#andrew boyle photography

[thethreedeadkings]

Latino Punk Fest '15, Bushwick, Manhattan’s Lower East Side. [photographer Andrew Boyle]

[fashionarmies]

#NYFW

CHROMAT A/W’18 Wavvy collection.

📸: Andrew Boyle for PAPER Magazine

[bandidoguapo]

The History of 'La Cerveza Más Fina' - Nexus Studios & Corona from Nexus Studios on Vimeo.

Under the direction of Nicolas Ménard, Nexus Studios presents this epic stop-motion film takes viewers on a journey through 90 years of the intertwined history of Mexico and iconic beer Corona. Narrated by actor and producer Gael García Bernal and inspired by the art of Pedro Friedeberg, our studio team worked with Andy Gent’s team at Arch Model Studio to design, create and animate a cast of 71 miniature characters, 8 beautifully detailed sets and 350 individually made miniature glass bottles.

From post-revolution Mexico and the birth of Corona, the film leads us through the country’s Golden Age of Cinema and Peso Crisis to see Corona’s international growth, before we arrive in modern day Mexico.

Client: Corona, Mexico. Chief Executive Officer: Carlos Lisboa BU Chief of Marketing: Carlos Ranero Brand Marketing Director: Clarissa Pantoja Experiential Marketing Director: Rodolfo Vargas Connections Director: Javier Garcia Communications Manager: Alejandro Gershberg Content Marketing Manager: Cesar Alcantara Project Leader: Susana Medina

Agency: Observatory Marketing Co-Chief Creative Officer: Todd Hunter Creative Directors: Jessica Hundley & Nicole McDonald Head of Production: Chris Totushek Producer: Lula Fotis Senior Brand Director: Erin Heyns Brand Executive: Mack Montague

Production Company: Nexus Studios ECD / Co-Founder: Chris O’Reilly

Director: Nicolas Ménard Executive Producer: Luisa Murray Producer: Jo Bierton Production Manager: Rebecca Archer Lead / Supervisor: Nico Domerego Art Director: Jack Cunningham Character Design: James Graham Graphic Design: Cecilia Serafini Design: Jamie Jones & Sarah Deane Environment Design: Callum Strachan & Antoine Perez Character Modellers: Andy Hickinbottom & Matt Clark 3D Generalists: Heloise Courtois, Victori Jalabert, Maxime Dartois, Zach Pindolia, Jerémie Cottard, Chloe Plat 2D Animation: Isaac Holland & Duncan Gist Director of Photography: Malcolm Hadley Camera Assistant: Mark Swaffield Gaffer: Tim O'connell Moco: Stuart Galloway Rigging: Justin Pentecost Spark: Max Milner Strike Spark: Daniel Ansell

Puppet and Set Fabrication: Andy Gent Art Department: Marina Ralph, Mick Chippington, Josie Corben, Magda Madra, Sofia Serrano, Mark Fisher, Vaida Klimaviciute, Claudia Brignalezi, Angela Pang, Louise Pratt, Andrew Saunders, Tom James, Gavin Richards, Claire Middleton, Claudia Brugnaletti, Jade Gerrard, Clea Raguideau, Angela Chorlton, Roy Bell, Annick Bosson, Beth Quinton, Fiona Stewart, Grant Humberstone, Ola Kucharska, Michael Nowacki, Mitch Barnes, Colin Armitage, Duncan Mude

Practical Lighting: Gary Welch Runner: Chiara De Propis Stop Frame Lead Animator: Tobias Fouracre Stop Frame Animators: Matthew Cooper & Max Martin BTS Cameraman: Thomas Heleta & Mark Van Heusden BTS Photographer: Jacob Robinson First Aid: Darren Boyling Post Production: Freefolk Lead Flame Artist: Steve Murgatroyd Flame Artists: Brandon Danowski & Andy Copping Nuke Artist: Rob Sheridan Colourist: Duncan Russell Post Producer: Laura Ricketts

Shooting Studio: Black Island Lighting Equipment: Panalux Camera Equipment: Clapham Road Studios

Editor: David Slade

BTS Editor: Thomas Heleta & Michael Rohrbaugh

Assistant Editor: Bruno Collins Music: Bridget Samuels

Sound Design And Mix: Barking Owl

[mediacitystudios]

Video Production

Address: 333 s mission rd Boyle heights, CA 90033

Phone: (310) 694-4604

Email: cody@mediacitystudiosla.com Andrew@mediacitystudiosla.com

Website: https://mediacitystudiosla.com/

Description: Media City Studios offers unique sets for filmmakers, video productions, and photographers. Set in a 12,000 sqft warehouse, we have tons of amazing sets to chose. From an all pink room, to our gem known as “Neon Blvd” we’re sure you’ll capture what you need here. Our warehouse is open to build your own sets, and use it as a blank slate. We are constantly improving and creating new sets to rotate in and out. Come see what we can do for you!

Keywords: Film set Los Angeles, photography locations, photography, cinematography, warehouse for rent, warehouse to film, skatepark to rent, unique locations Los Angeles, studios in Los Angeles, film studio, production studio, film sets for rent, halfpipe for rent, film, photograph, video production

Hour: 24/7

Year of business: 2021

[oberlincollegelibraries]

Weekend Edition: Essays, Part 2

We’re back today with more collections of essays. Remember to see our post Here for You to learn how you can access the following materials remotely. Even if you are not on campus, both printed materials and electronic resources are still available to you!

The Good Immigrant: 26 Writers Reflect on America edited by Nikesh Shukla and Chimene Suleyman

Presents essays by first- and second-generation immigrant writers on the realities of immigration, multiculturalism, and marginalization in an increasingly divided America. From Trump's proposed border wall and travel ban to the marching of White Supremacists in Charlottesville, America is consumed by tensions over immigration and the question of which bodies are welcome. In this much-anticipated follow-up to the bestselling UK edition, hailed by Zadie Smith as "lively and vital," editors Nikesh Shukla and Chimene Suleyman hand the microphone to an incredible range of writers whose humanity and right to be here is under attack. Chigozie Obioma unpacks an Igbo proverb that helped him navigate his journey to America from Nigeria. Jenny Zhang analyzes cultural appropriation in 90s fashion, recalling her own pain and confusion as a teenager trying to fit in. Fatimah Asghar describes the flood of memory and emotion triggered by an encounter with an Uber driver from Kashmir. Alexander Chee writes of a visit to Korea that changed his relationship to his heritage. These writers, and the many others in this singular collection, share powerful personal stories of living between cultures and languages while struggling to figure out who they are and where they belong. By turns heartbreaking and hilarious, troubling and uplifting, the essays in The Good Immigrant come together to create a provocative, conversation-sparking, multivocal portrait of America now.

Appalachian Reckoning: A Region Responds to Hillbilly Elegy edited by Anthony Harkins and Meredith McCarroll "With hundreds of thousands of copies sold, a Ron Howard movie in the works, and the rise of its author as a media personality, J.D. Vance's Hillbilly Elegy: A Memoir of a Family and Culture in Crisis has defined Appalachia for much of the nation. What about Hillbilly Elegy accounts for this explosion of interest during this period of political turmoil? Why have its ideas raised so much controversy? And how can debates about the book catalyze new, more inclusive political agendas for the region's future? Appalachian Reckoning is a retort, at turns rigorous, critical, angry, and hopeful, to the long shadow Hillbilly Elegy has cast over the region and its imagining. But it also moves beyond Hillbilly Elegy to allow Appalachians from varied backgrounds to tell their own diverse and complex stories through an imaginative blend of scholarship, prose, poetry, and photography. The essays and creative work collected in Appalachian Reckoning provide a deeply personal portrait of a place that is at once culturally rich and economically distressed, unique and typically American. Complicating simplistic visions that associate the region almost exclusively with death and decay, Appalachian Reckoning makes clear Appalachia's intellectual vitality, spiritual richness, and progressive possibilities."--Back cover

Victorian Comedy and Laughter: Conviviality, Jokes and Dissent edited by Louise Lee This innovative collection of essays is the first to situate comedy and laughter as central rather than peripheral to nineteenth century life. Victorian Comedy and Laughter: Conviviality, Jokes and Dissent offers new readings of the works of Charles Dickens, Edward Lear, George Eliot, George Gissing, Barry Pain and Oscar Wilde, alongside discussions of much-loved Victorian comics like Little Tich, Jenny Hill, Bessie Bellwood and Thomas Lawrence. Tracing three consecutive and interlocking moods in the period, all of the contributors engage with the crucial critical question of how laughter and comedy shaped Victorian subjectivity and aesthetic form. Malcolm Andrews, Jonathan Buckmaster and Peter Swaab explore the dream of print culture togetherness that is conviviality, while Bob Nicholson, Louise Lee, Ann Featherstone, Louise Wingrove and Oliver Double discuss the rise-on-rise of the Victorian joke -- both on the page and the stage -- while Peter Jones, Jonathan Wild and Matthew Kaiser consider the impassioned debates concerning old and new forms of laughter that took place at the end of the century.

Why I Like This Story edited by Jackson R. Bryer

On the assumption that John Updike was correct when he asserted, in a 1978 letter to Joyce Carol Oates, that "Nobody can read like a writer," Why I Like This Story presents brief essays by forty-eight leading American writers on their favorite American short stories, explaining why they like them. The essays, which are personal, not scholarly, not only tell us much about the story selected, they also tell us a good deal about the author of the essay, about what elements of fiction he or she values. Among the writers whose stories are discussed are such American masters as James, Melville, Hemingway, O'Connor, Fitzgerald, Porter, Carver, Wright, Updike, Bellow, Salinger, Malamud, and Welty; but the book also includes pieces on stories by canonical but lesser-known practitioners such as Andre Dubus, Ellen Glasgow, Kay Boyle, Delmore Schwartz, George Garrett, Elizabeth Tallent, William Goyen, Jerome Weidman, Peter Matthiessen, Grace Paley, William H. Gass, and Jamaica Kincaid, and relative newcomers such as Lorrie Moore, Kirstin Valdez Quade, Phil Klay, Viet Thanh Nguyen, and Edward P. Jones. Why I Like This Story will send readers to the library or bookstore to read or re-read the stories selected. Among the contributors to the book are Julia Alvarez, Andrea Barrett, Richard Bausch, Ann Beattie, Andre Dubus, George Garrett, William H. Gass, Julia Glass, Doris Grumbach, Jane Hamilton, Jill McCorkle, Alice McDermott, Clarence Major, Howard Norman, Annie Proulx, Joan Silber, Elizabeth Spencer, and Mako Yoshikawa. Editor Jackson R. Bryer is Professor Emeritus of English at the University of Maryland.

[architectnews]

Los Angeles Building Photos, L.A. Construction

Los Angeles Building Photos, New LA Construction Images, Architecture Designs, Real Estate

Los Angeles Building Photos

Kenneth Johansson Images of Californian Developments: New US Built Environment Pictures

Aug 25, 2020

The Grand

Frank Gehry’s The Grand project across the street from Walt Disney Concert Hall and the Broad Museum by DS+R:

The new development will contain shops, restaurants, residences, and a new hotel.

The developers are related companies and partner CORE USA.

It is due to include over 176,000 sqft of retail space anchored by restaurants, shops, movie theater complex, equinox hotel, over 400 luxury residences, and a large public plaza.

Sep 14, 2019

Theme Building, Los Angeles International Airport

The Theme Building is an iconic Space Age structure at the Los Angeles International Airport (LAX).

It is an example of the Mid-century modern design movement, later known as “Googie”.

photograph © Kenneth Johansson Photography

The distinctive white building at 201 World Way, Westchester, Los Angeles, California, resembles a flying saucer, on four legs.

The initial design was created by James Langenheim, of Pereira & Luckman. Construction was led by a team of architects and engineers headed by William Pereira and Charles Luckman, with Paul Williams and Welton Becket.

May 22, 2018

Los Angeles Building Images

Los Angeles Building Photographs

e-architect have received an excellent series of photographs from Kenneth Johansson Photography, Santa Monica, California

Santa Monica 5’22’2018

6th Street Viaduct

photographs © Kenneth Johansson Photography

First the 6th Street Viaduct.

After the demo of the 70 year old bridge last year, the new Viaduct is now slowly being constructed from Boyle Height east of the LA River, stretching all the way into the Arts district in dtLA just west of the River.

Museum for the Academy of Arts and Sciences

The Academy Egg is of course the new Museum for the Academy of Arts and Sciences (Oscar), designed by celebrated Italian architect Renzo Piano.

It’s being constructed just behind the old venerable May Co department store built in the late 30’s, which will also be part of the museum.

The Aven

‘The Aven’ is a 39 stories apartment complex being constructed in the South Park area of downtown Los Angeles.

Banc of California Soccer Stadium Building

Banc of California Soccer stadium is located in the Exposition Park area of dtLA next to the Colosseum. The new home for the Los Angels Soccer team LAFC. It was built in a record 18 months.

The Circa towers

The Circa towers luxury apartment project, again located in the South Park area of dtLA, situated just west of the Oceanwide Plaza Complex.

Crenshaw/LAX Transit corridor

The Crenshaw/LAX Transit corridor is a project to connect via light Rail, the Expo line all the way down to the LAX Airport.

DTLA

DTLA, is a misty morning view of LA

Metropolis LA

Metropolis, a collection of residential towers just next to the 110 Freeway in the heart of the South Park district. “A city within a city built just for you”.

Fig Central

Ocean Wide Plaza complex, Fig Central, a collection of 3 high rises that will add 504 condominiums and 183 hotel rooms to dtLA

Poema Place Bridge

Poema Place Bridge is a 473 foot long 3 span bridge that stretches across Devil’s Canyon Creek into a new development area in the Chatswood community of San Fernando Valley, Los Angeles

Up here

“Up here”, just a reflection on being on the 50th, 60th or even 70th floor of a structure, you sometimes feel you can almost touch the incoming aircraft preparing for their LAX landing

KENNETH JOHANSSON

phone: 310-828 0619 / email: kenneth@kennethjohanssonphotography.com www.redgallerysite.com

Previous related article by LA photographer Kenneth Johansson on e-architect:

Los Angeles Construction Photos

Los Angeles Construction Photos

Los Angeles Architecture Walking Tours – architectural walks by e-architect photo © Andrew McRae

More photos by Kenneth Johansson on e-architect:

The Gehry house in Santa Monica Design: Gehry Partners photograph © Kenneth Johansson Photography The Gehry house in Santa Monica

Jim Goldstein’s Skyspace by James Turrell photo : Kenneth Johansson Photography Jim Goldstein Skyspace by James Turrell

Location: Los Angeles, California, USA

Los Angeles Construction Design

Los Angeles Architecture – latest additions to e-architect

Los Angeles Architecture News

Lucas Museum of Narrative Art Los Angeles

The Wave House Venice Architect: Mario Romano photograph : Brandon Arant The Wave House, Venice, California

Cal Tech Keck Institute for Space Studies, 345 S. Michigan Avenue, Pasadena, CA 91106 Design: Lehrer Architects image : Benny Chan Fotoworks New Pasadena Building

LACMA Building Extension Design: Peter Zumthor Architect image from architects New Pasadena Building

Ocean Avenue Project, Santa Monica, Los Angeles Waterfront Design: Gehry Partners, LLP image © Gehry Partners, LLP Ocean Avenue Project Santa Monica

Union Station Master Plan Design: UNStudio / EE&K / Jacobs Engineering Union Station Los Angeles Master Plan

The 747 Wing House, Malibu Design: Studio of Environmental Architecture The 747 Wing House

Red Building at the Pacific Design Center Design: Pelli Clarke Pelli Architects Red Building Pacific Design Center

The Broad Art Foundation Design: Diller Scofidio + Renfro The Broad Art Foundation

More Los Angeles buildings online soon

Californian Architecture

Santa Monica Buildings

Los Angeles Architects

Los Angeles Houses

American Architecture

American Architects

Comments / photos for the Los Angeles Building Photos page welcome

Website: Los Angeles

The post Los Angeles Building Photos, L.A. Construction appeared first on e-architect.

[evaorganza]

Theodora Quinlivan in Out Magazine, November 20, 2017; photography by Andrew Boyle

[anastocio]

The Last Embrace from Diego Contreras on Vimeo.

Written and Directed by Diego C.  

----

A reflection on Lockdowns, Social Distancing, and their effects on the Human Soul.

In honor of those who have lost or been separated from loved ones due to the recent pandemic.

May we find healing, not just of the body, but also of the heart.

----

Cast: Brahim Rachiki - The Son Marian Moneymaker - The Mother

and Patrick Gorman as The Gatekeeper

Executive Produced by: Diego Contreras / Fireland Paul Meyers, ASC Dave Morrison / Reset Content

Director of Photography: Paul Meyers, ASC

Producer: Andrew J. Petersen @ Wyser Media

1st AC: Mikkel Richardson, Chris Chrisenbery 2nd AC: Tanner Frost Steadicam: Andrew Ansnick, SOC Aerial Drone Op: Chris Workman, Override Productions Keygrip: Karl Danielson

Original Soundtrack by: Ryan Taubert

Costume Designer: Saury C. Armenta

Production Designer: Lyndi Bone Leadman: Michael Frazier Set Decorator: Jake Wilhite

Production Supervisor: Chloe Petersen Production Coordinator: Karl Danielsen Assistant Director: Oliver Howells Co vid Compliance: Abi Danielsen

Editor: Diego Contreras

Voiceover written by: Francis Rourke

VFX: Artjail Creative Director / Partner: Steve Mottershead Head of 3D / Partner: Gene Dreister Head of 2D / Partner: Andres Kirejew EPs: Caitlin Schooley-Groneveldt, Leslie Mccartney VFX Artists: Alex Shaviri, Andrew Thiessen VFX Assistant / Animator: Ben Lee

Colorist: Daniel de Vue

Sound and Mix: Ballad Sound Designer: Philip Flindt Supervising Sound Editor: Gregers Maersk Moller Sound Recordist: Rumi Ali

End Credits Music: Lhassa de Sela “Soon this space will be too small”

Background Talent: Abia Alleen, Saury C. Armenta, Danielle Boyle, Jennifer Chapman Matt Chute, Kyle Connors, Tojo Fairman, Lahval Fulmano, Elle Ginter,  Luiz Laffey, Edi Laffey, Lauren Meyers , Gwen Meyers, Jack Meyers, Tom Meyers Joaquin Serna, Matt Serna, Santiago Serna, Cari Stewart, Tyler Stewart Jowaan Sullivan, Jasmyn Swindall

[outofficial]

32 Empowering Sights from the New York Women's March

Photography by Andrew Boyle and Aaron Hooper

[2decadesofthrillpower]

2000 AD Prog 1063 - Cover Date 7th October 1997 A Life Less Ordinary Cover photography by Darren Michaels

Published 20 years ago this week!

In this prog:

Judge Dredd: Mrs Gunderson's Little Adventure part 1 Script: John Wagner / Art: Henry Flint / Letters: Tom Frame

Vector 13: Case Two - Cryptogram Script: Dan Abnett / Art: Alex Ronald / Colours: Dondie Cox / Letters: Annie Parkhouse

A Life Less Ordinary part 1 Based on the motion picture by John Hodge, Andrew MacDonald and Danny Boyle / Art: Steve Yeowell / Lettering: Annie Parkhouse

Sinister Dexter: Waiting for God Knows Script: Dan Abnett / Art: Julian Gibson / Letters: Tom Frame

Space Girls part 2 Script: John Tomlinson / Art: Jason Brashill / Colours: Dondie Cox / Letters: Ellie De Ville

[fashionarmies]

#NYFW

CHROMAT A/W’18 Wavvy collection.

📸: Andrew Boyle for PAPER Magazine

[hnd1bamayapowers-blog]

Research: Structure

Architectural photography

“Architectural photography is the photographing of buildings and similar structures that are both aesthetically pleasing and accurate representations of their subjects. Architectural photographers are usually skilled in the use of specialised techniques and cameras.”

(En.wikipedia.org, 2019)

Perspective and distortion control

Lens distortion and perspective distortion are two very different types of distortion brought about by very different causes and must be dealt with individually.

Lens distortion is a product of a physical optical imperfection (or aberration) in the lens itself. This imperfection causes the straight lines in reality to appear deformed, in one way or another, in the resulting photograph.

Due to their more complex design, there is typically more lens distortion in wide angles lenses than in a medium or telephoto lens.

These are the main types of lens distortion:

On the other hand, Perspective Distortion is the result of the placement of the camera in relation to the subject. It causes converging verticals. Like the human eye, what is closer seems bigger and what is further away seems smaller.

There are many ways to correct distortion in post production, but first, there are a few things you can do before and during the shoot to make things easier.

You could use lenses that have little to no distortion. Or use a tilt shift lens. And when shooting, consider your placement. You could place the camera far back so to avoid converging verticals.

In post production you can correct distortion using the distort tool and rulers. For something a bit more complex you can use the Adaptive wide angle filter. There is also software made to correct these specific problems. Like PT Lens and DxO viewpoint II.

Possible locations

Dalmarnock Station (2014)

Image taken by: Andrew Lee

Dalmarnock Station has been re-invented as part of the Commonwealth Games works leading up to 2014.

PROJECT: Dalmarnock Station

LOCATION: Glasgow

CLIENT: Network Rail

ARCHITECT: Atkins

STRUCTURAL ENGINEER: Atkins

SERVICES ENGINEER: Atkins

PROJECT MANAGER: Network Rail

Stobhill Hospital Ward Extension

(2011)

2011 Image taken by Michael Wolchover.

PROJECT: Stobhill Hospital Ward Extension

LOCATION: Stobhill

CLIENT: NHS Greater Glasgow & Clyde

ARCHITECT: Reiach and Hall

Jesuit Residence and Spirituality Centre (2007)

Image taken by:  Keith Hunter Photography

PROJECT: Jesuit Residence and Spirituality Centre

LOCATION: 70 Hill Street, Garnethill, Glasgow

CLIENT: Trustees for Roman Catholic Purposes

ARCHITECT: Elder & Cannon

STRUCTURAL ENGINEER: Arup Scotland

SERVICES ENGINEER: Hawthorne Boyle

QUANTITY SURVEYOR: Ross & Morton

I plan to go to Dalmarnock station at midday for the interiors and dusk (the magic hour, approx. 9-10pm)  for the exteriors, on a sunny day.  I want to shoot in colour because I think it would better represent the building and ....the rest of my plan is laid out here before you...

Equipment

-canon 700d (what the store has that is a crop sensor)

-tripod

-sigma 10-20mm

(20mm)

-55-250mm

55mm

135mm

200mm

250mm

Bibliography 

SNAPSHOT - Canon Singapore Pte. Ltd. (2019). Exploring Wide Angle Lenses Part 1: Photo Effects of Wide-Angle Lenses. [online] Available at: https://snapshot.canon-asia.com/india/article/en/exploring-wide-angle-lenses-part-1-photo-effects-of-wide-angle-lenses [Accessed 15 May 2019].

Grey, D. (2019). Distortion 101- Lens vs. Perspective. [Blog] DrewGreyPhoto. Available at: http://www.drewgrayphoto.com/learn/distortion101 [Accessed 13 May 2019].

Urban Realm. (2014). Dalmarnock Station : Infrastructure, Urban Design and Landscape : Scotland's New Buildings : Architecture in profile the building environment in Scotland - Urban Realm. [online] Available at: https://www.urbanrealm.com/buildings/931/Dalmarnock_Station.html [Accessed 20 May 2019].

Urban Realm. (2011). Stobhill Hospital Ward Extension : Health : Scotland's New Buildings : Architecture in profile the building environment in Scotland - Urban Realm. [online] Available at: https://www.urbanrealm.com/buildings/624/Stobhill_Hospital_Ward_Extension.html [Accessed 20 May 2019].

Urban Realm. (2007). Jesuit Residence and Spirituality Centre : Education : Scotland's New Buildings : Architecture in profile the building environment in Scotland - Urban Realm. [online] Available at: https://www.urbanrealm.com/buildings/144/Jesuit_Residence_and_Spirituality_Centre.html [Accessed 20 May 2019].

Optical Limits (2009). sigma. [image] Available at: https://www.opticallimits.com/nikon--nikkor-aps-c-lens-tests/467-sigma_1020_35_nikon?start=1 [Accessed 19 May 2019].

Optical Limits (2014). canon. [image] Available at: https://www.opticallimits.com/canon-eos/878-canon_55250_456isstm?start=1 [Accessed 19 May 2019].

[fury-nyc]

Photography / Andrew Boyle Fashion / R.J. Hernández Models / Aaron Vernon @ Wilhelmina, Veronika Rusakova @ Fusion, Kailah Ng @ Major Hair / Clay Nielsen Make Up / Allie Smith Photography Assistant / Matt Marquez Fashion Assistants / Harrison Karabaccio, Anida Kulla & Brittany Solem Location / Bar Nine, Hell’s Kitchen, NY

[andthewinneris23]

70 e cérémonie des Bafta

Meilleur film

La La Land

Premier Contact (Arrival)

Moi, Daniel Blake (I, Daniel Blake)

Manchester by the Sea

Moonlight

Meilleur film britannique

Moi, Daniel Blake (I, Daniel Blake)

American Honey

Le Procès du siècle (Denial)

Les Animaux fantastiques (Fantastic Beasts and Where to Find Them)

Notes on Blindness

Under the Shadow

Meilleur réalisateur

Damien Chazelle pour La La Land

Denis Villeneuve pour Premier Contact (Arrival)

Ken Loach pour Moi, Daniel Blake

Kenneth Lonergan pour Manchester by the Sea

Tom Ford pour Nocturnal Animals

Meilleur acteur

Casey Affleck dans Manchester by the Sea

Andrew Garfield dans Tu ne tueras point (Hacksaw Ridge)

Jake Gyllenhaal dans Nocturnal Animals

Ryan Gosling dans La La Land

Viggo Mortensen dans Captain Fantastic

Meilleure actrice

Emma Stone dans La La Land

Amy Adams dans Premier Contact (Arrival)

Emily Blunt dans La Fille du train (The Girl on the Train)

Meryl Streep dans Florence Foster Jenkins

Natalie Portman dans Jackie

Meilleur acteur dans un second rôle

Dev Patel dans Lion

Aaron Taylor-Johnson dans Nocturnal Animals

Hugh Grant dans Florence Foster Jenkins

Jeff Bridges dans Comancheria (Hell or High Water)

Mahershala Ali dans Moonlight

Meilleure actrice dans un second rôle

Viola Davis dans Fences

Hayley Squires dans Moi, Daniel Blake (I, Daniel Blake)

Michelle Williams dans Manchester by the Sea

Naomie Harris dans Moonlight

Nicole Kidman dans Lion

Meilleur scénario original

Manchester by the Sea – Kenneth Lonergan

Comancheria (Hell or High Water) – Taylor Sheridan

Moi, Daniel Blake (I, Daniel Blake) – Paul Laverty

La La Land – Damien Chazelle

Moonlight – Barry Jenkins

Meilleur scénario adapté

Lion – Luke Davies

Premier Contact (Arrival) – Eric Heisserer

Tu ne tueras point (Hacksaw Ridge) – Andrew Knight et Robert Schenkkan

Les Figures de l'ombre (Hidden Figures) – Allison Schroeder et Theodore Melfi

Nocturnal Animals – Tom Ford

Meilleurs décors

Les Animaux fantastiques (Fantastic Beasts and Where to Find Them) – Stuart Craig et Anna Pinnock

Doctor Strange – Charles Wood et John Bush

Ave, César ! (Hail, Caesar!) – Jess Gonchor et Nancy Haigh

Nocturnal Animals – Shane Valentino et Meg Everist

La La Land - David Wasco et Sandy Reynolds-Wasco

Meilleurs costumes

Jackie – Madeline Fontaine

Alliés (Allied) – Joanna Johnston

Les Animaux fantastiques (Fantastic Beasts and Where to Find Them) – Colleen Atwood

Florence Foster Jenkins – Consolata Boyle

La La Land – Mary Zophres

Meilleurs maquillages et coiffures

Florence Foster Jenkins – J. Roy Helland et Daniel Phillips

Doctor Strange – Jeremy Woodhead

Tu ne tueras point (Hacksaw Ridge) – Shane Thomas

Nocturnal Animals – Donald Mowat and Yolanda Toussieng

Rogue One: A Star Wars Story –

Meilleure photographie

La La Land – Linus Sandgren

Premier Contact (Arrival) – Bradford Young

Comancheria (Hell or High Water) – Giles Nuttgens

Lion – Greig Fraser

Nocturnal Animals – Seamus McGarvey

Meilleur montage

Tu ne tueras point (Hacksaw Ridge)

Premier Contact (Arrival)

La La Land

Nocturnal Animals

Manchester by the Sea

Meilleurs effets visuels

Le Livre de la jungle (The Jungle Book)

Premier Contact (Arrival)

Doctor Strange

Les Animaux fantastiques (Fantastic Beasts and Where to Find Them)

Rogue One: A Star Wars Story

Meilleur son

Premier Contact (Arrival)

Deepwater (Deepwater Horizon)

Les Animaux fantastiques (Fantastic Beasts and Where to Find Them)

Tu ne tueras point

La La Land

Meilleure musique de film

La La Land

Premier Contact (Arrival)

Jackie

Lion

Nocturnal Animals

Meilleur film en langue étrangère

Le Fils de Saul (Saul fia)

Toni Erdmann

Mustang

Dheepan

Julieta

Meilleur film d'animation

Kubo et l'Armure magique (Kubo and the Two Strings)

Le Monde de Dory (Finding Dory)

Vaiana : La Légende du bout du monde (Moana)

Zootopie (Zootropolis)

Meilleur film documentaire

13th d'Ava DuVernay

The Beatles: Eight Days a Week de Ron Howard

La Jeune fille et son aigle d'Otto Bell

Notes on Blindness de James Spinney et Peter Middleton

Weiner de Josh Kriegman et Elyse Steinberg

Meilleur court métrage

Home

Consumed

Mouth of Hell

The Party 2016

Standby

Meilleur court métrage d'animation britannique

A Love Story

The Alan Dimension

Tough

Meilleur nouveau scénariste, réalisateur ou producteur britannique

Outstanding Debut by a British Writer, Director or Producer

Babak Anvari (scénariste/réalisateur), Emily Leo, Oliver Roskill and Lucan Toh (Producteurs) – Under The Shadow

Mike Carey (scénariste) et Camille Gatin (producteur) pour The Girl with All the Gifts

George Amponsah (scénariste/réalisateur/producteur) et Dionne Walker (scénariste/producteur) pour The Hard Stop

Peter Middleton (scénariste/réalisateur/producteur), James Spinney (scénariste/réalisateur) and Jo-Jo Ellison (producteur) – Notes on Blindness

John Donnelly (scénariste) and Ben A. Williams (réalisateur) – The Pass

EE Rising Star Award

Meilleur espoir. Résulte d'un vote du public.

Tom Holland

Anya Taylor-Joy

Laia Costa

Lucas Hedges

Ruth Negga

Outstanding British Contribution to Cinema

Remarquable contribution au cinéma britannique

Curzon (chaîne de salles de cinémas d'art et d'essai britannique)

Academy Fellowship

BAFTA d'Honneur

Mel Brooks

[alexgodin]

BTS: The History of 'La Cerveza Mas Fina' - Nexus Studios & Corona from Nexus Studios on Vimeo.

Under the direction of Nicolas Ménard, Nexus Studios presents this epic stop-motion film takes viewers on a journey through 90 years of the intertwined history of Mexico and iconic beer Corona. Narrated by actor and producer Gael García Bernal and inspired by the art of Pedro Friedeberg, our studio team worked with Andy Gent’s team at Arch Model Studio to design, create and animate a cast of 71 miniature characters, 8 beautifully detailed sets and 350 individually made miniature glass bottles.

From post-revolution Mexico and the birth of Corona, the film leads us through the country’s Golden Age of Cinema and Peso Crisis to see Corona’s international growth, before we arrive in modern day Mexico.

Client: Corona, Mexico. Chief Executive Officer: Carlos Lisboa BU Chief of Marketing: Carlos Ranero Brand Marketing Director: Clarissa Pantoja Experiential Marketing Director: Rodolfo Vargas Connections Director: Javier Garcia Content Marketing Manager: Cesar Alcantara Project Leader: Susana Medina

Agency: Observatory Marketing Co-Chief Creative Officer: Todd Hunter Creative Directors: Jessica Hundley & Nicole McDonald Head of Production: Chris Totushek Producer: Lula Fotis Senior Brand Director: Erin Heyns Brand Executive: Mack Montague

Production Company: Nexus Studios ECD / Co-Founder: Chris O’Reilly

Director: Nicolas Ménard Executive Producer: Luisa Murray Producer: Jo Bierton Production Manager: Rebecca Archer Lead / Supervisor: Nico Domerego Art Director: Jack Cunningham Character Design: James Graham Graphic Design: Cecilia Serafini Design: Jamie Jones & Sarah Deane Environment Design: Callum Strachan & Antoine Perez Character Modellers: Andy Hickinbottom & Matt Clark 3D Generalists: Heloise Courtois, Victori Jalabert, Maxime Dartois, Zach Pindolia, Jerémie Cottard, Chloe Plat 2D Animation: Isaac Holland & Duncan Gist Director of Photography: Malcolm Hadley Camera Assistant: Mark Swaffield Gaffer: Tim O'connell Moco: Stuart Galloway Rigging: Justin Pentecost Spark: Max Milner Strike Spark: Daniel Ansell

Puppet and Set Fabrication: Andy Gent Art Department: Marina Ralph, Mick Chippington, Josie Corben, Magda Madra, Sofia Serrano, Mark Fisher, Vaida Klimaviciute, Claudia Brignalezi, Angela Pang, Louise Pratt, Andrew Saunders, Tom James, Gavin Richards, Claire Middleton, Claudia Brugnaletti, Jade Gerrard, Clea Raguideau, Angela Chorlton, Roy Bell, Annick Bosson, Beth Quinton, Fiona Stewart, Grant Humberstone, Ola Kucharska, Michael Nowacki, Mitch Barnes, Colin Armitage, Duncan Mude

Practical Lighting: Gary Welch Runner: Chiara De Propis Stop Frame Lead Animator: Tobias Fouracre Stop Frame Animators: Matthew Cooper & Max Martin BTS Cameraman: Thomas Heleta & Mark Van Heusden BTS Photographer: Jacob Robinson First Aid: Darren Boyling Post Production: Freefolk Lead Flame Artist: Steve Murgatroyd Flame Artists: Brandon Danowski & Andy Copping Nuke Artist: Rob Sheridan Colourist: Duncan Russell Post Producer: Laura Ricketts

Shooting Studio: Black Island Lighting Equipment: Panalux Camera Equipment: Clapham Road Studios

Editor: David Slade

BTS Editor: Thomas Heleta & Michael Rohrbaugh

Assistant Editor: Bruno Collins Music: Bridget Samuels

Sound Design And Mix: Barking Owl

[str9led]

Corona - The History of 'La Cerveza Más Fina' (2019) from Nicolas Ménard on Vimeo.

Toggle subtitles if your Spanish is a little rusty!

Commissioned by Corona Mexico and Observatory, I directed this stop-frame film that travels through the intertwined history of Mexico and Corona.

Narrated by Gael García Bernal and inspired by the art of Pedro Friedeberg, it was produced at Nexus Studios. We worked with Andy Gent’s team at Arch Model Studio to design, create and animate a cast of 71 miniature characters, 8 detailed sets and 350 individually made miniature glass bottles.

The film illustrates complex historical events that are all are boiled down into 4'x3' dioramas.

The music is by Bridget Samuels and was recorded by an orchestra of more than 50 people at Air Studios in London.

Corona put together a making of which you can watch here: vimeo.com/326534667/29bc784eed

Special thanks to Jack Cunningham for his work as Art Director, James Graham who designed the characters and the big team of artists who put a lot of love and sweat into this!

— Client: Corona, Mexico. Chief Executive Officer: Carlos Lisboa BU Chief of Marketing: Carlos Ranero Brand Marketing Manager: Clarissa Pantoja Communications Manager: Alejandro Gershberg Connections Director: Javier Garcia Experiential Marketing Manager: Rodolfo Vargas Content Marketing Manager: Cesar Alcantara Project Leader: Susana Medina

Agency: Observatory Marketing Co-Chief Creative Officer: Todd Hunter Creative Directors: Jessica Hundley & Nicole McDonald Head of Production: Chris Totushek Producer: Lula Fotis Senior Brand Director: Erin Heyns Brand Executive: Mack Montague

Production Company: Nexus Studios ECD / Co-Founder: Chris O’Reilly

Director: Nicolas Ménard Executive Producer: Luisa Murray Producer: Jo Bierton Production Manager: Rebecca Archer Lead / Supervisor: Nico Domerego Art Director: Jack Cunningham Character Design: James Graham Graphic Design: Cecilia Serafini Design: Jamie Jones & Sarah Deane Environment Design: Callum Strachan & Antoine Perez Character Modellers: Andy Hickinbottom & Matt Clark 3D Generalists: Heloise Courtois, Victori Jalabert, Maxime Dartois, Zach Pindolia, Jerémie Cottard, Chloe Plat 2D Animation: Isaac Holland & Duncan Gist

Director of Photography: Malcolm Hadley Camera Assistant: Mark Swaffield Gaffer: Tim O'connell Moco: Stuart Galloway Rigging: Justin Pentecost Spark: Max Milner Strike Spark: Daniel Ansell

Puppet and Set Fabrication: Andy Gent Art Department: Marina Ralph, Mick Chippington, Josie Corben, Magda Madra, Sofia Serrano, Mark Fisher, Vaida Klimaviciute, Claudia Brignalezi, Angela Pang, Louise Pratt, Andrew Saunders, Tom James, Gavin Richards, Claire Middleton, Claudia Brugnaletti, Jade Gerrard, Clea Raguideau, Angela Chorlton, Roy Bell, Annick Bosson, Beth Quinton, Fiona Stewart, Grant Humberstone, Ola Kucharska, Michael Nowacki, Mitch Barnes, Colin Armitage, Duncan Mude

Practical Lighting: Gary Welch Runner: Chiara De Propis Stop Frame Lead Animator: Tobias Fouracre Stop Frame Animators: Matthew Cooper & Max Martin BTS Cameraman: Thomas Heleta & Mark Van Heusden BTS Photographer: Jacob Robinson First Aid: Darren Boyling

Post Production: Freefolk Lead Flame Artist: Steve Murgatroyd Flame Artists: Brandon Danowski & Andy Copping Nuke Artist: Rob Sheridan Colourist: Duncan Russell Post Producer: Laura Ricketts

Shooting Studio: Black Island Lighting Equipment: Panalux Camera Equipment: Clapham Road Studios

Editor: David Slade Assistant Editor: Bruno Collins Music: Bridget Samuels Sound Design And Mix: Barking Owl

—

nicolasmenard.com nexusstudios.com ams.london