#alright... can I at least print this from my usb stick using your “print from usb stick” option? “noooooo the file is tooo large it
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I hate printers. I hate having to go on a fucking odyssey and perform ancient dark rituals and pray to every god in existence to print ONE page. IT SHOULDN'T BE THAT DIFFICULT
#it's like: hey can I print something from my computer? “ah no sorry there's no drivers available for your system :c ” okay why??#“beats us - sowwyyyy”#alright... can I at least print this from my usb stick using your “print from usb stick” option? “noooooo the file is tooo large it#doesn't work!!" .... it's one page. it's a 40KB pdf of one simple letter#“nooooo it's not possible don't try it it's scawy” ... I'm gonna fucking punch someone#IT'S LIKE THEY WEREN'T BUILD FOR PRINTING OR SMTH#I'M SO ANGRY RN
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Day One - Hidden Connections
AN: You guys!!! Spideychelle week is finally here!! Ahhhh I’m so excited to see what everyone else as written and to share my stuff! Here is my contribution to day one! It’s a little short and quick, and there’s a fair amount of non-romantic stuff in it, but I just thought this idea was really funny and had to write it down! A huge thank you to @spideychelleweek for putting this together!
Prompt: Secret Relationship AU/College AU
Pls enjoy some 2.4k of humor, fluff, and a dash of angst.
.
.
“To whom it may concern,”
“Dear Sir or Madam,”
“Dear Mr. Bugle,”
“Hello,
I hope your day is going well.
My name is Peter Parker, and I happened to film the altercation between the criminal known as Rhino and the heroes Luke Cage and Spider-Man on the intersection of 42nd Street and 11th Avenue. I have some screencaps of it attached, if you are interested in the video for a blog post, let me know. I am willing to sell said footage for a discounted quick-sale price.
Sincerely,
Yours Truly,
Love,
Thanks,
Peter Parker
--
Releasing a puff of air through his lips, Peter hits send.
The clickable ad he’d seen while scrolling through Facebook said: SEND VIDEOS OF SPIDER-MAN. $1 PER SECOND*. It was only after he’d clicked did he notice the fine print: Spider-Man must be within the frame for the whole second, otherwise the dollar is void.
But that doesn’t matter. Peter has a full five minutes that Dronie had so graciously recorded for him of Luke Cage and him kicking Rhino’s ass.
And he really needs the money.
MJ’s birthday is four days away, a day which also coincides with his rent being due, so in other words: he’s essentially broke. While he does have money in his bank account, he only has enough for one of those things, not both, and he can’t really afford to be evicted at this point. He knows MJ won’t leave him if he doesn’t get her anything…
But she at least deserves something nice.
This video should net him roughly $300; he can take her out to a nice dinner, maybe buy her something actually decent for a change. Not another scarf.
And who knows? She might not even want to go out to a fancy restaurant, seeing as she’s turned down every offer he’s given to take her out in the six months they’ve been dating. Every date night, it’s either been take-out, a quick slice, or some kind of fast food. Not that he’s complaining about hanging out with his girlfriend; every minute spent with her was more than enough. And he’d be a liar if he said it wasn’t a little easier on the wallet.
But there was still that seed of doubt. Why did she never want to leave Queens? Why was it always such a rush to get back home? Why hadn’t she introduced him to her parents? The intrusive, relentless thought that her being embarrassed of him might have been a factor whispered darkly in the back of his mind. He knows he can be immature at times, both with his sense of humor and overall behavior, so, albeit shamefully, he could understand where she was coming from.
Maybe a nice present accompanied by a fancy dinner could help to prove that he can act like a grown-up.
Maybe.
--
The next morning, while happily munching on a bowl of Hulk O’s, he’s genuinely surprised to see a reply in his notification bar from none other than J. Jonah Jameson himself.
“I want to see that video. Will talk about your payment after I have it analyzed by my team.
Your appointment is today at 9am. Don't be late.
J.J. Jameson
Editor for the Daily Bugle Heralding Your Daily News │Tel [212] 555-7109│Fax [877] 555-0971
Sent from my iPhone.”
Peter only allows himself a moment to be put off by the the informality of Jameson’s response, brows crinkled as he turns to check the time.
8:30 AM.
He drops his spoon into the bowl, milk and soggy cereal splashing.
Well, shit.
He stuffs whatever clothes he can find into a backpack before roughly yanking his suit on; he flings himself out of his fifth story window, cereal bowl abandoned on the kitchen counter. Phone in hand, following along on Google Maps, he wonders how super heroes were able to find their way around big cities before GPS.
The next thirty minutes fly by in a blur, and Peter honestly doesn’t know how he’s able to put enough brain cells together to find a place to change into his civilian “interview” clothes. It’s a wonder he made it there in one piece.
The lobby doesn’t have any kind of directory, or any indication of where J. Jonah Jameson is supposed to be. In fact, Peter isn’t even sure where he’s supposed to meet the guy, unable to recall if there’d been anything like that in the email.
He gingerly approaches the front desk, ducking his head down slightly as he offers a smile to the receptionist. “Uhm, hello! I’m here to see Mr. Jameson?”
The woman gives him the the quick once over, visibly unimpressed. “You got a delivery, kid?”
“Uh, n-no.” Peter shifts awkwardly, smile fading. “He, uh, he sent me an email. To meet him at nine? Today? Right… Right now?”
“Hold on,” she says, her voice monotone, turning to the phone on the desk and dialing a four digit number with freshly manicured nails.
Peter starts to say, “Thanks,” but is cut off by the woman holding a finger up.
“Hey Ted, I’ve got a kid down here. Says he’s supposed to meet with Jameson. Do you know anything about it?”
She listens for a moment, nodding. “Okay, thanks.”
Click.
“Okay, kid, go over to that elevator. 17th floor. Someone will meet you.”
Peter smiles again, throwing a quick, but polite, “Thank you,” over his shoulder as he moves.
He’s met by who he assumes to be Ted, a slight middle-aged man with tired eyes. “Peter Parker?” He asks.
Peter nods.
“Alright, follow me.”
Peter isn’t taken directly to the office at first, only being seated in the waiting area just outside.
For thirty minutes.
9 AM, he said. Don’t be late, he said.
The door to the office is ajar, the sound of Jameson yelling at and berating some poor unfortunate soul over the phone almost as loud as the clacking of Ted’s typing on his keyboard.
“I don’t care what that weasel said, I want it done right this time! And if you had done what I’d told you to, we wouldn’t be having this conversation!” There’s a pause as Jameson presumably listens to the person on the other line begging for mercy. “Fine. Go with the lilac. It’ll clash with your comforter, you’ll see. Don’t come crying to me when you have to buy a whole new bed set.”
Another beat of just Ted’s typing passes.
“Okay. Love you, Mom. Buh-bye.” Jameson hangs up, before yelling out the door. “HOFFMAN!”
“Yes, sir?” Ted answers quickly.
“MY 9:00 IS LATE. IT’S 9:30!”
“No, sir, he’s here sir. He’s been here since 9.”
“WHY DIDN’T YOU TELL ME? I COULD’VE HAVE ENDED THIS CONVERSATION SOONER. MAKE A NOTE OF THAT, HOFFMAN.”
“Yes, sir. Will do, sir.”
“NEXT TIME, INTERRUPT MY PHONE CALL. STICK YOUR HEAD IN HERE. GIVE ME A SIGNAL.��� He sighs. “Okay. Send him in.”
Ted looks over. “You can go on in. Good luck.”
Peter falters for a moment, wondering if he’s really willing to go through with this.
No. He is. MJ was more than worth it.
He says a quick, “Thank you,” before walking in to the lion’s den.
Jameson sits at his desk, looking up briefly, chewing on an unlit cigar. “Well, quit your dawdling, get in here.”
Peter picks up the pace.
The man glares at him for an uncomfortable few moments, sizing him up, before extending his hand. “You got the video?” He asks, skipping introductions entirely.
“Uh, yeah. Yeah.” Peter swallows, handing him the drive.
Jameson hums. “I was expecting someone… More… professional.”
It’s then that Peter realizes he’d left his apartment without even combing his hair or brushing his teeth. He hadn’t even bothered put on deodorant or to change out of his The Mighty Thorgi t-shirt. He’s wearing a pair of the day before yesterday’s and yesterday’s jeans, and to make matters worse, he’s wearing two different shoes; one grey converse and one blue.
“You homeless or something? Because there’s a soup kitchen around here.” Jameson spends the next few moments trying to plug in the USB to his computer, flipping it over and over. “Damn thing. HOFFMAN!”
Ted practically sprints in. “Yes, sir?”
Peter tries to speak. “I can do it if you—”
“—Don’t patronize me, kid,” Jameson snaps. “Hoffman. Plug this in.”
Peter watches in silence as Jameson’s expression never changes as the video plays out on his computer. Peter knows what’s on the video, he knows it by heart, in fact. He fought in it. When the video ends, Jameson leans back, his blank expression now seems thoughtful.
“I’m gonna give it to you straight kid,” He says. “It’s a good video. Now I can send this down to my lab nerds. They can calculate the exact amount of time that Spider-Man’s in a full frame. I’m guessing it’s gonna be around $120 to $150. But, that’s if we give you credit, of course. If you wanna sign the rights of this video over to us, we’re looking at, say, $350 upfront. You won’t be credited, though.”
To Peter, that actually sounds pretty good; he gets a good amount of money, more than he thought, and his name won’t be tied to his alter-ego. It’s a win-win. “Oh, yeah! That sounds great!”
Jameson’s smile is shark-like. “Great. HOFFMAN! GET ME CONTRACT A27!”
“Do you mean A63, sir?” Ted asks from the door, contract already in hand, placing it on the desk.
“Yes, yes of course. A63.” Jameson shakes his head. “Can’t get decent help around here,” he mutters.
Peter signs where Ted indicates. Jameson signs the last page and hands back the contract.
“I’ll be back with your copy,” Hoffman says as he exits the room.
Jameson then opens his drawer, retrieving a thick check book and grabbing a pen. “Parker Peterson, right?”
“No, no. Just… Peter… Parker.”
As Jameson writes the check, Peter takes the time to take in the office around him, his eyes drawn immediately to the portrait on the desk. His stomach drops as he realizes who it is.
No doubt about it.
That’s a picture of his girlfriend.
Why is there a picture of MJ… on Jameson’s desk?
“Pretty, isn’t she?”
Jameson’s voice startles Peter, and he looks over, the older man glaring right into him. “Huh?” Peter asks.
“She’s pretty, right? It’s okay. You can say she’s pretty. Beautiful even.”
Peter nods, voice soft. “Yeah. Really beautiful.” And he means it, more than anything, nervous as he is; MJ is the most beautiful person he’s ever known.
With the flick of his wrist, Jameson deliberately flips the portrait away from Peter.
In the amount of time Peter’s been in the office, Jameson has had two volumes: Loud and VERY LOUD. There seems to be a third setting, however. In a hushed, threatening tone, Jameson seethes. “Listen here, kid. I don’t need no smelly, grubby, unemployed jackass drooling all over my daughter.”
Wait, what?!
Fuck.
“I don’t know what thoughts were going through your sick little mind, but that’s my little girl, and I will be damned if she fuels your pervy little spank bank! Do I make myself clear?”
Oh, if only he knew...
Even though Peter could easily take down the older man, he still finds himself shrinking back slightly.
He nods profusely. “Yes, sir, of course sir.”
“Good.” Jameson roughly shoves the check at Peter. “Now get the hell out of my office.”
Peter doesn’t need to be told twice as he dashes through the door, nearly running past Hoffman who expertly passes him the contract copy.
“Have a nice day!” Hoffman calls as Peter disappears down the hallway.
--
Omw, the text read from MJ.
Luckily, Peter had already planned for arrival; the apartment’s clean, the floors vacuumed, Febreez has been sprayed. Conditions were perfect. All he needed to do now was sit and wait, mindlessly tapping his fingers against his thigh, the events from earlier replaying in his head on some kind of torturous loop.
The sound of the key turning the lock fifteen minutes later had his pulse quickening. She was here. “I brought Chinese!” She called as she set the bags down on the dining room table.
Peter cuts right to the chase, barely lasting a second. “So. I met your dad today.”
MJ nearly drops the lo mein, her eyes blown wide. “Oh my God.”
Peter shrugs.
“I am so. So. Sorry.”
He tilts his head a fraction, brows wrinkling in confusion. “Why?”
“I don’t know how he find out,” She says, almost to herself. “I tried to keep this— us— hidden from him. He chases away any guy who comes close to me; friend, colleague… One time a teacher said I was a remarkable student and he— It doesn’t matter. I’ve tried explaining this hetero-normative, misogynistic bullshit to him, but it just goes right over his head. He’s always had this… toxic paternity complex. Like, I know that he loves me, I guess, but that’s no excuse.” She folds her arms across her chest, glancing away, her eyes welling in frustration. “And I just didn’t want him to scare you away.”
Peter puts his hands on her arms. “Woahwoahwoahwoah. Hey. It’s okay.” She looks up at him. “He doesn’t know about us. I just went to the Bugle today to sell a video of Spider-Man… and I saw your picture on his desk.”
Relief washes over her, and she puts a hand on her chest. “Oh, thank God.”
“Nothing to worry about.” Peter grins, before growing confused again, expression crinkling. “I thought your last name was Jones?”
“It is.”
“Then…?”
“So’s my Mom’s,” she elaborates. “They just never got married. Or stayed together, really.”
“Ah, gotcha,” Peter nods.
A comfortable silence fills the room, the food on the table surely getting colder by the minute. But MJ finds that her curiosity is growing too strong. She has to know.
“What did he say?”
Peter snorts, face scrunching as he scratches the back of his neck. “A lot. He totally freaked out when I said you were pretty.”
“He yelled at you for saying I was pretty?”
“Well… It wasn’t really yelling. Just angry whispering. And...” Peter turns bashful. “I said you were beautiful.”
A small smile cracks MJ’s expression, and she looks back down at their now intertwined hands. “Gross.”
“I know.” He cups her cheek, thumb caressing the soft skin there as he stares deeply into her eyes. He leans in, placing a loving, lingering kiss against her lips. As he pulls away, they both sigh. “Just so you know…” He starts, voice barely above a whisper.
Her eyes gaze adoringly into his; she’s not even trying to hide how mushy she feels at this moment.
“You’re always the star of my spank bank.”
“Wait, What?”
#spideychelle#spideychelleweek2k19#peter parker x michelle jones#petermj#fic#ahhhhhh here it is!!#hope you enjoy!
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Digital Marketing Course
Digital Marketing Made Simple: A Step-by-Step Guide
Digital marketing. Just another one of those new, fancy buzzwords you should use to sound smart in meetings or is it the real deal?

Maybe a better question is: What is it?
This digital marketing guide will show you what’s what.
First popularized as a term in the early 2000’s, digital marketing has actually been around much longer.
Like, WAY longer. About 100 years longer, to be exact.
Here’s a pic of the first digital marketer in history:
(Image source:
His name: Guillermo Marconi.
What? Marconi?
Yup. In 1896 he was the first human to demonstrate a, “public transmission of wireless signals.”
This dude invented the radio.
Shortly after his little demonstration in England, mores signals were transmitted across open water.
And, while it would take another 10 years for the radio to reach the general public, it sure didn’t take the creators long to realize they could use it to sell stuff.

The first live broadcast was from an opera performance at the Met and guess what people did after it?
They bought show tickets!
Digital marketing strategy was born.
I bet you’re surprised. I didn’t mention smartphones, apps, Facebook ads or blogs at all.
That’s because digital marketing has nothing to do with the internet.
Definition
As usual, Wikipedia does a crappy job at explaining: Digital marketing is an umbrella term for the targeted, measurable and interactive marketing of products or services using…
Ugh!
I want an easy definition that I can remember! Here’s one: Digital marketing is any form of marketing products or services that involves electronic devices.
That’s the reason it has been around for decades (because electronics have) and why it doesn’t necessarily have anything to do with content marketing, Google ads, social media or re targeting.
Digital marketing can be done both online and offline.
And, both kinds matter for a well-rounded digital marketing strategy.
Why digital marketing matters
Remember billboards?
I do.
As a young kid in California, my experiences from the back seat of our car mostly alternated between: “Mom, when are we there?” and “Uh, look, McDonald, can we go?”, whenever one of those 10 foot billboards popped up on the side of the road.
Growing up with Indian parents, the answer to both of those would, most times, be the same: “Not yet.”
Sometimes, big brands would even start a billboard war, like this one between Audi and BMW, which got quite a few laughs:
(Image source: BMW blog)
In 2015, a ton of my clients still spent hundreds of millions of dollars on billboard advertising.
Unfortunately or fortunately, it’s dead.
The reason why billboards, like the ones above, die, is perfectly illustrated in a single picture of a Volvo.
Because, frankly, the future of driving will look like this:

Not a single passenger will spend their time looking at the road.
Do me a favor, the next time you drive and are giving a friend a ride, take a peek at the passenger seat.
Just for a second.
Even now, chances are they’ll be looking at their phone.
Heck, in a world where 9% of all drivers are on the phone one way or the other (texting or calling), at any given moment during daylight hours, how can we think billboards have a future?
If not even the driver is looking at the road any more, who’s supposed to see those advertisements?
And, that’s not even considering self-driving cars, on which both Apple and Google are working (you know it’s going to happen).
Elon Musk suggests that they’ll be here around 2020. That’s in only a few years.
That means you don’t have much time to figure out this digital marketing stuff before you can power down your old school printing press and close up shop.
The share of people spending more time using electronic devices is only going up from here.
With Americans spending 11+ hours on electronic devices, every single day, there’s not much left. That is, until we spend ALL of our time in the digital world.
And, while yes, online marketing is the reason that 25 year olds can now sit in their living room and earn 2 million dollars a year playing video games, offline marketing still has its place.
Let’s take a helicopter and circle around to get an overview.
Overview
The 2 main pillars of digital marketing are online marketing and offline marketing. That said, since I’ll talk about online marketing in a separate guide, I’ll only mention the different areas of online marketing here, for the sake of completeness.
The 7 big categories of online marketing are:
Search engine optimization (SEO)
Search engine marketing (SEM)
Content marketing
Social Media Marketing (SMM)
Pay-per-click advertising (PPC)
Affiliate marketing
Email marketing
Bounce created a great info graphic that sums up all kinds of online marketing in one neat chart.
(Image source: Unbounce)
The beginner’s guide to online marketing, on Quick Sprout, is a great place to get started.
Okay, that said, what other digital marketing is there? There’s plenty, actually.
Here are the 4 big categories of digital offline marketing.
First, there’s what I call enhanced offline marketing. This is a form of marketing that is entirely offline, but enhanced with electronic devices.
For example, if your restaurant uses iPads for your customers to create their orders on, then the offline experience of say, eating Thai food, is enhanced with this electronic device.
People have been using digital media to enhance their marketing for decades (you’ve only forgotten in what ways, as you’ll see).
(Image source: San Diego Tribune)
Next, there’s radio marketing. The next time you hear an annoying, over-enthusiastic car dealer shout every word of his or her commercial, thank Mr. Marconi.
Of course, we can’t forget television marketing. TV ads have been around for more than half a century (and since 1953 also in color, nationwide – Yes, there was a time before color TV).
Finally, the biggest and fastest growing area of offline marketing, with admittedly also a lot of flops, busts and failures: phone marketing.
Let’s look at the 4 areas in more detail.
Enhanced offline marketing
What’s the difference between a billboard somewhere in the desert of Arizona and a billboard in New York City’s Times Square?
The size? The product?
3 letters: LED. Light emitting diodes.
All of the billboards in Times Square are electronic!
(Image source: Adweek)
Why? Because in the desert of Arizona, no one’s competing with you for people’s attention. If you have a billboard at all, you win.
But, in Times Square, attention is probably more valuable than anywhere else in the world. Over 330,000 people cross through it each day.
If you want to be distracted, there’s buses, taxis, promoters shouting and then, of course, the electronic billboards.
Some of them are even interactive, showing live feeds of the people on the square or pictures of customers.
Renting a billboard space on Times Square, for a year, will set you back a whopping $1,000,000 to $4,000,000.
Sounds expensive? Wait until you hear the prices for Super Bowl commercials.
What other forms does enhanced offline marketing take?
What do you see when you walk into an Apple Store these days?
(Image source: Wikipedia)
People leaning over i Pads, Mac books and i Phones.
If you have any type of electronic product, any product demo is an important part of your digital marketing strategy.
Okay, the next one’s a good one. If you remember this, you can consider yourself an extremely lucky kid:
(Image source: Emuparadise)
This is a demo disc for the original PlayStation and several of these were handed out with other games or sometimes even magazines.
It was the same with PC magazines. Remember when they came with CDs (and later DVDs) and you couldn’t wait to throw them into your disk drive and see what samples were on them?
A little different than a demo, these are product samples in digital format.
People still do this. Think of all the wannabe rappers or rockers in your hometown, handing out mix tapes and CDs and now probably USB sticks, to get you to listen to their music.
Alright, time to take a look at the category of digital marketing that’s probably been around the longest.
Radio marketing
Over 100 years have passed since that original first live broadcast of the opera performance at the Met and guess what – radio is still here.
Since radio did fairly well in transitioning to the internet, it hasn’t taken as big of a hit as TV. And, even old school radio still matters.
Some facts:
Radio still reaches 85% of the US population every week
Listeners listen 2 hrs per day, on average
40% of all radio advertising expenses worldwide comes from the US
About half the population of the US listens to internet radio at least once a month
Now, while profits have shrunk, radio isn’t dead. Thanks to Pandora’s 80 million users, there are still about $4 billion in profits made each year.
But, aside from creating a kick ass, creative radio commercial that will do well, what else is there?
Recently, internet radio made a good move, doing what most podcasts do:advertise at the beginning of shows.
If you host a show revolving around a certain topic, like coaching, you can plug programs and products in, right before and at the end of the show.
Since social media is the marketing darling these days, it should be fairly easy tofind a local radio station, get on a show, be interviewed or negotiate a deal with them.
Once you do, be sure to get some sponsorships, to make sure that you’re a prime candidate for the station and that they give you the premium slot and the best air time possible.
In most cases, doing well on radio means being entertaining.
Cadillac and Dairy Queen are two brands that come up with solid radio commercials on a consistent basis.
You can listen to some examples here.
TV marketing
Television marketing is such a Goliath, it’ll likely never go away. It’s also easily the industry where the most money is burned each year.
Ever since Google Video turned into YouTube, the efficiency of TV ads has gone down rapidly.
Who wants to watch a crappy MTV show host review a game that they have no clue about, when they can join 40 million subscribers (!) watching PewDiePie not only rock video games, but also deliver hilarious comments.
All, free of charge, of course.
So, why are TV commercials nearly worthless, when the average American still watches 4 hours of TV each day?
They aren’t specific.
TV ads are unspecific. In a world of search engines, re targeting, social media and email marketing, we are so used to being marketed around products we already care about, that we blatantly ignore everything that’s not remotely relevant to us.
If we can even be bothered to watch a movie on TV, because it’s not yet on Netflix,a company making $5 billion in revenue annually by now, then what do we do?
We record it and we fast forward through all of the commercials.
We’re used to being in total control.
Marketers have to be smarter and smoother.
TV commercials just hit everyone across the board.
You could see a hemorrhoid cream commercial, followed by an Oreo ad and a burger spot, all while being overweight, diabetic and 22 years old.
Such a person would be a horrible target to be viewing these ads. But, with TV, you never know who you’re going to reach, only how many eyeballs you’ll get.
So, apart from a few insomniacs who watch infomercials late at night, ensuring that Dr. Ho still sells a few of his de-compression belts, is TV advertising dead?
Not entirely.
There is still one type of TV ad worth running, but it’ll cost ya.
Remember I mentioned that renting a billboard in Times Square, for a year, will set you back a million?
A 60 second commercial aired during the Super Bowl costs $4.5 million.
Thanks to their cross-pollinating effect, the often viral and memorable commercials still pay for themselves.
Roughly 10% of all TV commercial-related shares on social media come from Super Bowl ads. So do about 8% of all views on Youtube that go to TV commercial videos.

If your commercial makes it to the blacklist (commercials the network decides can’t be shown on TV), the viral effect is usually even stronger, like this one, from Carl’s Junior, that caused a lot of noise this year:
(damn you, Charlotte McKinney)
Super Bowl commercials have the highest retention rate, as this infographic shows. Over half of the participants who were asked remembered the Budweiser “Puppy Love” commercial.
What’s more, these commercials become online assets, generating millions of views over time, such as the famous Star Wars commercial by Volkswagen, which has generated 62 million views, to date.
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