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#and we got a peak at Focalors' personality!!!
that-foul-legacy-lover · 10 months
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oh my god that new trailer holy shit i am so excited for Fontaine
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icyviv · 6 months
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Tell me about your Furina trans allegory idea, I love hearing about people finding queer allegories in media
I'm very annoyed because I was trying to do this on mobile, and of course it got eaten as I was working on it. So I am probably going to forget half of what I originally typed.
The first interaction with Furina that we have, it is made very clear that she is a performer. Every action she takes is for others. She lives under a spotlight. Spoilers ahead, obviously.
Furina confronts us in the manner expected of the Hydro Archon. But even in that first interaction, it is made clear that she is uncomfortable in this role, and lacks confidence in what she is doing. She looks around for constant reassurance that "Yes, that is what the Hydro Archon would do here."
We then see her in the courtroom. What is supposed to be her supreme realm. And still, she is unsure. She puts on a facade, keeps a mask, but it is clear that it does not fit.
Then, in Acts 3 and 4, while our interaction is limited to one event at the end, our suspicions that she is not the Archon are given continued evidence from The Knave.
This all leads to the climax in Act 5. The pressure of the prophecy has reached its peak. Furina's mask is pulling ever tighter, and she still can not be the Hydro Archon, no matter how much she tries. Finally, she is presented with an unimaginable, impossible, choice. She decides that the facade is more important then her life, and plunges her hand into the waters from the Primordial Sea, knowing that they will kill her.
Luckily, she survives. But it does not matter. The mask has broken. The world knows that she is not the Hydro Archon.
We then dive into her memories. We see the moment she is made the "Hydro Archon". We have to make a choice between being true to herself, or being what the world expects of the Hydro Archon. We literally can not move forward unless Furina abandons her true self for what society expects of her.
We then jump over to Neuvilette and Focalors. Focalors finally frees her most important part, her human self Furina, from the chains that bind her.
Furina is now left, shattered and maskless. She had to pretend to be something she wasn't for 500 years. Furina is free. But to do what? She must now figure out who she is in the aftermath of her entire identity being destroyed.
The connections to being queer are personally quite visible.
-Constantly looking around and making sure you are performing your role as you should be.
-Constantly alone, you try to find solace and company in moments of peace. (Furina only able to feel comfortable with the stray cat, incapable of judging her.)
-That moment of life or death, where many people feel trapped. They must destroy who they were if they wish to move forward. And, unfortunately, many don't survive.
-Making it through that deadly moment, and realizing that you left behind, well, everything. Who are you now? You aren't letting everyone else tell you, but you don't really know yourself.
That is just my thought on everything. I loved Furina from the moment we met, and I love what Inori Minase has done with the character voice.
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Also she is an actress, and everyone knows that stage people are all queer as hell.
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