#and then for english speakers its just all

[hatsukeii]

think fast / childhood bsf!tsukshima kei x reader

genre(s): childhood best friends x soulmates???? past lives and normal people by sally rooney coded im a sally rooney MEATRIDER!! angsty, gut-wrenching longing, bittersweet / hopeful ending so it's not all bad!! nostalgia is going to carry this fic so hard it's going to be a fun, fun time...

warning(s): eventual smut!! all characters are aged up to 21!!MDNI (at least up until the observatory)!! wrap it before you tap it!! (sorry kids), female leaning anatomy because smut but pronouns are gn all throughout and honestly you could read it as gn anyways:)) dead dad warning (my dad is NOT dead this was just convenient to kick off the thing), i fw the timeline of the world??? pretend flip phones were still in use in like 2012 or something idk

wc: ~6.3k

tldr; time has a way of reminding Kei of its presence, and its escape. you are the reminder it has been sending to him for six years.

Fate: A power believed to cause and control all events, so that one cannot change or determine the way things will happen. 

It is a sunny afternoon when you step foot into Sendai, Miyagi. A beautiful day of golden warmth beaming onto petals of pink, red, and white, wrapped in coffee-stained newspapers and tied together with a spool of twine. The bouquet lies on browning grass, a contemptible reminder of the time that has passed since your last appearance here, six years ago, and you crouch down to the ground. Now face to face with the engraving of a full name on a slab of polished granite, you hesitate. Your father lived in a language that you can no longer speak, died in a country you no longer call your home. When you whisper blessings and apologies at the gravestone in broken Japanese and slurred syllables, you sound like a stranger. A stranger who sits in a graveyard at noon, with nothing but a bouquet from the nearby florist in hand, and a promise, stuttered out in half-decent Japanese, to return again the next year. 

When a second bouquet falls to the ground behind you, and you turn around, Tsukishima Kei thinks this is what English speakers like you would call fate. He’s a little taller now, and bulkier too, and you have to crane your head higher than you remember just to meet his eyes. You don’t recognise the glasses he dons anymore, the black rectangles from his teenage years swapped out for rounded squares and silver frames. But he has a towel in his hand, a towel that has his initials poorly stitched into the corner with red string. You wonder if the matching one he made you, eleven years ago, is collecting dust somewhere in your dormitory, halfway across the world. 

“You’re back.”

“It’s been a while, Kei.”

You can no longer differentiate Japanese syllables clearly, and your statement jumbles into nonsense in your head. Kei hears the English woven into your accent in the way you roll your tongue like foreigners do, and in the odd intonations that don’t exist in your mother tongue. You don’t even remember your father’s dislike for white flowers. London has truly done a number on you. 

“Why? Why now?”

You bite your nail, a persistent habit that Kei frowns at. He picks up his flowers, and steps towards the gravestone, just close enough for your knee to brush against him for a moment. The bouquet in his hand is wrapped in plastic and filled with red and pink, the white from your own sticking out like a sore thumb when he places his flowers gently on the grass beside yours. He tosses the towel in his hand, opening it up against his palm, and you take it from him. If you cannot get the language right, or the flowers, this is the least you can do. Cobwebs stick to the fabric as you sweep at the granite slab, watching soot and dust fall to the grass. The curves and dips of the gravestone are familiar once again, and you dig the towel into every nook and cranny. You feel Kei’s body shift, before his knee is touching yours and his face is finally level with your peripheral vision. He glances at you, waiting. His knees bounce in anticipation. 

“Never had the chance, college has been a lot.”

Your phone rings as you finish cleaning. The ringtone is familiar, unchanged from when you used to have a flip phone, in fact. Kei hums along to the jingle for the four seconds that the call is left unanswered, before it cuts off into a flurry of English. He catches something about research, and a thesis, his shabby English unable to fill in any more than that. He’s never known you were interested in research, let alone what it is that you’re researching. All he’s known is your aspiration of becoming a librarian when you were six, and his promise to borrow books from you for the museum that he swore he would one day work at. Now, he works at the museum, sorts antique scripts and yellowed books into cabinets and display shelves. He does not borrow books from you. Now, you talk, but nothing makes sense to him.

You end the call, mumbling foreign curses as you shove your phone back into your pocket. Clicking your tongue, you turn to Kei, who stares at the flowers on the ground. He pushes his glasses up when they slide down his nose, and you resist the familiar urge to nag him about buying the right frames for his face. 

“Yeah, college has been mostly phone calls like that.”

He nods, a half-hearted chuckle huffing from his nose. He’s forgotten what it’s like to sit at a graveyard with somebody else, the annual reminder of a lonely death replaced by another this year as you dust off his towel, and drop it onto his thigh. He swipes it from his leg, folding it into quarters and sliding it into his pocket. 

“So you choose to come now, without a word? Not even a heads up? Six years after leaving?” Kei’s voice rises at each question, the same way it did six years ago when you broke the news of leaving Japan to him. This hurts him to ask, that much you can still recognise.

“I would have come sooner if I had the chance. I’ve missed everyone so much.”

You pluck a petal from a white flower in your bouquet, then another, until all that remains is the naked bulb, and scatter them onto the ground beside you. Perhaps the next person that’s been buried under six feet of dirt used to have a liking for them. Kei remains unmoving, throat bobbing as he swallows thickly. His knee stops bouncing. 

“How long will you stay for?”

“Today, then Friday and Saturday too. Flight back is Sunday night.”

Six years of waiting, and this is what it amounts to. A weekend and a bit. Despite that, Kei still thinks this must be fate, in all the languages that it exists in. Six years of life, and love, and hurt, all to be condensed into four measly days. Yet as Kei pushes himself off the ground, dusting his trousers off, he still thinks that this unlikely, yet conveniently timed visit must be the answer to his pleas for your return. That this must be some heavenly reward, good karma for visiting your father’s grave annually on your behalf. You watch him turn to leave, and he calls out to you as he walks away from your father’s grave. 

“Everyone’s at Hinata’s old place tomorrow. You should come by if you can.”

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Change: to replace (something) with something else, especially something of the same kind that is newer or better; substitute one thing for (another).

All it takes is one coincidental exchange of panicked glances at the first throw up of the night for you and Kei to leave together. Hinata slurs a drunken farewell, tries to embrace you as you slip your sneakers on at the door, and you make a note to yourself that you really do not miss most of the people here, spare for the volleyball team. Kei waits at the door, holding it open for when you finally shake Hinata off of your back, and step through. The night is chilly, the warmth in your skin from the indoor heating system emanating into the midnight air. You kick rocks along the pavement as you walk, scattering pigeons that remain awake and active at this time, and Kei smiles at your antics. You still hate birds, and you still remember the trick he taught you when you were nine for chasing away pigeons that flocked around you for food. 

“Who are you staying with?”

“My mom’s.”

The road leads the two of you to a high school. Kei has not come back to Karasuno since graduation. You squint in the dark, scanning the school, and you don’t recognise the new building that stands in place of the old auditorium. He watches you crouch at the plaque next to the front gate, tracing the letters engraved on it with the pad of your thumb. Some part of him blames Karasuno for being a bad place to you, the other parts blame himself for not being good enough to outweigh it.

“It’s changed.”

“Everything has.”

You rattle the locked entrance, the chain and padlock hitting against cold metal. It won’t open, so you look up through the gap of the gate. Six years ago, on that rooftop, was where you stood over a cold lunch box and emptied convenience store drinks, back against the wire fence, saying to Kei, I’m leaving tomorrow. On that day, you had packed yakisoba for his lunch, and nothing for yourself. He could barely respond to your announcement, only dropping his chopsticks and asking you, why? You told him something along the lines of being an expat, and a better school for what you wanted, all in the fluent Japanese you once spoke. Nothing made sense to him anyways. 

When you turn back to him, his hands are in the pockets of his jacket, and his nose is red from the cold air. You stand beside him, staring aimlessly at Karasuno from outside its barriers. 

“Do you still play volleyball?” 

“Yeah, Sendai Frogs.”

You hum, and then wonder why you only asked tonight, and why you’re surprised. He shrugs, clouds of white puffing from his mouth when he breathes out. He tries to blow a wisp of hair away from his face, and you suddenly realise that his hair has grown too, along with his height. It fails, and he tries again. You reach up to swipe at his bangs, before running your fingers backwards through his hair. It parts itself as you lift your hands from his head, and falls into place neatly. A cold breeze whizzes by, and undoes your work, sending strands of gold into his face once again. You snicker a little.

“You know, you could ask my mom to trim it for you like she used to.”

“Nah, I prefer this.”

It isn’t until you turn to look at him properly that you see how much time has passed. He likes his hair longer these days, the choppy hairdo of his teenage years now nothing but an old preference, and you wonder if he is still a loyal customer of your mother’s salon. When he pulls his hands from his pockets and blows hot air into them, calluses line the bases of his fingers, the blisters of his high school years hardened by trials of time and effort. There are bags under his eyes, eyes that are now a little rounder, and softer too. When he speaks, monotone and tired, you realise his snarkiness has dissipated into general frustration. You stare until his eyes dart to you, and turn away quickly, ashamed. Leaving Karasuno has taken your hand and led you to a purpose that you never knew you were capable of. You wonder what the hell it has done to Tsukishima Kei. 

“It looks good.”

He breathes in sharply, then exhales with a huff, shoulders relaxing as he stuffs his hands back into his pockets. You suddenly realise that your fingers have gone numb from the cold of the night, fingertips tingling like a million frost-bitten needles poking into your skin. You also stuff your hands into your pockets, rubbing your fingers against each other to generate some heat. Then, Kei’s looping his arm around yours, and pulling you away from Karasuno High School. He keeps on his straight path, and you stumble along behind his leaping steps. When you round a corner, the night breeze grows into something less imperturbable, and more vicious, pushing the two of you forward from behind in slashes of cold. The sea is near. 

“Is this the beach we used to go to?”

“You still remember it.”

He drags you down a flight of stairs to Fukanuma Beach, and the misty sea air rushes to your head. When he leads you to the shoreline, you hesitate. The sea has been off limits since the two of you were five, a regulation put in place in remembrance of the Great Sendai Earthquake. An earthquake that saw Kei and yourself hunched beneath the same table in the middle of class, huddled next to each other as you cried for your parents. Now, in your final years of college, as the water slips beneath the soles of his shoes, pushing and receding in layers of aqua and bubbles of white, it seems that time has slipped by just as easily too. Time, that saw the fading of the earthquake’s devastation, despite the loss of thousands, including your father. Time, that frayed the string connecting yourself to Kei as you moved through life halfway across the world from Japan. Time, that passes through you like sand spilling between your fingers on a beach you once thought you knew, but has changed like the unprohibited water that seems to push further up into the shore at each tidal wave. 

“They lifted the ban?”

“A few months ago, yeah.”

You step into the next wave that fizzles into foam, and the water crashes into the toe of your shoes. Crouching, you push mounds of wet sand into a cylinder, flattening the top and pushing divots in equal intervals. Kei joins, moulding shorter ones beside your own and drawing windows into the side. You finish, and he stands, smiling at the creation. You cover the top, afraid he will stomp on it, a trademark of Kei’s whenever you built sandcastles with him in childhood. Instead, he laughs, and walks further into the water. When you get up to join him, the hems of his trousers are soaked, shoes also covered in a sheen of wetness. You hop over the castle, and the next wave that comes sends its foundations crumbling back into the sea. 

“We used to do that. You’d destroy it every time.”

Kei chuckles, and looks back to see the half destroyed castle. Clicking his tongue, he returns to the rubble, and you watch his hands push mounds of sand towards what is left standing. 

“I’d always build a better one for you afterwards though.”

He dusts his hands off when he finishes, and the waves fizzle out just before they hit the two-tiered sandcastle. You sniff, holding your arms close to your chest. When Kei looks up, he feels like the summer of being seven years old again, smiling at you with his missing front tooth when you sniffle and laugh at the improved castle he’s put together for you. Now, it is winter. He only grins with the corners of his lips. You only sniff because it’s cold. 

“Kei.”

“Yeah?”

“It’s really been a while. How have you been?”

He steps over the castle towards you, careful not to break it. Your hair blows in your face from the beach breeze and your eyes squint from the sand that flies into the air, and Kei takes it all in when you’re face to face with him. When he opens his mouth, some selfish part of him thinks about casting his words into shackles of regret, so heavy that they weigh you down and keep you in Japan, in Sendai, on this beach, somewhere close to him.

“Do you want to stay the night? Like you used to?”

▬▬▬▬▬▬▬

Nostalgia: A sentimental longing, or wistful yearning for a return to or of some past period or irrecoverable condition.

Kei does not take you to his family house. He leads you up stairs that make no sense, and hallways that stretch on forever, until you finally reach his flat. He wipes his shoes on the doormat, throws his keys into a glass bowl upon entry, and hangs his jacket on a hook mounted to his front door instead of the coathanger that used to stand beside it. You look around, searching for the shells you once collected in a jar for his tenth birthday. When your eyes land on a jar filled with conches and cowries, you let go of a breath you were unaware of holding. They sit on the top of his bookshelf, above textbooks and file organisers. A knot forms in your throat at the realisation that the jar sits alone in its compartment, with nothing beside it. You’ve done the same to the jazz vinyl Kei gifted you at the airport before your departure. You don’t realise that he’s disappeared somewhere as you stare at the shells, until a shirt and a pair of shorts are thrown into your chest. He stands at the entrance to a hallway, donning sweatpants and an old hoodie, one that’s clearly a size too small. The pocket is lousily sewn on, a result of a mishap that occurred when you had borrowed it once. He doesn’t know that you spent the night learning to sew fabric just to fix it.

“Change. It’ll be more comfortable.”

You scurry through the hallway to his bathroom, pulling the shirt and shorts on hastily, before balling up your clothes and returning to the living room. Kei sits at his couch, now bound in leather instead of fabric, and clicks at the television. You join beside him, legs splaying across his own subconsciously. He doesn’t move. He stops at a movie, one you’ve seen hundreds of times before at his old house. It drones on in the background as he watches in silence, his arms now draped over your knees. The first time he watched this movie, it was in his old home, cross-legged on the carpeted ground with you on the couch behind him. Your hands used to press into his shoulders from above, shake them whenever your favourite scenes came on, squeeze them when you laughed until tears rolled from your eyes. Now that his new flat lacks a rug, he’s willing to settle with your legs on his own. Flashing lights illuminate the dark room in sequences that you can still recall perfectly from memory. He watches the movie. You watch him. 

“Have you been doing good, Kei?”

Turning to you, he pushes his glasses up into his hair, leaning further back. You shuffle closer, legs bending as your shoulder digs into the leather couch. A strand of blond falls into his face, and you lift his glasses to tuck it back, before smoothing your hands over his mess of hair, combing and pushing with your fingertips.The words from the television melt into gibberish when he hums in satisfaction, what is unspoken between you two is more glaring than ever.

“I’ve been okay.” He cuts off, then finds himself thinking of what to tell you first, amongst the recollections of life that rush through his head. “Started working at the museum a couple years ago.” He wishes that you still remember the building, where the marble floors squeaked beneath your slippers, and glass panels lined the walls, hiding away treasures and artefacts that have withstood centuries, maybe even eons of erosion and weathering.

You nod, mind filling with the many museum visits you had with him there. He’s always liked the dinosaurs more than the shells. When you breathe out a chuckle, he knows you’re recalling the time he almost pissed himself at a life-sized, moving tyrannosaurus rex model. 

“What about you?”

“Research. I’ve been doing research about…” you sign in the air, searching for the Japanese words that have slipped from your mind. Surrendering, you whip your phone out, searching for a translation. 

“Archaeology?”

“Yeah, that. No more librarian dreams for me. More dinosaurs, though.”

A smile finds its way onto Kei’s face, one that softens his cheeks and flattens his eyes into crescents. He wonders if amongst the silver plaques and digital displays, your work is engraved in there somewhere. If each time he explains something to some bright-eyed child, who scuttles around the museum as you and him once did, he is unknowingly speaking in your language, translated until he can decipher the thoughts that run through your mind in your research, your memories, your dreams too. 

“Maybe it’s in the museum somewhere. I’m willing to bet.”

“I hope it is.”

Your conversation fizzles back into silence, and the characters on the television do too. The two on the screen sit in a field, mere inches apart. The two of you look at each other, your knees now leaned into Kei’s chest and one of his arms draped along the back of the couch. When he pulls his glasses back to his eyes, and studies you all over again, it hits him that you really haven’t changed all that much, even after your six year separation. Six years older, with the exhaustion of a functioning adult, but you still gnaw on your cheeks, and tilt your head as you ask questions. Six years apart, and you are still you, who taught him to build sandcastles, and introduced him to his favourite movie, and fixed his hair whenever it stuck up in stubborn peaks of gold. When you let your eyes close, and drop your head onto his shoulder, you wait for lost time to tick backwards, until you’re on the rooftop with him once again. In this version of time, you blush when you tell him that you’ve chosen to stay in Japan instead. Pushing your head further into the crook of his neck, Kei’s chin reaches over to rest on the top of your crown. The credits of the movie roll in the background, and you mumble into the skin of his pulse. 

“Can you take me there? I’ve missed it.” Your words send vibrations down his spine, sending his head into a frenzy as he pushes his hands against the couch harder. 

“The museum?” It will be closed for the weekend, but Kei nods anyway. He’s sure he can find his way in through the back. Maybe he’ll take you to the fossils again, let you run your fingers along smooth amber and stone engravings. Perhaps he could show you the new exhibitions, ones that you won’t miss this time, as you have for the past six years. For now, he thinks he will let you sleep on his shoulder, listen to your soft snores, tremble at every hot breath that fans onto his neck. 

The credits roll to the end, and come to a stop. Kei removes his arm from the couch to grab the remote from his coffee table. He rewinds the movie to the start.

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思慕 [しぼ, shibo]: yearning; deep longing, especially when accompanied by tenderness or sadness.

On the final night of your stay, you learn that Kei still giggles when he breaks rules, as he drags you through the back entrance of the closed museum. He maneuvers through hallways of antique paintings and repurposed junk, slips into dark stairwells illuminated by the flashlight of his phone, traps your wrist between his fingers and chuckles to himself, shaking his head as he takes you higher, and higher, and higher. You’ve lost count of how many flights of stairs have gone by when he taps his keycard against a sensor by a backdoor, and pushes it open. The museum observatory, once a mess of bamboo scaffolding and green covers, now allows silver moonlight through its glass dome, boasting billions of iridescent stars nestled in a blanket of hazy midnight. A decade of your anticipation has resulted in a circular space, hundreds of plush recliners lining the circumference of the room, and you wonder how many eyes have watched the stars from those seats before you ever had the chance to. When Kei leads you further into the observatory, you step foot onto the north star plastered on the ground in the centre of the room, where nothing but a telescope remains in a ten-foot radius. He takes a spot on the ground, back pressed against the cushioned edge of a seat.

“I figured this is the best spot. Better than any of the seats, actually.” He plants his feet on the ground, bending his knees and spreading them just wide enough for you to sit in between. You cross your legs, wagging them up and down as your hands hold your shins, and he lowers his legs, stretching them out in front of him. Leaning back, your spine hits a spot between his ribs, the same way it did when you were thirteen, and fourteen, and fifteen, staring at stars from the grass of his backyard. You pity the visitors that have yet to discover the simplicity of stargazing from the ground, hands pushed into the ground for stability, dirt and moisture seeping into the fabric of clothing. Pushing further into him, his breathing is heavy against your back, chest rising in rhythmic ups and downs. For what feels like hours, you sit in silence, eyes trained on your fingers that pick and fiddle. At the realisation that you haven’t looked at the stars in years, something bubbles in your stomach, pervasive, relentless. When you finally loll your head backwards to fall on his shoulder, and the tip of Kei’s nose grazes your cheekbone, you wonder how long he has not looked at the stars for as well. 

“Why’d you stop calling?” His sudden question sends a haze rushing into your head.

You swallow thickly. If the passage of time were a sin, you’d burden it with all your explanations. Telling him that now would seem like some lousy excuse.

“It stopped going to your line a year after I left.” You pause, searching for the right words to use amidst the sea of Japanese and English that you must now sort out. “I only stopped trying after another month, the voicemail just said your number was no longer in use.” 

Kei wishes he could dig his fingers into his chest and rip his heart out. If only he hadn’t stupidly broken his phone that night, five years ago during volleyball practice. If only he had checked his pockets before entering the court, just as he has done hundreds of times before. If only he had this, if only he had that, he might just torment himself for the rest of his life. His breath hitches, shoulder freezing rigid. Time does not differentiate between the knowing and oblivious. It slips and leaks beneath the noses of all that it encompasses, and it is but the cautious few that know to grab it, and join in on its journey. He knows now that he is not one of them, not after he’s cursed at the passage of time over and over and over for his own blunder.

“I broke my phone in a game. Got a new one so the number changed as well, fuck me.”

You laugh dryly into the empty observatory. The occasional twinkling of the stars above do nothing to make his explanation any easier. You think you’ll blame it all on doomed fate that you’ve spent five years trying to find somebody that felt the same as Kei did, to no avail. Blame it on cursed luck that you’ve clawed and grabbed at anything familiar enough, archaeology, jazz vinyls, old DVDs of the movie shared between two, all to remind yourself that he too, was once within grasp. You say nothing, because you don’t see a reason to. Instead, you push your head into his neck, drown in the scent of his cologne, ease yourself into his now grown body. You don’t see him wipe a hand across his mouth, then rub his eyes with pinched fingers. 

When Kei decides to speak again, it is what feels like another hour later. He’s readjusted his posture about fifty times by now, arms removed from the ground and draped over your shoulders. The sensation of your hair against his skin is suddenly more prominent than ever when your hands find his own, holding them closer to yourself.

“If I didn’t find you at the grave, would you have looked for me?” His question is heavy, weighing his chest down as the words leave his throat in a hesitant cluster. You turn to look at him, and your eyes linger on his own when you squeeze his hands once, twice, then a third time. 

“I’ve been looking for five years. Nobody else could take me home.” Your heart rushes to your mouth at your confession, and the bob of Kei’s throat does not go unnoticed. One of his hands comes up to hold your shoulder, pushing it towards himself until your body twists, rubbing against his. You let go of him, pressing your fingers into the ground between his legs instead, and he breathes out shakily, his windpipe suddenly cleared of its uncertainty.

“You’re leaving tomorrow.”

“Yes, I am.”

His fingers slide down to grab your wrist, before going numb completely. His unoccupied hand peels itself from the floor and settles on the side of your waist. Your mouth goes dry when Kei breathes, hot and heavy, his eyes travelling to every inch of you. A bout of heat rushes from his chest to his head, and his legs, and his arms too. The air between the two of you is thick, and it sends your head into a feverish blur. The ground collapses beneath your knees as they shift to press into the floor, and you come face to face with Tsukishima Kei, who prefers his hair parted in bangs on the sides of his face, and wears silver frames instead of black ones. Tsukishima Kei, who has been visiting your father’s grave on your behalf for six years, and still plays volleyball even in his adulthood. Tsukishima Kei, whose eyes are finally finished with their ventures across your figure, that is pushed up against him on the ground of an observatory, and is learning whatever he can about you when his fingers tighten around your wrists and he kisses you without a warning. 

Once, at the young, innocent age of seven, Tsukishima Kei kissed you in this museum. You had run a little too fast, stepped on your loose laces and fallen onto the ground face first. You sulked at a bench facing some random painting of melting clocks, red dots scattered across a purple patch right beneath your eye. When he kneeled in front of you to grab your face, and pressed his lips onto the bruise for a fraction of a second, he must have kissed the pain away, mending the leaking capillaries beneath your skin as he separated from your cheeks with a pop. Now, he pulls against your wrists to push himself closer, traps you in the embrace of his legs around the back of your thighs, wheezes and stutters against your lips at the lack of oxygen in his lungs. His head is running in circles instead of straight paths, and everything is spinning. When your hands reach to grab at his shirt, and palm at his chest, he pulls away only to rip his glasses off and toss them to the ground. Beneath the glow of the moon from above, everything but your flushed cheeks and swollen lips is a blur. You take half a breath in, before it is interrupted by Kei’s palms pulling you in by the sides of your neck, and his mouth on yours again. At seven years old, he ripped bruising pain away from your face with a kiss. At twenty-one, he forces his pain, and grief, and regret rushing into your heart by pushing himself against you, fingers tangling themselves into your hair as he kisses you, desperate, almost distressed. Every tug at your lips is a confession left unspoken, every time Kei opens his mouth apologies spill out into you in choked groans and sighs. At the sensation of his hand leaving your neck, your arm searches for him aimlessly, before he’s palming at you through your pants. He swallows your sudden gasp, and your fingers grip his wrist until your knuckles go white. 

“Did you ever like me?” You can do nothing but choke out a question against his lips, one you’ve pondered about, day in and day out, since your departure from Japan.

By the way that Kei nods frantically, you’re certain that this is what six years of separation has amounted to. 

Sparing no time, your fingers tug at the hem of his boxers, pulling them down just enough to release himself from the fabric constraints. He does the same, hands roaming until they find the waistband of your pants to push them down, fingers tugging your underwear to the side with a flick. He grabs you by the waist beneath your shirt, yanks your body towards him until something feels right and he can’t help but let out a trembling sigh into your shoulder. And when you finally begin to sink yourself onto him, agonisingly slow, you wish that you had never left Japan in the first place. Your eyes roll to the back of your head, and you wish that you could spend the rest of your life in this observatory with Kei, your hands wrapped around the back of his sweat-slicked neck. 

When he pulls you down to push further, more pervasively, you fall into him, head hanging over his shoulder and arms squeezing around his neck. His inexperienced hands rock you back and forth against his hips, pulling a flurry of gasps and moans from your throat. He lets himself learn how you taste when his teeth tug at the hem of your shirt, pulling it down to expose your bare shoulder. His lips latch onto your collarbone, biting and sucking a trail of red marks up to the side of your neck. You shudder at his advances, and he studies the way your walls flutter around him, the erratic pulses that draw stars around his head, how your nails dig into his shoulders, and send his mind into a senseless orbit. 

When he pushes and pulls at you a little harder, you whimper his name into his ear, reduced to nothing but a babbling mess that nibbles at his neck and kisses up his jaw feverishly. First friend, first kiss, first love. The notion that this is another first that Tsukishima Kei has brought upon you sends your mind spiralling. He should have been your first prom date, first roommate, first dance too. If only you hadn’t left him first. You push your head off his shoulder, hands moving to hold his face instead. A wave of pleasure washes over you when his palm presses against your stomach, and you hang your head low again, a shaky sigh released from your chest. 

When you look up, there are tears in Kei’s eyes. He rolls his head back onto the plush seat behind him, hands lifting you off himself fully, just to push you back onto him again. You collapse into his body, palms pressing against his heaving chest. 

“I- fuck! I fucking loved you! I still do!” He speaks it into the glass ceiling as one hand reaches for his face. He wipes his palm across his eyes, only for more tears to form. They are uncontrollable, relentless as he turns his head away from you. He isn’t sure how he will live again tomorrow, not when he’s finally come to a reckoning with the pang in his chest at every thought of you. He thinks he could die the second you step onto that flight back to London, ripped away from him once again. The reality that he cannot stay buried inside you for any longer than the next couple of minutes haunts him to no end, the idea of being separated from you a second time unbearable to even imagine. When he turns back to see you, head on his chest and fingers gripping the fabric of his shirt, he decides that reality can wait until he’s finished with you. 

“I love you too- shit, Kei! I never stopped!”

You rut against his hips senselessly now, chasing some unfamiliar high as your vision fades to black and you scream his name until your throat goes hoarse. Kei barely gives you time to breathe, before he’s coming undone from right beneath you, shuddering and groaning as you relax against his body and go limp. He holds you against him, one hand pushing your head against his chest and the other wrapped around your back. He tucks your damp hair behind your ears, places kisses along your temple so he can hear the hums of satisfaction that sound from your curled lips. 

“Can you stay forever?” He mumbles into your hair, and you turn to press your ear against his chest. His heart pounds as he pushes his cheek into the crown of your head, and your hands crawl up his chest to wrap around his neck. When he looks up through the glass ceiling, the stars have not moved one bit.

“I’ll find you again, wherever you are.”

Time may slip away from Tsukishima Kei like petals that fall off the buds of flowers, water that seeps beneath the soles of his sneakers, stardust that hovers above the atmosphere. Yet he has learned that it has a way of always coming back to remind him of its presence, and its escape. You are the reminder that it has been sending to him for six years.

author's note:

ERM! never writing nsfw again that's for sure but this piece defs had some stuff that i was very, VERY proud of coming up with!! sorry to my minor moots who probably won't read this in its entirety bc of the big MDNI warning... but I honestly don't know how to feel about this piece as a whole... i was super excited to write it but i think i got a little impatient towards the end esp since im always writing at like 3am LOL but i hope you guys liked it anyways!!! i tried really hard to make the dynamic work and i hope it did!!!!!

also ps they exchange numbers again js a little extra bonus that i didn’t get to put into the actual thing

anyways tags!!

@staraxiaa @chuuya-brainrot @akaakeis @laughingfcx @writingsofanomnivore @t0rchknight @bailey-reeds @wyrcan @hiraethwa @fiannee @catsoupki @anonymity-222 @wishi-selfships @kuroppiii

ok love u guys thank u for being patient

[romanceclub-confessionss]

As a Russian-speaking user, I really don't think and don't believe that most Russian-speaking people "don't like love interest lines when the partner in it has dark skin." Absolutely not. Communicating with the HUGE Russian-speaking fandom, I noticed that every fourth one chooses a "non-white" favorite. Those with whom I communicate personally are of the opinion (like me) that the love line is what attracts people to lead this love story, first of all, with its character, charisma, humor, and attitude towards the main character. Appearance only matters for the first impression.

It is very unfair to label entire audiences by communicating only to their most unpleasant side. There are intolerant people in every country and every culture, and the problem of "colored" is actually greater among English-speaking users due to historical reasons.Russian speakers treat this with a lively childlike interest; there is no "skin color protocol" in society due to the historical reasons why the problem of oppression arose in the Americas in the first place.

All the best, cookies to the admins)

first of all, while you might have a russian speaking circle that is open-minded to diversity, the broader reality within the ru fandom tells a whole different story. for instance, let's not act like the case of And The Haze Will Take Us was the very first time russian players acted this way. the ru fandom was extremely outraged over characters of colour being introduced in W: Time Catcher and 7 Brothers as well. the reactions delved into blatantly racist comments, that there are "too many" non-white love interests, and that they are "uncomfortable" with it.

second of all, as someone from eastern europe, i can say that extreme racism has always been historically embedded in russian society. and not only with people of colour, but even with other slavic groups/eastern europeans (ukranians, belarusians, etc) and other ethnicities within their borders (rroma). it basically extends to anyone perceived as "other". this isn't just a modern issue.

also, isn't it ironic that while you are complaining about the ru fandom being generalised as racist, you are doing the same exact thing to the english speaking fandom? by saying they are "more racist due to historical reasons", you are literally generalising an entire group based on language and geography, while completely ignoring the fact that bigotry exists everywhere, INCLUDING russia.

instead of deflecting and gaslighting, you should acknowledge and work on your biases within your own community.

all the best.

- mod stef

[grimeerie]

So recently under a post about platonic biting me and @becauseplot had a tiny convo about Arthur and Agatha being into affectionate biting as a form of platonic love language,and i JUST HAD TO DRAW ABOUT IT ( look man any opportunity to draw my favorite blood sibs i can never PASS )

I honestly love the idea of blood-affinity folks showing thier love to their friends and partners through biting,its just so cute <3 (it kinda reminds me of how some animals will sometimes nibble to show their affection for you), they have so much love in their heart,the only way to properly demonstrate is a good ol' CHOMP

Arthur and Agatha being both of Blood and dealing with the intense feelings that comes with transcending,immediately understand eachother so they bite the others arm a lot.

Arthur also bites Kaiser (at first hes confused,but he later understands that its meant as affection) (+ english transcript for the non-portuguese speakers)

(K: Arthur,look over this documents for me-)

(Arthur internally: BITE BITE BITE HIM BITE HIM)

(A: A-Ah! i'm sorry,Kai! I don't know what got over me!!´)

(K: Arthur-)

(A: Swear it wasnt to hurt,forgive me!)

(K: Im not mad,dude,calm down.)

(A: Wait,really?) (K: Yes.)

(K: But im curious,why do you bite us so much ? I see you and Agatha do this a lot.) (A: W-well,its...)

(A: I dont know,its kinda hard to explain...since ive transcended,all of my feelings have been so intense,you know? And that happens when im near you and our friends,its like all of the love i have for all of you can't be expressed with a hug,or "i love you",only with-)

(K: A bite ? )

(A: Exactly! I think it's my way of showing affection.)

(K: Eh...i can't really understand,to be honest.) (A: Its ok,even i dont get it!)

(K: You know,if you want to continue biting me,i don't mind.)

(A: REALLY?!)

(K: Just dont bite too hard,and avoid my left arm,its been pretty sensible since the burns.)

(A: YOU REALLY ARE AN ANGEL,KAI!!!)

(K: Are you crying ??)

Bonus with Agatha and Verissimo:

(V:...God,why is my adoptive daughter so crazy?)

hope yall enjoy my silly shitty little scribbles lmao

[myokk]

💘

[ayv-art]

Love how Tamaki looked when he dressed as a girl, so I did a screenshot redraw of him. Original under the cut.

[osteochondraldefect]

i love spreading misinformation about what happens in this podcast aka.: bunch of thangs i drew but didnt feel like posting separately

[atthebell]

i think people really do not understand what's going on with carre guys he speaks english he just doesn't want to talk to them most of the time and like roier he does prefer to speak spanish

like i think you might be getting confused because cellbit kept speaking spanish to him but cellbit likes to speak spanish with all the spanish speakers (not just roier-- he does it with max and pol as well) because he doesn't like english being the default

[lichtbrenger]

charlie and empathy

I’ve seen some thoughts about Charlie floating around (always love to read them, everyone has unique thoughts, namaste 🙏) and there seems to be a lot of discussion about Charlie having little actual empathy for the people around her and I don’t know if that is a fair assessment based on what we’ve been shown so far.

Long one so I’m putting it in the read more <3

The idea that Charlie has strong feelings of sympathy without feeling empathy kind of befuddles me, because the jury's still out on what sympathy actually is when compared to empathy. The most intuitive answer would be to separate them by saying sympathy is feeling for someone and empathy is feeling with someone. I wrote out a whole thing about this (that empathy does not directly motivate helping behavior like sympathy does and that empathy can lead to personal distress (a self-oriented reaction of distress to another’s suffering)) BUT I don’t think that’s the point I want to make here 😸 hihi. So I’m solely going to focus on the thought that Charlie has low empathy.

If we look at Charlie and the way she expresses empathy (which, if psychometrically sound is seen as multifaceted in nature; usually cognitive, affective and somatic (sliding scales referred to as CASES)) the only thing she seems to be lacking is cognitive empathy.

Cognitive empathy allows us to understand and interpret emotions more analytically. This is sometimes also called empathic accuracy.

Cognitive empathy is more like a skill, a skill Charlie never got to work on. Charlie has lived her whole life in uhm, hell, where people don’t respond well to genuine feelings of empathy/sympathy from others. Charlie has tried and failed again and again in reaching out to people, and these experiences haven’t provided her with a reason why. A lot of people point to the Angel Dust Situation as a moment where Charlie shows that she’s not empathetic, but I don’t actually think that’s what’s going on there. Charlie seems to have a lot of empathy for Angel is this episode, she is however completely unequipped. Everything takes her by surprise, her emotions are intense and she doesn’t understand the stakes of Angel’s situation when she first tries to help. This doesn’t means she’s unempathetic, this means she’s in over her head. She doesn’t have a lot of experience with people actually wanting/ needing her help and she hasn’t had any experience in Angel’s scene. She fumbles, but a lack of empathy isn’t the issue. Her feelings aren’t wrong in these very complicated moments.  

I’ve also seen people discuss Charlie's relationship with Vaggie and with that I feel like people forget that Charlie knew nothing about Vaggie’s life before her until the meeting in heaven. We don’t know what Vaggie told her, but I doubt she told Charlie about her trauma or hangups surrounding coming down every year to slaughter her people. Charlie has no real reason to think Vaggie isn’t her equal, her partner, capable of handling the same things she does especially since that’s probably exactly what Vaggie wants her to think. Charlie trusts her and doesn’t have a reason to think she’s not being forthcoming. Again, naivete, maybe; a lack of empathy, I don’t think so. I also think that, while we as the viewer may recover quite quickly from the shock of Vaggie being an ex-exorcist, Charlie is allowed to give it a little more time. She’s been lied to (in quite a big way) by the one person who has stood by her and she trusted unconditionally. She’s known her for years (I assume) and there are certain patterns of thought and behavior that just wear into a relationship, and you can’t expect someone to snap out of that all of the sudden. Charlie realizing Vaggie has her own specific demons and what that entails for their relationship is going to take time, I think it would take time for anyone.

Tldr; I don’t think Charlie suffers from a lack of empathy, she suffers from a lack of practice and positive experiences, mostly. She’s ill equipped in some instances, and purposefully left in the dark in others.

[capisback]

I know it’s haha funny to laugh at dutch and call it discount english or what-have-you, but I stopped finding it funny a long, long time ago. There’s so much active distaste for a language that has every right to exist and be found beautiful, but it’s hated by people who don’t speak it and native speakers who do. Why would you call any language lesser than? Any language better than another? There’s so much beauty to be found in each language, so many different ways of life and seeing the world, so many different words and sayings and ways to love that you can’t find in another. Dutch is no different, and it deserves to be appreciated, not driven into the ground and disregarded as a worn piece of clothing that’s served its purpose

[pteropods]

crazy that indonesian isnt even top 29 help??? its 56(?)

IKR??? esp bcs Indonesia is like the fourth modt populated country in the world ,,, like obv mandarin and english n hindi wld be above it, then spanish n arabic bcs its got so many countries, but its wildddd its so low for native speakers. Even if u include non native speakers its only 11th :0

[splickedylit]

excerpting

Domestic Diplomacy II is turning out to be even more "splickedy gratuitously gets caught in the weeds of xenosociology and alien language barriers, the fic sequel" and tbh I'm not mad about it

--

“Oh, your moirail!” says Jade, and bounces upright, ignoring John’s wary little soft human cautionary hiss.  To your vague surprise, she’s apparently learned enough not to do the human holding-out-a-hand gesture they usually do when they’re introduced; she clasps her hands in front of her, nonexistent claws politely folded in, and ducks her head briefly forward and to one side, careful not to jab at him with her nonexistent horns. 

It's a pretty passable greeting—for a social equal, which is its own bizarre issue, considering he’s a highblood.  But relatively non-offensive, for a human, and fortunately for her she’s picked a highblood who isn’t likely to give a shit.  Gamzee laughs out loud and gives his own lazy-ass version of a greeting back, a vague twist of his wrists and dip of his head, condescending to use an equal’s greeting back at her.   When he says “Gamzee Makara,” there’s a hint of a threatening buzz to it, a testing you should know to respect me warning—you could have told him she’d show absolutely no sign of hearing it, which is exactly what happens.

“I’m Jade Harley!  I meet you,” Jade says, a carefully neutral statement-of-fact greeting—not fawning or hostile.  You don’t know if humans are out here just learning neutral address no matter what, or if this human particularly just doesn’t give a shit that your moirail’s a fuck-off mutant-huge highblood with horns that scrape the ceiling of the block—by the expectant way she looks up at Gamzee afterward, she wouldn’t give much of a shit either way.  Out of all of the humans, Jade Harley might actually win the prize for giving the least shits, no matter what Rose and Dave like to pretend.

“Yeah, I meet you too, motherfucker,” says Gamzee, looking incredibly amused, and glances down at you.  “She’s a rude-ass little motherfuckin’ toothful, huh?  I like her.”

“Of course you do,” you say, pained.  “Don’t take it personally, alright?  You’re not a highblood here, they don’t get highbloods.”

“Oh, best friend,” says Gamzee, and kisses your nugbone again, embarrassingly.  “I’m a highblood wherever the fuck I go.  It’s cool though.  Squishy-ass little motherfuckers won’t get any grief from me.”

“<Motherfucker>,” Jade repeats behind you, and switches back to English, in the bright, wide verbal tone you’re starting to learn means ‘smiling and happy’, weird interstitial ‘vowel’ breath-sounds further back in the throat through pulled-back mouth-corners.  “Hmm, <motherfucker>…  Oh, neat!  Is that dialect?  It sounds like, ahh, what’s that other word.  Kk—kkkht—  Uh, dammit.  You guys need to learn how to use vowels—  It sounds like <;brother>.”

“It is like,” you say, surprised despite yourself.  “&lt;Brother> is a troll, and <motherfucker> you put it all spots you want.  It’s a thing, it’s a troll, it’s a, tss, a doing-things word, it’s a name.  It’s bad, it’s good.  Any spot you want.  And he does want, for all those, all the time.”

[renaissancefailmarriage]

just so we're all clear i do check the fundraisers i reblog to make sure they're legitimate. many of them have the verification in the post itself, ie, "verified by [xyz user]" but i do look just in case.

[ciudaddelapazmp3]

Finally finished the first chapter of my wranduin fic and it's [checks word count] 10k words long 👍 oh god

[butterfly-siege]

Ok i was really gung ho about making a few languages for my novel, and i still am largely. But hoooo boy the learning curve. It goes from ‘wow neat!’ To deep philosophical questions about what even is language and also look how we prioritize certain structures and check this out! Hidden metaphor. Rethink everything, you’re biased immensely by the languages you speak.

Im going to keep with it but i am feeling very intimidated and also lots of respect for conlinguists. A++

[psqqa]

the person behind me is having a whispered conversation with someone and their desk and my brain keeps trying to go down the path “oh no it’s because they’re talking about how much they hate me!” and i keep having to drag it back to the extremely obvious and fully rational “oh they’re trying not to disrupt anyone’s work, super appreciate them for that”.

like human brains are for real the dumbest, most terrified little animals in existence. calm the fuck down my dude our colleagues aren’t going to kick us out of the cave to fend for ourselves against the cold and sabre-tooth tigers.

[snakesarefuckingcute]

The issue with learning english almost exclusively from social media is that sometimes you learn a phrase - say, "big if true" - and assume it is like any other phrase you've seen around. Then you say it, completely earnestly, and find out very fast that it is *not* a normal phrase for serious conversation.

Anyway "big if true" is a meme^2 in my friend group now.