#also am I missing some obvious reason why you would link a fictionalisation of Stede Bonnet with the Pinocchio story?

[naturallygravitatedtolondon]

a little wooden boy: quick notes on OFMD and The Adventures of Pinocchio

Naturally I have not stopped thinking about the silly pirate show for a single second since having finished it and recently I have been especially fascinated by the way it incorporates storytelling and performance as such prominent themes and how that is used to explore identity. This show is good bread! Really good bread. Anyway, in my attempt to somewhat organize my thoughts on all that I decided to look into The Wooden Boy story a little more and OF COURSE stumbled upon an absolute treasure trove, what did I expect from these writers.

The Wooden Boy story we hear in the first episode is so good and works on so many levels just by itself: It is first introduced in the “do the wooden boy voice” scene (EXCELLENT) and then picked up again at the end of 1.01 with Stede reading the story as a bedtime story to his crew. That’s such a beautiful moment of community (god I love that scene) and gives us a really good sense of the characters. It establishes that despite the talk of mutiny earlier, the vibe for this crew is beautiful found family (I love them I love them I love them). And it introduces an interesting thing about literacy that I need to think about more. And just that very simple story we actually hear (though it is implied that Stede has read the entire thing to them) – a wooden boy who wanted to become a real boy – sets up some major themes of the show: 1) Stede and Ed both feel disappointed in their life, “treading water waiting to drown” etc, they feel like wooden puppets and want to feel fully alive again. And 2) of course this is also about masculinity and the question that comes up again and again: how to be a real boy/man? And the failure to live up to that toxic ideal and then the space that this in turn opens up for a variety of other ways of being a man! and the rejection of the very idea of “real men”. But that’s another post (such as this excellent one on masculinity in ofmd by @edwardsilkheart​ as well as this equally excellent one by @sitzfleischh​ on the queer art of failure).

So. I think it is pretty unambiguous that the wooden boy story is supposed to be 1883 Italian classic The Adventures of Pinocchio? There is an obvious timeline problem but I think by this point it is established that ofmd will not be constrained by the shackles of historical accuracy and is the better show for it so whatever. This did however make me think that there might be a more elaborate reason why the writers insisted on having the story of Pinocchio in their show about gay pirates despite the anachronism.

I looked up the plot summary of the Pinocchio story on Wikipedia because I was only very vaguely aware of the details of that story, though maybe other people are more familiar with it and got all the narrative links immediately  (Probably more people have seen the Disney movie than read the original novel but I can’t remember what exactly happens in the movie either so I can’t say how similar it is to the book). I did not, so I just experienced a long series of oh shiiiit moments while reading that Wikipedia article. Here is a list of all the things that immediately stood out:

First of all, the plot of this children’s story is WILD. Jeez.

At the beginning of the novel, Pinocchio meets a cricket which “warns him of the perils of disobedience and hedonism” and then Pinocchio “throws a hammer at the cricket, more accurately than he intended to, and accidentally kills it.” Reminds me of a thing that happens in the first episode of a certain pirate show..? ALSO the cricket then “ comes back as a ghost to continue advising the puppet” come oooooon

Pinocchio visits a theatre performance. This seems to be a minor plot point in the novel, but with the aforementioned focus on performance in ofmd, it’s worth mentioning.

The director of the theatre is a man called Mangiafuoco who has “red eyes and a black beard that reaches to the floor”. Wikipedia says that “despite his appearances however” this character “is not evil”. This is literally Blackbeard. And he is the director of a theatre! It's perfect.

There’s a cat and a fox character that pretend to be blind/lame and then later actually become what they pretended to be. (Jim??)

Pinocchio arranges a meeting with the cat and fox but the meeting does not happen because he is betrayed by them. Just stab me in the gut will you.

Pinocchio is hanged at one point but is rescued. I mean COME ON.

A NOTE ON THAT Pinocchio hangs from that tree for a looong time and is completely fine afterwards, it seems to me that he can’t really die from that because he is, you know, a puppet. Sorry to fuel the conspiracy @knowlesian​ but make that sentence about Stede Bonnet and swap out one letter in “puppet” (I am JOKING mostly but also am I??)

Pinocchio buries coins in the ground, like a little pirate

A “judge sentences Pinocchio to four months in prison for the crime of foolishness” that one made me laugh

there is an enormous snake with a smoking tail that attacks Pinocchio and then literally chokes and dies from laughing too hard at his fear and vulnerability. Honestly not entirely sure if/how this is relevant, but it reminds me of the two times antagonists (the British and especially Captain Badminton as well as the fancy party guests) are shown to laugh hysterically at our main characters and then die because of it…

Pinocchio’s father figure is swallowed by a giant sea monster (!)

(quick note here, I have been thinking about how the flashbacks emphasise Ed’s and Stede’s fathers and how both Ed and Stede are traumatised by abusive fathers and how that shapes them both in different significant ways. Ed’s father being physically abusive, Stede’s father being verbally abusive, which corresponds with the whole stinging with swords vs. with cutting remarks thing! And that ties in so well with the Pinocchio story! He is a boy who is literally carved and shaped by his father figure! Makes me think that we should talk more about Ed’s and Stede’s childhoods)

Pinocchio is disliked by other children at school

Pinocchio and a friend of his “go to a place called Toyland where everyone plays all day and never works” and “have a wonderful time for the next five months”, ummm?????

And then beyond those plot details, and I’m just directly quoting from Wikipedia here by the way, there is this:

“The structure of the story of Pinocchio follows that of the folk-tales of peasants who venture out into the world but are naively unprepared for what they find, and get into ridiculous situations” Yeah. I think that’s pretty crystal clear.

Also: “The Adventures of Pinocchio, is a work in which a hero experiences symbolic death and rebirth”, which now makes me want to think a lot more about death and rebirth in ofmd

And last but not least: “Although they are part of a comedy, Pinocchio's adventures are not always funny. Indeed, they are sometimes sinister. The book's fictive world does not exclude injury, pain, or even death”

In conclusion. The writers of this show put such a shit ton of thought into every stupid little detail. And this is literally just what I got from frantically skim reading a Wikipedia article, I’m sure there is so much more I missed or misread. But that is some insanely intricate foreshadowing, and it seems to me that they must have based parts of the story directly on the Pinocchio story/at the very least took lots of inspiration from that?

So yeah. This show. I just think it’s neat.