#anyway charlie rosen deserved a tony nom for his orchestrations because this recorder thing. i cant get it out of my head

[asianjeremyheere]

somewhere in joe iconis' track-by-track breakdown of bmc, he mentions that recorders = christine BUT in listening to the obcr, it sounds more as if recorders = jeremy seeing christine, and not just christine herself (mainly because i can't hear any recorder during her part in upgrade w jake but it's audible in mts when he sings her name). they're there in ilpr, and agtikbi + the reprise, AND iirc it's also in the scene before the play when jeremy offers her a squip and she refuses. it's essentially all of the times when christine is present at her most christine-esque. the only other time it's NOT there is during the play and like we already know that part of jeremy realizing that christine is squipped/isnt herself during the play is the fact that she rhymes 'into' with 'you' despite having never rhymed the final lines before, but there's also.... no recorder.... hence, both lyrically and musically, it's lacking the thing that kind of. distinguishes christine in jeremy's mind.

[asianjeremyheere]

happy one month anniversary to the bmc obcr!!! to celebrate, im gonna put my track-by-track commentary under the cut and split into two parts (act 2 here) because god it got so long and i am. very sorry. read at ur own risk. and it really is just rambling commentary because i had a gdoc out and the whole soundtrack playing, alternating obcr and ocr tracks SO! tada! act 1!

JEREMY'S THEME

Okay the orchestrations are great on both BUT I do prefer how much more sudden the end is on the ocr? Obcr Jeremy's theme kind of has that echoey quality at the end and I'm pretty sure it's just a recording thing but. Recording-wise I do kind of prefer the ocr. That said, I don't listen to Jeremy's theme THAT much.

MORE THAN SURVIVE

90% of this is going to be me preferring the obcr and this is no exception BUT I do like the ocr tempo a little more? It's faster and feels like it captures the whole day-at-school rush a little better, which works in most of the song except during the "Christiiiiine" portions because those are absolutely KILLER when they're a little slower. They sound more romantic, in a way?? Like it goes from Jeremy seeing her, a girl whom he likes and wants to point out to Michawl, to Jeremy seeing her and being totally enraptured/distracted by her, hence the slower/more drawn out Christiiiiine's working in its favor. Also would have like Michael's verse to be faster? I've always imagined him to be, like. A fast talker. I don't really care about how much George changed his voice for it, I just wish it was faster. But overall, I like it better on the obcr because Will R is waaay more emotive and I'm in love with his falsetto and his runs.

I LOVE PLAY REHEARSAL

I know I said I was terrible at recognizing tempo but ILPR feels so fast on the ocr??? Anyway I like the obcr version better and Stephanie is adorable in both but MORE so in the obcr. Her inflections have so much more character and she paints a much clearer picture of Christine as a whole just in that one song. ALSO the added dialogue!!!! Love that. It's also got a less consistent tempo (I think????) which works for a song like this and a character like Christine

MORE THAN SURVIVE REPRISE

This isnt on the ocr but it was in the original show and I got it stuck in my head all the fucking time so I'm just glad it got recorded!! I don't have a Two River audio on hand rn but I like the bway version better anyway because Will R is, again, more emotive and I think it works better with this specific iteration of Jeremy anyways? Like. His whole character is sadder so this song fits a little better.

THE SQUIP SONG

Ngl I can't really tell the difference between the two but Gerard's voice has only had time to improve (I hope? He seems to do a lot of stuff when he's not doing a show and I wonder if he's like. Taking care of his voice. I hope so?) and I love the new glitchy stuff at the end. But like rip the "picture this" verse :( I think I just. Like them both pretty equally??

TWO PLAYER GAME

Obcr babey!!! I like the way a bunch of the instruments cut out and it's just the 8-bit stuff right at the start? That's fun as fuck. Also Will R's "ah! gah!" noises are 💜💙💜❤💖💙🧡💙. The orchestrations in the obcr are also just. God tier. And the tech-y fade out sound at the end is one of my favorite things. Also George's voice is the same pitch but he sounds younger in the obcr and that's not good or bad because he still sounds convincing enough to be a high school either way.

THE SQUIP ENTERS

Okay I like the obcr for this better too just because there's more in it. It isn't just Jeremy screaming for a minute and a half, they also added the dialogue which makes it better. I don't actually really like this song as much on the ocr just because I did. Not enjoy listening to a song that was basically just screaming? It's too loud and I was always worried about people hearing it through my headphones skdjks. The obcr version isn't much better screaming-wise but I can't just straight up skip it anymore because there's stuff at the end. Plus they have a bigger budget for effects and the transition from the startup-Squip voice to Jason Tam's voice where they're doubled up? God. I love him.

BE MORE CHILL, PT. 1

Obcr wins this just for the 'outdated' riff alone. Also, Jeremy sounds more intimidated/impressionable?? WPC Jeremy doesn't sound scared of the Squip/sounds borderline rebellious right off the bat, which is weird considering EWM is allegedly the 'more evil one' 🤔🤔🤔🤔. Plus I think the obcr has more harmonies and Will R's comedic timing during the Squip Tango is spot-on. AND KATLYN!! Yeah. Love her. She's so much more intense in the obcr and it works for Chloe??? She just sounds more passive in the ocr. That said, Jason should have sung more because his voice…… pwetty

DO YOU WANNA RIDE

The obcr ending has my heart…. the pinkberry riff….. the giggle and "au revoir"........ I am in love with Brooke Lohst. I don't really mind that it's slower either? But I can't hear the trombone shot notes as well on the obcr and that makes me sad :( Charlie Rosen ur orchestrations are gold but dont drown out the trombone that was my favorite part of ocr dywr!!!!!

BE MORE CHILL, PT. 2

Jason Tam's Squip voice is good you guys are just mean and don't understand nuance!!!!!!! I love the obcr version of this because a) Jason!!!!!! b) Will!!!!!!!! and c) Tiffany's high note at the end!!!!!!!!! Also the gong!!!!!

For real though? Will R. is much more expressive in the repeat-after-me section and Jason Tam's cooler, more laid-back tone works. I'm more inclined to trust that he can actually help me because he sounds more guiding than demanding and I, personally, don't respond well to people exercising their authority over me! I do much better when things are phrased like "I'm going to help you! Here are some suggestions. Do them. Look, it's working!" vs "Do what I say, it's the only way you'll succeed" and to have the Squip start out sounding more like the former before getting more outwardly controlling works better and makes more sense imo!

MORE THAN SURVIVE REPRISE/SYNC UP

Okay I can't really compare these two because they're totally different songs at this point but I love Sync Up and I can compare that end portion because it's the same! 'Head to play rehearsal' > 'drama practice' because it's not a huge difference but he's parroting Christine's terminology and it shows that he's listening to her, which Mr. Will Roland himself said was a huge part of Jeremy's journey! (Learning to listen.) Also, Will R just sounds more eager and excited to actually be included? Will C just sounds like he's relieved that he's not being shoved around. Will R!Jeremy sounds more excited in general, even at the beginning before he gets shocked. And then his “ghughgh” noise. Mood, Will. The Squip at this part is kind of. Hmm. I don’t really like it in the recorder version ngl but I know Jason talked about like. Struggling a little more to get into the Squip mindset during the recording process because the costumes are so integral to his characterization and he didn’t have said costumes for the obcr recording so I’ll give him a pass. It doesn’t faze me as much in audios so??? Jason Tam u get a pass.

A GUY THAT I'D KINDA BE INTO

The obcr recorders make me ❤💗💖💕💖💕💙💘🧡💘🧡❤💕❤💕💙💜💖❤!!!! Also I prefer the new ending where she goes "Who kneeeeeeeeeew?" and how surprised/thrilled Will R!Jeremy sounds when he says "Is she talking about me?" but like…. Jason Tam, I will defend your Squip voice to my dying day but why did you have to say "pheromones" like that. Okay also I'm listening to each song's versions back-to-back and the tempo changes keep throwing me off. But I do appreciate the lack of clapping in the ocr.

THE SQUIP LURKS/THE SQUIP STALKS

Obcr wins because its an instrumental and I love the bway instrumental. Also, it's longer and spookier. Thank you, Charlie Rosen. You deserved a Tony nom for this shit.

UPGRADE

I'm gonna say right off the bat that I love obcr Upgrade so much because of the additional depth given to Brooke and Jake, and I love the new ending because like woah chills. That's all. It's not a disclaimer or anything, I just love it. Also, Stephanie's "oh wow"? Cute as fuck!!! Britton's voice??? God tier!!!!!! Brooke's french at the start and the way Lauren's voice breaks on "I just want someone to see me first"??? God!!!!!!!! Tiffany coming in by herself before everyone else joins in during that layered section??? I am deceased. I love trying to pick out every individual person's voice in that section. Usually Gerard, Lauren, and Will are easiest for me to pinpoint? Idk. Ocr Upgrade still fucking slaps though. Steph's "oh wow" is a little more underwhelming but I'm like. In love with the tempo right before the "Christiiiine"s? Also uhhh wish they'd included Jeremy and Michael's conversation somewhere in the obcr.

LOSER GEEK WHATEVER

I love LGW and I'll stand by this forever. I'm gonna compare this to the end of ocr Upgrade because that's technically where it goes and I think it does a better job of showing Jeremy's motivations and his worries about taking the Squip! Also it makes sense story-wise that he would take time to slow it down and think/process considering he just…. asked the Squip for time to process….. but like the original ending is still a bop and it's super good for like. Hyping urself up. I just think LGW does better for Jeremy's character and it's a good song!!! It sums up a lot of what I feel/the ways I relate to Jeremy, too, so it's. Emotional hearing it in audios skdjsj but not as much with the recording anymore!!