#anyway jess hire me for spin off writing i can put those guys in so many situations

[lauranceofmeteli]

26 for ask game?

26. you're tasked with writing an official side story/spin-off roleplay (void paradox, mermaid tale, upside-down story), what would that look like?

a while ago i had a phase where i spent a lot of time thinking about what the character changes in upside down stories would look like if it was reverse spin-offed back into mcd but alas i wrote none of it down and barely remember anything i came up with </3

gist of it was aph as the result of a botched attempt at reviving the shadow lord (who is irene. if you care.) leaving her without memories and limited access to her previous power. she latches hard onto the two shadow knights who attempted the resurrection which works for them bc its either the shadow lord favors them or theyre getting the torture labyrinth for all eternity tomorrow. those shadow knights being:

garroth, who was set to inherit the lord title in o'khasis before an assassination he believes was a coordinated coup from his brothers (was it???? we may never know but he certainly believes it). this happening when he was young, leaving him unable to even grow enough to plan to join the guard academy leaving him no outlet to begin to unlearn everything he'd internalized as the closest thing ru'an has to a crown prince. leaving him a bit of an asshole. and well all that time in the nether afterwards certainly doesn't help him become a well adjusted adult. he still has this core belief that he Deserves some sort of power in some society, and if he needs to turn to more drastic measures than waiting for his dad to die then so be it.

and laurance who also became a shadow knight a lot earlier than canon and has been largely disillusioned with how things are run both in the nether and in society at large for a long time. thinks the best thing to do would be to let everything burn. where garroth still holds a lot of determination for clawing his way back up to the top, laurance is largely apathetic and has long let the morals he held in his human life and early shadow knight years slip. when he realizes aphmau is like a Person rather than just an empty vessel and proof of his fuck up, she's one of the first things he cares about in a long time.

laurance and garroth were not friends prior to this and just had similarly aligning goals at that moment and now are either stuck with each other or the torture labyrinth mentioned above.

idk much abt what the other characters are up to. but i can imagine zane being a really benevolent and beloved figure in o'khasis which pisses garroth off sooo bad when he finds out

going off of pdh upside down stories, i imagine the plot follows aphmau some time after whatever is going on above meeting whoever gene is in this world and being like hm. maybe i dont want to run a necromancy army forever. i'd need to go back and rewatch pdh upside down stories if i wanted to take this au anywhere again....

[drshebloggo]

Ask box: JUSTICE FOR LANE KIM, a breakdown.

Anonymous asked: Do you know why Lane disappeared from the show as Rory's best friend over time? She appeared every now and then, yeah, but it has always bothered me that she slowly faded from being Rory's best friend to nobody... am I remembering things wrong?

I do not know! The Palladinos make decisions that sometimes are simply beyond my comprehension.

It’s been awhile since I watched Gilmore Girls in its entirety (and I kind of selectively ignore a lot in the last two, three seasons) but I don’t think you’re remembering things wrong. I will say, though, that the show faced a challenge with all of the Stars Hollow supporting ensemble when Rory went off to college. It’s these kind of problem-making focus shifts that I find really interesting, and they are UBIQUITOUS across teen/high school shows when a character or ensemble graduates.

Most of them that I can think of are done poorly, maybe with the exception of Friday Night Lights. But in defense of these shows, it’s HARD. How do you embrace a fundamental shift in the entire premise of your show? How do you deal with the new geographies of this shift, and the way they ripple into beloved character dynamics? How do you evolve a character through an engaging and meaningful arc without abandoning the foundation on which they were built? And how do you still capture your audience’s attention when there’s a risk that you’re leaving behind the magic that captivated them in the first place? IT’S HARD.

So in the case of Gilmore Girls, Rory at Yale is the shift that moves the show into a new paradigm, and it’s a big one. She’s separated from Stars Hollow and slowly beginning her emancipation from Lorelai, which is, on principle, painful for the audience because it’s directly against the show’s premise. (It’s no coincidence that the Palladinos starts seriously building the Luke-and-Lorelai-of-it-all once Rory’s away at college. Give that empty-nester some new story!)

Of course, Lane is right behind Lorelai in the list of People in Stars Hollow that Rory is Leaving Behind. How is Lane supposed to stay a part of Rory’s story when Rory is in a new context, and Lane is not? But, truth be told, Lane was ALREADY in this role. In seasons 1-3, LANE, not Lorelai, was #1 on the list of People in Stars Hollow that Rory is Leaving Behind. Ultimately Gilmore Girls is a story of two worlds, and Rory going to Chilton begins her passage across the into the New (Old, with Baggage) World. Lane is already being left behind, to some degree, and in seasons 1-3, there’s still room in the show’s universe to address those issues and give Lane some good storylines of her own, especially in conjunction with Rory.

So it’s possible that the issue is not necessarily one of screentime or setting. Whenever I hear the rebel cry of JUSTICE FOR LANE KIM resound in my heart chambers, I mostly think of the kinds of storylines that befell her in the later seasons, not simply in their detachment from Rory. Heeding her mom’s insistence that she attend Seventh Day Adventist college. Fracturing her relationship with her mom in order to pursue her dreams. Getting kicked out of her home. Living with her two boy bandmates who are very stupid and very messy. Never really getting the band off the ground. Her first sexual experience being terrible. Her first sexual experience being terrible AND yielding a pregnancy with TWINS. Why do the Palladinos hate Lane Kim!!! The only thing I wholeheartedly love about Lane’s later storylines is Luke hiring her to work at the diner and then being completely overwhelmed by her sheer competence.

It’s probably important to note that the mere construction of Lane Kim’s character is a bit tragic. The Palladinos are VERY good at building conflict and tension into what seems like simple character descriptions. Here’s this girl that loves rock music to an obsessive, encyclopedic level, wants to play drums in a band, and she’s from a strict religious household where she can’t express any of that. The description itself inherently means that things are going to blow up for Lane at some point. That’s okay, to some degree - that’s conflict, that’s drama, that’s good story.

So if we look at Lane’s arc pre-blow-up, and post-blow-up, the satisfying thing would be for Lane to experience some kind of happiness or success living unstifled in her dreams, to offset the trauma that her family relationships are ruined (at least for the time being). But the Palladinos don’t even do that! It’s encapsulated in the incident that tears apart Lane’s relationship with her mom: she goes to play at CBGB, her mom finds out and kicks her out, and the band doesn’t even get to go on!! The Palladinos love PAIN.

And okay, fine, there’s still some defense that that is well-designed drama and story. (And Lane and her mom do reconcile eventually, and it was at least very affecting, from my memory.) I guess you could argue that Lane IS happy with how things turned out after the lifelong lie she’s lived completely unravels and she’s able to just exist, unguarded. But also... the Palladinos wrote her that way??? And regardless, for me, the issues arise more down the line with Lane essentially staying in Stars Hollow. Wouldn’t unshackling herself from the yoke of her mother mean that she’s free to pursue her dreams? And wouldn’t pursuing her dreams necessitate her to ALSO leave Stars Hollow, like Rory herself? Would she not try to scrape together money to move with the band to New York City and hit the big time? (Bear in mind, I have no idea how the music industry works.)

Ultimately, Lane’s story in the later seasons puts the writers in a Catch-22. If she leaves Stars Hollow and goes somewhere else to pursue her dreams, she’s almost certainly written off the show. She’s a supporting character, and they can’t open up a new world beyond Stars Hollow and New Haven, just for her. On the other hand, if she stays in Stars Hollow, in keeping with the geographies of the universe, she stays on the show, and just... gets really disappointing storylines. I’d be inclined to keep giving Keiko Agena a paycheck. 

(Now, the fact that WB threw money at a backdoor pilot for Jess Mariano to go to California and open up a new world for a weakly-premised spin-off, and did no such thing for Lane Kim, is some bullshit. Literally “moving to the big city to live a dream” is SUCH a well-worn trope that all the storylines are essentially handed to them, and it’s almost inherently refreshed because Lane is a Korean-American woman and not a brooding white guy or a quirky white lady. You FOOLS, you could’ve made that show with your EYES CLOSED.)

Anyways.

I’m going to meander my way further off the main point for a moment to kick up some dust on JUSTICE FOR RORY GILMORE as well. When you write ten paragraphs lamenting Lane Kim’s eternal relegation to supporting role, it’s hard not to be cranky about affording world-opening and story-building for a main character instead. (Spin-off Jess very much deserves the crank, though.) But, frankly, the unyielding walls that the Palladinos built to construct their very effective Two-World Universe don’t do a lot of favors for Rory Gilmore either, in the end.

Basically, this construct of Stars Hollow ensemble and New Haven future means that Rory is the only one who will “get out” of Stars Hollow, because she is structurally decreed to do so. It’s the massive conflict that the Palladinos smartly built into their little generational premise: Lorelai fled her parents’ world, and Rory will slowly be lured back into it. Pain ensues. This is good drama. This is good story. This is story that will last seven seasons and six-hour revival.

But it also inadvertently makes Rory the Chosen One, in a story that doesn’t need one. This is not Joseph Campbell’s Hero with a Thousand Faces, and I’d like to believe that even Paris and Rory wouldn’t want it to be, much as they love the Power of Myth. Lorelai divests her entire life into Rory’s success; the town of Stars Hollow wants Rory to spirit out of their small town and Be Great; Rory’s grandparents expect her to follow in Richard’s footsteps and also carry out their orphaned dreams for Lorelai. And then the Palladinos choose little things that further this: Lane doesn’t ever leave Stars Hollow; Paris doesn’t get into Harvard but Rory does; Luke interrogates any boy that comes near Rory because no one is good enough. (I confess, I’m charmed into forgiving the last one.)

It’s much too much to put onto one character and leave unaddressed!!! It’s also why some audience members just really hate Rory, in a really unfortunate knife-twist on an otherwise-winsome main character. They hate the unwillingness of the narrative to acknowledge this very obvious dark and specific underside to Rory’s specialness, and the unwillingness of people within the narrative to name this very obvious dark and specific underside about Rory. But to paraphrase Jessica Rabbit: she’s just DRAWN THAT WAY!

Rory’s storylines never really confront the idea that she has had FAR too many unrealistic expectations put on her by literally everyone that’s ever existed in her life, and what it might mean if she doesn’t live up to them. What does it mean if she’s not Christiane Amanpour? What does it mean if she’s scared of disappointing people? What does it mean if she’s trying to live up to other people’s standards rather than examining what she really wants?

The Palladinos completely ignore this, and simultaneously give Rory multiple meltdowns (cheating with Dean, being cowed by Mitchum Huntzberger, stealing a boat, quitting Yale, an aimless/struggling career) and they never QUITE dig into the complete dark and specific issue at the core of Rory’s character construction... which just exacerbates the Rory hate. Rory has no self-awareness; the writers give her no self-awareness; we go in circles, and every few years there’s a slew of thinkpieces about how selfish and awful Rory is.

What makes it worse is that those questions outlined above are essentially applicable for two other women on the show: Lane Kim, and Lorelai Gilmore II, herself. Lane, like Rory, doesn’t quite bust through and answer them wholly. Lorelai, however, comes into the show having already answered them, years before, when she was a headstrong and tenacious teenager. The idea that neither Rory, her actual daughter, nor Lane, her spiritual inheritor of Parental Disapproval, are ever able to grapple with those concepts in a real way, and blossom into self-defined adulthood the way that Lorelai did is maybe the bottom line on where Gilmore Girls went “wrong.” Lorelai’s legacy is not that she’s hyperverbal, loves junk food, and got pregnant young. It’s that she rejected the expectations of her forebearers and carved out a place in the world for herself by her own definition, for better or for worse. It’s why Lorelai comes out of the narrative like a Super Mom, when in fact she’s still just as deeply flawed as Emily or Rory, and why Stars Hollow is overall magical and cherished despite it serving as a small-town hometown for Rory to leave behind. And it’s why A Year in the Life was SO satisfying for Emily Gilmore, because she proved it’s never too late to answer those questions and break through to the other side. Perhaps we’ll get enough revivals to see the same happen for Rory, and for Lane.

But enough dust about Rory. I think, after all this nitpicking, there were two options for the best way to have handled Lane Kim after Rory went off to college:

1. Give her a backdoor pilot and spinoff to Band Dreams NYC. Which, of course, was not in the Palladinos’ control, so, y’know, fine.

2. Keep Lane in Stars Hollow and give her a chance to answer those questions about self-definition and live out a few years of Lorelai-like hard-but-happy independence (and better sex) before saddling her with Zach and two babies (if you MUST). Bonus points if she moves in with Lorelai and they bond over being fundamentally disappointing to your parents and also missing Rory. A very good obvious choice.

Secret option 3. Just let Lane move to New Haven and live with Rory and Paris off-campus, and give me the goddamn roommate comedy of my dreams. Honestly this is what they should’ve done. Forget everything I said. This is my answer.

Tiny footnote: I cannot BELIEVE, that after twenty years, I am just now realizing how on-the-nose it is that Lorelai escaped from the clutches of New Haven and started a new life for herself at a place called INDEPENDENCE INN. Truly, it was right there in front of me and I didn’t even notice. This oversight might weaken the integrity of the thousand-paragraph essay I rattled off above...