Scrolling back through five years of comments on that Persuasion/Capt. Wentworth analysis post
Which is here...
I found this reply from @emilyshka, and I’m replying on a fresh post because some of my ideas are rather tangential:
Yes to ALL OF THIS. The reason Persuasion is my favorite Austen is because you can tell that she was dying when she wrote it, it’s so real and full of regret and then RIGHT AT THE END we get a kind of rushed happy ending but it almost feels more earned in a weird way, because everything leading up to it was so hopeless.
The first time I read it, it felt like the happy ending was kind of rushed, too. But each time I go back and reread it (or re-listen, if I’ve got a good audio book version), especially if it hasn’t been too long between readings, I discover details in Austen’s writing that show that the happy ending isn’t rushed at all -- she’s been laying clues all along about how Wentworth still loves Anne almost from the time he rolls into Upper Cross, and certainly since he shows up in Bath.
The problem is that Anne is an unreliable narrator, and she’s her own audience. She’s so terrified of “false” hope that she talks herself out of interpreting Wentworth’s behavior as warm or forgiving in any way.
Even though there’s no murder or theft or other crime to be solved, the novel really is structured like a mystery, and so resolving the emotional tension in the last chapter doesn’t feel any more out of place than saving the reveal of a murderer until the last chapter.
The only thing that’s really rushed, imnsho, is how Mister Elliot’s villainy toward her family is revealed, very conveniently, through a random letter that just happened to be saved in a box, and easily found an retrieved at the moment it is most needed.
(But I still want a spin-off fic of the adventures of Mrs. Smith and Nurse Rooke, they could be a fantastic duo of amateur detectives)
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