#anton van dyck

[halfabird]

Anton Van Dyck (1599-1641), Teresia Khan, Lady Shirley, 1622

[carloskaplan]

Anthony van Dyck: Susana e os vellos (1621)

[bishopsbox]

Thanks to: @amore0429

Portrait of Cornelis van der Geest (1620). National Gallery, London.

by: Anton van Dyck

superb!

[artesplorando]

Anton van Dyck | autoritratto con Sir Endymion Porter

[atna2-34-75]

Jusepe de Ribera, Saint Paul

George de La Tour, Saint Hieronymus

Anton van Dyck, Saint Hieronymus

Nationalmuseet, Stockholm

[podartists]

Filippo Cattaneo (1623) | Anton van Dyck (1599-1641)

[clamarcap]

The Protestation & Love's Constancy

The Protestation: A Sonnet (Thomas Carew, 1595 - 1640) No more shall meads be deck’d with flowers, Nor sweetness dwell in rosy bowers, Nor greenest buds on branches spring, Nor warbling birds delight to sing, Nor April violets paint the grove, If I forsake [When once I leave] my Celia’s love. The fish shall in the ocean burn, And fountains sweet shall bitter turn; The humble oak no flood shall…

[ourstaturestouchtheskies]

taylor swift lyrics x colors x textiles in art – red

Fifteen – Fearless // Augusta of Bavaria with Her Children – Andrea Appiani ❤️ Love Story – Fearless // Portrait of a Prussian Prince – Unknown Artist ❤️ Red – Red // Apples – Kuzma Petrov-Vodkin ❤️ All Too Well – Red // Birdsong – Károly Ferenczy ❤️ All Too Well – Red // Portrait of a Lady – John Opie ❤️ The Moment I Knew – Red // Portrait of Sophia Hedwig of Brunswick-Lüneburg – attributed to Wybrand de Geest ❤️ Nothing New – Red // Sibylla Palmifera – Dante Gabriel Rossetti ❤️ Blank Space – 1989 // Tomaž Hren – unknown artist ❤️ Style – 1989 // Ernest Amadej Tomaž Attems – unknown artist ❤️ Wildest Dreams – 1989 // A Vision of Fiametta – Dante Gabriel Rossetti ❤️ New Romantics – 1989 // Portrait of Armand Gaston Maximilien de Rohan – Hyacinthe Rigaud ❤️ End Game – Reputation // A Genoese Lady with Her Child – Anthony van Dyck ❤️ I Did Something Bad – Reputation // Marie-Adélaïde de France – Johann Julius Heinsius ❤️ Look What You Made Me Do – Reputation // Infanta Isabel of Spain – Carlos Luis de Ribera y Fieve ❤️ Daylight – Lover // Self-Portrait – Gwen John ❤️ the lakes – folklore // Maria Amalia of Saxony – Anton Raphael Mengs ❤️ gold rush – evermore // Barine – Edward Poynter ❤️ Maroon – Midnights // Margaret “Peg” Woffington – unknown artist ❤️ Maroon – Midnights // Portrait of Marchessa Marianna Florenzi – Joseph Karl Stieler ❤️ Maroon – Midnights // Henry IV, King of France in Armor – Frans Pourbus the Younger ❤️ Maroon – Midnights // Elizabeth I as a Princess – attributed to William Scrots ❤️ The Great War – Midnights // Augusta, Duchess of Cambridge with Her Children – Melchior Gommar Tieleman

[simena]

ANTON VAN DYCK (detail)

[dutch-and-flemish-painters]

Jan de Herdt - Abraham and Abimelech - ca. 1658

Jan de Herdt, in Italy also called Il fiammingo (Antwerp, c. 1620 – between 1686 and 1690) was a Flemish painter and draughtsman. After training in Antwerp, he spent his entire career abroad, first in Northern Italy and later in Vienna and other cities in central Europe. He was mainly a portrait artist but also painted genre scenes as well as religious, mythological and allegorical subjects. He was part of a network of Flemish and Dutch painters working for the court, aristocracy and ecclesiastical institutions of central Europe.

He left Flanders and was subsequently recorded in Northern Italy, where he was documented in Lovere in 1657 as working on an altarpiece for the local church of St George. The large painting depicting Moses striking the rock is still in situ. He was recorded in Bergamo in 1658 where he painted the Abraham and Abimelech for the Santa Maria Maggiore Church, which is still in situ. He is documented in Brescia in 1660–1661. In this location he resided long enough to train the painter Angelo Everardi, who was likely of Flemish descent and was known as il Fiammenghino. Although there is no documentary evidence for this, it is likely that he was also active in Mantua for a while. The artistic direction of the Ducal Court in Mantua had been for decades in the hands of Flemish artists, first Daniel van den Dyck and later Frans Geffels. Geffels was also from Antwerp and had become a member of the Antwerp Guild of Saint Luke a year earlier than de Herdt. He had then left to work in Italy while also working for periods in, and maintaining links, with Vienna, where both artists are believed to have arrived in the early 1660s. It is likely that the artists knew each other as they both contributed to a collaborative book published in Vienna, the Historia di Leopoldo Cesare.

Jan de Herdt followed in the footsteps of many of his compatriots of the previous generation who sought a career in Central Europe. The Southern Netherlands had developed a close bond with the Imperial court in Vienna as its Spanish rulers were connected with it through dynastic links. The governors of the Southern Netherlands were often members of the Austrian Imperial family. They occasionally took artists from Flanders back with them when they returned to Vienna after being called back from their post. This was the case with Archduke Leopold Wilhelm, who brought artists such as Jan Anton van der Baren, Franciscus van der Steen and Nikolaus van Hoy back with him to Vienna.

[nataliakoptseva]

Dyck, Anton van (Flemish) Unknown Lady 1628, detail

[halfabird]

Anton Van Dyck, Portrait de l'écrivan Virginio Cesarini, 1623, huile sur toile, 104 x 86 cm, Saint-Pétersbourg, musée de l'Ermitage

[carloskaplan]

Anton van Dyck: Retrato dunha dama xenovesa co fillo (1626)

[joseandrestabarnia]

Título: Retrato de Margarita de Lorena Artista: Antón van Dyck Fecha: 1634-40 Medio: Óleo sobre lienzo Dimensiones: 117 x 204 cm Ubicación: Galería Uffizi, Florencia, Italia

Anton van Dyck fue un pintor flamenco considerado uno de los más grandes retratistas de todos los tiempos. Nació en Amberes en 1599 y murió en Londres en 1641. Van Dyck era conocido por su capacidad para capturar la elegancia y la sofisticación de sus súbditos. Sus retratos se caracterizan por su pincelada fluida, colores delicados y realismo psicológico.

El retrato de Margarita de Lorena es una de las obras más famosas y celebradas de Van Dyck. Representa a Margarita de Lorena, duquesa de Orleans, cuando era joven. Margarita se muestra de pie en una pose de tres cuartos, con un vestido blanco y una capa roja. Su cabello está peinado con un peinado recogido a la moda y está adornada con joyas.

Van Dyck ha pintado a Margarita con gran sensibilidad y cuidado. Su expresión es serena y digna, pero sus ojos también están llenos de inteligencia y determinación. La pintura es una hermosa y elegante representación de una mujer de poder y estatus.

El retrato de Margarita de Lorena es una obra maestra del retrato barroco. Es un testimonio de la habilidad de Van Dyck como pintor y su capacidad para capturar la esencia de sus sujetos.

Información de Bard, fotografía de mi autoría.

[artesplorando]

Anton van Dyck | Ritratto di Carlo I a cavallo

[palazzideirolli]

Vi auguriamo una Buona Pasqua di gioia e serenità. Auguri 🐣🐇🌸🥚

Immagini, in ordine:

-L’Ultima cena, Giulio Cesare Procaccini, Chiesa della Santissima Annunziata del Vastato, Genova. (Mostra L’ultimo Caravaggio. Eredi e nuovi maestri, Gallerie D’Italia, Milano)

-Ecce Homo, Michelangelo Merisi, da Caravaggio, Musei di Strada Nuova - Palazzo Bianco, Genova.

-Ecce Homo, Antonello da Messina, Galleria Nazionale di Palazzo Spinola, Genova

-Cristo con la croce, Anton Van Dyck, Musei di Strada Nuova - Palazzo Rosso. (Mostra L’ultimo Caravaggio. Eredi e nuovi maestri, Gallerie D’Italia, Milano)

-Anton Maria Maragliano, Incoronazione di spine, Savona (Mostra Teatro del Falcone, Maragliano, Lo spettacolo della scultura in legno a Genova)

-Cristo spirante, Anton van Dyck, Camera da Letto del Re, Palazzo Reale Genova

-Cristo Risorto appare alla madre, Peter Paul Rubens, (Mostra Rubens a Genova, Palazzo Ducale Genova)

-Bernardo Strozzi, (Il Cappuccino), Incredulità di San Tommaso, Musei di Strada Nuova - Palazzo Rosso, Genova

-Cena in Emmaus, Michelangelo Merisi, da Caravaggio, Pinacoteca di Brera, Milano

Foto: Archivio fotografico Palazzi dei Rolli © Stefano Bucciero



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