#also fawn does not know how comic boarding works

[upsetfawn]

y’all should know by now I am fuckin’ weak for cute designs, and a while back I asked if it was alright if I could have if not name one of the vessels in this drawing here, and they replied that it was all good.

meet Lilith everybody! I’m still working out some more smaller details, but they’re a little ditzy, head in the clouds nearly all the time, but will buckle down and lash out with their spells if they are threatened or their siblings are threatened. first sketch to get a feeling for them + doodles of spoopydoodle’s vgfau. they are very affectionate of grandpa PK, they are best grandpa and no one can convince Lilith otherwise

[potteresque-ire]

More ask answer about Word of Honour (山河令, WoH) and the so-called “Dangai 101 phenomenon” under the cut ~ with all the M/M relationships shown on screen, does it mean improved acceptance / safety for the c-queer community?

Due to its length (sorry!), I’ve divided the answer into 3 parts: 1) Background 2) Excerpts from the op-eds 3) Thoughts This post is PART 1 ❤️. As usual, please consider the opinions expressed as your local friendly fandomer sharing what they’ve learned, and should, in no ways, be viewed as necessarily true. :)

(TW: homophobic, hateful speech quoted)

After WoH had started airing, I had waited for one of China’s state-controlled media to publish opinion pieces about the show. Specifically, I’d like to know ~ what is the administration’s current take on Dangai  (耽改), as a genre? How does it characterise the closeness of the same-sex leads—the closeness that is suppressed when the original IP, of the genre Danmei (耽美) was converted for visual media presentation?

This is important, as China is a country where the government’s attitude becomes the official public attitude. The state opinion pieces will be quoted and parroted, especially if they come from heavy-weight sources (state-controlled media also have their importance/influence hierarchy). Production of the upcoming Dangai dramas will adjust their scripts accordingly. Marketing tactics will also adjust, make sure it doesn’t spread “the wrong message”; Dangai and Danmei dramas have both been pulled off shelves during or immediately after its airing before (Addicted 上癮 and Guardian 鎮魂, respectively), despite having already passing the censorship board.

If a heavy-weight state opinion piece pans the one-lead-fawning-over-the-other scenes in WoH (there are a few of them), for example, scenes / lines of such suggestive nature will likely disappear from the upcoming Dangai dramas for at least a year or two. If the critique spills over to a harsh stance against the presence of queers in Chinese media, all future Dangai dramas can become strict “socialist-brotherhood” stories, their “no homo” message reinforced by, for example, by inserting a female lead (or changing one of the leads to female).

Whether the official public opinion equates the true public opinion or not, public behaviour in China is quickly driven by the official public opinion. Example: the Xi regime’s conservative stance on queer issues has already translated to a quick deterioration of queer tolerance in China; open expressions that were tolerated, even welcomed, just several years ago are now met with significant hostility in the public.

This is a reflection of the nature of their government. A quick thought experiment may explain this. Take … jaywalking. It’s probably fair to say we’ve all committed this “crime” before?

Will you still jaywalk if your government declares it immoral to do so? Where I am, in the United States, the answer is definitely a no. The public will probably laugh at (and make memes about) the poor official who made the declaration, kindly ask the government to do something useful for once (f*** off), and keep jaywalking.

Now, what if the declaration comes with a law that includes a one-year prison term + lifelong criminal record for jaywalking? Let’s say this law is fully executable and irreversible, given this being a thought experiment—nothing you, or the public, can say or do can contest it.

Will you still jaywalk, even if you disagree with government’s stance that the act is immoral? You’ve got a neighbour who continues to defy the law. Will you think twice before letting your young loved ones go out with them?

Very soon, jaywalking becomes “bad”—even though such “badness” had little moral basis at its origin. It is bad because the government has “characterised” it to be so—an authoritarian government that doesn’t allow challenge of the characterisation.

The retention of queer elements in Dangai is the jaywalking in the example. The Chinese government stepping in to characterise (定性) an event, a phenomenon etc is common, and the people know the drill well that they fall in line quickly.  

If a powerful state-controlled media publish a negative opinion piece on the queer elements in Dangai / Danmei, therefore, those elements can disappear overnight.

My question had been: will the state do it? The Xi regime has made its distaste for LGBT+ representation in visual media abundantly clear with its NRTA directives. However, while the Chinese government typically puts ideology (意識型態) as its Guiding Principle, exceptions have always been made for one reason. One word.

Money.

TU is a legendary financial success story every production company (Tencent itself included) wants to replicate. As a result, there are ~ 60 Danmei IPs (book canon) with their copyright sold for Dangai dramas; this long line of Danmei dramas in the horizon has been nicknamed “Dangai 101”, after the name of the show “Produce 101” Dd was dance instructor in. These dramas are all competing to be the next TU by profit.

Adoration from fans is nice, but money is what matters.

C-ent is currently in a financial bleak winter. The anti-corruption, anti-tax-fraud campaign started by the Xi regime in 2018, which cumulated to a sudden (and unofficial) collection of 3 years of back-taxes from studios and stars, has drained a significant amount of its capital; the number of new TV dramas being filmed fell 45% between 2018 and 2019, and production companies have been closing by the tens of thousands. The tightening of censorship rules also means production is associated with more risk. The commercial sector outside c-ent is also eager for replications of TU’s success—they need more “top traffic” (頂流) idols like Gg and Dd whose fans are sufficiently devoted to drive the sales of their products. Such “fan economy” would benefit the government, even if it doesn’t have direct stakes in the companies in and outside c-ent. People’s Daily, the Official State Newspaper, previously published a positive opinion piece on fan economy in 2019, estimating its worth at 90 billion RMB (~13.7 billion USD) per year.

But if the state allows the queer elements in Dangai’s to pass the censorship board (NRTA) for profit, how can it do so with the current “No homo” directive in place? From previous experience (scarce as it may be), the queerness has to be sufficiently obvious for the shows to make the profit everyone is wishing for. Dangai dramas in which the leads’ romantic relationship remains subtle have not sold the way TU does, even if they are well-reviewed and feature famous, skilled actors (as Winter Begonia 鬓边不是海棠红 last year.)

NRTA, and the government behind it, can’t just say I’m turning a blind eye to the flirting and touching for the money. What can it say then?

Here’s what I’d thought—what it can say, or do, is to “characterise” these Dangai dramas in a way that leave out its queerness. It did so for TU. TU’s review by the overseas version of People’s Daily devoted a grand total of two characters to describe WWX and LWJ’s relationship—摯友 (“close friend”). The rest of the article was devoted to the drama’s aesthetics, its cultural roots. (The title of the article: 《陳情令》：書寫國風之美 Chen Qing Ling: Writing the Beauty of National Customs).

How could it do that? The State’s power ensuring few questioning voices aside, I’ve been also thinking about the history and definition of Danmei (耽美)—Dangai’s parent genre as the causes. Based on the history and definition, I can think of 3 ways the queer elements in Danmei (耽美) can be characterised by the state, 2 of which provide it with the wiggle room, the movable goalposts it needs should it choose to want to overlook the queerness in Dangai.

The 3 characterisations I’ve thought of, based on the history and definition of Danmei (耽美) are:

1) The queer characterisation, which focuses on its homoerotic element. * Summary of the characterization: Danmei is gay.

2) The “traditional BL” characterisation, which focuses on BL’s historic origin as a “by women, for women” genre. The M/M setup is viewed as an escapist protest against the patriarchy, a rejection of traditional gender roles; displays of M/M closeness are often “candies” for the female gaze. * Summary of the characterization: Danmei is women’s fantasy.

3) The aesthetic characterisation, which focuses on beauty—from the beauty of the characters, the beauty of a world without harm to the romance. * Summary for the characterization: Danmei is pretty.

The queer characterisation (1) is well-understood, and likely the default characterisation if it is to be made by the fraction of i-fandom I’m familiar with. Most i-fans I’ve met, myself included, would likely and automatically associate the M/M relationships in The Untamed  (TU) and WoH with queerness.

The “traditional BL” characterisation (2), meanwhile, equates Danmei with BL as the genre of homoerotic works developed in 1970’s Japan for women comic readers, and has been widely interpreted from a feminist point of view.

Under such interpretation of “traditional BL” works, the double male lead setup wasn’t meant to be an accurate depiction of homosexuality. It wasn’t about homosexuality at all. Rather, it was about the removal of women and along with it, the rage, the eye-rolling, the unease women readers had often felt when attempting to interact with mainstream romance novels of the time, in which the female leads had mostly been confined to traditional women roles, and their virtue, their traditional feminine traits.

The M/M setup therefore acted as a “shell” for a het relationship that allowed removal of such social constraints placed on women. The lead with whom the woman audience identified was no longer bound to the traditional role of women, such as being the caregiver of the family. The lead could instead chase their dreams and roam the world, as many contemporary women already did or aspired to do; they were no longer limited to playing the passive party in life and in the relationship—and they enjoyed such freedom without risking the love, the respect the other male protagonist felt for them.

BL, in this traditional sense, has therefore been interpreted as an answer for, and a protest against the heteropatriarchal gender norm still dominant in societies deeply influenced by Confucianism, including Japan, Korea, Taiwan, Hong Kong, China. The M/M setup is, at heart, (het) women’s fantasy. The inclusion of two young-and-beautiful male leads also satisfy “the female gaze” ~ the popularity of BL among het women has therefore been compared to the popularity of lesbian porn among het men. In both cases, the audience is drawn not for the homosexual element but by the presence of double doses of sexual attraction.

(Please forgive me if any of my wording comes as disrespectful! I’m not used to talking about these topics.)

The availability of the “traditional BL” characterisation (2) is key to bypassing queerness as a topic in the discussions of Danmei (耽美).

The aesthetic characterisation (3) is very closely related to 2) in origin, but deserves its own point as a characterisation that can stand on its own, and may be more obscure to the English-speaking fandom given the common English translation of Danmei (耽美) as Boy’s Love.

Boy’s Love, as a name, amplifies the queer characterisation (1) and de-emphasises the aesthetic characterisation (3); Danmei (耽美), meanwhile, does the reverse.

Where does the name Danmei come from?

When BL was first developed in Japan, it used to have a now out-of-fashion genre name: Tanbi. Tanbi was borrowed from same name describing a late 19th century / early 20th century Japanese literary movement, known as Tanbi-ha and was inspired by Aestheticism in England. Aestheticism “centered around the doctrine that art exists for the sake of its beauty alone, and that it need serve no political, didactic, or other purpose”. Along the same line, the core belief of authors of Tanbi-ha was that art should celebrate beauty and reject the portrayal of ugliness in human nature, the darkness of reality:

…Tanbi writers argued that the ideas of naturalism writers such as “objectivism,” “truth is more important than beauty” and so on would “oppress human beings’ desire” so as to “lose beauty and human nature.” Accordingly, they insisted on “acute mental and emotional sensibility” [Ye, 2009].

(Source, with more details on Tanbi.)

Neither romance nor homosexuality were requirements for works in the original Tanbi-ha genre. BL borrowed the name Tanbi because its early authors saw their work created under the same principles: the emphasis on the beauty of their characters, their love (romantic and platonic), in a world that was also beautiful and untouched by ugliness such as sexism and homophobia.

The stubborn persistence on keeping one’s eyes trained on the beautiful, the willingness to turn a blind eye to reality for the sake of the beauty is built-in in the genre’s name. Tanbi  meant more than beauty, aesthetics; its kanji form was written as 耽美;  耽 = to sink, drown in, to  over-indulge in; 美 =  beauty.

Tanbi, therefore, literally means to drown in, to over-indulge in beauty.

Over time, as the genre expanded its writing style, Tanbi eventually fell out of favour as BL’s genre name in Japan. However, as it gained popularity in the Sinosphere in the 1990s, starting with Taiwan and Hong Kong, the kanji of Tanbi was retained as the Chinese name of the genre.

In Mandarin Chinese, 耽美 is pronounced Danmei. A hyperfocus on the aesthetics, the utopian aspects of traditional BL is therefore retained in Danmei by its name. People’s Daily could therefore devote its review of TU on its aesthetics. Realism, including politics and all discussions of social issues, can therefore be swept aside in the name of respecting the genre’s tradition.

I’ve mostly been reading about and observing c-fandom, and I believe these 3 characterisations have all attracted its own kind of fans. Fans who care and talk about queer issues even when it isn’t encouraged by their sociopolitical environment, who shine a light upon these issues in their fan works. Fans who treat the M/M leads as if they were a traditional cishet couple, such as calling one of the leads 老婆 (wife) and assigning him biologically female functions when needed (via, for example, the ABO trope). Fans who insist the works must meet their beauty standards, rejecting those that fail (for example, if the leads are not good looking enough) by claiming they’re there for Danmei, not Danchou (耽醜, “over-indulgence on ugliness”). Fans who are drawn to the genre by a combination of these characterisations.

By the history and definition of the genre, all the above reasons for fanning Danmei are as valid, as legitimate as one another.

I thought about this related question then: are c-fans of the second (traditional BL characterisation) and third (aesthetic characterisation) groups homophobic? When I first asked this question, I—a fan whose fandom experience had been entirely in English-speaking communities—assume the answer was yes. I thought, in particular, the insistence of treating Danmei’s M/M couples as cishet couples in a homosexual shell had to be conscious queer erasure. How can anyone ignore the same-sexness of the leads? How can anyone talk about Danmei without associating it with homosexuality?

However, as I read more—again, specifically about c-fandom, and in Chinese—I realised the answer may be a little more complex.

Previously, I had largely thought about homophobia in terms of individual attitudes. This has to do with my current environment (liberal parts of the United States), in which the choice to accept or reject the queer community has become a close to personal choice. Pride flags fly all over the city, including the city hall, every summer, and most churches welcome the LGBT+ community. I hadn’t considered how an environment in which queers have never enjoyed full social exposure, in which education of related topics is sorely lacking, would affect Danmei’s development as a genre.

In such an environment, it is difficult for Danmei to evolve and incorporate up-to-date understanding of RL queerness.

The consequence I can see is this: Danmei is more likely to be “stuck” in its historical characterisation as (het) women’s fantasy inside than outside the Great Firewall, with its queerness de-emphasised if not erased—and it draws fans who are attracted to this kind of characterisation accordingly. This is, perhaps, reflected by the fact that the (het) women-to-queer ratio of Danmei / BL fans is significantly higher in China than in the West (Table 1 in this article summarises how Danmei / BL fans have split between different genders and sexual orientation in the Sinosphere vs the West in different research studies).

Another driving force I can see for Danmei to retain BL’s traditional feminist and aesthetic characterisations: women in China are not free from the social pressure that led to the birth of BL in 1970’s Japan. While many of them have achieved financial freedom through work and have high education, the young and educated have been subjected to immense pressure to get married and have children especially in the past decade.

In 2007, the China’s state feminist agency, the All-China Women’s Federation (中華全國婦女聯合會), coined the term 剩女 (literally, “leftover women”) for unmarried, urban women over 27 years old. The government started a campaign that, among other things, associated women’s education level with ugliness, and their unmarried status with pickiness, moral degeneracy. The reason behind the campaign: birth rates are plummeting and the state wants educated women, in particular, to nurture a high quality, next generation workforce. More importantly, the government sees a threat in the M/F sex imbalance (high M, low F) that has commonly been attributed to the country’s “one child policy” between 1979-2015, which encouraged female infanticide / abortion of female foetuses in a culture that favours surname-carrying boys. The state fears the unmarried men will become violent and/or gay, leading to “social instability and insecurity”. Therefore, it wants all women, in particular those who are educated, to enter the “wife pool” for these unmarried men. (Source 1, Source 2: Source 2 is a short, recommended read).

For Chinese women, therefore, patriarchy and sexism is far from over. Escapist fantasies where sexism is removed—by removing women from the picture—are therefore here to stay.

Danmei is therefore not queer literature (同志文學). The difference between Danmei and queer literature is highlighted by this reportedly popular saying (and its similar variations) in some Danmei communities:

異性戀只是傳宗接代，同性戀才是真愛 Heterosexuality is only for reproduction. Only homosexuality is true love.

The attitude towards heterosexuality is one of distaste, viewed as a means to an end the speaker has no interest in. On the contrary, homosexuality is idealised, reflecting the disregard / lack of understanding of some Danmei fans have towards the RL hardships of c-queers. The ignorance may be further propagated by gate-keeping by some Danmei fans for safety reasons, keeping queer discussions away from their communities for fear that their favourite hangouts would meet the same uncertain fate of other communities that previously held open queer discussions, such as the Weibo gay and lesbian supertopics. Such gatekeeping can, again, be easily enforced using tradition as argument: the beauty 美 is Tanbi and Danmei (耽美), remember, includes the beauty of utopia, where ugly truths such as discrimination do not enter the picture. A Danmei that explores, for example, the difficulty of coming out of the closet is no longer Danmei, by its historical, aesthetic definition.

[I’ve therefore read about c-queers viewing Danmei with suspicion, if not downright hostility; they believe the genre, by ignoring their RL challenges and casting them as beautiful, even perfect individuals, and in some cases, by fetishising them and their relationships, only leads to more misconceptions about the queer community. Dangai, meanwhile, has been viewed with even more distaste as potential weapons by the state to keep gays in the closet; if the government can shove the Danmei characters into the “socialist brotherhood” closet, it can shove them as well.

I haven’t yet, however, been able to tease out the approximate fraction of c-queers whose views of Danmei and Dangai is negative. The opposing, positive view of the genres is this: they still provide LGBT+ visibility, which is better than none and it would’ve been close to none without Danmei and Dangai; while Danmei may skim over the hardships of being queer, fan works of Danmei are free to explore them—and they have.

This article provides insights on this issue. @peekbackstage’s conversation with a Chinese film/TV director in Clubhouse is also well worth a read.]

That said, Danmei can only be dissociated from the queer characterisation if there’s a way to talk about the genre without evoking words and phrases that suggest homosexuality—something that is difficult to do with English. Is there?

In Chinese, I’d venture to say … almost. There’s almost a way. Close enough to pass.

The fact that M/M in traditional BL has been developed and viewed not as queer but as a removal of F also means this: queerness isn’t “built-in” into the language of Danmei. The name Danmei itself already bypasses a major “queer checkpoint”: it’s impossible to refer to a genre called Boy’s Love and not think about homosexuality.

Here’s one more important example of such bypass. Please let me, as an excuse to put these beautiful smiles in my blog, show this classic moment from TU; this can be any gif in which the leads are performing such suggestive romantic gestures:

How can I describe this succinctly? In English?

Two men acting in love? Er. That’s… the definition of gay, almost.

Two men acting gay? Well. GAY.

Right. Fine. Let’s go negative. Queerbaiting? … Still gay, because the word “queer” is in there.

[Pie note: for the record, I don’t think TU or WoH is queer-baiting.]

Personally, I find it impossible to describe the GIF above in English that I do not automatically associate with RL romantic love between two men, with homosexuality. But can I do it in Chinese?

… Yes.

There’s a term, 賣腐 (pronounced “maifu”), literally, “selling 賣 the rot 腐”, derived from the term known among i-fans as fujoshi and written, in kanji, as 腐女. Fujoshi, or 腐 (“rot”) 女 (“women”), describes the largely (het) female audience of the Japanese BL genre (>80%, according to Wikipedia). Originated as a misogynistic insult towards female Japanese BL fans in the 2000s, fujoshi was later reclaimed by the same female BL fans who now use the self-depreciative term as acknowledgement of their interest being “rotten”, for BL’s disregard of the society’s traditional expectations on women.

賣腐 is therefore to “sell the rot” to the rotten women; ie. the suggestive romantic gestures, exemplified by the GIF above, between the M/M leads are catering, performing fan service to their target audience.

[賣腐 is also a term one will see in the state opinion pieces.]

There’s nothing gay about this term.

I’ve therefore found it possible to talk and think in Chinese about Danmei while giving little thought to queerness. The history and definition of Danmei allow that.

Again, I’m not saying any of this to excuse homophobia among in Danmei and Dangai fandoms. The point I’m trying to make is this — given that Danmei has three potential characterisations, two of which can be discussed without abundantly evoking queer concepts and vocabularies, given that history of Danmei, as a genre, already favoured characterisation 2 (traditional BL), the government addressing homosexuality in its opinions on Danmei and Dangai is far from a given.

By extension, the popularity of Dangai may mean a lot or little to c-queers; by extension, the state can approve / disapprove of Danmei and Dangai in a manner independent of its stance on homosexuality, which is itself inconsistent and at times, logic-deying (example to come…).

This is both good and bad, from the perspective of both the government and the c-queer community.

For the government: as discussed, the “triality” of Danmei allows the state to “move the goalpost” depending on what it tries to achieve. It has characterisations 2 (the traditional BL characterisation) and 3 (the aesthetic characterisation) as excuses to let Dangai dramas pass the censorship board should it want their profit and also, their promise of expanding the country’s soft power overseas by drawing an international audience. These characterisations also allow the state to throw cold water on the popularity of Danmei / Dangai should it desire, for reasons other than its queer suggestions—despite the Xi regime’s push against open expressions of queerness (including by activism, in media), it has also been careful about not demonising c-queers in words, and has countered other people’s attempts to do so.

Why may the government want to throw cold water on Danmei and Dangai? They are still subculture, which the state has also viewed with suspicion. In 2018, a NRTA directive explicitly requested that “c-ent programmes should not use entertainers with tattoos; (those associated with) hip-hop culture, sub-cultures (non-mainstream cultures), decadent cultures.” (”另外，总局明确要求节目中纹身艺人、嘻哈文化、亚文化（非主流文化）、丧文化（颓废文化）不用。”).

Subculture isn’t “core socialist values”. More importantly, it’s difficult to keep up with and control subculture. 環球網, the website co-owned by People’s Daily and Global Times (環球時報), ie, The State Newspaper and The State Tabloid, famously said this on its Weibo, on 2020/03/04, re: 227:

老了，没看懂为什么战。晚安。 Getting old. Can’t figure out what the war is about. Good night.

The State also cannot stop subculture from happening. It doesn’t have the resources to quell every single thing that become popular among its population of 1.4 billion. What it can do to make sure these subcultures stay subcultures, kept out of sight and mind of the general public.

Characterisation 1 (the queer characterisation), meanwhile, remains available to the state should it wish to drop the axe on Dangai for its queer elements. I’m including, as “queer elements”, presentation of men as too “feminine” for the state—which has remained a sore point for the government. This axe have a reason to drop in the upcoming months: July 23rd, 2021 will be the 100th birthday of the Chinese Communist Party (CCP), and the state may desire to have only uniformed forces and muscled, gun-toting “masculine” men gracing the screens.

What about for c-queers and their supporters (including group I fans)? What good and bad can the multiple characterisations of the genres do for them?

For c-queers and their supporters (including group I fans), their acceptance and safety are helped by the Dangai genre, by the Dangai 101 phenomenon, if and only if the state both characterises the queer elements in these dramas as queer (characterisation 1) AND their opinions of them are positive.

Personally, I had viewed this to be unlikely from the start, because a queer characterisation would mean the censorship board has failed to do its job, which is embarrassing for the Chinese government.

Characterisations 2) and 3) are not bad for c-queers and their supporters, however, and definitely not “enemies” of Characterisation 1);  they can not only serve as covers for the queer elements in Dangai to reach their audience, but also, they can act as protective padding for the LGBT+ community if the content or (very aggressive) marketing of the Dangai dramas displease the government — with the understanding, again, that the “traditional BL” arm of the Danmei community is itself also highly vulnerable by being a subculture, and so its padding effect is limited and it also deserves protection.

The downside to achieving LGBT+ visibility through Dangai is, of course and as mentioned, that these dramas are, ultimately, deeply unrealistic depictions of the c-queers. The promotion of these dramas, which has focused on physical interactions between the male leads for “candies”, can encourage even more fetishising of queers and queer relationships. The associated (character) CP culture that makes and breaks CPs based on the dramas’ airing cycle may also fuel negative perception of queer relationships as attention-seeking behaviour, something that can be initiated and terminated at will and for the right price.

Finally, with all this said, which characterisation(s) have the government taken re: Dangai and/or WOH? And what opinions has it given to its characterisations?

PART 1 <-- YOU ARE HERE PART 2 PART 3

[frangipansi]

Hi! If your inbox is open, I'd like to request a scenario with all (or any) of the demon brothers, + undatables reacting to a blind MC? Like, none of them expected to have a blind human and Devildom and they have to revamp everything to make it as safe for MC as possible. Can be she/her or they/them pronouns for MC. Bonus points if MC is extremely talkative and won't shut up lmao. Thank you!

OKAY! So, finally got this one out. I’m sooo sorry for the wait, but I wanted to try and do this right, not just some Daredevil nonsense, but I didn’t want to make the mistake of a ‘helpless blind MC’ either; because they’re not helpless.

I am also lucky enough to have a regular customer at my work that happens to be blind and she has been very happy to give me a helping hand to make this ask more real. She’s such a delight and her guide dog is beautiful and I could ramble on with our interactions, like one time she scolded us for moving the fixtures because she had just memorized the layout of the store then told her guide “you’ll earn that pay check today!”

SO! With her in mind, more so from her younger days that she reminisced with me; I have decided to work this piece around this customer’s condition specifically so I’m not just pulling shit out my arse.

To give you an idea, this MC suffers from Retinitis pigmentosa; their symptoms being tunnel vision and night blindness. So while they are legally blind, they can somewhat see. They use a cane when going out, use their hands and/or cane when inside a place knew to them – that happens to be in poor light (Devildom) – until they have the layout in their mind and move more confidently.

~

This also took a while because I couldn’t get a fic/scenario to work cohesively and hc was just not working either! But I’ve hopefully gotten it now, and I do hope you like it. I’ve also placed this under the cut because I’ve waffled on here.

Diavolo:

Interested. Anyone within the Devildom without eyesight, are generally the souls of the damned who aren’t permitted to move freely. Heck, he’s removed some of their eyes himself.

He wants to know instantly if there is anything he needs to change and improve to make sure MC’s stay is not only comfortable but enjoyable.

Absolutely loves how open MC is. He’s amazed at the resilience of humans; delighted to hear MC say how capable they are, though he does insist on one of the brother’s remaining her escort for the duration of their stay. Capable or not, he is well aware of how demons would use MC’s lack of sight to their advantage.

Really wants to ask how amplified their other senses are; disappointed to know most things depicted in movies are – for the most part – an over exaggeration.

Organises a tablet for them with all RAD textbooks uploaded so they have that ability to zoom in so they are able to read the text at their own comfort. Other systems such as braille, text to talk etc are also implemented if that is something MC prefers to learn by.

Lucifer:

Considers Cerberus as a guide dog? Impossible, the human would be eaten alive. Perhaps another smaller hellhound? Goodness no, they’d still be eaten.

Asks MC about their condition –on behalf of Lord Diavolo of course – so he is aware of anything that may help their stay in the Devildom.

Very pleased to see how receptive MC is, very talkative and informative about her condition; he’s surprised to learn the varying levels of visual impairment. Consults Diavolo on brighter lighting to improve her movements around RAD and already planning on improvements within his own home.

During MC’s first few nights in Lamentation, Lucifer appears on edge; always keeping an eye when they’re moving about on their own. Enjoys watching how they learn to memorize layouts, quietly telling themselves how many steps it takes from one room to another, touching hallway objects.

Ready to run to their side that one time MC walked into the wall; turning into the kitchen a little too soon; until he hear them chuckle to themselves and ran their hand along the wall until they found the doorway and walked through it. No damage done. He’s learning to leave them be, understanding that he doesn’t need to dote on them.

Mammon:

MC is blind? Ooh yeah! The things that boy could swipe to make some quick Grimm, and right under their nose. It was gonna be too easy!! Completely stunned when they still catch him out. “How’d ya know it was me?!”

Watches them narrow their eyes as if trying to spot him before coming up beside him and close the drawer he was just rummaging through. The nerve this human has to threaten The Great Mammon by saying they’ll use their cane to whack him.

Surprised at MC’s explanation on how they knew it was him. They recognised his scent; not only did he have his favourite cologne – which he didn’t think he wore that much of – they noted how he had a metallic smell, like the kind you get when touching coin constantly.

Likes to watch MC move around their room; at first using their hand to remember the layout and then moving as if they saw as well as he did. Considered rearranging things to see what would happen.

Okay, so MC isn’t helpless… but, other demons don’t know that. Considers using MC as bait; distract idiots so he can rob them and sell their things for a little Grimm. “I, The Mammon, am a genius!” “No, Mammon.”

Levi:

Couldn’t even imagine being in their position; all that manga he couldn’t read, anime they couldn’t watch… never knowing what Ruri-Chan looks like!!! Gasp! No way. Poor MC!

Really confused when he sees them one day, curled up on a chair in the common room, wearing a pair of glasses and a book in hand. Wanders over and looks over their shoulder before questioning what was going on; nodding when they told him that with reading glasses and preferably larger font, they could indulge in many a storybook.

As their relationship blossoms, he has a dedicated reading nook in his room for the two of them, including a lamp to brighten the area to help improve what sight they have. Likes that they’re happy to listen to him read to them his TSL series. He thinks about writing to the publishers for the next editions to have larger fonts; that way he could buy MC a set of their own.

He likes to sit and watch them bring things close to their face to inspect them better; his figurines which they – to his relief – handle with great care, or his manga comics to see which characters he’s fawning over.

He secretly loves that MC likes to chill by his fish tank wall. Why? They state that while there’s too much distortion for them to actually make anything out, they enjoy the ambient colouring and light; the two eventually just listen to music together like that as a means to relax.

Satan:

Of course he is utterly curious about MC’s condition and is glad to see how open they are to talking about it. He’ll look things up himself in his own time but nothing like hearing it from someone’s own experience.

Asks if those romance and crime novels are accurate; “so, do you touch people’s faces so you know what they look like?” finds it interesting that for the most part, this doesn’t happen; but it makes sense, he wouldn’t be too thrilled by someone he barely knows putting their hands onto him.

Writes down notes that he considers most important from the board during lessons and offers them to MC should they need them for their studies.

Another one who likes watching MC learn their way around Lamentation, like how they touch cupboard handles until they find the one they need while grumbling about how crappy the lights are.

Shared appreciation for just lying on the ground whenever a cat is near them, all responsibility out the window as number one priority is giving adorable little hellcats their undivided attention. Loves that MC is willing to con Lucifer into believing a cat makes a wonderful guide animal.

Asmo:

Oh poor MC, unable to see just how beautiful he is… Oh, they can kinda see? If he gets real close? Oh he can definitely do that! Bummed that MC promptly puts in some boundaries but once their relationship develops they do enjoy the closeness with him.

Learns – albeit slowly – that his looks aren’t going to win MC over, and instead begins to better understand the value of personality and getting to know a person. Should MC like Asmo, it’s because of who he is and not for all the fluffing he does with his looks.

Whenever he happens to be the brother escorting MC, just know he’ll always detour to the main hub; treating the two of them to manicures and pedicures, facials, all that fun stuff.

When shopping, he loves how MC feels the fabric of things he grabs for them and has an even bigger appreciation for how things feel on him. Absolutely enjoys offering explanations whenever MC would ask about colour or cuts if they can’t make them out should the lighting be too poor for them.

Will starting looking around for ‘fashionable’ canes. Yes, he knows it’s about practicality and he’s not going to take that away from MC, but what’s wrong with wanting to match their cane with that gorgeous outfit he’s picked out from them?

Beel:

Having no experience with a visually impaired human, he’ll ask MC if he should carry them places; it’s no big deal, they looked pretty light after all. Apologises if they happen to get a bit defensive so keeps close while they walk together, worried they may walk into or trip over something.

He’ll be curious about whether or not other senses are heightened due to the loss of another and is lowkey disappointed that they wouldn’t be able to hear someone in the kitchen stealing his food when they’re somewhere else in the house.

He loves cooking with them; the tastes of what he creates seem to be more balanced and they’re more than happy to sneak him a few snacks while Lucifer is occupied elsewhere. They’ll fool around, tasting things to see who can pick up more notes.

Things turn into a game between the two of them; if he spots MC in a room he’ll sneak up and try and get to them before they realise he’s there. “Too heavy on your feet,” or “you were giggling,” is something he hears a lot when trying.

Though MC can’t really see while he’s training or playing a game, he really appreciates that there still there to cheer him on; he’s taken to wearing a bright headband in hopes that they’ll be able to spot him out a bit better. They don’t half the heart to tell him they still can’t find him.

Belphie:

In the beginning, he’ll use MC’s lack of sight to their advantage; sly and manipulative to lure them in. Watches how they react to his voice, how their eyes or head move in the direction he’s in, learning how they work their other senses.

Tensions between the two would be tight after that moment and he’ll feel tremendous guilt for what he did to them; keeps himself at a distance, afraid they’ll recoil if they sense he’s too close and understands if they would.

Amazed that they find it in them to forgive him and help mend bonds between him and his brothers, and will spend whatever time he’s able building up trust with MC; whether that’s being their escort around Devildom or just being there for company.

He loves – when trust is established – that MC is just happy to lay with him while he star gazes and talks about what he sees, trying to paint a picture for them while they huddle up together in a fluffy blanket, sharing his cow print pillow.

Simeon/Luke:

They’re angels; their job is to look over and protect humans. So they are already well aware of how capable MC would be – Simeon more so than Luke since he’s younger and more interested in Michael – but they will still offer their assistance should MC need it.

They’re also the sort to take notes down during class that MC may not be able to see on the board; but they’ll ask before assuming.

Simeon has taken to writing a little bigger if it’s something he’d like MC’s opinion on his work; the two forming a bond through fiction and history. The two can be found losing track of time and just talking about any given thing.

Luke enjoys cooking with MC; asking them what they think of the taste of something he creates and asks how he can make it better. He’d love to be able to wow Michael upon his return to the Celestial Realm and MC will always critique his work rather than sugarcoat like Simeon would or just outright scare him like demons would. With a little push from MC, he takes lessons from Barbatos.

Solomon:

Quite unphased; he’s dealt with various impairments before seeing as he is still human despite being a very powerful sorcerer. He doesn’t offer assistance but will give it should MC ask him for help.

He has many a spell in his books that could quite possibly cure or ease symptoms of various impairments and is very tempted to bring this information to MC; but decides on holding back until he can figure out how to approach the subject. He’ll ask them how they feel about their situation and go from there.

Would also offer heightening other senses should MC want them; even temporarily if they’re just a little curious. “Let’s see what’s so crash hot about being Daredevil!” “My thoughts exactly MC.”

[stennnn06]

Rojascorp - 3. “What happened to your hand(s)?”

Writing Prompts: “What happened to your hand”... this is also sort of combined with “I like to think we’re more than ‘just friends’.” -- Set after Andrea comes to Nat’l City to take over CatCo with the premise that Rojascorp was absolutely A Big Thing in the past - before Andrea fucked it all up. Feeling angsty Rojascorp tonight, you’re welcome. 

The garlic sizzles pleasantly as Andrea moves it around the pan. She flips the burner to low and turns back to her cutting board. The evening news drones in the background as she tops off her glass of wine, swirling it around once before taking a long sip. Once that's complete, she reaches for her favorite knife, watching the satisfying way the steel blade flashes under the lights of her kitchen.

"And why have one hero when you can have two?" The news anchor asks rhetorically, talking out to the masses. Andrea frowns, glancing up from her precise dissection of the large onion in front of her. "That's what citizens of National City must be thinking after Supergirl gets a little help from a well known friend."

The picture flashes to Supergirl, muscles flexing and hair flowing, all around godlike and immaculate, as she turns to her side with a dazzling smile that transcends simple camaraderie. Show off, Andrea snorts to herself. She doesn't particularly care if Supergirl wants to flaunt all over television. It's just like, we get it, okay? You're fucking flawless. Enough already. Ever since she's come to National City, it's Supergirl this, Girl of Steel that, all tight spandex and abdominal muscles and killer quads, and it’s just insufferable. How does anyone get any work done around this place?

She glances up again, noticing the way Supergirl's smile seems different tonight. It radiates a kind of reverence, as she gazes in silent awe at the woman standing next to her. Lena's face is flushed, her eyes curious at the attention thrown in her direction that seems, for once, to be overly positive. She mirrors Supergirl's expression -- positively beaming in her presence, and Andrea feels everything start to burn.

She knows that look. She covets that look. And, once upon a time, she had exactly that -- Lena Luthor, looking at her like a fucking hero. But it somehow wasn't enough. No, she couldn't just leave well enough alone. She had to be convinced -- to be tempted to trade it in. For what, in the end, she isn't entirely sure. But now she's here, back in the same city with the girl whose heart she broke, watching her stare at another woman. 

And not just any woman. Fucking Supergirl.

Well if that isn't the universe's way of getting her back, she isn't sure what is.

She watches the way Lena is positively gushing, talking almost unprofessionally about how strong and powerful Supergirl is, her accent slow and heavy the way it always is when she's really laying it on thick. Andrea stands to watch as the anger comes to a boil right in her chest.

"Goddammit!" She calls out, frustrated, her eyes only seeing red. She throws down the knife in disgust. She doesn't even realize she's cut her hand, not right away. Not until she squeezes her eyes shut and feels a warm, sticky liquid oozing between her fingers. But not even that stings as bad as seeing Lena, all over the TV, fawning over someone impossibly out of Andrea's reach.

"Fuck," she mutters, opening her eyes and realizing the damage. She's usually more sure-handed in the kitchen, operating on autopilot and able to slice, dice, chop and sauté without even having to think about it. But tonight, she let herself get sloppy. Punishment, really, for all her transgressions. And she knows she deserves it, which makes it hurt all the more. Just as she reaches for a paper towel, a knock at the door disrupts her chaotic thoughts.

"Hold on!" Andrea calls out, shuffling around the apartment and cursing in loud, angry Spanish. She doesn't care if the person on the other side hears her, because she's already been inconvenienced enough today, thank you very fucking much. She turns the TV off, throwing the remote across the counter, not caring much where it lands. She positions the paper towel over her finger -- where it is immediately rendered useless, falling victim to the hefty slice on her knuckle, but it'll have to do. With her hand somewhat in tact, and her dignity less so, she pulls open the door.

A sullen Lena Luthor looks back at her from over the threshold, looking stunning and regal and altogether too much and Andrea feels her entire body root to the floor.

"Is this a bad time?" she asks softly. Her head tilts curiously to the side as she casts an appraising look at Andrea.

"No!" Andrea snaps, more forcefully than she intends. She clears her throat. "No, I was just ah--" she waves her hand awkwardly, letting the thought drift. "Nothing, come on in."

"What happened to your hand?" Lena asks, following Andrea into the condo. She knows Andrea to get a little overzealous in the kitchen, but she seems distracted, almost flustered. And every time that happens, it's usually one of Andrea's fingers that pay the price. She reaches for her hand, pushing aside the paper towel and turning her fingers over gently the way she always used to when Andrea would hurt herself, all those years ago.

She doesn't even realize what she's doing until she feels Andrea stiffen, her hand laying limply in her grip. Her palm is warm, her fingers perfectly clean and manicured, exactly the way Lena remembers. The cut looks deep, but not surgical, so she feels a little silly for being so concerned. Andrea doesn't say anything, allowing Lena to inspect the situation to her heart's content, which somehow makes it worse. She clears her throat, embarrassed at the careless way she forgets herself. Forgets her place.

"I think you'll live," Lena chuckles, wrapping it back up and letting her hand go.

"I got distracted," Andrea mumbles, shrugging, taking her hand back slowly. "I was caught up in the news."

"Still multi-tasking I see," Lena says, disappointed at how easy it is to slip back into fondness. The way she knows Andrea's habits, and can still picture them so clearly in her mind. She shakes her head to try to jolt it out of her.

"You were on there," Andrea admits, her eyes narrowing somewhat. She pauses. "I didn't realize you were so close with Supergirl."

She doesn't mean to say it, and isn't sure why she does, but just seeing Lena, standing proud and elegant in her kitchen forces her to feel unmoored. She wants to lay claim over her, in some weird, abstract way, even though she knows she no longer counts. But she tries anyway, as her heart pounds brokenly in her chest.  

"And why should that bother you? I have a working relationship with Supergirl, just like I have with you," Lena twists her lips, avoiding Andrea's eyes. "It's hardly newsworthy."

"A working relationship," Andrea scoffs, feeling the anger churn deep in her gut. Lena is full of it if she can really come in here and spew that kind of garbage. "Is that what you'd call us?"

"That's being generous," Lena snarls, her eyes flashing dangerously. Andrea remembers it fondly: remembers the way Lena's moods were always volatile, the way one wrong comment could send her into a dark, lethal frenzy. She smiles at the familiar challenge.

"I see the way you look at her," Andrea says, the anger clawing at the back of her throat. "Supergirl." The name tastes bitter on her tongue. "I know that look."

"You don't know anything," Lena replies, shaking her head. She doesn't deny it outwardly, and Andrea feels the ache in her chest. "And you lost the ability to comment on it when you made your decision."

"It's not that simple, Lena."

"Oh, but it is," Lena argues, crossing her arms.

"We will never be that simple," Andrea says pointedly, as if this isn't going to send Lena over the edge. "You think you can call me to your office out of the blue after two years, and pretend we never cared about each other?"

"It seems to be working just fine," Lena shrugs, running her finger along the edge of Andrea's counter top.

"Working relationship," Andrea repeats, scoffing over the term and rolling her eyes. Just the mere thought of it is so comical she almost laughs. "Our relationship is a bit beyond that kind of definition, don't you think?"

"We do not have a relationship," Lena insists, her jaw setting defiantly. Andrea traces her jawline with her eyes, remembering every inch that she's journeyed with her lips, ever breath against her skin. "We aren't friends. We aren't anything."

"We used to be," Andrea sighs. It all feels exceptionally heavy all of a sudden. "And, you know just as well as I, that we've always been more than just friends, even when we weren't. You can't just pretend it didn't exist."

"Actually, I can," Lena challenges. "But somehow, the only thing I can't seem to forget is the way you broke my heart. So I guess neither of us can win, can we?"

Classic Lena. She will always have a response, stored up in that beautiful mind of hers. Andrea hates that it sets her nerves on fire, the way Lena is just always composed and ready, even when she's the one hurting. She also knows her pain is somewhat warranted, if not completely justified, but she wishes Lena would give her the benefit of the doubt. She never could stomach hearing Andrea’s side of things. But if she actually listened, instead of bulldozing in here with an agenda and several well-timed retorts, well, who knows where they'd be?

It wouldn't be like this, that's for sure. And it's torture. But it isn't in the cards. Lena is nothing if not stubborn in her beliefs. So, Andrea has no choice. She stiffens and squares her shoulders, as if bracing for a fight.

"Why are you here, then?" she asks carefully, realizing she has absolutely no idea. They certainly aren't on "drop in" terms, and, apparently, not even on friendly ones, so it's baffling that Lena would be here at all.  She can tell she's struck a nerve, because Lena pauses, wringing her hands together in that nervous way she has when she's dancing around something, fully expecting a blow up.

Finally, she sets her jaw and forces her face to look boardroom ready -- practiced, unreadable, guarded. Andrea swallows heavily as she reaches into her pocket.

"To give you this." She pulls out a small jewelry box and places it on the counter. Andrea's face turns hot as she stares at it, her entire body fighting the contradicting chill that doesn't go with how she's feeling. "I don't want to have to owe you anything."

She remembers picking it out, remembers agonizing over every detail, even fighting with the jeweler to the point that she had to pay him extra just to keep him happy. She remembers nervously picking her way through dinner, feeling for the box in her pocket the entire time, convinced it was going to disappear before she ever found the right moment. She remembers proposing and the way Lena's eyes softened, her face melting into a relieved smile as Andrea stumbled through her speech, the tears running down her cheeks and later, down Andrea's own, as they kissed for what seemed like hours.

She reaches out, pulling the box forward. She turns it over in her hands, her throat thick, eyes burning with regret.

"Is this what you want?" she whispers, feeling the way her voice cracks.

"What I want?" Lena rolls her eyes, an angry, lethal smile on her face. "No, Andrea, none of this has ever been about what I want. But you left me, and I am not going to beg for you to come back."

Andrea swallows heavily, the tears welling behind her eyes. She doesn't want to cry. She doesn't want to do this now. It isn't right. But there it is, the evidence all neatly contained in a three dimensional package.

"I never meant to hurt you," Andrea starts, taking a shaky breath and avoiding Lena's eyes. "I never stopped loving you--"

Lena holds up her hand firmly. "I don't want to do this," she says, shutting it down as her eyes flutter. "If we are to work together, I need a clean slate."

Andrea clears her throat, turning over the options in her mind. If she doesn't accept, then she might be at odds with Lena forever. If she does, then at least she can hold on to a fragment of what they used to be. Maybe she can work with that.

"Consider it clean," Andrea says, each word killing her a little more than the last.

Lena nods once and turns for the door. She doesn't turn around, but she pauses at the threshold.

"Make sure you wrap your hand with something stronger," she reminds her softly, talking down to the ground. Then, just like that, she's gone, and Andrea is perfectly and wholly alone.

Through the tears that have finally started to fall, she notices the way her finger bleeds through the bandage, leaving a perfect, symmetrical ring that mocks her all the way around.

[sidekickjoey]

My (Very) Spoiler Filled Review of Fantastic Beasts: Crimes of Grindlewald

That movie was so much better than I was expecting considering all the reviews I’ve seen knocking it hard for the past week. Here’s my recap of my experience with it character-by-character, as well as some of my responses to reviews/criticism I read beforehand-- let me know what you think! 

Read at your own risk, there’s a lot of spoilers here. Scroll REALLY fast until you see the gif I put at the end, mobile users! I’m sorry read mores don’t work for you! 

1. Newt Scamander, never change. I found myself going ‘awwww’ way too much over this man in this movie. He’s so quirky and so true to himself the whole way through, and I absolutely am in awe of it. He’s seriously a dream of a man. The gentleness he gives toward his creatures and his utter playfulness with the ZouWu (look me in the eye and tell me that didn’t make you feel all warm inside) was breathtaking. Eddie Redmayne once again outdid himself with his portrayal of Newt. His expressions this movie too were phenomenal, especially since we didn’t always hear Newt speaking. A+ to him all across the board.

2. Let’s talk about Queenie. I see a lot of people upset at what Queenie became in this movie, but in all reality, I don’t think it’s as out of character as everyone is saying. Think about it: Queenie experienced something traumatic. She found the one man she loves more than anything, and then suddenly he’s ripped away from her because of a rule the main four all acknowledged in some way was super ancient and not right. She gets him back, but yet again, she is hounded with society being like “Hey, we see your love, but it’s not right and we will send you to prison if you try marrying each other.” That stuff gets to you. It makes you think irrationally. Someone mentioned “But Queenie was so smart last time and now she’s acting like an idiot.” Well, yeah. That’s kind of what Jacob was saying. It’s because she feels threatened, and that pressure has gotten to her so much that she is desperate to find a fix for it. Was it a lot to use a love potion on Jacob? Yes. Was it a lot to jump the gun and follow Grindlewald? Yes. But she felt she had no choice. She was backed into a corner, and Grindlewald held out his hand and said he can make all her dreams come true. When you are desperate, you’re going to take whatever chances you can get. 

3. By the way, let’s talk about Grindlewald. I walked into this expecting Hitler 2.0 to be honest, but what we got is kind of scarier in a way. Grindlewald is, as we saw in the first movie with his “Won’t we die just a little” comment to Newt, not exactly wrong. He’s fighting for things that should be fixed. He wants freedom and he wants truth. He wants wizards to have to not live in shame, and he wants them to be able to marry muggles and even interact with them without shame. However, he’s a bad guy fighting behind these causes. His methods and means of going about things are all wrong. With the WWII vision he saw, he pandered to fear to gain support. He took the message and said “Hey, this is the future if we don’t act” without informing them that, sorry to break it to you, that’s the future regardless. And that my friends is dangerous. He’s so sly and he’s so manipulative, and he gets away with what he does with his supporters because he’s not fighting for a bad cause. It sends chills up and down my spine thinking of it. Also, I’m not too fond of Depp, but his delivery of Grindlewald, especially during the speech, was fantastic. If anything, his role of the villain offers you a chance to hate him all you want. I really enjoyed his portrayal this time around.

4. Oh my goodness, Newtina. I’ll admit, I wasn’t the biggest Newtina fan coming into this film. I liked them, but idk, the chemistry wasn’t really there for me and it seemed a bit forced. This film, however, changed my mind. My heart freakin broke hearing Newt call out to Tina in his home. He looked so utterly devastated. And Tina reacting so hurt to him, calling him Mr. Scamander? Rip out my heart and serve it on a plate, will you? Newt is freakin precious around her, and you could actually feel he was crazy about her this time. His cute little fawning over her eyes and her stance was precious. It reminded me of when Harry talks about Ginny having nice skin. Tina’s admiration for Newt also was precious. The way she finished his sentence, the way she understood his methods with the ZouWu? Idk, I could feel she really is starting to understand him and become attached. My heart melts for them this time around, and even though the kiss didn’t come, I think it’ll be there next time and beautiful as ever.

5. Dumbledore. Jude Law can freakin slay. I absolutely was in love with everything about his portrayal of Dumbledore. I literally have no complaints, he was perfection.

6. Credence, or whoever you are. This was a bit of whirlwind. If there was ever a part where I got tripped up, it was probably at this reveal. One moment he’s the son of that nanny of his, then he’s a Lestrange, and the next moment he’s some random? I really feel for his frustration because how do you even comprehend all that. I full out shouted though when his big ending cliffhanger thing happened. A lot of people are tripped up because “in the canon verse Dumbledore only had one brother and one sister, JKR is ruining everything, doom and gloom forever.” However, let’s look at what JKR said: not everything we think we know at the end is true. This could be another one of Grindlewald’s mind games. Remember, Queenie told Grindlewald Credence was unsure of his choice. What if this is a ploy to retain his trust? And, if it is true, what if there is a lot more to the story that we will find out that explains why Credence went absolutely unknown and unspoken of in the original Harry Potter books? We are only two movies in to a five part series, everyone. There’s time to figure things out. Don’t let that stop you from enjoying the movie and ones to come.

7. My dear Leta & Theseus. Theseus was what I thought he would be. The kind of outgoing, stiff, Percy-like character who plays a near opposite of his brother. I liked though the moments when Theseus let his guard down and took care toward Newt. His hug was one of those times, and at the end when Newt hugs him back? Magic, right there. I wish we knew a bit more about how he came to be with Leta, but that’s okay. I loved getting to know her a bit and see her past with Newt. She seemed like someone who would give it all to protect those she felt she wronged or cared about, so I do not see her passing as all that out of the blue. Someone needed to do it, and it did two really important things. One, it gave Theseus something other than his boring ministry job’s orders to fight for. Two, it made Newt finally choose a side. Though our time was short with her, I adored her being around.

8. And then there’s Nagini. I feel like we will get way more time with her toward the end of the series. I loved her being there as Credence’s support and friend. I’m still wildly intrigued as to how she ends up in Voldemort’s company, especially after seeing her so pointedly choose against Grindlewald. 

9. The Troublemakers: Nicolas Flamel and McGonagall. Flamel was honestly really funny here, and I know some people have said he was pointless, but I really enjoyed him being there. He provided a good moment of comic relief, and in the end he helped save the day. Not every character has to be some dark, deep character. As for Minerva, I know the timeline is wrong. I get it. I think that was a bit of fan service so people who are HP fans but aren’t as into FB see a familiar face. Not everyone is reading up on HP lore and timelines. To some people, there is no problem with it. It sucks for those who know about the issue, but I don’t think it’s enough to start a riot against JKR for. There’s loads that doesn’t always make sense in the HP universe, and frankly, this will go down with that. Take a deep breath and move forward, everyone.

10. Lastly, Jacob. My sweet summer child. He’s really put through the ringer with this movie. One second he’s engaged, the next second he’s lost in London, then his girlfriend suddenly isn’t with him and he finds her at some villain rally? One man can only take so much. I feel for him at the end when he’s so incredibly lost and looking ready to die. Bless Tina for keeping an eye on him. I’m really glad he has Newt around. His moments with Newt were adorable, and I love that he, much like Tina, is starting to accept that Newt’s just a quirky guy. He’s starting to read and understand him more, which I loved the expression of when he stops going on about Queenie to talk about Tina for the very depressed Newt. He’s really coming around. I hope there’s a happy ending in the ropes for him. He’s more than just a character used for comic relief. I think he has something destined in the future. I just want it to be good.

Thanks for reading this incredibly long review! As reward, enjoy a Newt.