#annewithe

[confissoess]

[astockerman]

anne of green gables headers + taylor swift love story icons!

like or reblog if you use. be honest

[aconfusedhead]

"There is nothing wrong with being different." #AnneWithE #Netflix (em Campo Grande MS - Cidade Morena) https://www.instagram.com/p/CF3QtmkhkHE/?igshid=acc69ho6ao97

[dedilhadosdepoeta]

[allynelais]

By: Brad Kunkle

Work: https://bradkunkle.com/selected-works

[evitaysuscositas]

No sé si le gusta porque le gusta ver la #tv o porque está viendo a una #pelirroja como ella. O bien, le gusta porque a quién no le gusta #anadelastejasverdes De niña adoraba a #anneshirley y su dramatismo, por como hablaba y veía el mundo. 🐈 #annewithe #nala_la_gata_ilicitana #orangetabbycat #migataadoralapantalla #evitaysuscositas #personajesquemarcantuniñez #seriesdenetflix (en Elche) https://www.instagram.com/p/CBrQf55Ixy6/?igshid=1m5rdgmj7qm9j

[taispereira04]

O que podemos aprender com a Anne?🌹 . Essa série da Netflix foi baseada no livro "Anne em Green Gables" de Lucy Maud Montgomery (1908). . Assistir a Anne with 'E' é descobrir dentro de cada personagem um mundo diferente, cada um com suas alegrias, dores e resumidamente, sua importância. . Essa série é apaixonante e te arrancar�� suspiros, e talvez muitas lágrimas...eu chorei bastante....RS... Essa série te fará questionar sobre tudo, até sobre tua própria essência, sobre você mesma de diversas formas que você nem pode imaginar. . Essa série marca uma época em meados de 1880 a 1890 mais ou menos, e nos leva a uma realidade muito diferente da que vivemos hoje, e é bem interessante ver como se constrói o papel das mulheres no decorrer da série. . Algumas tentando conquistar espaços mesmo num período de tanta desigualdade e preconceitos, outras vivendo para seus filhos e maridos, pois esse era o papel que elas "deveriam" desempenhar segundo a sociedade e a cultura da época. . Eu me apaixonei pelo enredo, e por todo ensinamento. . Assiste que tenho certeza que vai amar! Mais se tu já assistiu, me conta aqui o que achou 👇🏾 . #dicadatatah #dicadeserie #annewithe #serienetflix #netflix #aprendacomseries @netflixbrasil (em Porto Alegre, Rio Grande do Sul) https://www.instagram.com/p/CAyLVO5lblF/?igshid=1u70rm7ok7675

[ayumeeee]

💬

[tatymartinhago]

Anne Shirley Cuthbert, Que vazio imenso você me deixou. Que história maravilhosa. Quanto amor. Que sorte você teve de ter recebido tanto amor, ter sido justa, persistente, emponderada, esperançosa! Mesmo depois de tudo que você passou! Vejo o quanto sou covarde. Obrigada Anne! Foi maravilhoso! Espero que a @netflixbrasil tenha compaixão e nos presenteie com mais uma temporada. Não nos deixe órfãos 🙏 Anne Whit E. . . . . . . . . . . . . . . . . . . . . . . . . . . #seriesnetflix #annewithe #anneshirleycuthbert #anneshirley #netflix #netflixbrasil (em Brazil) https://www.instagram.com/p/B9aO_5OhPoW/?igshid=18iythcagy96l

[luckycheesefoodie321]

LONG. ASS. AWAE 3X10. POST. SPOILERS.

What... what else can I say? AWAE 3x10 was *chefs kiss* perfection!

I don’t... there’s no better way to convey how I felt about the ep than my full live commentary as I

LOST MY GODDAMN FUCKING MIND THE ENTIRE EPISODE LONG

Y’all ready? SPOILERS

OK BUT FIRST OF ALL THAT GODDAMN SHOT BEFORE YOU EVEN PLAY THE DAMN EPISODE TELL ME ITS REALLLLL

That was a gnarly opener hooo Boi But excellent. Gilbert finally cut it off with Winnie. I appreciate her. She had every right to be angry. Gilbert explained it well. She walked off quite dignified even if she was heartbroken. If she’d been developed more as a character I feel like this scene would’ve been more of a kick in the guts bc Winnie had so much potential to be a great character... I wonder if she’ll pop up again...

---

Oh my god he broke up with Winnie and he’s still convinced Anne doesn’t love him BUT HES THERE IN MISS STACY’S HOUSE AND ANNE IS RIGHT THERE TOO OH MY GOD HES JUST STARING AT HER HOLY SHIT “Does anyone have the paper bag?” Oh Moody my child Holy shit this mutual pining gazes is so gooddddddd

---

They TIED OF COURSE THEY DID AND THEYRE SO HAPPY FOR EACH OTHER Oh my god “is there anything else you’d like to say” Anne stop my heart can’t take this BITCH GILBERT PLEASE JUST TALK TO HER YALL DONT KNOW HOW TO HAVE A PROPER CONVERSATION ISTG

---

Ok Diana have you talked to Jerry?? Are you gonna resolve that situation or no bc my boi needs closure!

---

Well fuck me goddamn what the actual hell. I can never properly like the Barry’s theyre just sooo goddamn ughhhhhhh let Diana be what she wants to beeeee OBLIGED DECEITFUL WHAT THE FUCK OH MY GOD I HAVE NEVER DISLIKED A CHARACTER SO MUCH THESE TWO FACED MOTHERFUCKERS AT LEAST BILLY IS HONEST ABOUT HOW TERRIBLE HE IS

---

Jerry my boy my darling my love how are you? Bahahhahahaha hahahahaha talking corsets and our two men just get heckin awkward Aww Matthew you’re really doing that to Anne huh? But also yes let Jerry stay over he’s wonderful and partially your son anyway Oh honey no Matthew is definitely not saying that he just wants you to spread your wings

---

Mmmm look at this Bash and Hazel finally connecting??

---

WHAT ARE YOU DOING AT THE CUTHBERT HOUSE GILBERT OH MY GOD THE PEN IS THIS HOW THE PEN IS GONNA BE DUDE WTF NO WAIT WHAT IS HE GONNA WRITE A NOTE INSTEAD WAIT WAIT THEY BOTH WROTE EACH OTHER A LETTER AGAIN OH MY GOD OH MYU GOSNSHGZBSHS THAT LETTER WAS SO BEAUTIFUL MY ANNEWITH AN E HOLY CRAP OH MY GOD IT BETTER GET READ PS HERES YOUR GODDAMN PEN I can’t this letter scene is too much

---

THEY NAMED THE COWS PRIDE AND PREJUDICE What you doing Matthew my love?? Aww man she’s angry and now she can’t read Gilbert’s letter OH SHE IS GONNA READ IT NO GODDAMN IT ANNE WHY WOULD YOU DO THIS Oh you stupid you and your damn temper goddamn go put the pieces together dummy

---

What if she just finds “thanks for the pen good luck at Queens” oh man imma riot YES FIND THE OTHER PIECES NOT JUST THOSE HE WROTE A BEAUTIFUL LETTER AND YOU GONNA MISUNDERSTAND Noooo she went to Diana’s goddamn girlll nooooooo that’s not the whole letter these two literal idiots he went to such lengths to ensure you’d get it and you won’t even find the whole thing and it was so beautiful

Oh my heart hurts Diana darling noooo

---

Oh I love me some Marilla time ooh Anne this is so nice

---

Oh shoot how did he see Elijah from there?!?? I was wondering when he’d come back

---

Oooh yes Marilla talk some sense into Eliza

---

I am HERE for this sisterhood between Anne and Miss Stacy

---

Oh Matthew sweetheart nooooo

---

Hmmm some redemption for Elijah?

---

Anne with her hair up saying goodbye to her childhood????? YES LOOK AT THESE WOMEN

“I can see that serious students such as yourself would never dream of disappointing or breaking the rules” *rolls over cackling*

Also yeah some deaf/mute rep

---

Ok so Elijah is getting another chance

---

COLE WHERE HAVE YOU BEEN MY LOVE OH MY GOD ANNE IN THE BLUE DRESS Cole continuing to be the ultimate friend Anne baby it’s okay

---

OH MY GOD THEYRE GONNA MEET I love that Winnie always knew it was AnnE But damn was she pissed

---

WAIT SO NOW ANNE KNOWS DIANA WAIT WHERE ARE YOU GOING MR BARRY WTF GO GET HIM GIRL OOH DIANA TELL GILBERT WHATS UP

---

OH MY GOD DIANA PREACH THE TRUTH HOLY FUCK THIS IS HAPPENING

---

It happened. I threw pillows. I hit my elbow against the table. I just about died.

IT MOTHERFUCKING HAPPENED WE GOT CANON SHIRBERT YALL WE ARE EVERYTHING THAT KISS THOSE KISSES THERE WERE MULTIPLE PEN PALS YALL I’M THRIVING IT WAS AMAZING AND HE WENT BACK FOR MORE BC HE HAD TO RUN OFF

---

Diana is going to Queens thank god the Barry’s came around... And that ending was pure af I’m so glad Anne got her wish come true

-------

what...what do I say about this episode??? I have no goddamn clue but one thing we can all agree on:

SHIRBERT IS SAILING!!! WE GOT THE KISS YALL!!! THE WHOLE GIRL GANG IS GOING TO QUEENS!!! I’M SO PROUD!!! MOIRA THANK YOU FOR THIS BLESSING ON OUR LIVES

[rafaellaoliveirah]

Assitindo pela 2 vez a 3 temporada de @annetheseries @netflixbrasil ,serie maravilhosa,perfeita...quero a 4 temporada por favor renovem. Please! #AnnewithE #netflixbrasil #netflix #annegilbert #3temporada #vem4temporada #boanoite #annedegreengables #annedeavonlea https://www.instagram.com/p/B7CrsJrJ09Z/?igshid=sn0qtv4q58m3

[confissoess]

[astockerman]

HEADERS ANNE OF AVONLEA

like or reblog if you use. be honest

[mikaellyliberatog]

|31|3ª temporada de Anne with "e"

|31|3ª temporada de Anne with “e”

Lançou dia 03 de Janeiro a 3ª temporada de Anne with “e” na Netflix. Já comentei com vocês sobre essa série aqui, então leia esse texto (se quiser) para entender o que eu estou falando.

A 1ª e a 2ª temporada fizeram muito sucesso e todos ficaram muito admirados com tudo que aconteceu. Inicialmente a série era para ser assistida para crianças, mas os adultos gostaram e ficou por assim mesmo.

A…

[dedilhadosdepoeta]

[letterboxd]

Ranking Little Women.

“This is a film not about a single woman’s quest for identity or independence, but about the infinite power of a woman’s community.”

Letterboxd is humming with Little Women Cinematic Universe energy, particularly since the trailer for Greta Gerwig’s new version, with its cast pulled straight from the Letterboxd Year in Review, dropped.

“I have a guttural five star type of feeling after the trailer,” writes Leia. “Bi culture is thirst-watching this for Timothée Chalamet and Florence Pugh,” Raph enthuses.

Yeah, we see you watching and re-watching all the previous film adaptations of Louisa May Alcott’s landmark 1868 novel that you can fix your eyeballs on. We’re not ones to doze by the fire; we like adventures. So let us take you on a romp through past Little Women screen adaptations, in which we rank the productions based on our community’s stantastic response to each.

From left: Milton, Daisy & Ruby.

Little Women (1917) Directed by Alexander Butler

Though the March family lived in the town of Concord, Massachusetts, it was the British who got to the beloved American book first, with this silent film adaptation.

Starring Ruby Miller as Jo March and musical-comedy star Daisy Burrell as Amy March, the film is considered lost, so nobody on Letterboxd will ever be able to confirm how the prolific English actor Milton Rosmer stacked up as rich-boy-next-door Theodore ‘Laurie’ Laurence.

Letterboxd ranking: #7.

Conrad Nagel & Dorothy Bernard.

Little Women (1918) Directed by Harley Knoles, screenplay by Anne Maxwell

Also considered lost is the first American adaptation, by the brilliantly named Harley Knoles, a British director who spent the 1910s working in the US. Matinee idol Conrad Nagel played Laurie.

Letterboxd ranking: #4. Jo March was played by silent film queen Dorothy Bernard, whose father hailed from New Zealand (as does Letterboxd), therefore this version ranks highly even though there are no Letterboxd ratings or reviews to confirm this fact. Instead, check out D.W. Griffiths’ dark, march-across-the-desert film The Female of the Species, in which “only Dorothy Bernard gives a believable performance” according to Michael.

(An aside: Here’s a list of unseen silent films that actually do exist, but that nobody on Letterboxd has yet seen, apparently.)

From left: George Cukor directs Katharine Hepburn, Joan Bennett, Frances Dee and Jean Parker in ‘Little Women’ (1933). / Photo courtesy MGM

Little Women (1933) Directed by George Cukor, screenplay by Sarah Y. Mason and Victor Heerman

Now we’re getting to the meat & potatoes of Little Women standom. Not that it’s a competition, but Katherine Hepburn is the one Saoirse Ronan needs to beat. Hepburn set the screen standard for gutsy portrayals of Jo March, and appropriately so in this first version with sound because let’s be honest, when the world got to hear Jo March speak those lines aloud for the first time, Hepburn’s voice was the perfect choice.

The prolific Cukor was nominated for the best directing Oscar (he eventually won one in 1964 for My Fair Lady), but it was the screenwriters, married couple Mason and Heerman, who won the Academy Award for their script. (Hepburn also won that year, but not for playing Jo March.)

Letterboxd ranking: #3. “A true gem of depression-era cinema,” writes Taj. “Every single scene in the first half of this film is a pure delight.”

“I’d like to personally thank Katharine Hepburn for being absolutely perfect,” writes Skylar. Morgan concurs: “Hepburn plays Jo with a rough physicality, bold confidence, and a gentle sensibility, standing out in a rather unremarkable movie.”

June Allyson and Rossano Brazzi.

Little Women (1949) Directed by Mervyn LeRoy, screenplay by Sally Benson, Victor Heerman, Sarah Y. Mason, and Andrew Solt

Why re-write a script that’s already perfect? Mervyn LeRoy’s 1949 Technicolor update lifted most of the screenplay and music from Cukor’s version, throwing in an on-trend acting line-up of June Allyson (Jo), Janet Leigh (Meg), Elizabeth Taylor (Amy) and Margaret O’Brien (Beth).

Never mind who played Laurie in this version (okay, okay, it was hunky Rat-Packing socialite Peter Lawford); the real tea here is the American film debut of Bologna-born Italian great Rossano (The Italian Job) Brazzi, as Professor Bhaer.

Letterboxd ranking: #2. “This is the best Little Women, fight me,” DylanDog declares. “I’m so impressed by the fact that they rewrote/restructured/padded out the 1933 screenplay, assembled a nearly pitch-perfect cast, and made such a fantastic Technicolor remake,” Dino reasons. “We actually see way more of the novel’s subversive gender politics play out here, and Jo’s motivations are much more palpable.”

“Although I also really like the 1933 version, the Hepburn film lacks the warmth I do find in the 1949 adaptation,” Annewithe writes. “I feel that this version conveys the true spirit of the book and is as cozy and warm and loving, and it’s in colour!”

Susan Dey and William Shatner.

Little Women (1978) Directed by David Lowell Rich, screenplay by Suzanne Clauser

Between 1949 and 1994, all we got was this seventies miniseries adaptation, which flies far under the radar of Letterboxd’s Little Women obsession with only two member reviews.

Susan Dey was a smart choice to play Jo March, given her Partridge Family profile at the time, while Meredith Baxter Birney, who played Meg, went onto huge sitcom fame as Michael J. Fox’s mom in Family Ties. The real curiosity factor here, writes LouReviews, is “the casting of one William Shatner as the Professor, and he’s rather good!”.

Letterboxd ranking: #6. “This story keeps moving me,” is all Sandra had to say, while LouReviews writes “not essential by any means, but if you like the novel, you'll want to see this”.

Winona Ryder and Christian Bale.

Little Women (1994) Directed by Gillian Armstrong, screenplay by Robin Swicord

It only took 126 years from publication for a woman to get behind the camera of a Little Women film, despite Alcott’s masterpiece long being a prime example of (white privileged) female complexity in storytelling. (Although, it’s fair to note that women have been involved in the scriptwriting for every Little Women film adaptation that we know of.)

Released—as Gerwig’s 2019 update will be—at Christmas, Gillian Armstrong’s version was as star-studded as they come, with 90s it-girl Winona Ryder—fresh off Reality Bites—as Jo March, and Christian Bale as Laurie. Also: Kirsten Dunst, Samantha Mathis and Eric Stoltz, with Susan Sarandon as Marmee.

Letterboxd ranking: #1. Sydney writes: “It’s really tough dealing with the fact that this movie is probably never going to get the respect it deserves.” Well Sydney, we’re happy to make your day. This Little Women is currently the highest-rated on Letterboxd (except for Bale’s facial hair, which is not highly rated by anyone). Thomas Newman’s score is much beloved, and the film is, in Julia’s opinion, “the definitive adaptation!”.

On a recent re-watch, Lauren “was transported back in time to my childhood and for those two hours everything felt simple and safe.” Meanwhile Sally Jane Black, in a thoughtful piece, gets right to the heart of Little Women-love: “This is a film not about a single woman’s quest for identity or independence, but about the infinite power of a woman’s community.”

Little Women (2017) Directed by Vanessa Caswill, screenplay by Heidi Thomas

Not strictly a film, but well worth a mention, this recent three-part BBC adaptation stars Thurman-Hawke offspring (and Once Upon a Time... in Hollywood flower child) Maya Hawke as Jo March. Emily Watson plays the March matriarch, and—Gerwig connection alert!—Kathryn Newton (Lady Bird’s Darlene) is Amy March.

Letterboxd ranking: #5. Alicia is a fan: “Winona will always be my Jo, but Emily Watson absolutely kills it as Marmee! Just love her FACE!!!! Her pain is your pain; her joy is your joy. Oyyy!”

Bethchestnut was slowly convinced: “A very handsome and loving production, even if there were a lot of things that bothered me about it. Doesn’t help that I watch the 90s version every year. Still made me cry twice.”

Little Women (2018) Directed by Clare Niederpruem, script by Clare Niederpruem and Kristi Shimek

Released to mark the novel’s 150th anniversary of publication, this version wins points for casting Lea Thompson (Howard the Duck, Back to the Future) as Marmee, but loses points for the weird contemporary update, in which the March sisters inexplicably lose the messy complexity of their far more adventurous 19th-century selves.

Letterboxd ranking: #8. “Who decided casting Ryan from High School Musical was a good idea?” asks Sue.

Also worth seeking out: two different Japanese anime adaptations, the 1981 series Little Women’s Four Sisters (若草の四姉妹), and the 1987 series, Tales of Little Women (愛の若草物語), which aired on HBO in 1988 and is notable for writing in a black character. Not worth a mention: this 1970 TV adaptation.

Greta Gerwig’s ‘Little Women’ opens in cinemas this December.