’s super-duper racist), but I am still in awe that a buddy of mine from college used/uses(?) it as a cover photo on one of his social media accounts. IF only I could be so bold as he, or Roger Sterling in black-face. 
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The Virgin Suicides, Coppola 1999 [as of now this is available on Prime]
Grew up in a pretty anti-Sofia household from at least one of my undisclosed older brothers. I was told very early on that she is overrated and not very good at what she does and I just never investigated to see if that was true or not until...well I guess last Monday night. Baby’s first Sofia Coppola movie, babe. Talk about a mood! I liked it, I think? Yer kind of a weirdo-guy if you really latch yerself onto loving The Virgin Suicides, but I guess I didn’t realize how much of the movie has Kirsten Dunst or the other sisters not talking before I saw it. Or that James Woods is a pretty convincing sad/quiet/weird guy (as tempting as it is to say that this is the last good thing James Woods was good in, the correct answer is Recess: Schools Out-maybe John Q ((I haven’t seen it.)) I wonder how many conflicting feelings Josh Hartnett inspired in teenage girls between 1999 and 2001. Great job, Sofia, sorry I’m late to the party and for the pre-conceived notions that were lodged into my stupid brain.
Tuesday, April 28
Mad Men, “The Arrangements”, “The Fog”
Attaboy to “The Arrangements” for giving Carla Gallo work (tsktsk for not finding a way to use her more). “The Fog” is pretty mediocre Sopranos karaoke episode; not great, but not as bad as I remember it being. The Betty being hazy sequences aren’t as long as I recalled them to be, so that was nice. Plus all the Gene stuff....man, I don’t know.
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The Manchurian Candidate, Demme 2004 [as of now this is available on HBO]
Jonathan Demme is easily the most underrated director of his time, especially when it comes to shifting genres and putting such an overwhelmingly human touch to everything he works on. This is probably the movie that has the least amount of that, but it takes these wild swings and chances that you can’t help but respect the hell out of what you’re watching. It’s maybe the weirdest Denzel role I think I’ve ever seen, but he’s so good in it, but that’s just kind of the standard in Demme movies. What’s the worst performance you’ve ever seen in one of his movies? Is there one? I’ve never seen the original Manchurian Candidate so I don’t super know where or what this one lacks, but it’s so strange that it has made me want to go back and watch it again to try and understand or just watch the choices that Demme makes in this movie. How about Streep!
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Joe Pera Talks With You, “Joe Pera Gives You A Piano Lesson”, “Joe Pera Watches Internet Videos With You”
I know I harp on this a lot, but it’s just so wholesome and I guess I’m just shocked that anything this wholesome could have Connor O’Malley’s prints all over it. I say that as an admirer of both things, but just can’t wrap my head around the two come together.
Wednesday, April 29 
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Something Wild, Demme 1986 [as of now this is available on HBO]
This movie’s incredible. I knew absolutely nothing about it going in, other than it was Demme and Jeff Daniels (every time I saw the poster, my brain just registered Melanie Griffith as Catherine O’Hara, because that’s who it looks like at a glance). I was floored, I couldn’t believe a movie like this existed and I just hadn’t seen it (though, to be fair, I can’t imagine a person who doesn’t love Jonathan Demme going out of their way to see this in 1986, let alone 2020). And I’ve got some apologizing to do to Melanie Griffith after being pretty underwhelmed by her in Working Girl, I loved her in this. I also can’t help but wonder who has had a worse life (in the face) because of cigarettes, Ray Liotta or Al Pacino? If you want actual good discussion on this movie, I can’t implore the Blank Check episode with Scott Aukerman where they talk about it (there was also nothing more, personally, of a relief than hearing them talk about how it reminded them of a David Lynch movie and After Hours, thoughts I also had while watching, but am by no means enough of a Lynch-head or have seen After Hours enough to confidently throw that out in the open without someone else saying it first).
Thursday, April 30
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Mikey And Nicky, May 1976
About once a year Criterion does a 50% sale and lately I’ve tried to take advantage of that (having a disposable income really lends itself to doing this). This was a movie I knew nothing about, other than Peter Falk was in it and ya know what, I really like Peter Falk. I wasn’t expecting an all-night movie, I was barely expecting a crime/mob movie, but it technically is. It’s about so much more: cowardice, male-friendship, our weaknesses and shortcomings as people, Ned Beatty being pissed about driving around New York City and getting lost. I’ve thought about it a lot since watching it and I’m glad that I own it and can re-visit it whenever I want.
Parks And Recreation, “Christmas Scandal” & “Special”
Joe Pera Talks With You, “Joe Pera Has A Surprise For You”, “Joe Pera Helps You Write An Obituary”
When you just look at these titles on paper (or screen, rather) without actually seeing them, it’s a pretty good setup as a joke. However, this is when the season and show takes a very melancholy turn that’s incredibly moving. (I think he might’ve actually lost his grandmother between seasons-very possible I have this wrong, I just know the character was based on her)
Friday, May 1
Mad Men, “Guy Walks Into An Advertising Agency”
Man, this episode.This is an all-timer on every level; not an ounce of fat on this one and maybe one of the funniest things to happen on this wonderful show.
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X-Men: Dark Phoenix or, uh, just Dark Phoenix, Kinberg 2019 [as of now this is available on HBO]
Incredible that people in charge of an X-Men movie decided an actual team that should be depicted in this movie was Mystique (team leader, lol), Cyclops, Jean, Nightcrawler, Hank/Beast, Storm and Quicksilver. I mean yeh, this thing is really bad, potentially worse than Apocalypse, because that at least tried to have a personality. Though the train sequence here does have some redeeming qualities to it, so it might have the edge-I couldn’t tell you a single set piece from Apocalypse other than Oscar Isaac’s beautiful mug being caked in blue make-up (lol). Also, I gotta admit, mad respect to Kinberg for the incredible bait and switch with making Jessica Chastain look enough like some kind of mixture between Cassandra Nova and Emma Frost where you’re expecting her to be either of them and not just a shape-shifting alien.
Joe Pera Talks With You, “Joe Pera Shows You How To Do Good Fashion”, “Joe Pera Shows You How To Pack A Lunch”, “Joe Pera Talks With You On The First Day Of School”
I obviously want more episodes of this show, but if there were ever a perfect collection of stories, it was this.
Saturday, May 2
Top Chef, Season 17 episode 7
Tough, tough loss for Eric [insert Tom Colicchio “there’s always Last Chance Kitchen”] who I really admire and absolutely loved last season, I wish he had not gone on All-Stars this year, gained a couple more years, polish his technique and come back on the next All-Star season and sweep the floor. No shame in this loss though, because half of the competition this week was pretty dumb, though this was good build-up for Restaurant Wars, which the producers seem to always have hanging above their head as fan favorite and they feel like they need to throw Poochie in there.
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Mad Men, “Seven Twenty Three”, “Souvenir”, “Wee Small Hours”, “The Color Blue”, “The Gypsy And The Hobo”, “The Grown-Ups”, “Shut The Door. Have A Seat”
I don’t know if I necessarily advise watching 7 episodes of Mad Men like I did this past Saturday. However, I think you’re kind of hard-pressed to not want to just keep the tap going on this one. Incredible stretch of episodes for January Jones and a real proper introduction to Henry Francis, probably a character I should hate, but have a lot of affection for. He might be the most sincere character on the show, which makes him pretty endearing. “Shut the Door. Have A Seat” is also one of the best getting the gang together sequences/movies I think I’ve ever seen. This is also a real, real tough stretch for Don, humanity wise, between his handling of poor Salvatore and his dealing with Betty once he finds out about she and Henry. Great season, great stuff.
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The Death Of Stalin, Iannucci 2017 [as of now this is available on Netflix]
Despite knowing (possibly) an embarrassingly low amount about Russian history, I dug it. Felt like the joke was probably on me partially, because of how little I know about Russian history, but is that gonna make me not enjoy watching Jeffrey Tambor in Hank Kingsly form bounce off of Steve Buscemi, Simon Russell Beale, Michael Palin and Jason Isaacs (holy shit, Jason Isaacs in this movie)? Nah. Though, be warned because this thing is probably ripe for your cousin who goes out of his way to tell you stuff like “well Doctor Strangelove is satire, that’s why it’s so genius.”
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The Time I Bombed Trying to Open for Peter Frampton
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“What happens if nobody laughs?” people ask.
“Nothing,” I tell them. “Literally, nothing happens.” No one is laughing or doing much of anything. Maybe self-loathing personified decides to occasionally kick the weak when he’s down in the form of a heckle or boo, but other than that nothing happens.
Internally, everything is happening. Thoughts race, feelings emerge, issues of anger and/or insecurity come to the forefront or recede deeper into our subconscious, per our choice of response to each varying degree of disappointment. Our feelings likely run the same gamut as those of all human beings off stage in any realization of failure on display. It’s the worst.
Call it what you will: Sucking, tanking, going down in flames, it all means the same thing. Eating my dick, seems to be the latest contemporary slang for a failed set, which I can only speculate refers to its being an awfully pathetic act of self-abuse that each of us least wants to do. Most universally it is known as bombing, another etymology I can only speculate as suggestive of the unanimous death in the room resembling that of a small village after being hit with a bomb. The crowd is “dead” - not in the good way; but devoid of energy, and their lack of joy has returned the favor to the comedian, his ego and confidence. Everyone is checked out and gone, said void filled either with judgment, sympathy or disgust.
Everyone bombs. Every comic you’ve ever seen, as well as just about every bit you’ve ever busted a gut laughing at, has bombed at some point en route to the marriage of its perfection meeting the crowd primed to appreciate it. The construction of a bit, whether long and ranty or a short one liner, is like the evolution of a barber’s haircut drawn out over weeks, months or years in a barber’s chair set on a city sidewalk for people from all walks of life and mentalities to walk by at all different times throughout its development to voice their opinion, as if it were finished. Of course, we’ve all had our hair cut hundreds of times, and thus all are aware that if we see the man with the clippers still looming over a funny looking “do,” there is still work to be done; whereas comics don’t get such a pass. Every audience assumes and expects, understandably, that they are receiving a finished product. I paid to see a show.Give me “your show.” Unfortunately it doesn’t work like that. Wedo not work like that. It’d be nice if we could – trust that we wish as much as you do for our bits to be completed fresh off the notebook. But a bit is not a bit until it’s been worked out many times in experimentation of how it impacts others. Like skateboarders have to try new and increasingly difficult tricks to become great, we must constantly work out new material, often crashing and burning, breaking our pride, dislocating our energies, getting bruised in the process. So while all art forms are attempting to connect and create a dynamic with its recipients, ours is one where immediate connection wholly defines it. We have to see and feel how it is received, and then based on the quantity and quality of the people in that room we can begin to determine how we can improve. It is a long term, polygamous relationship in which you probably only get to fuck us once. Sorry. We’re whores; whores who are required to be always adding to our repertoire if we wish to grow.  
For all intents and purposes, each crowd as they exist takes on the mindset of one individual. A blind date, if you will. Some start awkwardly, but turn great once the ice is broken. Others start wonderfully but hit a mutual wall of disappointment that leaves both parties considering removing their online dating profiles as soon as they get home. Some dates are downright awful the whole time, some are so good they lead to the bedroom that night, and/or to the altar eventually.
For a new/young comic, bombs feel pretty similar to what laypeople might imagine them to (this is logical, as the brand new comic is still very much a layperson). It’s humiliating, with every joke being thrown out more desperately from their heels like Apollo Creed going inevitably down in flames against the Russian. Like a rookie baseball player in the first week of the season who is so far 1/10, his sample size is still minute. He boasts an embarrassing .100 average, which over a full year would get anyone sent down to the minors. What’s important to keep in mind is there are still 25 weeks left in the season.
The veteran comic, by contrast, has had between 5-10,000 at bats. Sure, he’s struck out, popped out, and hit into double plays nearly 2,000 times, but he’s batting .800 career, for Christ’s sake. He’s good. He knows he’s good, and everyone in “the league” who’s been around for any respectable amount of time knows he is never in danger of being sent down to the minors. He is mostly unfazed by your silence, comfortable in taking his time to think how best to respond to your heckles. Laughter need not come tonight, as it has already come countless times before, and is sure to come again tomorrow or the next night. So, although bad sets still exist as disappointing missed opportunities to connect and enjoy, they eventually taste, digest, and come out the other side much differently through a vessel of greater information, confidence and awareness. Blame, if it exists at all, turns more outward than inward, and the significance of each set diminishes as it becomes a smaller mathematical part of his lifetime batting average.
We never saw Jerry have a great set on Seinfeld. We heard about great sets and could assume they made up the majority of his track record, as his character was a professional comedian who’d appeared on The Tonight Show. Surely this was no amateur; but he and Larry David both knew that if a live set was to appear in an episode it had to go poorly, because failure is funny.
Watch any sitcom, movie, or any comic on stage. Misfortune and disappointment are the integral themes of every joke, as everyone knows there is no humor in great wealth, good looks, a level-headed peace of mind, or getting the girl, performing immaculately in bed and manifesting the perfect marriage. The only thing funny about that is how apparently unrealistic it is for most. This calls back to the reality that there is nothing at all ironic about comedians’ ultimate embrace of misery or symptoms of depression. Spare us the praise for “finding the humor in bad situations,” as bad situations are the actually the only places to find humor, and there is also a part of us that loves to laugh at the suffering of others.
Unfortunately, my mother and cousin were present for one of the most explosive bombs of my career. I’d gotten booked for a $500 feature spot at a theater in Englewood, Jersey, an unheard of gig for such a young comic. What was the catch?
“The catch,” which was not intentional, was that I was opening for a nationally famous musician who I was apparently a jerk for having never heard of: Peter Frampton, a legend in many circles, one of which would surely fill the theater, a demographic of mostly blue-collared, middle-aged, white biker types from middle and southern New Jersey. Guys whose middle school manifestations hated mine for being an honors class pussy with parents who loved him. Guys whose adult manifestations hated mine for being a hip hop, wanna-be, dumb “wigger.” It was quite possible I was not the right man for this job.
I researched Frampton before the show and became acutely aware that I couldn’t do the same jokes I’d been doing in the Bronx. Still in only my embryonic stage of development, I felt a bit dishonest telling the booker that 20 minutes would be “no problem.” I figured it might be a stretch and/or problem, but my 26-year old brain existed mostly between an admirable confidence and delusional arrogance that I could do anything, at least on one given night. Any given Sunday, as they say,not to mention that no comedian is ever going to turn down a challenge or money, let alone a coincidence of the two. And it wasa Sunday! As Mom and cousin were coming from opposite directions than I from the city, the plan was to meet after my set and go out for dinner to celebrate (mourn).
I waited alone backstage, Frampton nowhere in sight. I wore the only outfit I owned that didn’t obviously scream Hip Hop. A removal of my crooked baseball cap, slightly less baggy jeans, and a sweater instead of a hoody, although it was still Polo, with sleeves longer than my arms, much baggier than anything anyone in the building had ever owned in their life, truly a pathetic attempt. I looked like a white guy trying to look black trying to look white.
A disturbing calm came over me just before preparing to go on stage. While excessive nerves should be tamed with positive thought, breathing or whatever works for you, a complete absence of nerves is never a good sign either. A healthy amount of adrenaline beforehand is more than just normal, but almost necessary to do well. Personally, I’ve never had a good set drunk, as alcohol induces a very organic physiological apathy, which in spite of wanting to care very much, makes it impossible to connect with one’s listeners. On the other hand, the experience of nerves mean you care enough to calculate, think on your toes, and ironically, that you believe you can do it. In hindsight of my Frampton experience, I may have been intuitively precognitive that this was all wrong, and beyond some unforeseeable miracle there was no way it could go well.
The external situation was poorly set to boot. The crowd filling the venue was not made aware of any opening comedian. Stand-up is a relationship, and like any good relationship requires active listening, a different frequency and demand than music, which can be more passive and discontinuous. Inexperienced show producers classically make this mistake. They want to mesh two of their favorite things, comedy and music, in hopes of the result being greater than the sum of its parts. Sadly, this usually works about as well as George Costanza’s attempt to combine sex with watching sports and eating his favorite sandwich. Add to that the fact that the crowd was geared up for one of their very faves of all time, and Unknown Joke-teller is given a steep hill to climb.
As I stood behind the curtains with the stage director dividing his time and manic energy between whoever was giving direction into his headphones and tending to me, coordination seemed disheveled. I knew I’d be going on soon, but figured it would be after some kind of introduction to a dark room of seated people.
The house lights were still on. People were filing into their seats and there was no host or announcement over any speaker, when suddenly the stage director nudged my shoulder: “Go, go, you gotta go!”
“Right now? Just go and… What?”
“Yes!” he panicked. “We gotta get you off by 8:20, go!”
Little did he know this set wouldn’t make it anywhere close to 8:20.
I felt as naked and alone on the stage as laypeople imagine we feel.
“Hey, hey,” I weakly greeted them with the assertiveness of the guy who knows he has no chance with the girl.
“Take your seats, everyone.” I felt compelled to instruct them to where I desperately wished they already were.
God, the room was bright, and I could see them all. As nobody knew as much, and I didn’t know any better creatively, I dutifully informed them: “I am… a comedian – just here to tell you some… jokes, before the great, Peter Frampton comes out.”
A lone cheer in the distance for Frampton… people were still filing in. It’s never a good sign when you feel the need to practically apologize for your presence on stage or explain what you’ll be doing.“
“Take your seats, take your seats,”I continued.
I had nothing. No segue, no idea of where to begin, not an ounce of confidence in my pubescent well of material or the experience to improvise through such unexplored terrain. It was unlike any setting I’d yet been thrust into, and as feared, I was unqualified for the job.
I tried a since retired mediocre joke and got nothing. I tried two or three more of the same and got even less. Most of my stronger bits were geared more to the Bronx and urban crowds, and I hadn’t yet really learned how to write more universal material. As the lights finally went out in the house, the proverbial lights were going out on my set. Three strikes on stage are usually enough to acknowledge that you’re out.
“Alright,” I acknowledged the elephant in the room: “you guys obviously weren’t feeling those jokes…”
It was awful. I was rapidly dying, and like that quick realization of being physically overmatched in a fight, I had no idea how to get out of the stranglehold. I’ve got nothing for these people.
Disdain is as contagious as laughter, and the sentiment in the room became quickly unanimous. I can’t recall whether the first boo or heckle came first, but one surely immediately followed the other. It is rare for most humans to mature much past mob mentality, so once the green light is given for any animalistic behavior, it tends to snowball. It couldn’t have been much past 8:10 when the theater-filled boo’s looked and sounded no different than the notoriously disapproving Apollo Theater. They grew louder and more expansive. Finally someone started the perfectly two-syllabled “Frampton” chant, and although I had not yet been given the official signal to exit, this Monty Python-esq tirade was clearly demanding my time was up.
I thought of the show bookers sitting in the crowd. I thought again of my mom and cousin, and wondered where in the crowd they were sitting. Might they have been seated next to one of the loudest, most vicious hecklers in the room? Might they have beenthe loudest, most vicious hecklers in the room?  
“Frampton” chants poured down like rotten tomatoes, and finally I couldn’t help but laugh at the scenario (at least one of us could amuse the other). Although I don’t remember myself ever booing someone off stage, I surely have silently done so in my mind, and been “that guy” in the stadium at sports events and had a blast every time. I knew the show was a bad situation to begin with, and the blame wasn’t entirely mine. I felt okay. However, as soon as I decided to hopelessly join in the “Frampton” chant into the mic, I knew my time was up.  
I exited just before 8:15. The stage manager offered me a pat on the shoulder and an apology, handing me the least deserved $500 I’ve ever been given in my life. In fairness, there would be literally thousands more instances I’d earn $20 or even $0 in exchange for performances worth at least $500. Like accidental squibbed base hits in baseball, the good luck balances out with how often we get shafted.
I went backstage and quickly grabbed my things. Frampton wasn’t there, thank God. I’ve never so badly wanted to avoid meeting a celebrity. Is he even here yet? Who cares…
I snuck out the backdoor, praying not to see anyone who’d been in the theater. I wished I could change back into Clark Kent (or backinto Superman). Suddenly, I was 17-years old again, attempting to dart stealthily away from a wall I’d just covered in graffiti. My walk transformed into a scamper to go meet my mommy.
I heard a voice in the quiet suburban distance, a man outside the theater on his cell phone: “No, yeah, he still hasn’t gone on yet. Some comedian...” A pause, then a chuckle: “Poor. Very, very poor.” Of course I believed him, and felt bad about myself.
I called Mom and told her to leave – that I would not meet them in the lobby per the original plan. She understood. We sat down in the restaurant and Mom looked at me: “Those people were horrible! So rude! I’ve never seen anything like that!”Moms are the best.
I never heard from the booking company again. I think they shortly thereafter folded tent on the showbiz pursuit, returning back to the more stable world of high finance, their original trade. Is it possible my brightly lit expiration drained all of their hopes for success or belief in ability to spot talent, and I’d single-handedly shut down an entire company in just 15 minutes of bad jokes?
Although I’d been “wrongly cast” and the situation was poor, it left an awfully sour taste in my mouth. In typical human fashion, I chose to transform my inner sadness around it into outward anger and labeled the experience as (all) white people prejudging me, which caused me to hate them in return. I made the decision that my humor was not for white crowds, as they could not appreciate or understand me, in spite of the fact that this was a very specific kind of white crowd and I’d still only boasted a microscopic sample size. Apparently I learned how easily one can become racist: No more than a pinch of experience and a dash of maturity with a huge helping of rejection, and the broad strokes flow in excess. The fact is I’d just been a newbie in way over my head, still without the tools or experience to handle the curve balls, obstacles, and bullshit that come to comedians on a regular basis. As we finished our Chinese food and drove from the suburbs of Englewood, New Jersey over the bridge into Washington Heights where I lived, I thought it to be symbolic. I was back home, back amongst “my people,” ironically I suppose. I was done with suburban, white shows. I just didn’t want to feel that way anymore.
Sorry, Pete. 
0 notes
sheepbutthead · 7 years
Note
All o em
Heyyy thanks random human bean.
Everything You Could Ever Want to Know About Me
1. Last kiss
The last kiss I participated in was with Kaitlyn in the back of my car.
2. Last phone call
I hate phone calls but I think the last one I was on was my sister calling me from the other room to turn the tv down.
3. Last text message
My last text message was this morning was to my sister this morning: “I have to be at counselling by 11 and I still need to do some laundry.”
4. Last song you listened to
Yellow Ostrich - Don’t Be Afraid
5. Last time you cried
The last time I really cried was a few days ago when I watched the last episode of The Office. It was so friggin good and I was emotional, man. I cried like 5 times.
HAVE YOU EVER:
6. Dated someone twice
Yes, multiple times. It’s not always a good idea.
7. Been cheated on
Not that I know of.
8. Kissed someone & regretted it
Yes definitely.
9. Lost someone special
Who hasn’t? My grandfather and my sister are the biggest ones.
10. Been depressed
When am I not, really?
11. Been drunk and threw up
Actually, I haven’t. And I’ve gotten PRETTY drunk.
THIS YEAR HAVE YOU:
12. had sex
Yeeeeee boi. It was very nice yo
13. How many people have you had sex with this year?
Just the one.
15. Made a new friend
Actually, yes sort of. One of my friend’s coworkers has been talking with me and it’s nice to know I’m not completely unfriendable.
17. Laughed until you cried
Nah not this year. Not yet anyway.
18. Met someone who changed you
Nope, but the year is still young.
19. Found out who your true friends were
I’ve kind of always known. I only really have two.
20. Found out someone was talking about you
I never hear of anyone talking about me. But if you see someone talking about me, tell me about it because I’m self-absorbed and I want to know what they said and think about me.
26. What did you do for your last Birthday
I don’t really remember doing much. I just hung out with friends I think.
27. What time did you wake up today
Ummm I think around 8? Maybe?
29. Name something you CANNOT wait for
I cannot wait for a brain that isn’t constantly trying to sabotage everything. I also cannot wait to buy some gummies because it’s been too long.
30. Last time you saw your all of your siblings at the same time
Oh boy. July 4th 2016.
31. What is one thing you wish you could change about your life
Oh man, just one thing? God. Probably cheating on someone or my anxiety/self confidence crap to go away. That would help a lot. 
32. What are you listening to right now
I’m not really listening to anything right now. Meghan’s watching a movie in the living room and my laptop is wheezing and begging for death.
33. When is the last time you had sex?
Wow. I hadn’t thought about it but maybe like…two or three weeks ago. Maybe almost a month. I guess it also depends on what you define sex as.
34. Who’s getting on your nerves right now
My stupid fingers typing every other word wrong for these answers. And never being able to remember what I want to tell my counselor when I go to see her.
35. Most visited webpage
Either Youtube or Instagram.
36. Favorite colour
That’s kind of tough. I like blue but burgundy and maroon looks pretty good on me.
37. Nicknames
SheepButtHead and variations of that, Jess, Saps (an old one, man).
38. Relationship Status
Single (?) I guess??
39. Zodiac sign
Libruh boi
40. Male or female
Male boi
41. Primary school
Pleasant Valley Elementary
42. Secondary School
We don’t really have a secondary school. It’s split up between the high school and the elementary school.
43. High school/college
Pleasant Valley High. I have not gone to college yet.
44. Eye color
Greenish, bluish, grey?
46. Height
6′ 1″
47. Do you have a crush on someone
When don’t I? I guess you could say so.
48. What do you like about yourself
I gave a kid a nut for his skateboard wheel so he wouldn’t be stranded after he lost his.
49. Piercings
None and I don’t really want any.
50. Tattoos
None but I have a lot planned.
51. Righty or lefty
Righty
FIRSTS:
53. First piercing
No piercings, man.
54. First best friend
Uhhhh maybe Tanis Henry. In like 7th grade.
55. First hookup
Like losing my virginity? That was Misty Heard.
56. First Bestfriend
….Tanis
RIGHT NOW:
59. Eating
Nothing at the moment.
60. Drinking
Nothing at the moment.
61. I’m about to
Watch a bunch of youtube videos or spam someone with a bunch of snpachats.
62. Listening to
I think I already answered this, man.
63. Waiting for
Physical affection and gummies.
YOUR FUTURE:
64. Want kids?
Maayybbeeee not. I’m not really sure anymore. I think it might be nice but it’s going to be a LONG time before I have any. 
65. Get married?
Yes definitely.
66. Career
Oh god, I don’t really know anymore. I just know I want to make things and be creative. It’d be cool to make movies and stuff. Like animated movies or something.
WHICH IS BETTER:
67. Lips or eyes
Shittttttttt, that’s hard. Eyes are obviously really nice but I kind of have a thing for mouths. Sooo I guess ultimately, it’d be lips. But eyes are also really nice.
68. Hugs or kisses
Kisses, man. Hugs are nice and all but I’d much rather be making out than hugging. Combing the two is the best option.
69. Shorter or taller
I don’t really have a preference but I’m really tall so my only option ends up usually being shorter. My personal history agrees.
70. Older or Younger 
Again, I don’t really have a preference I guess. But I’m a little wary of the younger. It just feels a little weird even if there isn’t anything technically wrong with it.
71. Romantic or spontaneous
Ahhhh both are really nice. Why not both? But if I have to chose, it’d probably be romantic.
72. Nice stomach or nice arms
Hm. Damn. I don’t really know. I haven’t really thought about it. I guess maybe nice arms.
73. Sensitive or loud
I have no idea what this means but I guess sensitive??
74. Hook-up or relationship
I like long term relationships more but I can appreciate the chillness and noncommittal hook up.
HAVE YOU EVER:
76. Kissed a stranger
Nope but it’s really something I would be opposed to, I guess.
77. Drank hard liquor
Yes and it’s just not as fun as the bitch beers.
78. Lost glasses/contacts
I don’t wear them so I’ve never had the opportunity to lose them.
79. Had sex
Yep. Maybe just a few times. Just maybe.
80. Broken someone’s heart
Unfortunately, yes. Not really something I’m proud of.
82. Been arrested
Nope, I would cry.
83. Turned someone down
No, not really. Not that I can think of. I guess kind of maybe.
84. Cried when someone died
No shit, Sherlock.
85. Fallen for a friend
Uh yeah I think you could definitely say that.
DO YOU BELIEVE IN:
86. Yourself
No. If I do, it’s very rare.
87. Miracles
I don’t think so.
88. Love at first sight
No, definitely not. It’s not love it’s just a more intense attraction.
89. Heaven
Yikes, I don’t know. I guess I kind of do.
90. Santa Clause
I try, for my brothers’ sake, but not genuinely.
91. Kiss on the first date
I think it’s fine to kiss on the first date if you’re both really feeling it. I mean, it really depends on how the date went.
92. Angels
That kind of goes hand in hand with heaven.
93. How would you label yourself?
God, I don’t know. White privileged male. Bi, I guess. Kind of a useless piece of shit.
94. Someone You Pray Everyday For
Gummies. I don’t know, I don’t pray my man.
95. Did you sing today
Yes I did, I sung in my car while taking my brothers to their tutoring.
96. Who From All Your Ex’s have You Cared The Most About
I guess it kind of depends on who’s really an ex. It’s a little confusing. I guess Jessi.
97. If you could go back in time, how far would you go?
Oooohhhhhh boi. About three years ago. 2015 was NOT a good year for my morals. I’d start in 2015 and work my way back up from there.
98. Out Of Everything In The World What Do You Wish For
Fuck what a loaded question. I guess I just want to be happy and content in love without having to worry about too much stuff in my relationship. Or maybe better motivation/confidence to go to the gym.
99. Are you afraid of falling in love?
I don’t think I’m necessarily afraid of falling in love. I think I’m more so just afraid of being vulnerable. And if I can’t be vulnerable then how can I really let love in?
100. Do you like the way you look?
I think I like how my dress style is. And it’s only getting better. I don’t, however, like my physical appearance that much. Don’t get me started on that.
0 notes
biofunmy · 5 years
Text
Inside ‘The Circle,’ Reality TV Gets a Social Media Filter
LONDON — “Message: ‘Hey girls, hey. I want to start this chat just to get to know all of you. Girls who stick together are pretty girls.’ Emoji heart. …”
Alana Duval, 25, from Brownsville, Tex., begins a group chat with three of her seven fellow contestants. They are sitting in separate apartments, never meet in person, and they bond and back-stab only through online profiles and a voice-activated social media platform.
It may not immediately strike you as a killer television format. But the drama had already begun.
“How old is Alana again?” wondered another contestant, Samantha Cimarelli. “Because she’s acting like she’s in high school.”
When “The Circle” debuted in Britain in 2018, cultural commentators were skeptical, to say the least. The Guardian predicted “fame-hungry nitwits sitting alone in their pants spewing small talk online,” and asked if the concept heralded “the coming of the apocalypse.”
But the series, a reality competition show in which “anyone can be anyone,” soon became a cult hit. Within a month, that same newspaper was hailing it as “one of the standout TV shows this year,” and Netflix snapped up the global rights. A 12-episode American version debuts on Netflix Jan. 1, and Brazilian and French versions are in the pipeline.
Contestants craft their online profiles with the focus and precision of a brain surgeon. While some opt for full-frontal honesty, others exploit the artifice of social media to experiment with their identities — or purely to help win the $100,000 prize. Past impostors, known as catfish in social media parlance, have switched gender or sexual orientation, pretended to be their sons or girlfriends, and even invented babies and dead pets.
But how did producers turn this flurry of emojis and hashtags into binge-worthy entertainment? (Ultimately, the show is mostly scenes of solitary people talking to themselves and their screens.) Is it an ennobling social experiment, as its producers — and many of its contestants — suggest? Or is it a descent into the worst inanities of contemporary online discourse? In 2020, does it matter?
“We’re in a social media era — that’s how we’re going to be defined 1,000 years from now,” said Shubham Goel, a virtual-reality designer from Danville, Calif., who is a contestant on the American version. “I think the show really encapsulates the world more than any other thing at this time.”
Producers clearly hope they have distilled the essence of our times. Ratings for the British “Circle” have been modest (1.2 million viewers on average), but the series has been catnip among 16-to-34-year-olds: The first season was Channel 4’s “youngest profiling” show in six years, according to the British TV industry magazine Broadcast, drawing half its viewers from that sought-after demographic.
“The starting point I’d had is: What would a reality show look like where people never met face to face?” said Tim Harcourt, the creative director of Studio Lambert, which produces the original British series and the international versions for Netflix. “At the same time, I had also been toying with a ‘Rear Window’-style documentary where you could visually see all these people in their apartments, living out their lives, but they were atomized.”
The two strands came together when Harcourt heard that Channel 4 was searching for a reality-show format centered on social media.
“Quite quickly I realized I had a much more simple game of communication and of masks,” he said.
Sometimes those masks can help a contestant’s efforts; other times, not so much. In the British version, James Doran, a 26-year-old recruitment consultant, morphed into Sammie, a single mother with an angelic baby — the guise he felt would be most likely to prevent his competitors from voting him out. He reached the final.
Busayo Twins, meanwhile, a 24-year-old black woman, became Josh, a trust-fund kid “with a white savior complex” pictured on his snowboarding holidays. She said she had wanted to subvert “the stereotypes attached to black confident women that they may be angry or aggressive.” After a cake she decorated appeared to show the imprint of long fingernails, she was suspected of being a catfish and “blocked.”
Other players’ experiences complicate the very idea of authenticity. Duval, a white, blonde model with more than 80,000 Instagram followers, used her real identity in her profile, which featured a professional-looking portrait and declared, “Tacos all day every day.” Her status was immediately in jeopardy.
One of the series’s hallmarks is its diversity, and not only in demographic terms — not every player is as practiced as Duval in social media. Goel, 23, described by Harcourt as “probably one of my favorite all-time reality characters in any show,” is an earnest Indian-American techie who described social media as “our modern-day bubonic plague.” But “The Circle” eventually won him over.
“I brought a Shakespeare book, and I was playing a lot of Ping-Pong against the wall,” he said in a phone interview. “As the game went along, I kept losing my hobbies because I was so enrapt in my connections with these people.” He said he still communicates with his fellow contestants on a private Instagram group. (Their season completed filming earlier this year in Manchester, England, where every version is filmed.)
Amid the naked gamesmanship engendered by “The Circle,” beautiful human stories emerge. In the second British season, Georgina Elliott, 22, uploaded a photo of herself wearing a bikini and an ileostomy bag — to raise awareness of Crohn’s disease. It helped cement a friendship with Paddy Smyth, 31, who had started by uploading only pictures of himself without his crutches. (He calls them “glam sticks.”) He had wanted to hide his cerebral palsy.
“It’s not that I’m ashamed or scared,” he later told Elliott by dictating to his TV screen. “It’s that I wanted to feel what it would be like for once to just be me and not be that disabled guy.”
Elliott responded with the hashtag #ProudOfYouProudGayDisabledMan. Both ended the virtual conversation in real tears, and Smyth soon opened up about his disability to the rest of the group.
Not everyone is quite so smitten. Helen Piper, a professor of television and film studies at the University of Bristol, believes that the “obligation to perform,” which has been at the heart of reality TV for decades, has been “turbocharged” by the pretense encouraged by social media.
“I think the whole moral, touchy-feely thing that they’re talking about is a bit of a facade,” she said. “It’s substituting for a kind of more robust moral framework, in which people could really be themselves. They can’t just be a single parent, they have to be a single parent who’s ‘struggled’, who has to narrativize that process.”
The fact that a catfish won the first British season, she added, shows how hollow all the talk of “authenticity” is.
“But we’re all spinning narratives of ourselves now, that’s the world we’re in,” she said. “The personality is everything. The performance is all.”
Few have been as central to TV’s transformation in that regard as Peter Bazalgette, who as a British TV executive at the turn of the millennium helped take the Dutch reality series “Big Brother” global. At the time, he received no shortage of easy criticism, but he believes reality TV has played a part in fostering open-mindedness, citing winners of “Big Brother” who were gay, transgender, or had Tourette’s syndrome.
At its best, he argued, reality TV showed the “humanity behind the stereotype.”
“It’s a very clever format,” he said of “The Circle,” “and it touches a very contemporary nerve — the uncertainty we feel in what I like to think of as the digital dystopia. Are people what they seem online?”
Eventually, that format ensures that all players, regardless of strategy, must confront such tricky questions unfiltered: When a contestant is voted out, he or she is allowed to meet one other player in person. Those exits can be complicated, but the five contestants interviewed for this article expressed overwhelmingly positive feelings about their time on the show.
Karyn Blanco was one of them. After a straight male contestant is eliminated from the American version early, Blanco must reveal her true identity to him. She had posed as a willowy 27-year-old named Mercedeze, who is intentionally vague about her sexuality, using photos donated by a stranger. In reality, she is a 37-year-old lesbian from the Bronx.
In an unguarded moment, she confessed: “I did a catfish because all my life I’ve been judged. I’m not ugly, but I’m not feminine. So it’s really the fact of just showing the world you can’t judge a book by its cover.”
Still, the acceptance she received after unveiling her true self “pretty much revived my faith in humanity,” she said in a phone interview.
“I feel as though it made me just look a little bit differently towards men as far as why they’re so protective of their ego when it comes to me being around,” she said. “I just learned a little bit more about myself and the power of perception.”
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samdukewieland · 4 years
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Stuck Inside Media Diary Week 4
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On my birthday I made a 100 song playlist for myself with the criteria of choosing my Top 20 favorite bands/musicians, five songs from their catalog-preferably only one song per album-and that was it. This was part-exercise-part-how-do-I-celebrate-myself-and-my-excellently-unique-tastes-on-the-one-day-this-is-allowed. I had already gone through the painstakingly unasked for “challenge” of whittling down of a Top 5 for a project in college and it’s gone unchanged in the past four years, and being the way that I am, I am generally always considering what the Top 10 would be. Anything beyond Top 10 is egregious, but because I was deeply unsatisfied with a 25 song playlist, I just kept going until I settled on 20 and 100. 
It then dawned on me (I couldn’t sleep that night, BIRTHDAY JITTERS and all that) afterwards that this is technically a list of what I’d consider to be the top 100 songs and that was just all wrong. I love every song on that playlist; I chose obvious songs and I chose obscure deep cuts that would make yer average me chuckle and say “heh, that one huh?” But if I were asked to make a list of the 100 greatest songs ever recorded, I don’t think I could leave off something like “Hey Jude” (The Beatles) or “Wonderful World” (Sam Cooke) or “The Champ” (Ghostface Killah) and yet I did. What a dweeb.
Sunday, April 12
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Starship Troopers, Verhoeven 1997
Listen, I love Paul Verhoeven. This is my least favorite Paul Verhoeven movie and it’s still incredible. And it’s a me issue too (though, I’m not taking all the blame here-this obvious issues here are that there’s no good actor here besides Michael Ironside, Jake Busey and Neil Patrick Harris), though I think that’s part of the point of it. Or at the very least there’s been enough revisionist history and nostalgia slapped onto this thing that Denise Richards gets a pass-“well yeh, she’s bad on purpose” they’ll say; this movie is lemonade.
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Three Busy Debras, “Sleepover!”
Probably the biggest difference between Three Busy Debras and Stella (which is what Three Busy Debras reminds me of the most) is that Stella was so unconcerned about saying anything about anything. This is not a knock on Debras, not in the least bit, but that’s ultimately what I landed on when I was thinking about the two next to each other. Three Busy Debras is very good and very, very funny and reminds me of one of my favorite television comedies to ever exist.
Beef House, “Boro”
When I went and saw Tim And Eric’s live tour back in January they were going to show the first episode of Beef House after the main show, but then they surprised us by having John C. Reilly come out as Steve Brule and do a bit with an audience member for like 15 minutes, probably less time. Watch Beef House if you like Tim and Eric, but you already know that if you do.
Joe Pera Talks With You, “Joe Pera Lights Up The Night With You”, “Joe Pera Talks to You About the Rat Wars of Alberta, Canada (1950–Present Day)”
At this point you can tell that I probably just turned on Adult Swim after finishing Starship Troopers and just kept it on, because a Sunday night on Adult Swim is the only thing that could rival an HBO Sunday night. Alright, so I had only ever seen one episode of Joe Pera Talks With You before these two episodes and I liked it fine, but didn’t have great context for it and was probably just not in a great headspace for it. Sure, I liked it fine back when I had watched that episode, but I was not motivated to continue watching it and I didn’t. Until this particular night. I know for sure that I’ll be writing more about it next week, so I’m just going to say now that this makes for incredible “watch before bed” programming.
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Mad Men, “Smoke Gets In Your Eyes” [Series Premier]
And thus the great Mad Men re-watch has begun. I’ve only watched this all the way through once and that’s when I got caught up on the DVDs for season 4 back was when I was in high school. This pilot is one of the most pilot-y pilots I’ve seen/re-watched in a long while, and maybe it’s so glaring to me because of what I studied in college and how I just generally spend a lot of my time as a person. But it’s a very old fashioned pilot, maybe the last prestige TV classical pilot? You just don’t see very many shows now that have their first episode be as thirsty for another shot as this one is. Not bad, but more just very in your face.
Monday, April 13
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Rashomon, Kurosawa 1950 [this might be available on Criterion-I just DVR’d it]
Baby’s first Kurosawa. This one has really stuck with me, just in its simplicity in telling a story and I’m going to stop talking about it here, one because like we really need another 26-year-old white dude talking about Akira Kurosawa movies and two, should I continue to talk about this movie, I will turn even more into what I hate and who I consider to be my arch-enemies: the film school kids.
Parks And Recreation, “Rock Show” [Season 1 finale]
Whenever I start a Parks re-watch, I always start with “Rock Show.” It’s now just in full fledged Simpsons territory that I wouldn’t be able to tell you how many times I’ve seen certain episodes and that it is incredibly comforting to watch where I can turn off brain while watching, but know exactly when to start re-paying attention because of jokes I like. I don’t know when it’ll be as recognized as The Simpsons (maybe it never will be?) or seen as the true predecessor, but it’ll feel good once it does. Though if there’s a show that demonstrated how irrelevant recognition for hard work was, it was Parks.
Tuesday, April 14
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The Wicker Man, Hardy 1973 [as of now this is available on Netflix]
I feel confident that I’ve lied to friends of mine about having seen this movie. Pretty easy to do, considering it’s a pretty straight forward story and you can get by with saying stuff like “I mean yeh, it’s just like a pretty fucked up movie.” And it is! on both accounts. Though I guess not as unsettling as I figured it would be, but as soon as the animal masks come out I did get squirmy. That and choir singing folk music with vaguely disturbing lyrics juxtaposed over not totally right images-it’s like the opposite feeling when someone uses “Perfect Day” too ironically.
Better Call Saul, “Bad Choice Road”
Kim. Wexler. I guess what I love about Vince Gilligan is that he zags (though zagging in this case is kind of old fashioned) and saves his big thing to happen for a season’s finale and not the penultimate episode. But he doesn’t rob you of a wild penultimate episode either-just kind of nice and takes confidence.
Parks And Recreation, “Pawnee Zoo”
Wednesday, April 15
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Obvious Child, Robespierre 2014 [as of now this is available on Netflix]
Got sick Wednesday night, ralphed twice!, and needed something I absolutely didn’t have to think about. I had started watching this probably like a year and a half ago in a waiting room while my mom was getting some kind of dental procedure done and had never picked it back up after putting 20 minutes down. It’s good, though I think it resonates better for other people than it did with me, but that’s no knock. Loved very dialed in Gaby Hoffmann and it feels like Max Silvestri mighta supposed to originally have the Jake Lacy part, but Jake Lacy is contractually obligated to play this sort of part whenever it is written into existence every year or so. Tough break.
Parks And Recreation, “The Stake Out”
Thursday, April 16
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Targets, Bogdanovich 1968
I caught this recommendation from....I think Matt Singer on twitter and also @nextontcm​ (which is a first tier twitter follow) and man, this thing is great! I forgot that Bogdanovich comes from the Roger Corman school of directing, but ole Rog doesn’t let you forget with this one. It’s a movie I would imagine Steven Soderbergh really likes (and I say that, because The Limey is the only other movie that I know of that uses another movie’s footage in reference to one of the characters in the movie-like I’m sure there’s other, I haven’t seen every movie, leave me alone). TCM’s apparently doing a podcast series on Bogdanovich, which is kind of weird, but he did a short interview with Ben Mankiewicz afterwards and it was hilarious, because surprising no one, Peter Bogdanovich really doesn’t give a shit about what he says anymore.
Top Chef, Season 17 episode 5
This was the first time in Jen’s Top Chef career where she didn’t fall victim to the yips, which shows progress. But it’s also helping make the case that Jen Carroll might be the worst evaluated draftee in all of Top Chef? That sounds harsh, and I have no doubt that Jen Carroll is phenomenal, this just doesn’t seem to be her strength; there’s no rule that says competitive people have to always be good at what they get competitive about.
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Mad Men, “Ladies Room”, “Marriage Of Figaro”
It’s weird seeing Don not as partner, but just a dude who’s really good at his job that people respect, but is also not in charge of everything and doesn’t aspire to be in charge of everything. Though not without trying to be in control of everything. I haven’t watched this since I was in high school, so I’ve both forgotten a lot of stuff and also just like know more about life and characters and didn’t realize how sad of a character Pete is. Man, Vincent Karheiser really doesn’t get enough credit for how good he is as Pete Campbell, a character who could’ve easily been just another Christopher Moltisanti (full disclosure: Christopher is in contention for favorite Sopranos character) and is so much sadder in a different way. 
However, I’m still just dumb guy, and maybe that’s not the complete reason, but there’s some Betty stuff that is just like not very interesting. I think if they had gone down an avenue of “let’s try and radicalize her with Kennedy” story, that would’ve worked better than other stuff, but I don’t know. Betty’s complicated! But that she has to be the character that bridges Glen’s story to the main one is incredibly detrimental.
Friday, April 17
Parks And Recreation, “Beauty Pagent”
Brooklyn Nine-Nine, “Ransom”
Every season needs at least one Cheddar episode. This is not at all a controversial opinion, but it’s worth saying out loud in case anyone thought differently.
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Big Night, Scott & Tucci 1995 [as of now this is available on Amazon Prime]
When Ian Holm isn’t running away with this, Isabella Rossellini (Big Beef and Cheddar in hand) is and when Isabella Rossellini isn’t running away with this, Minnie Driver is and when Minnie Driver isn’t running away with this, Tucci and Sheloub just keep passing it back and forth to each other while Liev Schreiber just silently stares at them from afar. This is a fantastic way to spend a Friday evening.
Mad Men, “New Amsterdam”, “5G”
Saturday, April 18
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Parks And Recreation, “Practice Date”, “Sister City”, “Kaboom”
“Practice Date” is the first “modern” episode of Parks. “Sister City” feels like one they had drafted for S1 and just couldn’t figure out how to get it in there (it’s definitely not a bad episode, but it feels way more like steps backward than forward). “Kaboom” is a wonderfully silly episode and a great debut for Aisha Muharrar (who is a Tier 1 Parks writer-please don’t ask me to rank them).
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Defiance, Zwick 2008 [as of now this is available on Netflix]
I had never watched this movie, because in the back of my head I’ve always suspected it would be real dumb and bad, because a WWII movie with Daniel Craig and Liev Schreiber, on paper, should be something people talk about more, but nah, this thing’s real dumb and bad. But not even fun-bad, just forgettable bad. It’s dumb-guy-Munich. 
Mad Men, “Babylon”, “Red In The Face”, “The Hobo Code”, “Shoot”
The Dick Whitman childhood really suffers from Al Swearengen just having a much better “raised by whores” story and also you can tell that Matthew Weiner thinks he’s doing important work by writing this stuff. And not to sound like a blog from 2007-2015, but Rachel really was the perfect match for Draper, holy shit. It’s also this stretch of episodes where Peggy starts to shine and Elizabeth Moss is definitely someone I take for granted, because I don’t really have to think about how good she is, because I know she’s good, but man she is really good at playing Peggy Olson. What an MVP.
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