#also its. like i said. less a fic dedicated to like. character integrity or anything lmao and more just me speaking thru roy

[jamietxrtt]

.

It wasn’t until the phone was already ringing that Roy thought through the logistics of his plan. Whether he should call Ted or not wasn’t even a question-- he had to get an explanation for this, right now-- but the time difference wasn’t something Roy had considered. It was probably around three in the morning in Kansas right now. Ted might not even pick up the phone at all-- and if he did, he’d be in bed, eyes blinking open and hair askew. The mental image of Ted being woken up by his call almost made Roy feel guilty for a second, but he was too fucking pissed off to feel bad for very long.

Eventually, Ted did pick up the phone, a croaked “Roy?” sounding tinny through Roy’s phone.

“What the fuck did you do?” Roy demanded immediately. “What did you say to him?”

“What’d I-- what?” Ted sounded bleary and unfocused, his voice still hoarse. “W’happened?”

“Jamie. You fucking said something to him.”

“I-- I did?”

Roy’s teeth ground together with an unpleasant squeak. “About his father.”

The line was silent for a moment.

“Oh.”

“You said something to him, about-- forgiveness?! Forgiveness, Ted?” Roy shook his head in disbelief, though he knew Ted couldn’t see it over the phone. “You fucking told him to forgive his father.”

“Yeah, well, I thought it might--”

“Fuck whatever you thought it might do,” Roy growled. “He’s fucking bleeding right now, because of you.”

“He-- what?!” Now Ted sounded more awake. “Wait, Jamie? What happened? Is he okay?”

“No thanks to you.” Roy squeezed the wooden railing of his porch, glaring into the night sky above. “Because of your little fucking pep talk, he ended up letting his father start fucking living with him, and now I’ve had to just spend the past hour talking him down from a fucking panic attack and cleaning the fucking blood off his fucking face and-- fuck, Ted! Did you even think at all about what you were fucking saying?” Roy shook his head again, trying his best to keep his volume under control-- Jamie was just on the other side of a glass door, after all. “Why would you fucking say that to him?”

“I…” There was an indistinct shuffling from the other side of the phone, like Ted was scrambling to get out of bed. “I didn’t tell him to do any of that, I just said--”

“You said to forgive him.”

“No-- well, I--”

“Yes. Jamie said that’s the word you used.”

“But that’s not what I meant.”

“I don’t give a flying fuck what you fucking meant, Lasso. Whatever you meant to say, what he got from it was that he has to bend over fucking backwards to accommodate his father, give him a second chance-- no, not a second chance, a fucking thousand-and-second chance-- or else Ted is going to be disappointed in him.”

There was another moment of quiet, where Ted let out a long, controlled breath. Part of Roy’s brain supplemented a memory of Ted before a game, closing his eyes and performing breathing exercises into cupped palms, but the rest of Roy rejected it outright. He was too fucking blazing mad to be feeling any sort of understanding for Ted at the moment.

“I do think forgiveness is a-- a virtue we should all strive towards,” Ted said finally, calmly, and Roy barked out a laugh.

“You think that fucking matters right now? Your fucking Lasso philosophy? He’s bleeding, Ted.”

“Well, I didn’t know that was how this would end up!” Ted’s voice shot back, suddenly defensive in a way Roy had never heard him before. “Everyone can change, Roy, you know I believe that--”

“Jesus, Ted, you weren’t thinking for a fucking second about the consequences of what you said to him, were you? You saw fucking Wembley! Jamie is terrified of that man! He’s sent him to the fucking hospital before! Sure, maybe he can fucking change, I don’t fucking know.” Roy ran his hands through his hair. “But you really think it’s worth the risk of letting Jamie get hurt again, on the off-chance that this is the time things are different? When that man sends him into hysterics every time he’s around? When Jamie’s still got scars from him? I mean, this is the man that had him fucking raped at fourteen, Jesus, Ted--”

“He-- what?!” Ted squawked over the line, but Roy was too fired up to stop.

“You think it’s worth the fucking risk just to-- just ‘cause he could change this time? What if he fucking doesn’t? Or doesn’t yet? Even if he does change, it’s not gonna be instantaneous. You willing to just let him keep hurting Jamie for another-- year, two years, ten years, until he’s finally changed? That’s worth it? Just ‘cause forgiveness is a fucking virtue?”

Roy stopped to breathe, his cheeks hot with anger as he heaved in one breath after another.

When Ted spoke again, he sounded terrified. “I didn’t-- now, Roy, a lot of that stuff I didn’t even know about--”

“Bullshit,” Roy spat. “Bullshit, bullshit. You were there at Wembley. You saw enough. You saw.” Roy dug his fingernails into the wooden railing. The wood was soft from the rain last night. “And even if you’re right-- even if that man could change, did change-- even if he never hurt Jamie again, you still think-- you know what he said to me? He said, ‘I thought it’s what I had to do to be a good person.’ That’s what he said. Because of what you fucking told him, he thought he’d be a bad person if he just deleted his dad’s fucking number and went the fuck on with his life like I told him to do.”

“That’s not what I said to him. I was just giving advice, I didn’t say that not following it would make him a bad person--”

“Jesus, Ted, that doesn’t fucking matter! The boys look up to you, they--” Roy growled, slamming his fist down on the railing. “How many times have you given me this exact same fucking talk? ‘Careful what you say to them, Roy, you know how they look up to you. You say jump, they say how high.’ Yeah? Didn’t you fucking say that to me?”

“Roy--”

“You tell them that something is the right thing to do, of course they’re gonna assume it’s the fucking-- universal truth of it. Of course they’re gonna wanna do what you say, ‘cause Ted’s the best person, so if he says this is what’s right then it must be what I have to do to be good too, yeah? Of course they’re gonna fucking listen to you. Christ, Ted. Surely you know the effect you have on people.”

Ted was quiet for a long moment. When he spoke again, his voice wasn’t shrill or defensive-- it was just soft. “Well, I didn’t mean…”

“Yeah, whatever,” Roy huffed. He turned to peer through the glass door back into the house, but Jamie wasn’t in his line of sight. He should probably get back in there-- Jamie had been alone for a while now. But he turned back toward the backyard, back toward the night sky, to address Ted one last time. “I’m fucking pissed at you, Ted. I’m pissed that you fucked this up so massively and then just fucking left. I’m pissed that it’s my job now to pick up the pieces of the thing you broke. Why do I have to be the one to clean up your fucking mess?”

Ted said nothing.

“Whatever. I have to go take care of my fucking player.”

“Hold on, now. Roy--”

Roy hung up.

After tucking his phone back into his pocket with shaking hands, Roy gripped the railing tight, bending forward to shut his eyes and breathe down into the floor. He couldn’t go back in there like this, still flushed red and shaking with rage, not when Jamie was still so fragile. He gave himself a minute to breathe, counting to ten and taking deep breaths and thinking of Phoebe and all the things Fieldstone had told him to do when he got too angry. And he tried not to feel any kind of way about the fact that his phone in his pocket hadn’t buzzed again once.

Eventually, he was calm enough to go back inside.

[shinneth]

Gem Ascension Tropes (General: A - B)

Full, Superior Alternative on Google Docs.

So, I’ve been on the fence as to whether or not to publicly share this. In the end, it’s really nothing more than a project of self-indulgence. However, it is 100k+ words of self-indulgence and it does involve a story at least a decent number of my followers have read and liked. I also talk about a lot about Stevidot and all the characters in general for this project. Considering I haven’t written anything since the end of August (and real life interference is finally affecting my ability to reliably produce anything of substance since then), I figured it was only fair to offer something. I do still have the itch to write; I just really don’t feel comfortable doing it if I myself am not in a good state mentally or emotionally.

Why did I make this? Well, I’ve mentioned in the past that my other super-huge, much-more-popular story Travels of the Trifecta! eventually gained enough notoriety to not only make it to the Fanfic Rec list on TV Tropes, but a few readers were even gracious enough to make an actual trope page for the story itself. However, despite great temptations, I never once contributed to the page myself, for fear I’d never get the story done because of how addictive and time-consuming that site is. 

I was naively hoping Gem Ascension (or at least Bottled Up, which is easily my most popular story outside the main GA series) might get the same honors. But back then, I was also new to the fanbase and didn’t realize just how badly Stevidot as a ship was wrongfully considered an immoral ship... and still is. So that’ll probably never happen for real. 

That said, so long as I completed my initial 3-act series for GA, I considered it fair game to play around with tropes that I could associate with it. And I finished that sucker in record time. So, since the early months of Summer, I’ve slowly compiled a list of tropes for my GA continuity - so far for general coverage and character-specifics only. 

They’re similar to my GA Reference Tour posts in that aspect. Like I said, though, the entire document is over 100k in length, so no way is that all going up at once. The general listing is big enough to make me think it won’t fit in one post, either (especially as I continue to waste space rambling here). As the length alone proves, I was right to avoid doing this for Trifecta.

I wouldn’t consider it a complete (or even entirely accurate) listing; the character sections are very lop-sided in terms of content, but that’s a little justified, at least. Anyway, I did make some new art for certain character sections in future posts, so I figured this would at least be a neat way to share them. I’ve linked said tropes and everything. It’s really only worth a read if you’re that interested in getting some more in-depth details to the GAverse that I haven’t really covered here properly yet. But it does technically count as Stevidot content, so there’s the grab.

Beyond the spoiler cut, there are no marked spoilers. I’m not savvy enough to go THAT far with the style... plus, the main series has been complete since early March and it’s now October. Just... if you recently found the story, haven’t finished it, but actually intend to do so, look on at your own risk, I guess. 

Well, let’s see how much I can actually fit in here. And whether or not it’ll format properly. 

Edit: Turns out, only up to the K Tropes. Loooooovely~. Looks like I’m gonna play it safe and cut this after the Bs.

Edit II: As a bonus, I see the links being retained when I edit this post, but they won’t appear on the post itself. Just. Awesome. I may just put this up on Google Docs as an alternative if anyone cares that much about having the hyperlink access. That link is up. I’ll need to neuter these things something fierce so the hyperlinks will appear again.

GEM ASCENSION CONTINUITY TROPES

 GENERAL

 A Day in the Limelight: Act II as a whole functions somewhat like this; Hero Protagonist Peridot, save for the short final scene at the end of the act, is completely absent. She is frequently talked about and is featured in prerecorded Video Wills, but the 8 chapters Act II is comprised of are dedicated to the 8 remaining members of the main cast. Garnet, Pearl, Amethyst, Connie, and Steven – characters who had much less time to feature in Act I due to being captured during the first half – all have chapters entirely dedicated to them. Greg, despite being part of GA from the start, also had limited time to feature in Act I past Chapter 3 due to being a Non-Action Guy. His chapter is one of the longest; Greg is also involved in a subplot with Bismuth and Lapis, and as of Chapter 7, he receives a Rank Up and officially becomes a legit member of the Crystal Gems.

A Fate Worse than Death: Pallification. Not only worse than a gem’s shattering, but even corruption. It’s similar to corruption in that a gem is technically still alive, but their consciousnesses are greatly compromised. While a corrupted gem is more akin to a mutated rabid animal until a cure is found, a pallified gem’s body – while usually maintaining the integrity of its physical form – has been rendered soulless. Once White Diamond supplants their conscious minds with her own, she boots them out to parts unknown (she doesn’t even care enough for her own subjects to figure out what exactly she’s doing to their conscious minds) with no way for them to find their way back to their original body. It’s not even made clear whether or not a gem’s consciousness is killed off outright the moment White infects them. So, a pallified gem is basically condemned to eternal purgatory. Naturally, even after the events of GA, there are still millions of gems afflicted with this condition with no known cure to ail them. With White Diamond herself shattered at this point, these victims are little more than vegetables at best.

A Friend in Need: It must be stressed that the objective from the start of Gem Ascension was not to overthrow the Diamond Authority (and certainly not to destroy Homeworld itself): it was to rescue friends who were in trouble. Steven, Garnet, Amethyst, Pearl, and Connie were all imprisoned on Homeworld with no means to truly escape, so Steven resorted to sending an SOS to the Crystal Gems on standby on Earth. After taking charge of this mission, Peridot greatly emphasized their objective being a quick in-and-out after rescuing their friends as quietly as possible. Then the mission escalated with much higher stakes, but the objective remained the same. Act I concluded with all of the Crystal Gems safely escaping Homeworld and returning to Earth… save for Peridot. The follow-up mission, consequently, had the same objective: rescue Peridot, then escape. It was later amended to rescue all of Homeworld’s native gems once it was discovered that Homeworld itself was going to fall apart very soon. The revolution that came about with Homeworld’s destruction and the fall of the Diamonds were merely byproducts of the rescue mission. Only Pearl seemed to anticipate this kind of result, but none of the Crystal Gems were prepared to be responsible for keeping Era 3 going on Earth in Homeworld’s absence (as well as the Diamonds’). 

Acceptable Targets: In-Universe, the lower you are in the caste system on Homeworld, the more you’re expected to take abuse of any kind from any gem of a higher class. This is Who I Am goes further into depth on this topic; it’s revealed Peridots have no rights when it comes to being mistreated by gems above their class. Even worse, it’s illegal for a Peridot to antagonize a gem of a higher caste for any reason – yet it’s perfectly legal for elite gems, such as quartzes, to do whatever they wish to a Peridot so long as it doesn’t permanently damage them or compromise whatever mission they’re assigned together on. Yes, even if a low-caste gem is raped (like Peridot almost was), it’s legal and the victimized gem is fully expected to suck it up and deal with it.

Adaptation Expansion: Not only does the GA series serve as an alternative to Change Your Mind, but it frequently brings up events from past canon episodes. This isn’t done for nostalgia’s sake, but rather to expand on said scenes and observe them with a different lens. Through this, scenes in the show readers have seen multiple times can yield some new discoveries with the additional details and questions posed within the GA narrative.

Adaptational Alternate Ending: Takes place shortly after Escapism in the show. The first few minutes of Change Your Mind are canon to the fic (mainly Blue Diamond’s Heel-Face Turn), but it’s completely off the rails from there on out. So, it’s basically an alternative ending to Season 5.

After-Action Healing Drama: In Chapter 5 of Act I, after Peridot got caught in a No-Holds-Barred Beatdown with 9FC and sustained severe injuries in the previous chapter, the recently-rescued Steven uses Lion to take himself and Peridot somewhere private so he can heal her many injuries.

All For Nothing: The battle with White Diamond in Chapter 6 of Act III is this, as that wasn’t the real White Diamond to begin with. The Crystal Gems just wasted a load of time and energy on a proxy, and it’s the realization of this trope that causes said battle to abruptly turn in White’s favor, ending in a Curb-Stomp Battle with the Crystal Gems on the losing end.

Due to this aspect of the battle, it means Rainbow Quartz 2.0’s scheme to siphon off some of White Diamond’s essence (to later use for a cure for corruption and pallification when they return to Earth, knowing White’s never going to help willfully) was also a waste, and what Pearl and Steven gained was just the essence of a bunch of dead gems. Pearl has a bit of a minor Heroic BSoD in Chapter 7 over this, but Garnet pulls her out of it and encourages her to not give up on the endeavor.

All Up to You: The premise of Gem Ascension: Peridot, Lapis, Bismuth, and Greg step up to rescue their A-Team friends against all odds. 

Alternate Continuity: This story takes place shortly after Escapism. Beyond the first few minutes of Change Your Mind, it becomes canon divergent from there.

Anachronic Order: After Gem Ascension’s completion, a set of stories was released throughout the month of May that all took place in Gem Asension’s continuity (save for one, technically, which took place a while before GA starts and has no connections to said continuity outside of being referenced in a few of the other stories) for Stevidot Month. Justified, somewhat, as they were only released out of order due to representing at least one of three prompts assigned for the five weeks of Stevidot Month, and Word of God planned much of this on the fly. A couple of stories were pre-prepared (Plans Change and This is Who I Am’s first chapter), but didn’t fit any prompts other than the ones assigned to the final two weeks. Since May’s conclusion, all stories (in their AO3 incarnations) have been put in a collection and are arranged in chronological order.

Bottled Up is the only story that averts this, as it chronologically occurs before all the others listed here and was also the first one released in May. However, since it does take place a good amount of time before GA’s starting point, it can easily be read as a standalone. The same cannot be said for the stories following it.

My Time is Now, which properly introduces Sphalerite (who only got an unnamed, featureless cameo in Act III and spoke the very last lines of the story), takes place no more than half an hour after Act III’s conclusion, but it was also the last story released in May. 

Second-to-last was Plans Change, which took place only a few hours after the aforementioned story. 

This is Who I Am chronologically falls roughly half a week after that, but its first chapter was released in the middle of the month.

Peri-dise: The Capitalist Anarchy takes place about 1-2 months after GA Act III, making it currently second-to-last in GA’s overall continuity, but was the third story released overall during May’s second week.

It’s a Birthday, Yes It Is takes place in late August, making it the furthest-removed from GA’s timeline by 3-4 months (until the release of Our Tomorrow – a direct sequel to this story taking place exactly one year later, but won’t be listed here as it was made long after Stevidot Month ended). It was the second story released for Stevidot Month. 

Anyone Can Die: The moment White Pearl and Blue Diamond die (relatively close to the same time) by Chapter 6 of Act I makes it apparent no punches will be pulled in this story; especially after it’s made clear how much of a Complete Monster White Diamond is in this continuity. Yellow Diamond falls two chapters later, and at least for a short while it’s presumed Peridot met a similar fate. There’s also the concept of pallification, which renders several hundred gems functionally dead in Act I alone. The majority of the gems left on the planet end up pallified by the time the Crystal Gems return to Homeworld in Act III. By the climax of said act, White Diamond self-destructs. On a smaller scale, almost every original character introduced in GA either dies or is already dead upon introduction. 5XF is the only one so far who averts this.

Astral Projection: An aspect of Steven’s developing powers in Act III. During Chapter 4, an all-pink astral projection of Steven travels into Peridot’s subconscious to find out what White Diamond did to fragment her mind. A bit later in Chapter 8, astral projections of Steven and Peridot are seen superimposed over the corporeal forms of Pink Diamond 2.0 and Chartreuse Diamond to signify both coming to terms with their Alter Egos becoming part of them and becoming whole.

Autodoc: The restoration machines that are abundant and scattered across Homeworld, which the Crystal Gems use to speed up the recovery process for Garnet, Amethyst, and Pearl at the end of Chapter 6 of Act I.

Badasses in Distress: All of the imperiled Crystal Gems at the start of the story qualify. After Act I, Peridot takes their place.\

The Big Damn Kiss: Steven gives Peridot a pretty significant one in Act I’s final chapter right in the middle of a large and busy battlefield before they split ways to help their friends. Punctuated with a deliberate Shout-Out to Gem Drill.

Big Damn Reunion: Chapters 6 and 7 of Act I is this, as is Chapter 5 of Act III for the follow-up rescue mission.

Birthday Episode: It’s a Birthday, Yes It Is serves as one for Peridot. It also loosely applies to Steven, as his birthday is less than two weeks before hers and is frequently referenced (the pair’s chronological ages are 14 and 15 respectively by this point). Our Tomorrow is a direct sequel to the aforementioned story taking place exactly a year later, making Peridot 15 and Steven 16.

Bittersweet Ending: GA’s conclusion in a nutshell. The Diamond Authority is no longer a threat to anyone, but Homeworld is destroyed, meaning the Crystal Gems have to directly deal with the fallout of this particular revolution while ensuring Earth’s safety. Now they have thousands, if not millions of gems to help adapt to life on Earth and teach the concept of independence and free thought. Homeworld’s colony planets are doomed to civil disorder and collapse unless the heroes directly help, but that also presents a risk if they don’t play their cards right. Peridot and Steven’s lives are irrevocably shaken in their own right, and they’re the ones who’ll have to be the most involved in helping the Homeworld refugees. And there’s still the matter of curing not only the corrupted gems, but now the pallids as well. While GA ended the best way it possibly could, given the circumstances, there’s still a lot of work ahead for the Crystal Gems… and a lot of it will be unpleasant/awkward at best and outright life-threatening at worst. 

Blank White Void: The nature of the Pocket Dimensions featured in Act III, save for the one Steven is initially imprisoned in at the end of Chapter 3.

[ladyofpurple]

GIRL ITS BEEN MONTHS SINCE YOU UPDATED TPOY!! please tell me you haven’t given up on it )-:

I KNOW IM REALLY SORRY OMG

This took a bit longer to answer than it should have because I was trying to figure out how to reply, I guess?? The short answer is basically that writing bits of fic during my exams when I didn’t actually have the time to was super productive, mainly because I Didn’t Want To Do The Thing but my entire future hinged on Doing The Thing and anxiety-driven avoidance is excellent creative fuel, apparently. The problem is, of course, that once I finished and started getting my results back and actually had time to breathe again my brain kinda fizzled out and I never wanted to look at a Word document ever again in my life. Writing is really hard right now, for some reason. And not just TPoy — everything I try to write either gives me a headache, makes every idea I’ve ever had go flying out the window like magic, or looks like absolute garbage to me. (I’ve been trying, though, I promise!!!) There is more TPoY, though!! I swear to God!! It’s just coming along a little slower than anticipated.

The long answer is... a little more complicated and probably more than you’re interested in, and the main reason is the short one anyway. But I’ll put a long answer under a cut just in case (aka the entire history of TPoY lol), since I’ve lowkey wanted to post about it for a while now but didn’t quite know how to? May get a little very personal, I suppose.

Basically, TPoY is and always has been a garbage fic. I don’t say that to disparage my own writing or attempt to elicit praise from anyone: I have always considered it a glorious dumpster fire of experimentation, a ridiculous Frankenstein’s monster of all my favorite ML tropes as a practice run, since it had been so long since attempting to write anything at all. I’m thrilled that people like it, of course! Whenever people send me asks about it my answers always involve a lot of exclamation points and variations on “I AM CURRENTLY SOBBING ON THE FLOOR IN GRATITUDE” because I honestly have no idea how to express how genuinely teary-eyed I get when someone tells me how much they like it, or post a comment. That being said, it was always intended for my own amusement and/or therapy, and that it’s gotten so many bookmarks and kudos and comments is incredibly surreal, even after a whole year.

When I started writing it, I was working through a lot of stuff. My first boyfriend had broken up with me, and as we lived together in his hometown I was stuck there on my own for another year before I could move back home. 2016 was filled with a lot of horrifying shit that kept happening one after the other and I eventually almost had to drop out of school because I couldn’t handle it all. The relationship was pretty toxic but all I knew at the time was that I was scared and alone and heartbroken. 

When I started writing, it was after 8 months of the worst bout of depression I’ve ever experienced, and I still wasn’t well, but I functioned passably enough to start hyperfocusing on things. I had an idea about a fic I suddenly wanted to write, and it would have a happy ending and all, but I could work through my feelings in a way I hadn’t tried to since before my ex and I got together. I pulled a lot of the start of the fic (the rejection, the miscommunication, the avoidance) from my recent breakup, yes, but also from my first rejection, aka the only other boy I’d liked enough to confess my feelings to. We were 17, and he admitted that he knew, and then suddenly we weren’t friends anymore. A year and a half later, I got together with my ex, and suddenly after three years of dedicating my life to “us” on his whims he was ghosting me without explanation.

I see a lot of myself in Marinette at that age. The awkwardness, the enthusiasm, the incredibly obvious lovesick obsession with a cute boy who’s nice to you. I wondered if maybe she would react the same, if put into similar circumstances as I had been. Focus on the self-doubt that would follow, based on insecurities she’s already shown in the show — coupled with your standard teenage hormone-fest —and you’d have a fabulous starter for angstfic and a free therapy session all in one.

The problem with that is nobody knows this backstory but me. People focusing on Marinette’s insecurities is nothing new. Other people are annoyed it’s such a popular trope. And the fact that I’ve chosen to focus on certain aspects of the main characters’ identities for the purposes of a story I started on a whim has been making me insecure for a long time because people in the fandom are tired of those characterizations. I’ve never gotten hate comments —I don’t even remember ever getting constructive criticism on TPoY. But I’m well aware that the plot is far from original and definitely lacking in certain places, and as the comments roll in and the hits go up my anxiety mounts because oh my God I’m that guy in the fandom.

I always intended on focusing on different aspects of their characterizations in different fics to suit the plot, y’know? Not ignoring parts of their personalities, but just... emphasizing other parts. But TPoY is the one most people have read. I have a couple one-shots where I tried to do something like that, with different aspects of their characters, but short one-shots can’t really compare to a 100,000+ word WIP, even if they even slightly compared in popularity (they don’t). So my only notable contribution to the fandom is TPoY. And that makes me anxious.

Then there’s the Frankenstein-like obsession with adding every trope I’ve ever wanted to write in a fic like this. I’ve mentioned before that the original plan for this was, like, 10-15 chapters at most. But every chapter I write I’m like, “But what if I did this???” Like I said, I never intended it to be even remotely popular. The only other fandoms I’ve written for are microscopic in comparison. I had no frame of reference for a pairing this big — all my previous experience was from Fanfiction.net, for Christ’s sake. I assumed I wouldn’t finish it, and even getting to chapter 6 was a surprise. But that hyperfocus somehow held on for dear life and I was banging out chapters like nobody’s business. And people were responding to it. And I think that kind of went to my head a little? Not like in an “I deserve all this attention” kind of way, but more like a “People like?? This thing I’m doing??? I cannot squander this opportunity, I must give them m o r e” kind of way. It was the best I’d felt since the breakup and I didn’t really think I deserved it, so I kind of wanted to... prove I did, I guess, by writing everything I’d ever wanted in a lovesquare fic in hopes that people would keep liking it and me and I’d keep feeling nice. (I mean, I’d planned to add in a ridiculous amount of tropes anyway, I just ended up adding a lot more than I’d planned.)

On the one hand, people go nuts for that shit. On the other, it’s getting harder and harder to justify cramming all this shit into the same fic. This compulsion keeps fucking me over by giving me spur-of-the-moment ideas for sub-plots I never wanted and certainly didn’t properly think through before posting the foreshadowing or setup for — yet at the same time they’re usually thought of and integrated several chapters in advance so I can’t just... leave them out? And part of me kind of doesn’t want to?? And I’m trying with every fiber in my being not to rewrite just the first 3 chapters, let alone the entire fic. A side-effect of my FF.net history at 13 was Never Edit Anything. Yeah, I’ll do some spell-check. Maybe some rewording here and there. Sometimes I’ll post a chapter and come back sporadically over the next few days to change out some punctuation or whatever. But if I don’t like a section after writing for a while? Throw the Whole Ass Chapter out. After it’s posted? This Is Your Life Now.

let’s not talk about how everything after chapter 27 was supposed to go very differently

Never mind that, after writing a hundred thousand goddamn words in a year, one’s writing skill tends to evolve and increase over time. Not just in regards to vocabulary, but with consistency and pacing and structure. This means, of course, that I can’t ever reread my own writing without the Evil Writing Goblin in my brain telling me to start the whole thing over from scratch. It’s fine.

I suppose I could get a beta, but I’m very bad at taking critique and as I’m even worse at talking to people than I am at posting on time I don’t think that would work out very well.

The point of this goddamn novel is that TPoY means a lot to me, probably a lot more than people realize. It’s kinda dumb and very cheesy and absurdly long, but it was the first real thing I did for myself after my whole life fell apart. I will finish it!!

But it’s hard to write it right now. I’m trying— I’m writing four chapters at the same time right now (a bit less than 10,000 words combined at current count). I don’t want to try to rewrite the whole fic or keep “mischaracterizing” the characters or lose the suspense I’ve tried to build (or, God forbid, try to keep interest so hard it hurts the rest of the fic) and risk alienating readers. I can’t stress enough how much these supportive comments mean to me, even on something as silly as a fanfic. But I also don’t want to force myself to write it or write something just because other people might or might not like it and risk alienating me. So I’m stuck at a kind of anxiety-induced impasse with myself that’s just made worse by the fact that I’m having trouble writing anything at all at the moment.

Jesus Christ this was longer than I meant it to be. Please don’t take this as a pity-party or anything. I don’t want sympathy or, I don’t know, reassurance or anything, I just wanted everything to be Out There because it really is the most in-depth response I could give and y’all deserve an honest answer. Some of you guys have been reading since the beginning and I can’t express how much that means to me. I feel really bad when I haven’t updated in a long time, because I know my fic makes some people really happy!

And PLEASE don’t take this as a “STOP ASKING ME ABOUT TPOY GODDAMMIT” because this is the opposite of that. I FUCKING LOVE IT WHEN PEOPLE ASK ME ABOUT TPOY. I L I V E FOR IT. But it sucks when the only answer I have is “I don’t know when it’ll be up, sorry :( ”

I mean, that’ll probably still be the answer I give, unless I by some miraculous (heh) stroke of luck) start hyperfocusing on writing again.

But at least y’all kinda know why now.