#anyway forgive me for possible upcoming music posts

[kimmkitsuragi]

I MISSED LOONA MUSIC FR

[all1e23]

Between the Stars [Pt.7]

Pairings: Past!Steve x Reader, Bucky x  Reader

Series warnings: CHARACTER DEATH. Grief. Overall sadness. Depression. It’s pretty angsty if I’m being honest. Things mellow out as the series goes on. TW: Military/Spouse death

A/N:   This might be my favorite chapter yet. Bucky is soft, and I love him. Reminder because I know the timeline for this fic is confusing with switching between readers and Bucky's POV, we are eight months past Steve's death. Bucky has been home with her for seven. Thanks to my beautiful beta @moonbeambucky​​​ for looking this chapter over for me. If you like it write me a book report, sing me a song or come scream at me.

***My fics are not to be saved or posted on any other sites without my written permission. Reblogs are my jam, though! Thanks!****

Eight months after Steve’s death, Y/n was playing again. It wasn’t on the same scale as it once was and she was no longer teaching, not that it mattered. It was a big deal, Bucky didn’t downplay just how huge this was. She had given up, threw out her dreams in search of new ones as some misguided form of punishment; maybe she thought it was her penance for some terrible crime she convinced herself she committed by living. Bucky understood that feeling better than most, he really did, but she had nothing to atone for. The only one who needed absolution was Bucky and he hoped that by helping her get her life back, he was earning a tiny bit of forgiveness for everything he had done.  

Nothing would ever completely absolve him, but he prayed this would help to even the scales.

Over the last month, Y/n hasn’t mentioned Steve as much. Bucky didn’t know if that was because she was starting to heal or if it hurt too much to keep talking about him. She still slept in his room most nights, only slightly closer to him now, her foot usually wrapped around his ankle and Steve’s pillow was no longer hugging her back -- it was still there every night though. A handful of nights she fell asleep on the couch watching trashy late-night television and Bucky didn’t know if he should pick her up and carry her to bed. Was it too intimate of a gesture? Should he touch her that way? And if he did what bed would he take her to? It wasn’t something he was ready to test and he wouldn’t risk the potential hurt the wrong move could make. So he let her sleep, and stayed close by, sleeping on the small window bench nearby in case she needed him. 

Things began to resemble something better, calmer and there was a bit of normalcy returning. They even started going out. It began with small outings, a trip or two to the market, or down to the Mexican restaurant twenty minutes away for takeout. A few Fridays back, they spent the entire day at one of those you-pick farms a couple of hours away from the house. She told him she wanted to go get peaches. Bucky wasn’t about to tell her no or tell her that they could pick some up at the grocery store without the hassle of having to pick them off a tree. No, he wouldn’t do that. This was a big step for her; she wanted to go out, and well, she’s so damn pretty when she’s smiling. 

The farm was enormous for the area, sitting at around 200 acres. They had blueberries, pumpkins, peaches, and strawberries. Some of the produce wasn’t ready to pick, but Bucky knew Y/n was planning their next trip as soon as the seasons changed, and he really didn’t mind. They had a petting zoo they found upon arrival, at which point Y/n squealed over the baby goats, and they spent some forty-odd minutes feeding them. Then Bucky spent the next hour talking her out of having a baby goat of her own. Okay, Bucky would get her a damn goat if she really wanted one, but he was praying she would forget about it on the drive home. There was a hay maze that was still in the process of being prepped for the upcoming season but Y/n’s eyes lit up at the mere thought. 

The food had to be Y/n’s favorite most of all. 

There were candied peach slices that she had been so excited about. Bucky couldn’t help but laugh when Y/n had a bite with too much of the ginger that was sprinkled on top and wrinkled her nose in disgust. She glared at him, but it only made him grin wider. They both tried the vanilla scones with fresh peach jam and shared a large Mason jar full of peach iced tea because she said it was silly to spend the extra money when they could share. One sip and all Bucky could think about was the sweetness on his lips is what she would taste like.

Maybe the food had been Bucky’s favorite part, too.

The sun was starting to set, and despite being forced to leave the goats behind thanks to closing, Y/n was still smiling. Bucky followed behind her, letting her lead him to whatever tree she deemed had the best peaches. Y/n delicately placed three more peaches in the pail he was carrying and then set her eyes on him, scrutinizing and somehow still playful. She stepped towards him and flicked the bill of his NASA ball cap, causing it to pop up and sit crooked on his head, and she grinned at the feigned look of annoyance he was giving her. 

“I can’t see your face when you wear a cap.”

She told him that as if it was an excuse for her assault on his favorite hat. 

“Well, I’m trying to hide my stupid looking hair.” 

She giggled at that. 

Y/n giggled, and the little bit of his heart that didn’t belong to her became hers. She leaned in, and if he was a stupider man, he would have thought she was going to kiss him by the look in her eyes and how close their lips were. Y/n slowly reached up and pulled his hat off his head only to plop it on top of her own. If she was his, he would have pulled her close and claimed those pretty lips, savoring the honeyed peach and candied ginger he knew was still lingering on her tongue as he took his sweet time tasting her. He would have kissed her until she was smiling and giggling and sighing in that soft way she does when she’s really happy. 

She wasn’t his. So he didn’t. 

But he would dream about what it would be like if she was. 

“Looks better on me anyway,” Y/n told him with a grin, wandering off towards the next row of trees. 

Bucky could only watch as she walked away with his hat and his heart. He mumbled quietly to the peaches hanging nearby, “Yes, it does.” 

After their outing, their day trips became something they both looked forward to. It wasn’t their norm. In the past, they spent a lot of their time watching movies, sitting in the quiet enjoying each other’s company, or Bucky would read while she played and worked on her music. But this new normal was good, too. It was nice to see more than the seafoam green walls of her living room, and he would do just about anything if it made her happy. 

“Hey.” 

Bucky looked up from his spot on the couch to find Y/n standing next to him in those black skinny jeans that make his knees weak and a plain white t-shirt. He knew she was wearing that black lace bra of hers because he could make out the imprint of the lace against the delicate fabric of her shirt, and he recognized the design from an embarrassing mix-up on laundry day. Bucky couldn’t seem to find his voice so he met her gaze, a question lingering in his own eyes as he waited for her to spill whatever she was so excited about.

“Wanna take me out?” 

He laughed softly and closed the book in his hand. He found it funny that she still asked him that. The answer would always be yes. For her, it’s always yes. 

“I’ll take you wherever you wanna go, Y/n.”

They went out to dinner that night. It wasn’t anything lavish, but it was the right amount of rowdy. There was a band playing out on the patio and the music carried through the open doors to where they shared a small booth inside, it was loud but not so they couldn’t talk. She ordered pasta because pasta always makes her happy, and Bucky tries his hardest to make sure she’s happy. They talked a lot, well, she talked a lot. That wouldn’t be so strange if she hadn’t been so closed off the last eight months. 

Bucky let her talk about how she wanted to see if the band had any shows soon because she wanted to see them play in a better venue, and she told him she liked lights the restaurant had above the tables -- a large beam with hanging Edison bulbs wrapped around them. She talked about the funny picture of him Sam posted on Instagram. Bucky had rolled his eyes at that. Sam had the bad habit of taking candid photos of everyone, and he always posted the worst ones of Bucky. This one happened to be from the worst possible angle; the camera caught his mouth hanging wide open as Bucky took a bite out half of a cheese pizza, folded over and covered in potato chips. Some people eat pizza that way, it wasn’t weird or funny, and Bucky stood by that. The night was perfect, but even perfection has a few cracks if you look hard enough. 

Someone had mistaken them for a couple that night, and Bucky was quick to correct them. He informed the older man and his wife that she was his best friend, she was taken by another lucky man. It was all platonic Bucky had said. Y/n didn’t say anything. She watched Bucky charm the older couple and gave them a friendly smile and a wave as they walked away. 

“Platonic,” she muttered quietly once it was just them again. 

Bucky looked up from his half-eaten burger and ketchup soaked fries, took in the furrow of her brow, and the frown sitting where a smile was beaming only a few moments ago, and his heart sank. 

None of that was good. 

“Yeah, Trouble.” 

Bucky’s eyes dropped to the wedding band she was still wearing without meaning to, and she quickly pulled her hand under the table. The rest of dinner was quiet, and they didn’t speak about it again. 

--

They never talked about what happened at the farm or dinner that night, but whatever bothered her the night at the restaurant hadn’t caused a setback in the healing process as Bucky had feared. It seemed forgotten. Bucky was thankful for that, and he was thankful for days like today. Y/n wanted to spend the day at home, relaxing. She informed him that today would be perfect if she could spend the day with just him. She might have said something like, “I just want to spend today curled up on the couch watching movies with you.” Not that Bucky memorized the way her voice sounded when she said that or anything. 

Three movies into their marathon and Y/n declared they needed a break. She was going to figure out something to eat for dinner, and Bucky wasn’t sure how it happened, but he found himself upstairs, staring at a ghost. The letters Steve gave him have been tucked away in a drawer of the old desk that sat in the corner of his room. They caused him more heartache than Steve intended Bucky was sure. Or maybe this was exactly what Steve wanted. This was his punishment for loving her. Bucky tapped the letter on the desk and ran a hand down his face, Bucky had hoped they would disappear, and he wouldn’t have to look at them again, but there all twelve sat. 

A heavy-handed fist pounded on the front door, startling Bucky out of his trance and his stomach dropped at the sound. He wasn’t down there with Y/n, not that she needed him to answer the door, and lord knows if she knew he dared to even think about babying her like that, she would chew him out for a week straight. Still, he didn’t like leaving her completely on her own, not yet. Bucky tossed the letter back in the drawer, and hastily closed it before trampling downstairs. 

Bucky made out a familiar voice as he reached the bottom of the stairs. “Well, you never answer your phone anymore, and I figured you were spending all your time with-” 

Her father met Bucky’s eyes, and he grinned.

“-Bucky. Well, shit, son. It’s good to see you home.” 

Bucky grinned and took the hand that was extended towards him. He hadn’t expected it to be her father at the door; he thought Sam or maybe Natasha. It made sense, though. No one has come by to check on her since he’s been home. It was about time they started to get visitors, and Y/n didn’t answer her phone much anymore, so if someone wanted to talk to her showing up like this was their only choice. Bucky knew she wasn’t doing that on purpose, she had to put some things off in order to keep going, and there wasn’t any shame in that. 

He was doing the very same thing. 

Y/n was uncomfortable, whether her dad knew Bucky wasn’t sure. Bucky knew, though. She hates small talk, so Bucky knew when Y/n said she was starting the grill, she just wanted a moment to breathe without being judged; a minute so she could prepare mentally for a guest when she didn’t want one. Bucky could keep her dad busy until she was ready for idle chit chat and undoubtedly Invasive questions. How hard could it be to keep up a conversation and look for a small fire on the porch? 

He could handle it; smoke meant they had to run. It would be fine. 

“I thought you would’ve stopped by before now.” 

Bucky passed over an amber-colored bottle from the fridge, taking a beer for himself and leaned against the counter. It probably wasn’t proper or how Steve would entertain him, but Bucky wasn’t Steve. He didn’t even know why he was thinking about that. This was still Steve’s house and his wife, no matter how much Bucky wished this life was his. 

“Well, I knew she was in good hands. She has you.” 

He smiled but shook his head. “I appreciate that. She’s probably helping me more than I’m helping her.” 

“I doubt that.” 

Bucky caved under the weight of his stare and grudgingly nodded his head in agreement (or cession depending on who you ask). He has yet to win an argument with her dad, and Bucky wasn't about to try to now. 

"We haven't had a chance to talk since you've been home. I've meaning to come by.  Y'know how much we love Steve; we always have." 

Bucky tried to keep his face impassive, his grip on the bottle in his hand tightened, and he could feel his stomach-churning. Where the hell was this going? 

“He was a good man and a good husband. Took care of Y/n, made sure she was happy and was always respectful.” 

Bucky relaxed some when he realized he was simply praising his lost friend, and he nodded, taking a swig of his beer to wash his guilt down. Yeah, that was Steve. The polished side of the coin. The hero, not the broken sidekick.The better of the two. Bucky heard the speech before; it was one truth he knew well. 

“But I always thought it was going to be you.” 

Bucky froze and by some small miracle managed to keep his face blank as the older man went on, “Even up to the day of the wedding I had this feeling one of the girls were going to come running in, flowers in their hair to tell me she ran off with you and the wedding was off.” 

Bucky huffed. “She would never do that.” 

Her dad smiled and nodded his agreement. “She wouldn’t, but you would have.”

Bucky licked his lips and dropped his gaze to the counter, not risking the chance the truth could be seen in his eyes. He couldn’t lie and say he didn’t think about it after Steve proposed. That he didn’t let it play out like some romantic drama in his head where he got to her just in time and told her the truth, the whole real, painful truth, and she loved him back all along. 

But she didn’t. She loved Steve, still did. 

It was obvious any time Steve was mentioned or when something reminded her of him. He could see it written all over her how much she still loved Steve, and Bucky couldn’t blame her. He still loved Steve too. Despite everything, Bucky loved them both. 

“Give her time to work through her grief, and I’m guessing you need to deal with your own. Losing someone you love is never easy. The time will come though when you both can move on. I’m not saying you’ll do that together or that I think you should, but there may be the chance to in the future. If you were looking for hope of some sort, well, that’s the best I can offer you.” 

Y/n had found her way back into the kitchen, no smoke in sight and their conversation ended there. It wasn’t one Bucky wanted to continue anyway. Not when the hope he was offering didn’t exist. Bucky tried to leave them alone so she could spend alone time with her dad, but she gave him the look, the one that pleaded with him to stay and tugged on his heart. So he stayed by her side until the stars were shining brightly and they were alone once again. 

Bucky had been more careful with his affection after that. He was meaningful in his touch and waited to make sure he meant each one. Not that it was that hard to do, he meant every one. When it came to Y/n, everything Bucky did had meaning, a purpose. 

Y/n had started asking him to go on a walk around sunset every night. It was getting cooler out now that autumn was right around the corner, and she liked to watch how everything around them changed -- slowly almost without notice.

Their walk tonight felt different. Things had changed between them, when Bucky didn’t know. He wasn’t sure what they had changed to, but he wasn’t going to question it. He was afraid if he did, she would realize her mistake, and all these small moments between them would stop. Halfway through their walk, Y/n had let her hands hang by her side instead of staying crossed over her chest. When they were kids, she would do that when she wanted Bucky to hold her hand, or maybe he imagined that she ever truly wanted to hold his hand. 

Bucky never could figure her out.

He never knew what she meant when she would lean in close to whisper something in his ear and pull away just as fast. When she would tease him and give him that giggle that had his heart stopping and restarting like an old engine that was about to give out. He could never tell if she felt something beyond what they already were; if she wanted him the way he wanted her. 

Her street was just up the hill, and Bucky finally gave in to the screaming in his chest because feeling her hand in his once more was all he could think about. He slowly slid his fingertips down her forearm until he reached her palm. He risked a peek at her as he laced their fingers together and caught the smile she was trying to hide by dropping her head to gaze down to her white high-tops and his black boots. 

Bucky didn’t know if Y/n wanted to hold his hand, and at this point, he wasn’t sure if he knew her as well as he thought, but he sure did love that smile.

Previous // Next

[yuthoe]

Practice Makes Permanent (PENTAGON: Yeo One)

Hello, friends! This fic is entirely inspired by this post made by Changgu SO LONG AGO, and it looked so cute that I couldn’t get it out of my head. I’m a big theatre geek--I love acting and I was even in an org for it in college, and was cast last minute for a film, too. it’s one of my biggest passions, and hearing news of changgu being in something rotten! made me extremely happy. i needed an excuse anyway to get into the show, and this is the perfect opportunity!

this one took sooooo long to finish. it’s been in my unfinished folder for the longest time, and i’m so glad i’m finally finished with it. changgu’s last performance as Nigel Bottom is today, so i really tried to wrap it up before then. nothing like a deadline to get your ass in gear, am i right lol. but i do apologize if this one seems messy.

btw, the title is something my director would tell us to keep in mind: practice doesn’t make you perfect, it makes you and your body remember what you’re doing, whether it’s correct or not. so you have to practice things in the correct way before it becomes a habit and you keep repeating things the wrong way.

PAIRING: Yeo One x reader. GENRE: fic, general. WARNINGS: N/A. WORD COUNT: 1,635.

---

You knock twice on the door of a dance studio in the company building, before opening it a smidge and peeking your head through, immediately spotting your boyfriend sitting cross-legged against the floor length mirror, his script for the upcoming show he’s in on his lap. Changgu turns to the door at the knocks and smiles wide when he sees you.

The door clicks closed behind you as you skip to where he’s sitting to give him a peck on the cheek. “Hello, handsome,” you greet as you put your messenger bag down on the floor near you; he murmurs a quiet hi as you settle down beside him. “So what did you ask me to come here for?”

He lifts one of your hands to his mouth and presses a soft kiss there. “Okay, so you know I was cast as Nigel Bottom in Something Rotten!, right?”

“Of course, and I’m exceedingly proud of you for landing the role,” you gush, leaning forward and smacking him on the lips. “I know you’ll do great in it.” You’ve seen the musical before, and it’s hilarious, so when Changgu told you the news, you couldn’t help but feel that playing Nigel would suit him to a T.

Changgu chuckles, grinning widely as he kisses you back. “Thank you, love. But yeah, I have a love interest in the play. And much of Nigel’s character development is helped forward by her, so… you know… if you’re okay with it… could you--,”

“Help you memorize your lines with Portia?” you ask with a smile. It’s been a while since you’d done any acting, apart from what’s necessary for your group’s comebacks. The last gig you could remember was for a short film two years ago that was screened during a film festival, and you’ve been itching to get in front of a camera again.

Your boyfriend shrugs nonchalantly, as if it’s no big deal. “Only if you want to, though. I know you’ve been busy lately.” He levels you with a disarming smile and soft caramel eyes. “But I’d really appreciate it if you could help me.”

You had been ready to say yes to the request even before he gave you that look, so you gently cup his face, press a light kiss on his nose, and say, “I’m never too busy for you, love.”

***

“Okay,” Changgu says, sitting on the “bench” (three chairs you’d put in a neat row), sheaves of papers in his hands. “Act 1 Scene 8… action!” He taps his rolled-up script against his palm, quickly unfurls it again, and starts scribbling on the cover with an invisible pen.

You stand a little ways away, clutching a piece of fabric you found in the corner around your head and shoulders like a cloak. Your feet want to move, want to pace around a bit from nerves of seeing and possibly talking to Nigel.

Nigel groans in frustration. “Uggggh, no you can’t.” He sighs, makes to stand up, and you spur into action, walking straight into him as he begins to walk away. “Oh, apologies. Good day, mistress.” He avoids your eyes, defeated.

He begins to side-step to excuse himself when you say, “‘Good days were those when lit with love, till dusk of death did herald th’eternal night’.”

It puts him to a stop, and he finally looks at you properly. He recognizes the line and confusion is written plain on his face, obvious in the way his brows furrow. “Hey… I wrote that.”

“Yes, I know,” you say, trying to fight the smile growing on your face as you lower the “hood” of the cloak. The cloth precariously hangs on your shoulders as you pat your pockets for the paper you stuffed in one of them earlier. “I accidentally took this after our first encounter,” you fumble with the blank page and show it to him. “Your sonnet. It’s--it’s perfection.” You’d never read something so deeply sorrowful and yet yet incredibly hopeful.

“Really?” Nigel’s eyes had lit up when you took off your hood, and now he’s fiddling with his hands, embarrassed but flattered. “You thought it was… good?”

You clutch the paper to your chest. “It touched me in places I did not know could be touched.” Instantly, your eyes widen and you inwardly curse yourself for making it sound like something sexual. You try to backpedal. “Forgive me. Poetry is forbidden in my house, especially poems of earthly love.”

You take a step forward, lifting a hand in front of you like you’re reading a marquee. “OH, IS THERE NO PITY SITTING IN THE CLOUDS THAT SEES INTO THE BOTTOM OF MY GRIEF?!” you yell, and press a hand to your heart with an impassioned sigh.

Nigel points a finger at you, the play coming to him easily. “Romeo and Juliet, Act 3, Scene 6!”

You whip your head towards him, more excited now. “You’ve seen it?”

He nods, just as elated as you. “Six times! And you?”

“Eight! If my father knew, he would disown me,” you reply.

“My brother, too.”

“I adore Shakespeare.”

“Me too! I’ve got Comedy of Errors, first edition,” he says proudly.

You smile. “I’ve got ‘Sonnet No. 1’.” You hold up a finger. “Signed.”

Nigel’s jaw drops. “Wow.”

“I know,” you say, giggling. Talking about literature always makes you so excited that it’s taking all of your willpower to not jump around right now. Nigel chuckles with you, overjoyed to find someone just as in love with poetry as he is.

The laughter dies down after a while, replaced by embarrassed smiles from both of you. As you move to tuck a hair behind your ear, you remember the paper you’re still holding and the reason you sought him out in the first place.

So you take a breath and look at him, completely serious now. “I think you’re his equal--if not better.”

Nigel is already shaking his head. “No, no way.”

“Oh yes,” you insist. “Your sonnet has Shakespearean sophistication mixed with the complexity of Daniel Webster and the sensitivity of Samuel Daniel.” The analysis has been eating at you since you first read the poem, that the words just tumbled out of your mouth. You needed someone to talk to about it, and who better than the author himself?

Nigel looks at you fondly, mouth upturned in an amused smile that shows his teeth. “You really love poetry.”

You sigh, grinning so wide it feels like your face is going to split in two. “Oh, I do. I really, really do.”

“And cut!” Changgu says. “This is where the song comes in, so we’ll skip that.”

“That was a good run!” you say, pulling off the fabric and folding it into a loose square. “I mean, I’m a little rusty so I could use some more practice, but you were good!”

Changgu does a tiny fist pump and gestures to his script. “Can we do another scene?”

“Yeah, sure,” you say, eager to try again. You didn’t think you’d miss acting this much, but Changgu just ignited that fire in you that absolutely loves being on stage. “What did you have in mind?”

***

Hours later finds you both in a cafe, you sitting across Changgu and exchanging notes from your mini-rehearsal earlier that afternoon. He nods in understanding as he highlights his lines on the open script, occasionally scribbling notes and tips in the margins. The serving of iced coffee sits half-empty beside him and you carefully sip your warm latte.

You like this, you think. You like practicing lines with Changgu, acting out scenes together, and delivering a whole new dynamic to your characters’ relationship. It makes you want to actually act with him on a legitimate project and, not for the first time, wish you auditioned for Something Rotten!, even as an ensemble character. 

You hear the clack of Changgu capping his highlighter; it takes you out of the spiral of envy you were slowly tumbling into. He looks up at you, eyes soft and gazing at your face.

“Thank you for practicing with me earlier, Y/N,” he says, smiling.

His smile is literal sunlight and has you grinning back. “Anytime for you, Changgu,” you say with a giggle.

He chuckles and sits back on his chair with a sigh. You study him as he studies the highlighted pages.

“I wonder what it would be like if we worked on a project together,” he muses. “I bet it’d be so much fun. We could practice lines together, have loads of inside jokes…”

His eyes focus on you again. “And it would be an excuse to spend more time with you.”

It still amazes you sometimes, how much you two are on the same wavelength. Because of your packed schedules--comeback preparation for you, and musical rehearsals for Changgu--you hardly have time for each other lately. Truth be told, you miss him, and you know he misses you. Today is just an excuse to see each other after such a long time, and you’re just making the day count until you have free time again. And who knows when that’ll be?

You shake off the solemn vibe and say, “Okay. Next time, we audition for a musical together, yeah? Something… darker, maybe? More drama?”

Changgu grins at you conspiratorially. “Are you thinking romance? Or possibly a tragedy?”

You hum, tapping a finger on your chin in mock thought. “Why not both?”

“Oohh, Sweeney Todd? Chicago?” He starts humming the hook to “Cell Block Tango” while doing vogue-like moves, and it’s taking everything in you to not kiss him right now. You’re in a public place right now, and though there aren’t many people in the shop, public decency is still a thing.

No matter--you’ll make sure to shower his face in kisses later.

[dreadnought-dear-captain]

You Asked, I Told

(Note, if this post shows up twice or massively delayed or just looks weird, it’s because it was flagged for adult content [??!] because I had a picture of Willem Dafoe’s face in a gif. I am not even kidding. Do with that information what you will. I’ve removed it and I still don’t know if/when this can be publicly viewed, I’m kind of lolling. So if you see a blocked out photo that looks like porn in your post, I swear it’s just a gif from The Lighthouse!)

Hello, amazing people. This weekend, I’m putting the final touches on my last draft of Baghdad Waltz Chapter 39, which will then go to the beta for one more round of edits. I imagine I will have the chapter posted in 1-3 weeks, which is close to record speed for me, especially since it’s around 30k words. I’m going to be talking about my writing process (at unfortunate length) for one of the asks, for those who are interested. 

Please forgive me. I’m feeling quite verbose and a little squirrely. I blame living alone during lockdown. 

It’s also Memorial Day weekend in the States, which is when we are meant to honor those who gave their lives in military service to this country. This is often confused with Veterans Day (November 11), which is honoring anyone who has served in the military and is no longer serving. This gets further confused with Armed Forces Day (rotating date, May) which is to honor those currently serving in the military. I know, super confusing. 

There’s a wide range of opinions on how Memorial Day should be commemorated, which often involves gathering with friends and family for a barbecue or some other social activity. It’s the first major holiday after a huge holiday drought throughout the late winter and spring, which often makes people look forward to it immensely. Some people feel it’s inappropriate to celebrate Memorial Day with barbecues and fond social gatherings because it’s dishonoring the memories of those who can’t be here, people don’t take time to remember those who have died, people have no idea what the day is actually for, etc. Others, even some very vocal veterans, maintain that people died so that we could be here to celebrate in freedom, so why not relish this life we have? Many offer the caveat that it’s appropriate to at least acknowledge the purpose of the day, even if it’s just in a few minutes of quiet reflection. 

Anyway, I offer this as a little food for thought for this upcoming long weekend. 

(And in case you missed it, I posted a BW Timeline for your reference.) 

Contains spoilers through Chapter 38.

[Takes deep breath]

I’m so glad that you are enjoying the read and that you’re finding it inspiring for your own work. I think my dedication to research for BW is threefold. 1) As this story evolved, I decided that I wanted to create the most realistic depictions of military, civilian, emotional, and physical life that I reasonably could. I will fully admit to lapses in this, deliberate and unintentional, because sometimes the plot just needs to go and I can’t wait around for a year-long medical discharge process for my character. 2) I’m in an academically stringent occupation, and because research is such a prominent part of my work life, it’s bled to my hobby. (IS THIS EVEN A HOBBY ANYMORE?) And 3) I get very easily and passionately obsessed with things and delight in getting “into the weeds” with a subject. Almost every research divergence usually takes me off track for at least an hour. And you will never catch me without an MTA subway map open in at least one tab.

But that wasn’t even your question! Sorry. Are you beginning to get a sense of why BW takes me so long to write?? I cannot keep my shit on track. As for the bibliography, YES! I plan to include that in my author’s note at the end. I wish I had kept better track of all of my works consulted over the past three years, but I will definitely discuss the importance of some of the main ones. I’m so thrilled that you are interested, and I’m excited to share them!

Thank you. This is such a kind thing to say, and I’m humbled and delighted to hear it, especially because our fandom is so blessed with some AMAZING fics. And asks certainly don’t have to be questions! I appreciate them all (except the flaming bag of dog shit ones, which I haven’t had in a while, hooray).

(Re: Chapter 37) Good question! I imagine Claire would want to keep the 1:1 conversation somewhat limited, as she is treating the couple as a patient rather than them as individuals. If anything, she might have somewhat superficially checked in to see if he was okay rather than dive into anything regarding the relationship with Bucky not around. That could be seen as a betrayal of trust to Bucky and could be interpreted as favoritism, which Steve craves and which Bucky is probably terrified about.

I am always pleased when people re-read and enjoy it or get new things out of it, even if it’s sometimes a re-read is a function of my slow-ass writing. I really want a story with good re-read value.

You make an excellent point about Bucky’s relationships. His friendship with Jack also had no real closure. Sometimes this is a factor of circumstance and sometimes it’s because of his avoidance, like a self-fulfilling prophesy almost. He’s learned that people betray you, either by hurting you or dying, so he creates conditions sometimes (often unwittingly) for things to go sour and end poorly, or he will simply make himself disappear so that he’s not hurt and doesn’t have to wait to see if he will be abandoned or betrayed. He’s not a guy who is good with goodbyes.

As for Thor, I totally see how it would read that way. I think Thor started out fishing for longer-term possibilities in a romantic relationship but then realized Bucky is really not a guy who is comfortable settling (which, as we can see, is true). As for why it seems more serious, one thing is that Thor still wanted Bucky in his life as a friend, possibly one with benefits. They have a lot in common, and it’s hard for veterans - and, more specifically, special operators - to find people in their lives they can relate to with these very intense life experiences. I wanted this to be a real relationship, but maybe not necessarily one that was bound to become a RELATIONSHIP. I think Bucky was very intriguing and attractive to him, and he very well may have struggled with his own vacillation between whether to take it seriously or whether to remain friends+. This can lead to mixed messages.

And we also have to remember Bucky’s notoriously unreliable narration, where he will see what he wants to see. Our perspective comes from him. We see the details he zooms in on, miss the one he ignores, view the relationship through the lens of his own contentious desire for a real relationship, even as he consistently demonstrates the lack of capacity and his fear about getting serious. I imagine Bucky has having an extremely poor ability to distinguish friendship from romance, and why wouldn’t he, given the most recent bit of history we have learned about him with Jack? He’s had a series of friendships become sexualized, and I think this affects his capacity to be discerning. Bucky’s radar for relating, whether friendships, romance, or potentially dangerous sexual situations, is terribly mis-calibrated. How confusing for him and for the people in his life. Of course, everyone is free to interpret the dynamics of any relationship however they choose. These are just some of my thoughts.

I really appreciate observations from the re-read! Thank you!

I watched the video and you are right! This is definitely a Bucky song. Bucky’s sense of self is by turns profoundly distorted and lacking in grounding, especially now that he’s not in the military. He’s been in a low key existential crisis since he was a kid and has turned to drinking and sex and war to fill this horrible void, and although I can’t speak for what the artists here intended, I certainly sensed those elements here for sure. (Also, what an interesting choice for a music video…)

Thank you for sharing! I’ll add it to the unofficial BW playlist in the author’s note, which consists of various songs people have associated with BW and shared with me.

Good question! I started off this story picturing the actors who represent the characters in the MCU, because I figured we’d be picturing that when we read the fic anyway (though my beta told me she doesn’t see them as the actors, more like artists’ renderings of the characters, which I find interesting). So when describing their physicality, I tend to refer back to the MCU, since this is technically an MCU AU. But the longer I go with the story, the murkier the resemblance feels to me, especially when I think about Bucky, IDK why. I have also been considering doing something more with BW after I finish it (i.e., converting it into a proper not-bajillion-word novel, sunk cost and whatnot), in which case I would definitely change the characters’ appearance, names, cut MCU Easter eggs, etc. So when I try to think of who these people might be in future iterations of the story, things get even more blurred in my mind when I imagine them.

I wonder how other people see them??

So, with regards to PTSD clinical teams, there is some variation across VAs in the system. Some focus more on military-related trauma, whether it’s war, military sexual trauma, accidents, etc. as a way of concentrating their services and managing supply and demand. From talking with providers in these kinds of systems, sometimes you just NEED a military-related trauma, but you can be treated for, say, a childhood trauma if it’s more pressing. Other VAs are very open in their criteria, and you can see them for pretty much any kind of trauma that qualifies diagnostically for PTSD (or sub-threshold PTSD) without question. That’s why I love the expression “If you’ve been to one VA, you’ve been to one VA.” That said, it kind of doesn’t matter what kind of PTSD clinical team is at the VA in Manhattan, because Bucky has so much military trauma that he would very likely qualify to receive services in any PTSD clinical team. They just might focus on childhood stuff (if Bucky actually let them, which is another matter entirely).

This is a great question! Thanks for asking.

I love a snarky asshole Bucky so much, and I’ve tried to temper this version of him with enough hard-earned genuineness to offset it a little bit. It’s such a tender balance with him, because if you back him too far into a corner, he’s going to let you have it. But if you give him too much space, it’s hard to pin him down and wring something honest from him. He’s definitely learned to use humor and sarcasm to deflect from painful or uncomfortable situations, and it’s a very adaptive short-term strategy that makes him both endearing and infuriating to others.

But ugh, yeah, shit gets so rough around Chapter 28/29. I don’t know how to feel when people have really strong emotional reactions to this story, because one part of me doesn’t want to contribute to the crappy feelings people may already be struggling with — especially in the times of COVID — but I don’t want to be afraid to dive into the hurt these characters are experiencing. That’s why I recommend checking in with oneself before reading to get a sense of how much emotional bandwidth is available to manage the immense problems of two people struggling so much. I also think that for some people it can be cathartic or otherwise not-bad maybe (?), based on the feedback I’ve received. I also really try hard to balance out the painful stuff with growth, even though it can be terribly difficult to locate sometimes.

In comments to folks, and here, I often talk about adjusting the ticks on your measuring stick for progress, where instead of leaps of progress over feet/meters, we may be observing things on an inch/mm scale. This story is my most sincere effort at a “recovery is not linear” narrative, which I think is so much more reflective of real life for a lot of folks than a straight upward trajectory. Humans are such creatures of habit, and the lessons these characters have learned through their lives about themselves, trust, relationships, and how to manage emotions are very deeply ingrained — often through traumatic means. These are the lessons learned the hardest, with the greatest perceived consequences for change, and it takes real courage for us to be able to try new things even once, let alone to establish a reliable pattern of behavior. This can lead to a lot of frustration for us as readers/writer, and I come from a place of this being okay, because we are encountering a parallel process with the characters, who are frustrated with each other and themselves about the same things. I do hope the pain/progress/joy ratios are not horribly out of whack most of the time. That’s another reason I like long chapters, because if this was just blips of sometimes terrible episodes in shorter form, I think it would be very challenging to not lose hope entirely.

But I’m so glad you’re finding the read meaningful, even if it’s sometimes painful and difficult.

(YES.)

And FINALLY -- (this is all soooo long, I’m so sorry.)

Oh, thank you for this question! My spreadsheet ended up getting too difficult to manage, and I actually had a small crisis six months ago about how the fic was going to end, because it just didn’t feel right. I had to scrap it and go back to the drawing board and really ask myself - what would these characters really do? Naturally, as a factor of their psychologies and circumstances, how will they bring this story to an end? Some advice I once heard about a “satisfying” ending is that it’s the place where there’s simply nothing more to say about the characters. There’s no more story to tell. I had to abandon all of my desires  and ideas for a particular ending or concerns about making people sad or happy or excited or disappointed. I know that the only ending that will be satisfying is one that makes sense for these people. Anything contrived or backward-engineer-y wouldn’t feel right to anyone. I do have a couple of specific character arc things I want to happen, so I set those down as touchstones and said, okay, what would happen next? What would Steve do with this? And what would Bucky do with this? And what would they do with the thing the other person did? I take a very psychology and prior-behavior-based approach to plotting, almost all character driven. The rest is just figuring out what is supposed to go where and how to organize it.

I’ve converted everything to a Google Doc and have a very basic outline where I write plotty-plot stuff. I also have a “garbage dump” doc where I write certain lines I want to use or certain details I want to include somewhere. When I get into a new chapter, I’ll check the dump doc as I outline and write to see if I want to pluck anything from there. I have my outline open regularly to add to it. Sometimes I write scenes out of order, dialogue first, but that’s only if I really am excited about a particular scene and cannot contain myself. Otherwise, I write completely chronologically and have no buffer. I post things as soon as I write them.

As for your specific questions, I do have a “process” for getting into my characters’ heads. It helps to know them so very well and to have a firm sense of their idiosyncrasies and patterns of behavior. As you may have noticed, they repeat their patterns all. the. time, as humans do, but I also want to have them change their behaviors a little as things go and they progress. So I may wonder what they could do a little differently, why they would WANT to behave differently, and imagine what they would need to do to change their behavior. Do they need to take breaths? Do they remember the last time some shit went down? I really try to think of the “how” and “why” of every single action - from big blowouts to eye rolls.

So once I’ve figured out what they are going to do, I try to pinpoint the associated emotions I want to highlight. This is a whole separate process, because I have to think also about their internal versus their external emotional states. Steve, for example, will often have a discrepant inside and outside, because one of the truths about his character is that he is a chronic suppressor. There is also the issue of unreliable narration and interpretation of behavior. Steve might do something in a scene, but that doesn’t mean Bucky is going to interpret it the way it was intended. I have to think about their individual filters, which often reflect their internal beliefs about themselves. Bucky is more likely to read Steve’s actions as reflections of how BUCKY feels about HIMSELF (e.g., he’s disgusted by me because I’m disgusting) rather than imagine what Steve is really thinking based on his own experiences and beliefs about Bucky. I also attempt to convey some of the more second and third layer emotions that people have in situations, rather than only highlighting the primary emotion. Sad things don’t always just make people sad. Powerful emotions, for example, might make Steve feel out of control of himself, which could generate secondary emotions for him like frustration because he’s losing control. Part of the process in the construction of the narrative is also scrubbing what I’ve written for POV, because Bucky’s word choices aren’t the same as Steve’s, and in order to try to preserve the “voice” of each character, I often have to change the words I’ve opted to use, as well as the syntax.

So, as you can see, there’s a lot of layering that is happening all the time. As for the dialogue, I have no compunction about saying the lines aloud, “acting” them to see how they sound, to get a sense of what tone I want them to say things in. Now that I think of it, I do a bit of movement-based stuff, thinking about how people sit and stand, figuring how many steps it takes to get from A-Z, what it would look like to lean against something, how it would feel on the body, etc. I try to get the most felt sense of things as I can. If I’m imagining a scene, I try to put myself in the shoes of the characters to the point where I feel the emotions, just so I can know how it reflects in my body and my mind and behavior. I have more than once gotten drunk and drunk-written drunk Bucky then gone to clean it up later, as drunk writing can generate some great content I never would have been able to come up with sober, but the form, grammar, spelling, etc. is often rubbish. I also talk a LOT to my beta about all of this stuff, and I have certain friends and acquaintances in the fandom who are my consultants for various things.

So, I’m somewhat method I guess?? Is that a thing?? I dunno. It’s not hard to do when you live and breathe a story. It’s required a deep level of interest in - quite possibly an obsession with - the characters and their lives. I adore my characters, not in a self-congratulatory way, but because they feel so real to me. So it’s a joy to plan and write -- though I do hate first drafts with a passion.

OH - I also sometimes fast-draft chapters, which I did for 39. That is, write as FAST AS YOU CAN with no regard for how shitty the writing is. I wrote 10k words in a week, which was a finished fast-draft for me, and thus I had a very good felt sense of what was going to happen in the chapter, which felt amazing. It requires intensive outlining before, and nearly every word had to be rewritten, but one of the greatest frustrations of a story for me is having blank space ahead. Re-writing is way more fun than first draft writing. I have fluffed it up twofold with higher quality content, which I did all in less than two months…!! 

-------------------------

Well, this is surely my most unnecessarily yammering YAIT in history. But I hope it at least conveys my enthusiasm for these wonderful asks! It’s so lovely to hear from all of you, even if I take an eon to get back to you. Hang in there, everyone!

@grimshady @hutchhitched​ @b0n3l3ssm1lk​ 

(And thank you to @bae-buckyaboveeverything​ for the shout out. You made my day<3)

[twentyghosts]

Earlier @fourteenacross wrote this post about our experience of getting to see the dress rehearsal for Rent Live (which I guess turns out to mostly mean that we saw the actual performance of Rent Not-Live) and I wrote this mess of feelings about my 20 year history with Rent the musical as well as the online and IRL community surrounding the musical. I’m depositing it here beneath a cut. (If you’re friends with me on Facebook: it’s the same thing I posted there.)

I've lost count of how many times I've had to awkwardly explain to someone, "I used to be into the musical Rent. No, like….REALLY into it?" Just in case I've never had to explain it to you: I used to be REALLY into the musical Rent. My junior high school chorus sang "Seasons of Love;" I adored it and eventually purchased the 2-disc CD set at Best Buy. I listened to it, oh, let's say 525,600 times. I convinced my mom to take me to see the tour for my 14th birthday. In Green Bay, Wisconsin, a 6-hour drive from our home. I loved it; I spent hours hogging our dialup internet connection to talk about the show with strangers. My friends at school didn't get the obsession. I'm not entirely sure I get the obsession; I was a 14-year-old straight cis white girl from the Midwest hung up on mostly-queer starving artists in New York. (I note this because I know for a lot of Rent fans, part of the excitement was seeing themselves represented in a way that they weren’t often repsented in the media in general/musical theater in specific; I know that wasn’t my situation.) The closest I can come to identifying the source of my obsession might be the line "connection in an isolating age." Loving Rent brought me into a whole community of people who, in some way or another, didn't quite fit in a lot of places. I met new friends waiting overnight in rush ticket lines to see the tour (bless my parents for indulging my quest to sleep outside of every theater in the Midwest; I think my mom in particular understood that something about this was giving me a place to fit in).

But mostly I talked to my Rent friends online. We talked about the musical, our favorite songs and actors and characters, but we also talked about our lives. At first I was one of the younger ones on the boards and mailing lists, and in retrospect I'm pretty sure I was a monster, but I felt so empowered to talk to cool adults who were like, IN COLLEGE and stuff. I learned about their lives and what was possible outside of my rural hometown.

As I got older, I grew apart from Rent. I stopped listening to the cast recording so much, then entirely. I got embarrassed about how obsessed I'd been. I knew the general consensus was that Rent was cheesy and overwrought. Ha ha, yes, of course, Mark and Roger should just get jobs. Benny's just trying to follow his dreams of real estate ownership. Ha, right, what even IS a "season of love"?

Then in 2009, my best friend Megan, who I'd met through Rent--who co-ran a Rent website with me, who waited in Rent lines with me, who had simply the stupidest inside jokes in the world with me….died suddenly. I was devastated, obviously, and for a long time after that, Rent was just ruined for me, simply too emotionally overwhelming on every level. Some department store started using "Seasons of Love" in their commercials and it was like a kick in the face every time I heard even a few seconds of it.

In 2012 I took a trip to New York and decided to go see the Off-Broadway production of Rent. I went by myself and wasn't sure what to expect--I knew the staging was different from what I was familiar with. I honestly don't remember a fucking thing about that production except that I cried for pretty much two hours straight, at varying levels of intensity, from the very first opening note through the finale. It was emotionally overwhelming and really just a reboot to my system.

2016 marked the TWENTY YEAR anniversary of Rent, and with it, a new tour. I saw it in 2017 with another dear friend I'd made through Rent fandom. Again: I remember nothing of this experience except crying. Well--and talking to people in the lobby while waiting for lotto to be drawn; other people with very fond memories of having seen Rent years and years ago, people who remembered the message boards and the drama.

Last year, they announced one of the upcoming live TV musicals would be Rent. "That's wild," I thought. Rent was now mainstream enough to be broadcast on network television, like Grease. But hey--I'd watch it.

At the beginning of this year--2019, 10 years (5,256,000 minutes) since Megan died--I saw a posting for an online raffle to win a trip to see the dress rehearsal for Rent Live. I entered it of course, not thinking anything of it.

And then 2 weeks ago I got an apparently legit email--I'd WON this drawing. It didn't seem possible--so many people must have entered, how on earth would I win? (Like: I'm not saying that the ghost/angel of my Rent-obsessed best friend somehow rigged this online contest for me, but I can't prove that she DIDN'T.)

The rules of the contest didn't allow me to publicly announce it, and I was scared to talk about it anyway because I was not fully convinced that it was real. Still, I asked Kait, one of my other best friends--who I also met because of Rent, twenty years ago, and who remains a hugely integral part of my life to this day--if she'd want to be my guest on this trip, proving it turned out to be real.

It was real. We went. I felt very stressed and uncertain about it all, but on Saturday, January 26th we turned up at Fox Studios and they accepted my paperwork and gave us paper wristbands and made us wait in a long line and eventually? They let us sit down on chairs in a big studio, and some actors performed Rent in that studio. It was an amazing experience; there were 1300 other fans in there with us, all so excited to see this show that must have meant something to us--it wasn't easy to get tickets to be there, everyone there wanted to be there. While we were waiting for the show, all around us we heard people reminiscing about seeing it on Broadway, meeting the cast, hating the movie version.

There were changes made to the script and staging--of course we noticed, of course we all of us had the entire full text of the original show preserved in amber in our brains. For the most part, I didn't mind--most of the changes I thought were good, or at least okay. A few annoyed me but mostly...it was Rent! I cried, of course, the minute the lights went up and Mark began his familiar monologue. Eventually I stopped crying and I laughed and screamed and just enjoyed the songs; enough time had passed that I could experience the show in a new way. It felt like coming home.

(Years on Broadway message boards have made me aware of how unprepared I am to actually discuss theatrical performances; I don't know musical or theatrical terms, I can't tell if things are off-key unless it's very drastic. I am overall a very forgiving audience member; I want to like shows and performers and generally I do, though of course sometimes I have critiques. As I type this it's been a day since Rent "Live"--which turned out to mostly actually be the dress rehearsal that I saw, due to Brennin Hunt's injury--and plenty of people have plenty to say about how low energy it was, how so and so couldn't hit the appropriate notes...and I don't know about any of that. I just know that when I was there, watching it, I felt every moment and fell in love with every character, even though yeah they should totally try to get actual jobs or whatever.)

And then--we'd already known, from the internet, from some of our old Rent friends, that the Original Broadway cast was there that night too. We suspected they'd make an appearance for us; surely they wouldn't be there just to observe. And indeed...after the finale, they bounded out on stage and sang a reprise of "Seasons of Love." If that had happened to me when I was 16, I think I might have literally passed out. I'd listened to them on the cast recording so so many times, but of course they'd all left the show by 1999, when I got into Rent. (I've been lucky enough to see original actors in other projects since then, but not Rent.) Seeing them, hearing them...honestly I felt like I had full-on Beatlemania, I was literally shaking. I couldn't believe I was so lucky to see that and hear that and feel that.

And then the next day, I got home from LA in time to watch 2/3 of the show on TV. I livetweeted it and chatted in a group chat with a bunch of my Rent friends, people from all around the country. And that's what Rent is about, really--it's about the power and importance of community, and I'm so grateful to be a part of this one. #CompulsiveBowlers #FriendshipIsThickerThanBlood #NDBT

Anyway that's why I was in LA last weekend.

[zenrayn]

Today I have a topic I have to write about because I just really need to get it off my chest. It’s something I’ve been avoiding dealing with and admitting to.  The last 2 days have been rough for me.  I recently found out the issues I have are because...[pause, deep breath, you can do it...] I have Aspergers.  I’ve always felt rather “of of sync” with the world around me and don’t understand a lot things people say and do. I struggle to “fit in” and say the right things. I struggle with organizing my thoughts well enough for others to understand. I can’t process things when there’s noise; yet need music or netflix to quiet my mind when I sleep... Being around people is taxing, especially when you just don’t “fit in” no matter how hard you try.  Sunday I had a lesson with my Kuhapdo teacher. I love attending his classes and really enjoy learning from him. He’s a great teacher. Sometimes he pushes me to my limits and out of my comfort zones, but this is expected and usually I can deal with it.  I’ve been overly anxious due to thinking about my upcoming black belt test in sword (Kuhapdo). In this mode, I am a perfectionist. I *MUST* perform all techniques perfectly. There is no room for error. I get this way before any test. I cannot have failure, in any amount. I know that it’s extreme, and I really do TRY to relax and forgive myself for any mistakes.  I just couldn’t let go on Sunday. My teacher said he would be hard on me because he knows I want to teach sword and be able to run a class. He wants me to just be the best teacher I can be. However, I was just making all sorts of mistakes and it was snowballing into a nightmare I couldn’t control. I nearly had a meltdown on the mat. If a friend/training partner wasn’t there, I probably would have. My teacher had him come forward and do a drill sequence and I had a few minutes to breathe and calm myself before I lost control.  Mistake after mistake was happening and I was getting so frustrated with myself because it was novice errors. Things I should have known and been able to do without thinking. And I know I let my frustrations show, and he tells me not to. He says to let it go and keep moving. I CAN’T LET IT GO. It took me years to work it out and let mistakes happen in TKD. And I STILL yell at myself sometimes.  Days like Sunday, where my anxiety was already high, I can’t relax. I try SO HARD to keep my cool and just accept that I was having an “off day”.  Yesterday I was working sword techniques on my own and doing “ok”. Not as well as I had hoped. I worked for nearly an hour and a half. Running through short forms and basic drills. Trying to incorporate the things my teacher had me working on.  I’m still frustrated.  My boyfriend knows I’m upset but all the advice he’s given me is to “keep practicing and relax”. Paraphrased. He’s trying to be supportive but he doesn’t know much about sword so he can’t really help me. I feel kind of alone. My teacher is an hour away, so I only get to see him once a month if I’m lucky.  Last night and today, I’m still feeling anxious and frustrated with myself. I have high expectations of myself, especially since I want to be able to teach others. I do already, teach. I have my own TKD class and I’m an assistant instructor when I attend classes throughout the week. I have no problems most of the time with that.  It’s different this time though. I would be the head instructor for something different in my dojang. I have no one to take queues from. No one to guide me while I learn how to teach material. I would be on my own. 

This terrifies me.  And I don’t know how to communicate how much I want to both bail out of this altogether, yet step up to this challenge. I don’t know how to tell people my worries. I don’t know how I will even teach people the things I know. I feel like this super obsessed person wanting to share all the things in my head, but when I say things I sound crazy... Like my excitement and enthusiasm just pushes people away.  I know I’ve rambled and went off topic thru this post. I just needed to vent and release all these thoughts.  My mind races all the time. ALL. THE. TIME. It literally doesn’t slow down. Image after image come into my head. I didn’t even realize that other people don’t really think in images. Even words, when I read words I see them spelled out in my mind in different patterns and colors. Each word has its own unique color and shape. Like an emotion or memory attached to it. I don’t know how to describe it. Some words are like labels on a folder and in the folder is everything attached to the word. People are the same way. I see a person and they have a folder in my head. Inside is lists. Likes. Dislikes, hobbies, interests, family... But each folder is color coded according to association with them. Red is a warning: This person isn’t ok. Not safe. Don’t trust. Green is safe. This person I can relax with. They would be close friends/family. Blue is a neutral association. Friends and students mainly. That’s just the surface though. When people step outside their “zone” I get lost. Like when little kids see their teacher outside of school... I no longer have something to associate with them. That “folder” is empty. I know this all seems crazy and even possibly childish. Familiarity and routine is EVERYTHING in my life.  If that is disturbed, I have a difficult time adjusting.  Anyways, I needed to write this. Thanks.