#also it's interesting the way that he discusses the death of the loblolly boy here but always in diffuse contexts
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quatregats · 7 months ago
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I'm rereading Master and Commander and I'm deeply in danger of just posting every single passage from it ever but I did love the way that the capture of the prize in Chapter 6 was framed on either side by the logbook's entry, and also the way he transitions out of it to set the scene and tone:
Sunday, July 1 … Mustered the ship’s company by divisions read the Articles of War performed Divine Service and committed the body of Henry Gouges to the deep. At noon dº weather. Ditto weather: but the sun sank towards a livid, purple, tumescent cloud-bank piled deep on the western horizon, and it was clear to every seaman aboard that it was not going to remain ditto much longer. The seamen, sprawling abroad on the fo’c’sle and combing out their long hair or plaiting it up again for one another, kindly explained to the landmen that this long swell from the south and east, this strange sticky heat that came both from the sky and the glassy surface of the heaving sea, and this horribly threatening appearance of the sun, meant that there was to be a coming dissolution of all natural bonds, an apocalyptic upheaval, a right dirty night ahead. The sailormen had plenty of time to depress their hearers, already low in their spirits because of the unnatural death of Henry Gouges (had said, ‘Ha, ha, mates, I am fifty years old this day. Oh dear,’ and had died sitting there, still holding his untasted grog) – they had plenty of time, for this was Sunday afternoon, when in the course of nature the fo’c’sle was covered with sailors at their ease, their pigtails undone. Some of the more gifted had queues they could tuck into their belts; and now that these ornaments were loosened and combed out, lank when still wet, or bushy when dry and as yet ungreased, they gave their owners a strangely awful and foreboding look, like oracles; which added to the landmen’s uneasiness.
[...]
Jack leant back against the curved run of the stern-window and let Killick’s version of coffee down by gulps into his grateful stomach; and at the same time that its warmth spread through him, so there ran a lively tide of settled, pure, unfevered happiness – a happiness that another commander (remembering his own first prize) might have discerned from the log-entry, although it was not specifically mentioned there: 1/2 past 10 tacked, 11 in courses, reefed topsail. AM cloudy and rain. 1/2 past 4 chase observed E by S, distance 1/2 mile. Bore up and took possession of dº, which proved to be L’Aimable Louise, French polacre laden with corn and general merchandise for Cette, of about 200 tons, 6 guns and 19 men. Sent her with an officer and eight men to Mahon.
#also it's interesting the way that he discusses the death of the loblolly boy here but always in diffuse contexts#and then that ends up tying in with the sin-eater becoming the new loblolly boy but it all flows very naturally and unassumingly#and the way he comments on the limitations but significance of the logbook for storytelling...interesting stuff#like at the beginning of this he's like it talks about opening a cask of beef and the death of the loblolly boy and the first prize capture#in the exact same dispassionate tone#but then he ends it with this - the fact that to a professional eye there's a hidden joy in that dispassionate tone#(and that's just what he's spent the last x pages uncovering)#interesting commentary on and use of 'primary sources'. interesting historiographical commentary happening there#idk i digress. i also liked that he pointed out the death of the loblolly boy in conjunction with that one poster here#who noticed that in the ship's muster the only death is the lieutenant which is a fun bit of foreshadowing#i wonder if this was meant as a signpost to be like actually you SHOULD pay attention to these details i will make them significant :)#i love his writing so so much there's so much to uncover and also so much to learn from him i feel like#lots of neat little tricks and of course no one compares in setting the tone with scenery#perce rambles#aubreyad#The Creative Endeavor and other aubreyad nonsense#as one of my professors the other day said (not about this book but i think it applies):#'this is the sort of book where if you're not careful you'll end up highlighting* the whole thing'#* - replace 'highlight' with 'post on tumblr'#glad i'm rereading it slowly it really rewards it#can't wait to get to post captain and hms surprise and give them the same time and thought
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