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#anyway none of this is like groundbreaking opinion it's just my own personal experience and feelings
mycenaae · 10 months
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i don't actually know how involved james somerton actually was in the 2010s halifax queer community — i was pretty deeply involved and i don't have any memory of meeting him at any events, but that doesn't mean anything since it was 10-15 years ago lmao — but a lot of his claims read very much like 2010-2014 tumblr discourse points. making up "facts" about queer history that are hard to fact-check because it's hard to prove a negative, arguing about intentions when it's impossible to prove a person's intention unless they state it, the rampant misogyny disguised as disgust at "straight white women fangirls", etc. etc. etc.
so either he legitimately just never got out of the 2010s tumblr mindset, or he decided to rehash all of that bullshit in order to profit off of his audience, many of whom are too young or too not-online (lucky them) to have witnessed the discourse wars of this hellsite in particular, or who are being influenced by the discourse renaissance on twitter and tiktok. he sounds like an authority on queer history and politics the same way, hm, who can i use as an example, beachdeath perhaps, sounded like an authority on the subjects at the time. which is just the verbal equivalent of using italics and bolding text and being strident and aggressive with anyone questioning sources or claims.
and given that he's a plagiarist and bad-faith actor, i highly suspect that it's rehashing the bullshit for profit, using and twisting other people's words, instead of legitimately being stuck in 2012 ideologically. but as someone who was also in the online queer communities of the early 2010s, and who was a queer student activist in the same city as him around that same time, i find his continued use of the harmful rhetoric that sprung up for his own profit and his acting like he's the arbiter of queer experience and media studies extremely troubling given my own experiences with both communities.
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Do fights ever break out between some of the Doctors? Do any of them have beef with each other?
The Receptionist nods, looking down at the papers in front of them. "Yes, there are quite a lot of fights. Thankfully, the majority of them are verbal and never escalate to physical. Sometimes, though, physical fights do happen. As far as I have been made aware, none have held a grudge..."
They suddenly sit straight as a board in their seat, their robotic face somehow growing pale. "There is, however... ONE issue that has been brought to my attention. A bit of a war of sorts of two differing opinions... It's about the idea of inviting a... certain doctor to our club. Let me find the papers that started it."
They rustle through some files, before pulling out a paper with messy penmanship written on it. The classic doctor handwriting. "You see, every doctor has the ability to request that a doctor be invited into our club, as long as you also write why you think they should be allowed to join. Then, the higher-ups will look over the requested doctor's work before deciding whether or not to invite them. You can request anonymously, or have your name written on the paper. This person requested anonymously... You know what? Let me just show you the paper." They place the paper on the desk, pushing it towards you.
"I would like to request that Dr. Josef Heiter be invited to join The Mad Doctor Appreciation Club for performing one of, if not, the most infamous and groundbreaking experiments in the history of mad medicine. He also succeeded in escaping the morality of medicine, having once been the leading surgeon in the separation of conjoined twins, before performing his experiment of sewing three people together to work as one unit."
The Receptionist quickly pulls the paper away before you can read anymore. "If you know him, you know him. Anyways... Dr. Heiter is someone a mad doctor either loves, or, more commonly, despises. His experiment is often seen as too vile and disturbing for even the most strong-willed of deranged minds. However, there are also those who admire his willingness to do whatever the hell he wants, by any means necessary." They look over the paper, continuing "So, once word of this request got out, the entirety of the club went absolutely apeshit. The Medic, you know, the one dressed in red gloves, was absolutely ecstatic to hear that Dr. Heiter might be invited. Dr. Maruki and Dr. Frankenstein, on the other hand, have been scared shitless - no pun intended."
The Receptionist then stands, placing the paper back where it belongs "It seems like The Medic, Dr. Randolph, and Dr. Wolfram are pretty excited about the possibility of Dr. Heiter joining the club. Dr. Frankenstein hates the idea, seeing it as something that might interfere with his own work of sewing dead body parts together to form new life. He once told me "The idea that a man would sew three people together in such a crude, disgusting manner sickens me to my core. What if people begin to see my work in such a vile light? It would taint the purpose of my work to be associated with the likes of him!" Dr. Maruki is just scared that he would fall victim to Dr. Heiter's experiments. I heard that Dr. Clef is actually the only person who doesn't seem to care, either way. According to The Medic, Dr. Clef just said "As long as I am not in the middle, I don't give a shit. Pun intended.", in response to the news of him possibly joining the club."
The Receptionist turns back to you, a weary smile on their face. "Unless you are Dr. Clef, you either despise the idea of Dr. Heiter joining the club, or are excited at the... well, the idea of seeing such a deranged lunatic in his element. Me? I don't care... I'm just here to keep things running and do the paperwork. This fighting is getting out of hand, though... I've never seen Dr. Maruki try to claw someone's eyes out in fear before now, but it was quite a sight! This paper probably caused the most physical, VIOLENT fights I have seen in this club, yet! It even got Dr. Maruki to pick up a scalpel... holy shit."
They look back and forth, only to quickly lean in and whisper "Between you and me... He's probably going to be let in. The higher-ups have no morality when it comes to who can join the club. The only reasons why I haven't told the others are because A. I haven't gotten a clear answer, yet, and B. I'm 100% certain that the knowledge of Dr. Heiter joining this club would cause an ACTUAL war in this building. I'm just waiting for the moment that one of these doctors actually gets killed... All over the morality of making a human centipede. Which, to be fair, I think is fucking disgusting-"
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starshine583 · 4 years
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New Girl on the Block (14)
(I’m finally baaaaaaaaaaack!!! So sorry this took so long guys, my life’s been CRAZY lately! Hope you all enjoy the update anyway thought! As usual, there’s this series and then a mini series connected to this called Journal Entries. Go check that out too if you prefer!)
Ch. 1 / Ch. 13 / Ch. 15 (ao3)
Chapter 14: Geronimo!
Felix dangled his leg over the pool’s edge, feeling the warm water brush against his skin as he slowly swung it back and forth. His reflection stared back at him, distorted by the ripples that formed from his movement. He didn’t swim in pools often, but when he did, it tended to be soothing for him. The waves rolling back and forth across his body helped remind him to breathe and gave him a sense of presence for where he was in that moment. He could allow himself to get lost in his thoughts while staying present on earth at the same time. It was nice. 
However, while he did enjoy looking at the water, he didn’t quite fancy it being thrown onto him. 
“Watch it!” Felix scowled at Allan and Claude as he scooted back on the pavement. If they continued to splash water like that, not only would Felix get soaked, but the cement around them would as well. Someone could get seriously injured by slipping if they weren’t careful or weren’t paying attention, specifically a certain ravenette that was going to be joining them in a few minutes.
“Aw, come on, Fe.” Claude laughed, swimming towards the blond. Felix moved back a bit more to be safe. “You have a swimsuit on for a reason. Join us! The water feels great!”
“I’ll get in when I’m good and ready.” Felix replied with narrowed eyes.
Claude tisked and swam back towards the deep part of the pool. “Figures. You’re probably waiting on Marinette to get here.”
Felix rolled his eyes. Why would he wait for anyone to go swimming? The girls were taking a tad longer than them, but this wasn’t a formal event. There was no need to-
“Speaking of Marinette,” The brunette continued, “what do you think of Luka? It sounded like they were pretty close.”
Felix held back a sigh, slowly growing more annoyed towards Claude’s strange, incessant questions and comments. For example, why would he think about Luka in any way? None of them had met the guitarist, and the only thing they knew about him was the flippant mention that Marinette had made earlier. A quick mention of dear friend, which was something that they’ve all done before. He’d noted the name, of course, but that was only because he’d fallen into the habit of noting a lot of things when it came to Marinette. Other than that, it was hardly an extraordinary occurrence, yet Claude was acting as though Luka had just joined their group alongside Marinette.
“I don’t have any thoughts on him.” He said. “You can’t have an opinion on someone you haven’t met.”
Claude scoffed. “Oh, please. You have an opinion on everything, Felix.”
“Everything I’ve read about and experience personally.” Felix replied curtly. Why would it even matter if he did have an opinion on Luka?
“Fine, I’ll change the question. What are your thoughts on Marinette’s thoughts about Luka?”
Felix raised a brow. “What do you mean?”
“I mean, what are your thoughts? She was blushing a lot earlier. Do you think she has a crush on him?”
Felix paused. When he first saw her blushing and stuttering in the music room, his mind did turn to that possibility, but blushing and stuttering were two traits that she exhibited quite often. Unless she has a crush on their entire group, along with this Luka person, her becoming flustered towards their teasing shouldn’t mean anything. That did bear a new kind of question, though: What type of person would Marinette like? He’s already established that she had a personal connection to Adrien Agreste- or at least he’s quite sure of it -so that was one basis they could use for reference. What traits did Adrien possess that could be considered attractive to Marinette?
His first guess would be money, fame, and power, except Marinette wouldn’t be that shallow. Plus, she initiated the break up. Most people who were after a certain status wouldn’t break off their chances of getting it. That meant there had to be something else that Adrien possessed that “wooed” her. It could be looks, with Adrien being a model again, or his personality. Considering who they were talking about, Felix guessed the latter, or at least a mix of the two. Maybe she had a thing for blonds and Adrien tended to give her a world of attention. Or perhaps she enjoyed a pair of emerald green eyes and someone that would bring a positive energy to the room, the same energy she often brought herself. Granted, Adrien’s positive energy was mostly fake, but that could be the reason why they broke up in the first place. (If they were together, that is.) Felix had learned over the last few weeks that Marinette deeply appreciates honesty from others as well, which would make sense when one thinks about her struggles with anxiety.
She most likely didn’t have a boyfriend currently, since it hasn’t been mentioned in the month that they’ve known her, but if she did, Felix would probably guess that that person had to be thoughtful, honest, and loving, someone who could calm her worries and give her the stability in life she needed. It was the least she deserved.
As for Luka, though..
“I think you should ask her yourself if you’re so interested.” Felix finally answered.
Claude pulled a pout and sighed. “You’re no fun.”
“Oh, leave him alone.” Allan said, jokingly splashing Claude. “Can’t you let him be a buzzkill in peace?”
Claude laughed and pounced on Allan, splashing more water everywhere. Felix tisked, but before he could chastise them for spreading more water onto the concrete, another voice interrupted them.
“We’re here~!”
The boys stopped fighting, and Felix glanced over his shoulder towards Allegra, who had just entered the pool room. She was wearing her casual, purple bikini and had her hair tied up in a bun, her usual look when swimming. Behind her, Marinette was shuffling in as well, and no sooner did his eyes land on the ravenette than he felt himself freeze to his spot on the cement. 
Her hair had been pulled up into a ponytail, and a frilly, pink bikini adorned her figure. Of course, neither of those things would have groundbreaking.. had she not also been completely ripped.
“Dang!” Claude remarked, taking the words out of their collective mouths. Her entire body appeared to be packed with muscle. It was like she’d decided to get up and complete a series of extreme exercises three times in a row daily! Felix already knew that Marinette was strong, but he didn’t expect her to look like she was chiseled out of rock itself. 
“Marinette, why didn’t you tell us that you were jacked?”
“Is that a six pack?” Allan asked, his jaw falling slack.
A blush bloomed across Marinette’s cheeks, and a bashful expression painted her features as she crossed her arms over her chest. “O-Oh, um-”
“It sure is!” Allegra grinned, wrapping an arm around the girl’s shoulders. “Apparently, Marinette has the same addiction to exercise that you guys do.”
Allan gained enough sense to let out a short laugh. “I wouldn’t exactly call it an addiction-”
“And you didn’t tell us?!” Claude interrupted, betrayal clear in his tone.
Marinette faltered. “I- uh -didn’t think you would be.. interested?”
“Are you kidding?” Claude lifted himself out of the pool to show his own set of abs. “I love exercising! We could have been working out together this whole time!”
“Where do you exercise?” Allan inquired. “I wanna know what you use to get your muscles so defined.”
“Oh! Uh- well -You know..” Marinette looked ready to squirm now. “Just.. random workouts at the house.. I guess.”
Felix furrowed his eyebrows. He didn’t know much about workouts, but from what he overhead from Allan and Claude, they could be time consuming. How did she manage to fit that into her schedule? She seemed busy enough with homework, designs, and helping her parents at the bakery. He supposed she could always rearrange her schedule to make time, but where was the equipment? Surely one couldn’t get muscles like that without using professional equipment, and yet he didn’t see anything remotely close to a weight last time they went to her house. 
“Felix?”
Felix’s gaze flicked to Claude, and he almost groaned when he saw the brunette grinning like a fool again. What ludicrous thing was he going to say now?
“Care to share your thoughts with the class?” He joked. “You were staring at Marinette pretty hard.”
Felix’s eyes widened, then snapped to Marinette. Her blush was a touch darker now, and Allegra was snickering next to her. He hadn’t been paying attention to where he was looking when he zoned out. How long was he staring? Where was he staring?
“I-” He stopped, unsure of what to say. Were his cheeks supposed to feel this warm? “I’m so sorry. I wasn’t-.. I just got lost in thought. I didn’t mean to.. stare.”
Claude snorted behind him. “‘Lost in thought’. Yeah, right.”
Felix whipped around and splashed Claude in the face. Now was not the time for his quips.
“I-It’s fine!” Marinette assured before the boys could fight further. “You didn’t make me uncomfortable or anything. Well, I mean- I just wanted sure that you were- you know -okay..”
Felix glanced back up at her, but for some reason, holding eye contact felt worse. So he shifted on the concrete, resting his elbow against his knee and his mouth in his palm. “Thank you, but I’m fine.”
“Good.” 
Felix barely had time to register Allegra’s comment or her steps as she ran towards him before he was abruptly shoved into the pool. A gasp escaped him as he flailed his arms around to gain stability, and he looked up to glare at Allegra. She was already jumping into the pool after him, though, yelling “Cannonball!”
She resurfaced a second later and threw him a subtle wink as she muttered, “I guess Marinette’s not the only one who needs to cool down, huh?” 
Felix didn’t have a chance to snap back- he wasn’t staring at her that way. It was an honest mistake! -because Marinette plunged into the pool a second later. 
A giggle fell from the ravenette’s lips when she resurfaced. “This water is so warm!”
“That’s because it’s a heated pool.” Claude informed as he swam over to her.
Marinette mouthed a “wow” before saying aloud, “I’ve never been in a heated pool before.”
“Well, now that you have, what do you think?”
“Hm.. I’d say it’s probably better for winter than it would be for summer.”
Allan chuckled. “I can confirm that it is definitely better in the winter.”
“Especially since there aren’t any other pools to swim in during that time.” Allegra smirked. She then splashed them all by making a wide wave with her arm.
“Race you guys to the water slide!”
Everyone began clambering to get to the other side of the pool, while Felix stood there squinting his eyes to avoid getting water in them. Why did he decide to be with such rowdy people?
“You good?” Allan, who had strangely stayed behind, inquired.
Felix nodded. “Allegra didn’t push me hard, so I didn’t scrape the floor.”
A hint of a smile passed Allan’s lips. “I was talking about your little fever earlier. I don’t think I’ve ever seen you blush that hard.”
Felix grit his teeth, feeling the heat rush back to his cheeks, and began swimming away to hide it. “It’s only because you all made it such a big deal.”
“Oh, I’m sorry,” Allan laughed, swimming after him. “Were we supposed to ignore the fact that you were just staring at Marinette’s abs without saying anything?”
Despite the annoying remark, Felix couldn’t help feeling a tad relieved. At least it was only the abs.
“No, but you didn’t have to make it weird.”
“You’re the only one who made it weird, dude.”
Felix scoffed. “Then, just forget the whole thing! It was an accident, and I got lost in thought, alright? For my sake and Marinette’s, just let it go.”
“Okay, okay.” Allan smiled, briefly pausing in his swim to hold up his hands. “This is me letting it go.. But I can’t promise anything for Claude or Allegra.”
Felix bit back a groan. Great. He could trust Allan to let this pass, and maybe Allegra, but if it was up to Claude?
He was never going to live this down.
~~~~~~
Marinette sat on Allegra’s bed with a smile as she ran her hands over the furry, soft comforter. Allegra sat behind her, carefully pulling on Marinette’s hair to tie it into a braid. Once everyone had had their fill of swimming, they’d decided to take showers and change into pajamas for the evening. The boys went off to their bedroom, while the girls retreated to theirs, and when Marinette finished her shower around fifteen minutes later, Allegra eagerly insisted that they exchange hair styles.
“I’ll wear your pigtails, and you can wear a braid!” She’d said. “It’ll be fun!”
The request was a strange one, but Marinette figured it wouldn’t hurt anything to accept it. So she’d grabbed her ribbons for Allegra and got settled on the bed. Now, they were here, simply doing each other’s hair and waiting for the boys to come back. The silence in the room was palpable, but it wasn’t born from awkwardness, at least. Allegra was merely focused on the task at hand, and Marinette didn’t mind enjoying the quiet while it lasted. Spending time with the group on a constant basis, while fun, could be overbearing sometimes. They were always moving, always talking and laughing together, especially Claude. So the softer moments like this were a nice reprieve.
Actually, Claude’s absence was probably the reason for this new found silence. If she listened hard enough, she’d bet that she could hear him chattering all the way across the mansion. Perhaps she might even catch Felix telling him to pipe down too.
“So,” Allegra began, breaking the comfortable silence between them, “You’ve been attending Rosemary for a good month now. Do you think you’ve got a good handle on it yet?”
Marinette smiled, careful not to turn her head as she replied, “I like to think so. I know where all of my classes are, and I’m pretty sure I’ve memorized the teacher’s names.”
“Oh, good.” She could hear the satisfied smile in Allegra’s voice. “What about our group? Have you gotten sick of us yet?”
A laugh tumbled from Marinette’s lips. “No, of course not. I could never get sick of you guys.”
“Aw~.” The blonde cooed. “Even Felix? He’s a bit of a grump.”
Marinette snorted. “Oh, I don’t think he’s that bad. He just likes to have order in his life, ya know?”
“I do.” Allegra agreed. “But I also think he’s mellowed out a lot since you came around.”
Marinette’s eyes widened slightly, and she glanced to the left in an attempt to look at Allegra without moving. “You think so?”
Allegra hummed. “He’s not nearly as impertinent as he used to be. We had to drag him around everywhere we went with him pouting the entire way, but ever since you joined, he’s been coming to our hangouts without a single complaint. He’s been smiling more too.”
“Don’t get me wrong, we love Felix. He’s just a stay-at-home-and-isolate-yourself-from-all-human-existence type of person. That’s why it surprised us when he took such a shining to you.”
Heat rose to Marinette’s cheeks, and her fingers dug into the fur and feathers of Allegra’s blanket as she began fiddling with it a bit more. Had Felix really been smiling more and doing more things since she came around? Claude did mention Felix being ‘lenient’ with her a few times, but she’d thought he was just kidding. Or at least that Felix was more spiteful towards Claude since Claude was often pushy. Why would he take a shining to her specifically? Marinette didn’t remember doing anything special. Why not open up to the people who had been sticking by his side for two years?
“If he fought so hard against your get-togethers, why did you keep inviting him?” She found herself asking. She loved hanging out with Felix too, but if someone continued to reject her invitations and argue with her on every subject- as Allegra had implied -she probably would stop trying to hang out with that person after a while. 
“Well, it’s like you said,” Allegra shrugged. Or at least, Marinette was pretty sure she shrugged. The bed definitely shook slightly from whatever the blonde was doing. “Felix isn’t really that bad. He may act all tough and annoyed, but he still shows up to our hangouts on time and pays for the lunches when it’s his turn and helps us out when we ask him. We know he enjoys being around us, even if he won’t admit it. We just like giving him a hard time.”
Marinette let out a soft hum. That made sense. She could see the way he made time for the planned visits and study dates and how he’d subtly help out the others in any way he could. 
In other words, Felix didn’t truly need to be dragged around everywhere. He just had a habit of putting up a fuss.
“Plus,” Allegra continued, “we kind of deliberately push his buttons all the time. So I don’t really blame him for snapping at us. Maybe that’s why he warmed up to you faster than he did us.”
Marinette chuckled. Maybe it was. They did tend to tease him a lot. 
She wasn’t sure if Felix was actually more comfortable around her or not- though if anyone were to know it would probably be Allegra -but the fact that he might be brought her a certain sense of pride. Felix’s stone-cold demeanor was strong, and he rarely dropped it for anything. Her being able to help him relax would be a remarkable accomplishment, in her opinion.
“Alright, my turn!”
Marinette jumped at Allegra’s voice and reached up to touch the back of her hair. The braid was indeed finished, trailing all the way down to the top part of her back. It might look strange due to it being short, but she would only have it in for one night. Besides, if it makes Allegra happy, then who cares if she looks a tad silly?
Marinette moved back on the bed to allow Allegra to move up in front of her, and once the blonde got situated, Marinette began gathering up Allegra’s hair to pull it into two ponytails. It wasn’t until she started trying to brush through the hair, however, that she realized how hard the task may be.
“My goodness, Allegra!” Marinette blurted out. “How do you even have this much hair? You’re like a Disney princess!”
Allegra’s hair was not only long, flowing well past her lower back, but also thick. Marinette had a feeling that she could stick her whole hand inside and barely make it past the surface. How was Allegra’s neck not constantly aching from holding it all? Was this why she braided it so often? It had to be. If Allegra allowed her hair to flow freely as it was now, it would get caught on everything and anything in its way. 
Allegra laughed in front of her. “I’ll take that as a compliment, but if anyone were to be a Disney princess here, it would be Claude.”
The comment pulled a laugh from Marinette as well. “Why does that make sense?”
“I know right! He’s even practiced that crying flop thing that all of the princesses do.”
“Seriously?”
“Yes! I still have a picture of it. I’ve decided that he’d either be Aurora or Merida.”
Marinette snorted. “Why’s that?”
“Well-”
A knock on the bedroom door interrupted their conversation, and the girls paused to listen for whoever was on the other side.
“Hey. Can we come in?”
It was Claude, coincidentally the same person they had been talking about.
“Yeah, you’re good.” Marinette called back. “We’re just doing each other’s hair now.”
“And talking about how you’re a Disney Princess.” Allegra added with a grin.
Claude let out an incredulous laugh as he opened the door, revealing Allan and Felix to be behind him as well. “I’m a Disney princess?”
“Oh, yeah. Either Aurora or Merida. You pick.”
Claude scoffed jokingly. “Please. If I were a Disney princess, I would totally be Kuzco, because I’m fabulous and I may not be a princess, but I deserve a crown.”
Marinette burst into a fit of giggles, along with Allegra and Allan, but Felix rolled his eyes.
“Claude, you would be Kuzco because you’re both spoiled and overly dramatic about everything.”
Claude shot him a look. “You know we’re both spoiled right? But it’s fine. I don’t blame you for being jealous of me.”
Felix scoffed. “Jealous-”
“Anyway!” Claude cut him off, prancing over to Marinette. “Are you ready, Mari?”
Marinette's smile faltered. Ready? “Ready for what?”
“You and I are gonna arm wrestle.”
Her eyes bulged. “What?”
“If it’s alright with you.” Allan joined in. “We wanna see how strong you are.”
“Wait, so you all want to arm wrestle with me?”
“Not all of us.” Claude corrected. “Felix is too scared to challenge you.”
“I’m not scared.” Felix said, irritation lacing his tone. “I simply see no point in starting something I know I can’t win.”
“You won’t even try!”
“Why should I? I don’t work out on a regular basis like you do, and I’ve seen the things she can do. You two are going to get thrown across the room as it is. I don’t want to add myself to that list.”
Marinette pursed her lips, feeling another blush coming on. Did he honestly think that she was that strong? (Being Ladybug, she probably was, but-)
“Where are we going to do it?” She asked.
Claude perked up. “You mean you’ll really arm wrestle with us?”
“Sure, I don’t see why not. I just need to finish Allegra’s hair-”
“Oh, no.” Allegra interrupted with a grin. “I can finish the hair. You go arm wrestle.”
Marinette hesitated. “Are you sure?”
“Positive. I wanna see the boys get creamed.”
“Allegra!” Claude shouted indignantly.
“You know you’re gonna~.” She sang in response.
The brunette huffed as he sat on the carpeted floor. “Does no one have faith in us?”
“Honestly?” Allan sat down next to him. “I don’t think I’ll win either. I just want to see how bad I’m gonna lose.”
“Wow.. at least you’re honest.”
Marinette giggled and moved to the floor where she assumed the arm wrestle would take place. Behind her, Felix claimed her abandoned spot on the bed next to Allegra, and she felt their gazes on her back as she laid down in front of Claude, who already had an arm up and an eager smirk on his lips. 
Tentatively, Marinette grabbed his hand. She hadn’t been worried about winning at first, but now that everyone had voiced their belief towards her certain victory, the pressure was starting to weigh on her mind. Losing was much less humiliating when no one believed you would win in the first place. 
“Alright, I’m sure everyone knows the rules.” Allan began, acting as referee. “Elbows have to be touching the ground no matter what, and you can only use one hand. The first hand to touch the ground loses. I’ll count down from three.”
Marinette nodded and situated herself a bit more on the ground. Claude did the same. 
“No hard feelings, right?” The brunette asked lightheartedly.
“3..”
Marinette smirked. 
“2..”
“None whatsoever.”
“1..”
“Especially since you’re going to be the one losing.”
An incredulous laugh burst from Claude’s lips. “Oh!”
“Go!”
They both pushed against each other at the same time, but Marinette managed to put in a burst of speed that slammed Claude’s hand right into the floor. The round was over in the blink of an eye.
“OOOOOOOOH!!!” 
Allegra and Allan both cheered, and Claude looked like he would have fallen backwards from shock had he not been lying down. But nothing made Marinette happier than the proud smirk she caught on Felix’s lips.
“I wanna go again!” Claude announced eagerly.
“No way! It’s my turn to try!” Allan replied, shoving the brunette aside.
Marinette laughed and got situated again, and although Claude was disappointed, he quickly assumed the role of referee for her and Allan. There was another countdown from three, and when the word “Go” was shouted, the two pushed as hard as they could. Allan held up a tad longer since he was more prepared and focused, but in the end, the results were the same. Marinette slammed his hand into the floor with no sense of mercy, just as she had done with Claude. 
“Dude!” Allan laughed, rubbing his wrist. “You’re good at this!”
“How often do you play?” Claude asked.
Marinette tilted her head back and forth. She may or may not play multiple nights a week with Chat Noir when patrols were slow, but that wasn’t something she could tell any of them. 
“Only every now and then.” She decided to reply.
“What! That’s crazy!” Claude exclaimed. “Let’s do it again. I wanna try one more time.”
Marinette gladly obliged, and soon, one more time turned into six more times. Then ten more. The boys just kept shoving each other aside, insisting on playing again, only for her to beat them within a few seconds or so. Each round got admittedly harder for Marinette, but after two years of constantly finding new ways to beat Chat noir, arm wrestling with civilians almost felt too easy.
“Agh!” Claude groaned after getting beat for the twelfth time in a row. “I was so close that time!”
“Yeah.. no.” Allegra said from the bed. “Not even.”
“Do you see now why I didn’t care to try?” Felix remarked.
“Hey, I’m still having fun losing.” Allan smiled. “Move over, Claude, it’s my turn again.”
“Oh, give her a break.” Allegra scolded. “You’re gonna tire her out until your win is guaranteed.”
Marinette silently agreed. She could definitely go longer, but her arm was starting to feel tired, and she didn’t want to end up over-exerting herself, especially when she already did that on a weekly basis as Ladybug.
“Aw, I guess you’re right.” Claude relented, scooting back on the carpet. Allan also backed off, to which Allegra gave a satisfied nod.
“Besides, we have to figure out what we’re doing for next week before we forget.”
Marinette twisted on the floor to give Allegra a questioning look. “What’s happening next week?”
“Valentine’s Day!” The blonde said, as though it were obvious.
“We host a party for the school every year to celebrate it.” Allan explained.
“And now we need to figure out where we’re going to host it for this year.” Allegra finished.
“Oh..” Marinette muttered, trying not to sound too despondent. Ever since Adrien, she’d sort of been actively avoiding things that symbolized love or relationships.. if only to keep the blond out of her mind. “That sounds like a lot of fun.”
“It is!” Claude grinned. “We get a bunch of decorations and snacks and drinks, and then we’ll put on music for people to dance to! Sometimes we even make up fun games to play.”
“And you do this every year?”
“For the past four years.” Allegra confirmed. “Speaking of which, do you want to help us decorate?”
Marinette knew she shouldn’t be surprised towards the request, since they’d invited her to everything else under the sun, but she still couldn’t help raising her eyebrows. “Really? You want me to help?”
“Of course!” Claude smiled. “We’d love to have your artistic touch.”
A soft chuckle passed her lips. The group’s attachment to her had been made clear from all of the get-togethers they invited her to join, but she’d fallen under the impression that they were all still newly made friends. Therefore, being invited to something that sounded extremely personal, such as decorating for a party that they alone hosted, made her realize how highly the group thought of her. Or perhaps they would invite anyone who returned their smiles.
Either way, She felt extremely honored. 
“That’s sweet, but I’m a fashion designer. Not a party designer. They’re a bit different.”
“Yeah, but you like doing crafts, right?” Allan pointed out. “We make a lot of our decorations by hand. It helps the parties seem more personal and gives us a good excuse to hang out over winter break.”
“Not that we really need one.” Allegra added.
Marinette mouthed a ‘wow’ before saying, “You guys really go all out.”
“Yeah, we do.” Claude smirked. “Otherwise, who’d wanna come?”
“That’s why we need to get a reservation somewhere by tomorrow. So we have time to prepare.”
“Did you guys have a place in mind?”
“I have a few, actually.” Allegra replied. “My main preference is the Mandarin Oriental, but there’s also a few other options like Ritz Paris, Bateaux Parisiens, or Les Pavillons de Bercy.”
Marinette nodded thoughtfully, though she’d really only heard of one of those places. Was it bad that she didn’t know about the other three? 
“Have we done the Mandarin Oriental yet?” Allan asked.
“Not that I remember.”
“I don’t want to do Bateaux Parisiens.” Felix spoke up. “Being on a boat with that many people would be dreadful.”
“Aw, what?” Claude said. “Boats are awesome!”
“Not when they are packed to the brim with people. You’d barely be able to move an inch without running into somebody, and there would be no escape once you’re out on the water.”
“Well, fine, if you’re going to put it that way..”
“I say we do Mandarin Oriental.” Allan remarked. “I trust Allegra’s judgement on the setting.”
Allegra smiled at that, and the other two boys shrugged.
“I’m fine with it as long as I can get some air at some point.” Felix said.
“I guess I’m okay with it too.. But we should try to do a boat next year.”
Allegra shot Claude an indulgent smile. “I’ll see what I can do.”
“Who’s going to call and reserve the tables?”
“I can have Dad do it.” Allegra answered. “We want him to reserve it for two days so we have time to put the decorations in, right?”
“Yeah, like usual.”
“Alright. We can check out the room we’re reserving tomorrow to see which types of decorations we need.”
“Great!” Claude chirped. “Does that work for you, Mari?”
Marinette smiled. She may not be fond of love or romance at the moment, but if throwing a Valentine’s Day party meant spending more time with these wonderful people, she would absolutely do it. 
“Perfectly.”
“Awesome.” Allegra said, satisfied. “Now that that’s settled, we can go back to messing around. What do you guys want to do?”
“Besides arm wrestling?” Claude joked as he eyed Marinette.
“Besides arm wrestling.”
“Why don’t we play hide and seek?” Allan suggested. “We haven’t played that with Marinette yet.”
Marinette gasped. Playing hide and seek in a mansion as big as this one? How had she not considered that before! 
“Yeah, that’s a great idea!”
“Absolutely!”
“..I suppose.”
“What do you say, Mari?” Allegra smiled. “Wanna play?”
Marinette didn’t even have to think about her answer. “Yes, please!”
Allan chuckled and leaned back on his palms. “Great. Who’s going to be it?”
The group paused for a split second. Then, all at once, a chorus of ‘not it!’s rang out in the room.
“Claude, you were the last one!”
“What? No way! It was totally you!”
Allegra shot up from the bed. “Nope! It was you! Start counting to 150!”
“But let us turn off the lights first.” Allan added as he got up.
“Oh, no. I’m counting now.” Claude replied with a sinister grin. “So you better hurry to turn the lights off as you go.”
Felix was up now too, and Marinette, in her giddiness, shot up from the floor with a squeal to follow him.
“Claude Herolds, you better wait for us to-”
“One!” The brunette yelled over Allegra.
“Claude-”
“Two!”
When it was clear he didn’t intend on stopping, everyone scrambled to get out of the bedroom door. They got stuck for only a moment, pushing against each other to be the first one out, then they struggled free and scattered.
Marinette stopped at the top of the steps, her eyes darting around the parts of the mansion she could see. There were so many rooms, so many open spaces, and she still hadn’t memorized where everything was, let alone where good hiding places could be. Where should she even start?
A hand gently grabbed her arm.
“This way.” Felix said in a hushed tone, lightly tugging her down the stairs. “Downstairs is more open for when you need to move to a new hiding place.”
“That’s allowed?”
He nodded. “It’s why we turn the lights off. I’ll show you a good room to start.”
“That’s why it surprised us when he took such a shining to you.”
A smile tugged at the corner of Marinette’s lips. “Thanks.”
With the blond’s assured guidance, Marinette’s steps held a tad more confidence, and as Claude’s countdown lowered to 125, the two bolted for a room to hide.
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subjecta5newtella · 4 years
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alright fuck it it’s been about a week the blinding rage has simmered down into a tasteful anger stew so I’m gonna talk about the crank palace a little. technically this is probably spoilery, but I don’t really go into specific plot points
there’s... a lot of shit I can point to that’s wrong in the crank palace. blatant contradictions to things in the original trilogy. pacing. weirdly explicit descriptions of violence. some truly baffling choices made when it comes to dialogue. newt forgetting glader slang for some reason? everything about how sonya and newt’s sibling relationship is handled, which is still probably something I can’t talk about without going nuclear so i’m just gonna direct you to point 4 on sami newtedison’s excellent post here. 
some of these things just make it hard to read and enjoy from a technical perspective, and some of them show that there wasn’t enough care taken to make sure basic established in-universe facts weren’t directly overwritten. while all of those are warning flags in their own right, the issue at the core of tcp is, in my distinctly less than humble opinion, that newt himself is barely a character in his own novella.
obviously at the point where the story starts, he’s not going to be the exact same newt we’ve seen throughout the trilogy. partly that’s because we’re now actually in his perspective, partly it’s because the flare is progressing so quickly, and that would create some understandable differences. the problem here is not just that he’s kind of different; the problem is he’s hardly an actual character at all.
one of The Most Basic things about characters is that their history has an impact on them. this is not fucking groundbreaking, but I say this because I literally do not think it’s achieved here. aside from his resurfacing memories (which... even then is basically all stuff we already know from tfc) we do not learn anything about newt that is not established in the trilogy, which is an incredible waste. I don’t think it’s a stretch to say that when people have expressed interest in newt’s POV, it’s to get information we don’t have from the earlier books, like his time in the glade, conversations he had that thomas didn’t see, anything we couldn’t see or easily extrapolate from thomas’ perspective.
thomas in book 1 has no memories. newt, theoretically, has over two years of them at this point, so why doesn’t it feel like his pre-series past exists any more than thomas’ does? i’m not about to subject myself to a reread just to 100% fact check this, but I don’t think we get any meaningful recollection of his time in the glade before main series canon begins. there would’ve been plenty of opportunities for these kinds of things to be woven in naturally, but more crucially, there are a couple places where I think pieces of his past should have absolutely come up, and they just... don’t. 
newt obviously has leadership experience as the glade’s second in command, and yet in tst is very vocal about not wanting to be the leader. when he’s kind of thrust into a leadership position in tcp, both of those things should affect the way he acts, and yet they don’t really seem to. if we’re looking for places to sprinkle in memories, this would be a really good one. he could be thinking about the point at which he became alby’s second, the reasons he accepted, and the anxieties associated with that, all in relation to his current situation. in tcp, becoming the leader of the group of cranks is just... straight up something that happens to him because he was a WICKED subject, with no real internal strife about it. I do not like the vibe of this whole plot point anyway, but im not gonna get into that. 
in a similar vein, I swear to god dashner forgot newt used to be a runner, because there are times where it should have logically come up. there’s a point at which newt talks about minho as a runner while giving absolutely no indication that he himself also used to be one, even though during the situation in question it would be relevant for him to have the skills and memories of his time as a runner (you could argue this was forgotten in any meaningful way as of tst because a similar thing happens, but i’m not gonna go on that rant rn). this is a crucial fucking character piece! based on a loose timeline, newt was a runner until probably ~6 months before tcp. it should have an impact on the way he acts and the way he evaluates situations.
regarding minho himself, newt’s descriptions of him feel like he read the wikipedia page, not like this was a) someone he’s been through over 2 years of highs and lows with and b) one of his only surviving friends in the first place, let alone one of the only ones from that original group. and minho’s hardly the only one that gets fucked over. alby? newt’s best friend as of the first book, with whom he co-ran the glade and who literally saved his life? mentioned once, as part of a list of the dead. those are the two that immediately come to mind as deserving better based on the way we’ve seen newt interact with them previously, but none of newt’s dynamics with existing characters feel lived-in at all. I think that contributes significantly to the fact that he feels so off, and frankly, not really wildly compelling a lot of the time despite being one of the most interesting and well written trilogy characters (there’s also times where his dialogue is just... weird and ooc, but im trying to stay out of nitpicking to that degree).
and to what end?? was dashner just too lazy to write in anything more than what’s established after this long? was it because creating any too-meaningful relationships with other characters could potentially take away from the thomas/newt dynamic that it seems like he’s relying on in order to stay relevant? even for people who go hard for newtmas, I can’t imagine it could really be considered a bonus to have one character’s past and other significant relationships stripped away. also?? even though he mentioned thomas’ name a lot, I don’t feel like we got that much of a sense of a meaningful connection there either. 
there were parts I liked about tcp, which may come as a fucking shock at this point, but still. keisha was a good character, a good break from the mold in terms of anything we’d seen before in the series, and I did honestly appreciate some of her interactions with newt. some of the minor characters were kind of interesting, and there were a couple small pieces that were... surprisingly well written? i think in terms of word choice and description, his writing has improved from what we see in the trilogy, so there’s my positive feedback. also, newt bitching about the lack of fruit and vegetable offerings at the crank palace was objectively funny as shit. one of the most genuine moments of Personality in the whole thing.
this could have been something. I think some pieces would’ve worked well as a short story, in which case I wouldn’t have expected nearly as much in terms of characterization and utilization of backstory. instead we just get a lot of suffering and not much out of it, because the one thing that could’ve made it worth it was an actual deeper understanding of this character and I truly don’t feel like we got that. 
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Welllp These Are Books: the June 2021 Edition
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I have read a lot of books this month. That should be stated upfront. Just an absolute metric ton of books. Some real good, some not-so good, some inadvertently hysterical. Also, I made that BINGO board. Because, like, you ever have a total crisis of writing-confidence and ignore that potential freakout and the tendency of your coworkers to miss deadlines by reading every free Amazon sports romance you can find? And several full YA series? In one month? No? My experiences are not universal, I understand. Anyway, there’s thoughts and opinions and spoilers under the cut. Everyone read the Once Upon a Con series, I’m begging you.
READ THIS SERIES! PLEASE! EVERY BOOK WAS SO CUTE! EVERYONE IN EVERY BOOK WAS SO CUTE! THE FANDOM STUFF DID NOT GIVE ME SECOND-HAND EMBARRASSMENT!
Geekerella by Ashley Poston Part romance, part love letter to nerd culture, and all totally adorbs, Geekerella is a fairy tale for anyone who believes in the magic of fandom. Geek girl Elle Wittimer lives and breathes Starfield, the classic sci-fi series she grew up watching with her late father. So when she sees a cosplay contest for a new Starfield movie, she has to enter. The prize? An invitation to the ExcelsiCon Cosplay Ball, and a meet-and-greet with the actor slated to play Federation Prince Carmindor in the reboot. With savings from her gig at the Magic Pumpkin food truck (and her dad’s old costume), Elle’s determined to win…unless her stepsisters get there first. Teen actor Darien Freeman used to live for cons—before he was famous. Now they’re nothing but autographs and awkward meet-and-greets. Playing Carmindor is all he’s ever wanted, but the Starfield fandom has written him off as just another dumb heartthrob. As ExcelsiCon draws near, Darien feels more and more like a fake—until he meets a girl who shows him otherwise. 
The Princess and the Fangirl by Ashley Poston Imogen Lovelace is an ordinary fangirl on an impossible mission: to save her favorite Starfield character, Princess Amara, from being killed off. On the other hand, the actress who plays Amara wouldn’t mind being axed. Jessica Stone doesn’t even like being part of the Starfield franchise—and she’s desperate to leave the intense scrutiny of fandom behind. Though Imogen and Jess have nothing in common, they do look strangely similar to one another—and a case of mistaken identity at ExcelsiCon sets off a chain of events that will change both of their lives. When the script for the Starfield sequel leaks, with all signs pointing to Jess, she and Imogen must trade places to find the person responsible. The deal: Imogen will play Jess at her signings and panels, and Jess will help Imogen’s best friend run their booth. But as these “princesses” race to find the script leaker—in each other’s shoes—they’re up against more than they bargained for. From the darker side of fandom to unexpected crushes, Imogen and Jess must find a way to rescue themselves from their own expectations...and redefine what it means to live happily ever after. 
Bookish and the Beast by Ashley Poston In this third book of the Once Upon a Con series, Rosie Thorne is feeling stuck—on her college application essays, in her small town, and on that mysterious General Sond cosplayer she met at ExcelsiCon. Most of all, she’s stuck in her grief over her mother’s death. Her only solace was her late mother’s library of rare Starfield novels, but even that disappeared when they sold it to pay off hospital bills. On the other hand, Vance Reigns has been Hollywood royalty for as long as he can remember—with all the privilege and scrutiny that entails. When a tabloid scandal catches up to him, he’s forced to hide out somewhere the paparazzi would never expect to find him: Small Town USA. At least there’s a library in the house. Too bad he doesn’t read. When Vance’s and Rosie’s paths collide, sparks do not fly. But as they begrudgingly get to know each other, their careful masks come off—and they may just find that there’s more risk in shutting each other out than in opening their hearts.
— I cannot possibly overstate what an absolute delight this series was. Cute and sweet and adorable. Like rot your teeth sweet with romances that my high-school self would have swooned over. (I would have been so in love with Darien Freeman as a 16 year old, it’s not even funny. Also, I would have been obsessed with Starfield.) Let’s be honest, my current self swooned quite a lot. Reading these books genuinely felt like a love letter to fandom. To the good and bad and trashy parts of it, and it made my heart swell thinking about these fictional kids and the community they found and how much they learned and then they FELL IN LOVE and, like, not to sound like an after-school special, but: THE REP IN THESE BOOKS?!?? HOLY S H I T. So good. So goddamn good. And not, like, shoved to the side. Like, Jess falls in love with a girl. And it gets its swoon-worthy moment as much as anyone else. Plus, bi-librarian dad who wears suspenders??? Sign. Me. Up. Twisting the fairy tales into the stories also worked really well in my opinion. Honestly my only gripe was that Darien found a cell phone number in the white pages, but, like, everything else was a joy. Please read these books. I promise they will make you smile.
IN WHICH I CAN NEVER TURN DOWN A BEAUTY AND THE BEAST ALTERNATE UNIVERSE
Cruel Beauty by Rosamund Hodge Betrothed to the evil ruler of her kingdom, Nyx has always known that her fate was to marry him, kill him, and free her people from his tyranny. But on her seventeenth birthday when she moves into his castle high on the kingdom's mountaintop, nothing is what she expected—particularly her charming and beguiling new husband. Nyx knows she must save her homeland at all costs, yet she can't resist the pull of her sworn enemy—who's gotten in her way by stealing her heart.
— Yo. YO. Everyone in this book was horrible! And it was wonderful! I figured out the twist approximately point two seconds after the potential for a twist was possibly introduced and it did not diminish my enjoyment of this book for one second. I am such a sucker for any Beauty and the Beast AU, but this was way different than anything I’d read before and Nyx was a blood-thirsty terror and I loved her. The magic and the world building was fascinating in that I really did not expect Greek gods and goddess, but it was also a welcome turn in a weird, huh, that’s interesting sort of way. And the banter was a-plus, top tier. Even when they were snarking at each other. Especially when they were snarking at each other. (Still a pretty quick turn from enemies to lovers, but I’m willing to overlook that based almost solely on the snark.) Plus, the castle was fascinating. And there were more twists aside from the main twist, none of which I figured out. All of which I gasped over. The end was like—chef’s kiss, fantastic. I would like a novel-length sequel to tell me how everything worked out.
...BUT THE LITTLE RED RIDING HOOD ONE WASN’T AS GOOD
Crimson Bound by Rosamund Hodge When Rachelle was fifteen she was good—apprenticed to her aunt and in training to protect her village from dark magic. But she was also reckless—straying from the forest path in search of a way to free her world from the threat of eternal darkness. After an illicit meeting goes dreadfully wrong, Rachelle is forced to make a terrible choice that binds her to the very evil she had hoped to defeat.Three years later, Rachelle has given her life to serving the realm, fighting deadly creatures in a vain effort to atone. When the king orders her to guard his son Armand—the man she hates most—Rachelle forces Armand to help her hunt for the legendary sword that might save their world. Together, they navigate the opulent world of the courtly elite, where beauty and power reign and no one can be trusted. And as the two become unexpected allies, they discover far-reaching conspiracies, hidden magic . . . and a love that may be their undoing. Within a palace built on unbelievable wealth and dangerous secrets, can Rachelle discover the truth and stop the fall of endless night?
— As much as I loved Cruel Beauty, I was like ehhhh on this one. Which is part Little Red Riding Hood (although that seems like a stretch, honestly) and part The Girl With No Hands, which is a fairy tale I have literally never heard of before. Rachelle was just—sorta whiny? Which, y’know, she was cursed and had fucked up her entire life, so fair, but also...annoying. I kept reading mostly to try and understand what the FUCK was going on with the magic. I like to consider myself a relatively intelligent person who can understand most YA novels, but this one was tough to keep track of. Like, sure, the imagery of the Dark Forest was cool, but also what is a Gladspring? I’m still not sure I know. Also, this kind of dragged in some places. Lots of patrolling the palace (whining about life) and not enough magic-fighting or establishing any sort of relationship between Rachelle and Armand. Which just sort of happened? Amidst, approximately, twenty-four different twists that were admittedly cool, but also felt like they came out of nowhere. Everything that happened in Cruel Beauty made sense. Most of what happened here felt like it was shoehorned in for shock value.
YOU WANT MORAL AMBIGUITY? BOY HAVE I GOT MORAL AMBIGUITY FOR YOU. IN GODDAMN SPADES.
The Firebird Series by Claudia Gray Marguerite Caine's physicist parents are known for their groundbreaking achievements. Their most astonishing invention, called the Firebird, allows users to jump into multiple universes—and promises to revolutionize science forever. But then Marguerite's father is murdered, and the killer—her parent's handsome, enigmatic assistant Paul— escapes into another dimension before the law can touch him.Marguerite refuses to let the man who destroyed her family go free. So she races after Paul through different universes, always leaping into another version of herself. But she also meets alternate versions of the people she knows—including Paul, whose life entangles with hers in increasingly familiar ways. Before long she begins to question Paul's guilt—as well as her own heart. And soon she discovers the truth behind her father's death is far more sinister than she expected.
— Guys. GUYS. These books, oh my G O D. Little known fact about me, but I am trash for cross-dimensional soulmates. The concept of “we’ll find each other anywhere” is one of my favorites, so I was so psyched about these books. And for awhile that’s what I thought I was going to get out of them. But. BUT! What I actually got was something, not totally different, but not entirely great, either. The problem here was that when anyone used one of the Firebird devices to jump dimensions they TOOK OVER THE BODY THEY JUMPED INTO. So, like, that consciousness got shoved to the side while whatever prime!person just took over. Living that body’s life. In a different dimension. And that’s kinda fucked up, right??? Brings in all sorts of questions about consent and morality and let me tell you, guys, this YA series DID NOT ADDRESS A SINGLE ONE OF THEM. Which is also super fucked up!! So, like, Marguerite is just bouncing around dimensions taking over people’s bodies and lives and leaving this, frankly, trail of destruction in her wake. And as if that wasn’t enough!!! In the second book Paul’s soul gets, like, split and she’s got to round up the pieces through dimensions, meeting all sorts of Pauls who are occasionally kind of shit people and he eventually just, like, CANNOT COPE. Seriously, I could not stop reading these. Partially for the moral ambiguity. Partially because I could not figure out why Paul loved Marguerite. Also, capitalism was the ultimate villain. AS IT SHOULD BE, REALLY.
CREEPY FAE WERE KIND OF CREEPY AND THAT’S NOT BAD, BUT LIKE MAYBE THIS WASN’T A GOOD BOOK?
An Enchantment of Ravens by Margaret Rogerson Isobel is an artistic prodigy with a dangerous set of clients: the sinister fair folk, immortal creatures who cannot bake bread or put a pen to paper without crumbling to dust. They crave human Craft with a terrible thirst, and Isobel’s paintings are highly prized. But when she receives her first royal patron—Rook, the autumn prince—she makes a terrible mistake. She paints mortal sorrow in his eyes—a weakness that could cost him his life. Furious, Rook spirits her away to his kingdom to stand trial for her crime. But something is seriously wrong in his world, and they are attacked from every side. With Isobel and Rook depending on each other for survival, their alliance blossoms into trust, then love—and that love violates the fair folks’ ruthless laws. Now both of their lives are forfeit, unless Isobel can use her skill as an artist to fight the fairy courts. Because secretly, her Craft represents a threat the fair folk have never faced in all the millennia of their unchanging lives: for the first time, her portraits have the power to make them feel.
— I’ve seen this book mentioned a lot. As good. And it wasn’t not good, but Isobel was pretty goddamn annoying and kind of dumb and a little self-important and I was mostly here for the creepy fae. That was fun. More fae should have antlers and stuff. Everything in this story happened ridiculously fast. I couldn’t believe it was over when it was over.
THE PROSE WAS VERY PRETTY. I’M NOT SURE WHY THE DRAGON HAD TO BE SUCH A MONUMENTAL DICK.
Uprooted  by Naomi Novik Agnieszka loves her valley home, her quiet village, the forests and the bright shining river. But the corrupted Wood stands on the border, full of malevolent power, and its shadow lies over her life. Her people rely on the cold, driven wizard known only as the Dragon to keep its powers at bay. But he demands a terrible price for his help: one young woman handed over to serve him for ten years, a fate almost as terrible as falling to the Wood. The next choosing is fast approaching, and Agnieszka is afraid. She knows—everyone knows—that the Dragon will take Kasia: beautiful, graceful, brave Kasia, all the things Agnieszka isn’t, and her dearest friend in the world. And there is no way to save her. But Agnieszka fears the wrong things. For when the Dragon comes, it is not Kasia he will choose.
— Let me just say first off, that this should have been two books. Everything happened so quickly, I swear I got whiplash. That being said, as a heroine, I liked Agnieszka a lot. She was understandably freaked by everything that happened, but once she kind of settled, she didn’t take The Dragon’s shit and that was good because The Dragon was kind of shitty. This is why it should have been two books. Because everything The Dragon did felt like it needed some kind of explanation. Or at least some sort of reasoning for why he was such a monumental bastard. Which is why I was a little confused that Agnieszka was in love with him? He was such a dick, honestly. The last third or so of this book was the best because Novik really does know how to write action and the magic itself was pretty fascinating. (I wish it went into more depth, but I think I’m spoiled by fic and that’s not actually how the publishing world works.) Kasia might have been the most interesting person in this story. Girl went through it and just became a total badass. I loved her.
MARAUDER FEELINGS! MARAUDER FEELINGS! SO! MANY! MARAUDER! FEELINGS!
The Raven King by Maggie Stiefvater All her life, Blue has been warned that she will cause her true love's death. She doesn't believe in true love and never thought this would be a problem, but as her life becomes caught up in the strange and sinister world of the Raven Boys, she's not so sure anymore.
— RICHARD GANSEY, MY BELOVED. What a dweeb. A self-sacrificing, sorta sad dweeb. When he wrapped his jacket around Blue, my heart exploded. I think I spent the last fifteen or so chapters with disconcertingly wide eyes and possibly my hand over my mouth. Still not entirely sure why a Welsh king was in Virginia, but I loved it. Was real glad he was there. As promised by that one book rec list I read months ago, the Marauders vibes of these books were off the charts. It was a weird story with lots of weird things and I hope Mr. Grey gets to be happy one day and that Ronan and Adam make out some more eventually. I think they’ll both feel a lot better if they do. Like, about the world as a whole. Has anyone read the Ronan spinoff series? Should I read the Ronan spinoff series?
OK, THIS WASN’T THAT BAD, ACTUALLY
To Love Jason Thorn by Ella Maise Jason Thorn... My brother's childhood friend. Oh, how stupidly in love with that boy I was. He was the first boy that made me blush, my first official crush. Sounds beautiful so far, right? That excitement that bubbles up inside you, those famous butterflies you feel for the very first time--he was the reason for them all. But, you only get to live in that fairytale world until they crush your hopes and dreams and then stomp on your heart for good measure. And boy did he crush my little heart into pieces. After the stomping part he became the boy I did my best to stay away from--and let me tell you, it was pretty hard to do when he slept in the room right across from mine. When tragedy struck his family and they moved away, I was ready to forget he ever existed. Now he is a movie star, the one who makes women of all ages go into a screaming frenzy, the one who makes everyone swoon with that dimpled smile of his. Do you think that's dreamy? I certainly don't think so. How about me coming face to face with him? Nope still not dreamy. Not when I can't even manage to look him in the eye. Me? I'm Olive, a new writer. Actually, I'm THE writer of the book that inspired the movie he is about to star in on the big screen. As of late, I am also referred to as the oh-so-very-lucky girl who is about to become the wife of Jason Thorn. Maybe you're thinking yet again that this is all so dreamy? Nope, nothing dreamy going on here. Not even close.
— Ignoring the fact that this was almost blatant self-insert, this was a mostly good, occasionally trashy book with brother’s best friend and the one who got away tropes. Which, as we know, are my life’s blood. (Plus, surprise, fake marriage that isn’t really fake?!? Ok. OK!) My only eeek moment was when Olive got super drunk and wanted Jason to like—consummate the marriage and he was like, No Olive, you’re drunk. And then they ended up doing everything except having full-on sex, which felt a little creep and a lot sketch and then it was never mentioned again. Also, Olive needs to find some better friends, God.
EMERSON COD VOICE: HE’S STAAAAAALKING YOU
Marriage For One by Ella Maise Jack and I, we did everything backward. The day he lured me into his office-which was also the first day we met-he proposed. You'd think a guy who looked like him-a bit cold maybe, but still striking and very unattainable-would only ask the love of his life to marry him, right? You'd think he must be madly in love. Nope. It was me he asked. A complete stranger who had never even heard of him. A stranger who had been dumped by her fiancé only weeks before. You'd think I'd laugh in his face, call him insane-and a few other names-then walk away as quickly as possible. Well…I did all those things except the walking away part. It took him only minutes to talk me into a business deal…erm, I mean marriage, and only days for us to officially tie the knot. Happiest day of my life. Magical. Pop the champagne… Not. It was the worst day. Jack Hawthorne was nothing like what I'd imagined for myself. I blamed him for my lapse in judgment. I blamed his eyes, the ocean blue eyes that looked straight into mine unapologetically, and that frown on his face I had no idea I would become so fascinated with in time. It wasn't long after he said I was the biggest mistake of his life that things started to change. No, he still didn't talk much, but anyone can string a few words together. His actions spoke the loudest to me. And day after day my heart started to get a mind of its own.
— Ok, ok, ok, so I enjoyed the Jason Thorn book, right? Was, like, how bad could this other book be? And it wasn’t bad, but it was patently ridiculous. Let me explain what happened. Not entirely sorry for the spoilers. Jack the lawyer sees that Rose is only going to get the space for her coffee shop from her uncle’s will if she marries someone. She WAS engaged, but the guy split. For reasons no one can understand, especially Rose. She’s sad. She’s spent so much money on espresso machines! Enter Jack the lawyer who one random afternoon is like: HEY ROSE, YOU’RE MOSTLY A STRANGER, BUT I ALSO NEED TO GET MARRIED FOR REASONS I’LL ONLY SORTA EXPLAIN, LETS DO THAT. So they do???? And Jack the lawyer continues to be kinda weird and a little shady, but Rose has got the coffee shop and things are going well. Until! She’s got a leaky brain!!! That’s not a joke. Not a typo. Out of goddamn LEFT FIELD, Rose has got some horrible medical condition, so thank God she got married because Jack the lawyer’s got great health insurance. (this is ROMANTIC) and she’s got to have an operation and he stays with her and sleeps in the hospital chair and her coffee shop is somehow still going strong??? On Madison Avenue??? What sit-down coffee shop on Madison Avenue do you guys know that would succeed? None because it’s not downtown. I digress. Anyway, Rose makes a miraculous recovery, she and Jack the lawyer are now almost in love? At least having a shit ton of sex. They’re mostly happily married. Until, part two! The ex-fiance shows up and is like JACK THE LAWYER PAID ME TO BREAK UP WITH YOU. To which Rose is understandably flabbergasted. She confronts Jack the lawyer who fesses that he’s been seriously crushing on her since they met at her uncle’s Christmas party. She doesn’t remember this. He does. BECAUSE HE’S A STALKER. So, he knew about the will stipulation with marriage BACK THEN, which is why he used FIRM RESOURCES to investigate the ex-fiance and found out he was a con man, using Rose with plans to basically steal all her money. This infuriated Jack the lawyer because he thought Rose deserved better and then proceeded to basically con her himself, just in a different way. With marriage! He told her he needed to get married to show he was a family man to make partner. THAT WAS A LIE. He didn’t need it at all. He just—wanted to marry her??? To help her??? What a psycho. She leaves. He continues to lurk outside the coffee shop. They make up. No one mentions the stalking. The end.
I KEEP GIVING HELENA SECOND CHANCES AND SHE KEEPS...NOT DESERVING THEM
All In Series by Helena Hunting Sometimes I need an escape from the demands, the puck bunnies, and the notoriety that come with being an NHL team captain. I just want to be a normal guy for a few weeks. So when I leave Chicago for some peace and quiet, the last thing I expect is for a gorgeous woman to literally fall into my lap on a flight to Alaska. Even better, she has absolutely no idea who I am.Lainey is the perfect escape from my life. My plan for seclusion becomes a monthlong sex fest punctuated with domestic bliss. But it ends just as abruptly as it began. When I’m called away on a family emergency, I realize too late that I have no way to contact Lainey.A year later, a chance encounter throws Lainey and me together again. But I still have a lie hanging over my head, and Lainey’s keeping secrets of her own. With more than lust at stake, the truth may be our game changer.
— Last year I read a hockey romance by Helena Hunting that was very cute and traditionally published and she’s got a bunch more free Amazon books that, for some reason, I keep downloading and reading and they continue to be absolutely ridiculous. That first one was a not-so-secret accidental pregnancy (as previously discussed ONE TIME without a condom mention and bam pregnant) but the second one with Rook’s sister was actually pretty cute. I’m not sure why they all called him Rook. Almost all these series have at least one book with someone recovering from an injury and they inevitably fall in love with their physical therapist. So, that one was pretty ok. None of these, however, were quite as entertaining as (wait for it) QUEENIE AND KINGSTON. WHOSE FRIENDS AND TEAMMATES ALL CALL HIM KING. QUEENIE. AND. KING. Gag. I read it anyway. At least 99% of that decision was based solely on the fact that the story started just after King found out his sister was actually his mom. How am I supposed to stop reading THAT?!? I ask you. Highlights of Queenie and King’s romance included: him calling his mom/sister MOMSTER, Queenie being secretly married this whole time, WITHOUT KNOWING IT, his strawberry allergy that flared up because she’d had a strawberry milkshake and then GAVE HIM A BLOWJOB, her dad finding out they were dating because he was the GM of the team and saw that his starting goalie was having a MASSIVE allergic reaction, Queenie’s eventual ex-husband getting engaged to someone who previously tried to self-inseminate to trap Rook into a relationship (I am not making this up, I swear) and then when he found out that his fiancee’s kid wasn’t actually his, he got into a massive fight and earned a 20-game suspension. THAT’S A QUARTER OF AN NHL SEASON. Tom Wilson got fined five thousand dollars for practically killing Artemi Panarin on the ice! I did not read the last book in this series because it was MORE ACCIDENTAL PREGNANCY and because it was Queenie’s dad and King’s mom and that meant they’d share a sibling. Which is where I draw the line, guys.
THERE WERE SEVEN BOOKS IN THIS SERIES! EVERY SINGLE ONE HAD TO HAVE A SCENE WHERE THE DUDE UNDERSTOOD THAT PERIODS WERE A THING???? LIKE THAT WAS IMPRESSIVE SOMEHOW?!?!
Hot Jocks Series by Kendall Ryan I've never been so stupid in my entire life. My teammate's incredibly sweet and gorgeous younger sister should have been off-limits, but my hockey stick didn't get that memo. After our team won the championship, and plenty of alcohol, our flirting turned physical and I took her to bed. Shame sent her running the next morning from our catastrophic mistake. She thinks I don't remember that night—but every detail is burned into my brain so deeply, I’ll never forget. The feel of her in my arms, the soft whimpers of pleasure I coaxed from her perfect lips…And now I’ve spent three months trying to get her out of my head. Which has been futile, because I’m starting to understand she’s the only girl I’ll ever want. I have one shot to show her I can be exactly what she needs, but Elise won’t be easily convinced. That’s okay, because I’m good under pressure, and this time, I’m playing for keeps.
—I read all of these. All. Of. Them. They were exceptionally quick reads. Every single one had a copious amount of sex in it and a very weird, apparently required scene, where the dude had to be like I’M NOT SQUICKED OUT BY PERIODS AM I NOT THE ULTIMATE EXAMPLE OF MASCULINITY?? My favorite one was Grant and Ana’s, though, because it was so goddamn absurd I cannot believe someone wrote it. Basic gist was that Ana was dating someone on Grant’s team (he’s the captain, natch) but the guy was a dick and abusive and so one night Ana decides to leave, but she needs someone to help her and WHO DOES SHE TURN TO??? That’s right, reclusive captain Grant. Who’s spent the last few years watching his teammates marry-up and start families and he’s so jealous, but he can’t say anything because he’s a stoic MAN™. So he takes Ana and her dog (of course she’s got a dog) back to his super swanky bachelor pad and she just sort of...stays there? Video of the boyfriend accosting her at her job gets leaked and the boyfriend gets sent to the AHL which is not really how it would work, but fine. Naturally, Grant and Ana hook up. It’s emotional. Vaguely romantic. There’s no GODDAMN CONDOM. So, she gets pregnant. But, of course. Except! She doesn’t know if it’s dick boyfriend’s or Grant’s. Because he’s the male lead in a free sports romance on Amazon, Grant is the MOST understanding. He wants to help Ana. He would like to continue having sex with Ana. This is ready-made happily ever after. Only Ana’s like...eh?? She doesn’t want it to look like she bounced from one hockey player to the next, but also she sorta did and she kept telling Grant she just wanted to be friends, only to have sex, like, three chapters later. Then she just moved out! Just moved out. Seven months pregnant. Moving out. With her dog. Of course, this is a free sports romance on Amazon, so eventually she moved back in with Grant. Once she realized independence wasn’t all it was cracked up to be. And because he left practice to be there when she had the baby. Oh! And she got a DNA test after. To see whose kid it was. Grant ripped that ‘ish up. Just ripped it up. Which is cool, I guess. But, like, you didn’t want to double check? What if that kid has to go to the hospital? Did she put Grant’s name on the birth certificate? What are his parental rights?? Anyway, they’re all set to live HEA when....THE DICK BOYFRIEND DIES. Straight up. No explanation. Nothing. Just Grant tells Ana he’s dead, she’s like, oh wow that’s sad, they send some flowers to the funeral and that’s THAT. I assume this was to close any potential plot holes on the father of this baby, but it was hysterical and I cannot stop thinking about it. Strangely enough, the one where the couple made a secret sex tape in college and then got back together because it got released may have been the healthiest relationship in this series.
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deep-sea-skiving · 4 years
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Bananarama- Deep Sea Skiving.
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When you think 80s pop groups, you think of Bananarama. It's that simple. Though many may look back and laugh at Bananarama’s dress sense and signature dance moves, their influence on the future pop music and girl groups is undeniable. Anyway, yes Bananarama can now be seen as a very cringey or cheesy, but in my opinion its the good kind of cringe. The cringe that just makes you smile and enjoy the moment. Are the songs by Bananarama musically groundbreaking or astounding? No probably not but, just like back then Bananarama’s music is addictive, bubbly and memorable. That’s most likely the reason why Bananarama has the Guinness World record of being the all-girl group which has had the most UK chart entries in history. A record they still hold to this very day. Nevertheless, I love Bananarama, it’s a guilty pleasure of mine. The group to me signifies everything I love about the 80s. The big hair, the distinctive clothes (which they made most of themselves, being highly talented fashion students) and of course the music. 
So, what's my favourite album by Bananarama? If you read the title, you’ll already know that it’s Deep Sea Skiving. The way debut albums go, this is one of the best you can get. I cherish this album so much I even decided to name my blog after it, it’s that good. First the album’s artwork. What can I even say? I don’t think I've ever seen an artwork that is as stereotypically eighties as this. You’ve got the matching outfits complete with leg warmers, the hats and the big eighties hair with highlights. Why are they underwater I don’t know, maybe to fit with the album’s title but according to my memory none of the songs are water themed. The set, however, is amazing. No special effects here. The dolphin looks really realistic...
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 Artwork aside, its music which makes an album and this album has some of the most memorable tracks of the 1980s. This album in particular in my opinion combines perfectly new wave with straight out pop, this is something again in my opinion is lacking from later Bananarama albums. The songs all have their own individual charm but also feel like they are meant to be played together in order from the start of the album to the finish. The harmonies between the group are done really well and it appears they must have had some fun while recording the album. Some of my personal highlights of the album is Really Saying Something ( it really gets stuck in your head and features the Fun Boys Three), Aie a-mwhana ( a cover I believe but I still haven't got the slightest clue what it's about) and Wish You Were Here ( not to get confused with the Pink Floyd song of the same name, a less chaotic song when compared to the more upbeat songs featured on this album. It has the best line execution of the whole album, in particular the line ‘Night-time Comes seeping, through my window, and I know I should be sleeping’).
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Overall this album is a charming, bouncy and fun experience. It’s an easy listen, the album is not going to make you think about deep societal issues like inequality or poverty. It’s just meant to be light-hearted entertainment taken at face-value and that's not a bad thing, in fact it can also be stated as a positive attribute of the album. It’s cheery and offers a form of escapism from a harsh reality which is everyday life. It perfectly combines different music genres from new wave to new pop and even a hint of reggae sprinkled in for good measure. If you haven't listened to Deep Sea Skiving I highly recommend you give it a go.
Buy the album: http://www.bananarama.co.uk/shop-3/
Watch my favourite TOPs performance: https://www.youtube.com/watch?v=LDGjNRdU-Xk
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nullset2 · 4 years
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Why New 3D Mario Games Suck
Before I go to bed I want to write a quick article about my opinions of Mario games. Ah, Mario games... I will never tire of you. Crisp and clean, to the point and joyfully so. Just jump, mofocka. Games that revel in the concept of moving around, making it inherently fun. Is there more noble of a proposition in gaming? Has there ever been more lucid game design?
Yet, I think that modern Mario games suck.
Like everyone and their grandmother (and if your grandmother plays Mario send her my regards, she's cool as hell, dude) I've been playing Mario 3D All Stars to have me a nice time. However it does reinforce this idea that I've always had, that Mario games, even though they may share the same broad aesthetic values and mechanics, are different from each other by nature. In this article, I propose that this change over time has actually been for the worse, leading to a loss of complexity in platforming game design with each successive iteration which is being traded away in favor of more cinematics and bombastics.
First things first, we have the beautiful Mario 64. A timeless classic and most of us' first foray into 3D games (yes, this was the very first game I ever played where the notion of the third dimension actually mattered. I had already played Star Fox but in Star Fox you don't really move in three dimensions, you're just in a plane going on rails and you cannot move completely freely). I played this before I even touched Doom or other first person games of the sort.
Minor parentheses by the way: did you know that Star Fox was inspired on the Inari Taisha temple? The beautiful, big long mountain shrine in Kyoto full of orange gates?
Fox translates to Inari and its creator, Dylan Cuthberth, who loved Japan a lot, got inspiration from it which he applied to his new bizarre fucking mind bending 3D tech which he then pitched and sold to nintendo and then became the basis for the Ultra 64, which was to come, and thus one of the main pillars of all modern 3D gaming as a whole? Holy shit, right? In Star Fox you cross gates to gain powerups and to make it fun to maneuver around with your Airwing... How come that I had never seen the connection?
But anyway. Back to Mario 64.
It is commonly told that Mario 64 was created by Miyamoto parting from the concept of a "secret garden". Most of the development time initially, it is said, was spent on Miyamoto and Tezuka, Mario creators, fine tuning the movement system in an isolated garden map without any enemies or hazards.
The purpose of the secret garden was threefold: first, the team was used to designing Mario games as 2d platformers and they were uncertain about how to take Mario games into the 3D era (a literal, flat-out equivalent conversion of classic mario, think Super Mario World, powerups and all, was considered at a certain point in development, creating linear, obstacle course stages with a beginning and a goal, the remnants of which still linger in the final game as the bowser stages, an idea which was finally fleshed out with the Mario 3D series on the Nintendo 3DS and Wii U, 20 years later (!)), so they needed a way to hash out ideas about how to design this new installment.
Second, Miyamoto took as one of the goals of the project to design Mario's movement with a supreme level of fidelity, so he'd use this area to test and test and test all of Mario's acrobatics, to make them feel smooth, convincing and entertaining to play. He'd say that as long as a move didn't feel right in the garden, it couldn't be used in the final game, creating in the end as something that feels a little bit like ninja acrobatics on rollerskates or ice skating.
Third, the team eventually realized that, since 3D content was incredibly expensive to create back in 1995, when commonplace computer 3D animation and design was still quite in its infancy, they needed to develop the skill to design little sandboxes which were good enough to run around in over and over without getting tired of them (think of it as if constructing a highly detailed, complex diorama, an idea fleshed out finally in Captain Toad from Super Mario 3D world, again, 20 years later (!)). This was to create more content for the game while reusing the same architecture and geometry for the levels, since resource usage had to be maximized. The remnants of the garden are still present in the final game, as the Castle Grounds.
So, do you see the level of SOUL invested here? The level of care, the amount of love placed into each and everyone of Mario's moves in Super Mario 64? And the results show it: the game allows the player to tackle all objectives at their own pace, in their own terms, however way they can. The game forces nothing down your throat: blast to the island in the sky? Well, maybe just long jump to it if you're gutsy enough, no need to wait until you unlock cannons. Or get the 8 red coins first if you want. Or just fuck it, and go and release the chain chomp first because he looks very cool and this is probably the first power star that all people who play the game get first. Or just, fuck it, you can skip that objective all together if you want, just collect enough stars for the next door unlock.
Jump, double jump, triple jump, dive, dive from jump, punch, breakdance kick, backflip, turn and backflip, long jump, wall jump, grab objects and throw, jump-shortkick, slide down, ground pound, fly from triple jump, swim, crouch... and even crawl. I count a total of 20 possible interactions with the environment, maybe even more I'm missing. All movements completely available to you from the start to mix and match the way you best see fit (except for flying, which is unlocked like 15 minutes into the game). The world is yours and you're free, go nuts son. The only variable is your skill at the movement system.
So you can probably see why this is delicious design. There's never a single way to clear most power stars in the game, instead the decision is left to the player, which the game trusts is smart enough to figure out solutions to problems on their own. Wanna jump for it? Sure, if you can. Want to wait unil you got the powerup? That's cool too. Want to go play another level? Sure thing! OR FUCK IT! JUST RACE THE KOOPA IF YOU WANT!
So you can probably see why I loathe the fact that the sequel was based exclusively on giving people a dumbed down version of the same shit, with a fucking dumb water pack.
Come 2002 and under pressure to perform, the team releases Super Mario Sunshine and it's the most bland, dumbed down sequel ever (though, could anyone really live up to such a predecessor's prowess?). In an attempt to make the game accessible to more players (tm), the game is stripped out of its complexity. Mario no longer moves as a gracious, roller skating gazelle that can navigate the world in the most agile and beautiful way ever. Instead you screech down to a halt the second you stop pushing the direction stick instead of providing people with that most delicious sense of momentum and friction SM64 had. Boo Hoo! Baby think 3D platforming is too hard? BABY CANNOT HANDLE PING PING WAHOO ON THE N64? Then we give babby a water nozzle which will allow them to correct any miscalculated jump ever (it's insulting that this is the best solution they managed to come up with) HOORAY!
But hey! Sunshine has good things about it! Uh... the water is pretty! (that's probably where all the development time and resources probably went anyway).
SAY WHAT? WE GOT TO RELEASE THIS YEAR? AND THEY WANT US TO INCLUDE 120 STARS AGAIN? FUCK! WE RAN OUT OF TIME; JUST ADD BLUE COINS, DUDE! YEAH WHATEVER! SHIP IT! THIS IS THE GAME! I'M GONNA GO LIE DOWN AND HAVE A BEER! FUCK IT!
Mario Sunshine is not a bad game, but it's not a bold, groundbreaking game like its predecessor was. It detests and rejects the fact that you are a competent platforming game player. It nerfs everything down. It makes it almost impossible to lose. It plays things too safe and too easy, replacing action game design with flashing lights, prettier graphics, and an easier experience; it has its moments but it's an inferior game mechanically: jump, double jump, triple jump, hover, rocket jump, turbo run (why), walk on tightropes (why), spin in air (why), spin from ground into high jump, turn and backflip, swim, spray water, spray water and dive, wall jump, ground pound. It's only 16 moves -- less than its predecessor --, and they have less complexity and are easier to execute.
Not only that but you're no longer free to tackle objectives the way you see fit. The world is now a container for several course-clears, and no longer allowing for the freedom of open world games. If you pick Shine 1, you WILL clear shine 1 in that run of the level. If the game wants you to watch a cutscene (of which there were none in SM64), you WILL watch the fucking cutscene. Wash rinse repeat until you get enough shines to clear the lamest end boss in video game history.
Again, it's not a bad game but it reeks of suits getting involved in the process and demanding shit to be made easier because otherwise it wouldn't sell. It reeks of misplaced priorities. It's a pretty game and it's nice for an afternoon, but after that you just have blue coins left and hooooooooooooo weeeeeee I'm not touching that shit. The most asinine side quest I've ever seen in a video game: to find blue coins hidden in random spots, usually by cleaning a spot of graffitti, and exchange 10 of them for a single shine, the collection of which cannot be stacked and forces you to watch a cutscene every time. Reeks of laziness.
Then Mario Galaxy comes out and Jesus Christ. It's like they don't give a shit at this point. Open-world, acrobatics-centric 3D Mario is just fucking gone. This is probably the point where it became cheap enough to make 3D content en-masse that they just started copying the classic Mario formula in 3D to churn out content.
The bad thing, is that at a certain point it feels as if the games play themselves and I've always been against it and will always be against it because I'm into games due to the fact that they're something which engages my brain. I don't like games which just keep me there, passively looking at the screen, reacting to quick time events. I want to be immersed, engrossed and I want to feel that nice sense of exploration and fun experimentation that you only get with open world games.
The games are back to linear now: even though, in Sunshine, they made an effort to at least make things seem open world, they don't care anymore in this one. It's all just linear levels happening in planetoids which you visit in a sequence, to, yet again, remove all hazards and all notion of challenge and complexity, even more than before. And you have to shake the wii remote to spin to top it off, and this gives you a free save if you miscalculate a jump. The galaxy games were extrapolated through the 3D series: Super Mario 3D Land and 3D World (strong candidates for most bizarre title to a video game ever), to form which is called the "course clear" vein of 3D mario games, starting from the Galaxy games.
See, nintendo themselves differentiate between "Course-clear" 3D Mario and "Open World" 3D Mario. Once Super Mario Oddysey got announced, they came out with this interesting infographic about their classification for 3D Mario games:
Don't get me wrong again, there's nothing inherently bad about these types of Mario game, and Galaxy 2 and Mario 3D World are both some of the best video games ever created, but I think that something got lost in transition when compared to the sublime finesse of the movement system in Mario 64. The way it respects your intelligence, the way it drops you in an open world and gives you freedom, the way that its worlds are built, I think that all of this has never been paralleled, not even by nintendo themselves for some reason, and I think the reason why this happened is that, maybe the excellence of Mario 64, quirks and all, was a product of its time and the limitations in production ability for 3d content and graphics that surrounded its creation at the time.
Yet, Lo and Behold! 2017 is here and Super Mario Oddyssey is in the horizon and it promises to be the Next Big Thing (tm) since sliced bread. A TRUE and HONEST return to form, to the Glory Days of Mario 64! And the game is way too enthsiastic with its embracing of Super Mario 64 nostalgia: there's literally a whole level inspired after the Mario 64 castle grounds in Mario Oddysey and the whole notion of absolute freedom from Mario 64 (somewhat) returns (but not completely because you still are subject to doing a main big event per level, after which the rest of the level unlocks; once you clear the game, the second half of the game unlocks even). And the emphasis is back into acrobatics again, which is a good thing: playing with your hat can get you places if you're handy with it.
But my biggest gripe with Super Mario Oddysey is that it's not completely honest as it claims to be. It's a course-clear game hidden under a coat of paint of an open world-game. It's literally Zelda Breath of the Wild's half-assed design all over again: big empty world full of collectibles, with tiny "levels" to be found. Once you find a game, it's time to do a thing --wash rinse repeat. In Mario Oddysey you explore around until you find a pipe or a door or a character and you get plunked into a Super Mario 3D World style course-clear game with additional collectibles. So it's not really the game which it was told to be. The levels don't feel like beautiful dioramas, and the acrobatics, even if nice, are nowhere near as rich as the SM64 acrobatics. There's infinite lives this time around, so there's no real feeling of risk. The game rehashes its own content, you make a tower of goombas, cool. Then you make it again, twice as long. Then you make it again, in the water. Then you make it again, in the beach level. Then you make it again, in the ice level. Then you make it again. Then you make it again, then you make it again...
You could argue that they were onto something with the capture system, because it's an attempt to enhance the movement system while at the same time it's trying to keep things interesting, but the bad thing is that this is really not the case. Captures are contextual, and you're expected to capture an enemy, do something with it, then leave it behind, so it's not a skillset that you build up on, it's yet another course-clear level in a disguise.
So even though it's a good game, it's not the game that it set out to be, I'm sad to say. The Brilliance of Super Mario 64 is yet to be rivaled, and Nintendo should feel ashamed of it. It's been 20 years, man. Where has your mind been all along?
Alright Nintendo, to conclude, here's a freebie for you. This is how you design your next Mario game so it fucking kicks ass: you bring back the SM64 movement system and ADD ONTO IT. Do NOT take away from it, just ADD. Complexity is good in games. All of your fans are fucking 30 year olds, they can handle a complex game.
Next, you develop a vast, broad, massive open world. Think GTA-size. You set up 1200 stars and you place them all over the world in ways where it is EXCITING by itself to explore the world. Make it so people can collect stars at their own pace, ANY WAY THEY WANT, and expand the world accordingly. Keep the Super Mario Oddyssey persistence, where once you capture a moon you don't have to go back to a menu screen, that was a good addition. Embrace the diorama mentality and go nuts with the world. Fill it with waterfalls, caves, chasms, canyons, and provide the player nothing but their acrobatics to clear everything in the world. Avoid pre-scripted sequences (they can still be good for some things like bosses). And make the world seamless, none of this island in the sky thing anymore. Moving around and getting stars should be their own reward, not "getting to find a course clear level".
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roadswewalk · 8 years
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Time to lay some ghosts
Think only of the past as its remembrance gives you pleasure.
- Elizabeth (Bennet) Darcy in Pride & Prejudice
[Disclaimer: Though far from my usual content, this is not an anti-Johnlock post, and it is not informed by TFP spoilers.  It’s also not the new normal for my blog: we’ll be back to gifs and stupid jokes soon.]
I want to enjoy the possible last episode of my favorite show, and that means letting go of some expectations.  This is largely a personal post that I’m writing to clarify my own thoughts and prepare mentally for TFP, but perhaps it may also help anyone who is dealing with shaken assumptions and unwanted or unexpected developments from T6T & TLD.  If it does, then I’ll be glad.  Anyone can feel free to reach out at any time with questions or just to talk about the show.  I joined this fandom to engage with people, and I’m entering a strange interval where I have unusually minimal real-life obligations.
This post has two parts.  Part one: notes on some specific theories that I’m finally rejecting post-TLD.  Part two: thought process and personal attitude, for context.  Skip part two if you don’t care - unless part one pisses you off, in which case I’d appreciate the chance to explain myself.  That is, if anyone reads any of it at all.  ;)  All under the cut.
And yes, I realize many fans are well beyond this point mentally and emotionally:
Well, Watson, we can but possess our souls in patience and see what the hour may bring.
- Sherlock Holmes in The Adventure of the Three Garridebs
Conclusion: Bring it on, dads.  You’re still pretty cool.  Just don’t embarrass me unforgivably.
Or, if you’re indeed about to jump the shark, please do it at the climax of an epic jet-ski chase, replete with risk, loyalty, danger, hair dye, big coats, romance, gorgeous smiles, splashy effects, lame puns, excessive guns blazing, and impossible physics amazing.  Well, you’ve promised the first few, anyway.
The ghosts I am laying to rest
Context: I am hiding from spoilers from the TFP screening (and apparently the Russian leak, WTF), so I don’t know as much as others right now, including what’s been confirmed or not.  A bit of mood has filtered through from my activity feed (e.g no one’s laughing at Eurus jokes, or laughing much at all, or engaging with vague new theories).   But I can’t draw specific conclusions from that, and otherwise I have no idea.
Knowing the nature of most of my followers, let me start by saying that I consider all of these theories to be logically separate from the basic possibility of canon Johnlock.  I know some people feel differently, and have more elaborate theories that depend on certain characters being revealed in certain ways, etc.  I won’t write “why Johnlock could still happen” for each item below.  In general, it’s just this: it can be simpler than that, and still work.  A hundred thousand fanfics have proven that.  As a reminder, I am not a committed TJLC believer, though that’s not saying much, as I’m skeptical of everything - see part two for explanation.
I have flirted with these theories to varying degrees, but never actually invited them out for a foot chase or Chinese food.  Most I’ve never even mentioned on here, primarily for lack of time, for coming too late to the fandom, or because I had nothing unique to add.  So my comments in dismissing them are accordingly brief, and may come across as blunt.  In all cases I’d be at least intrigued to be wrong - and knowing our writers, most likely pleasantly surprised as well.
Mary: She’s dead.  This was part of the consequences we were promised for Sherlock and John’s insane lifestyle.  And as awkward as the death scene was, John’s grief in the moment and throughout TLD was real.  I’m letting her rest in peace.  That includes leaving her murder case closed.  It was shocking (in part for not being shocking enough), but was heralded adequately by the episode, the creators, and television history.
Mary as villain, Moriarty associate, etc.: Speaking of peace, there is by now plenty of textual evidence for Mary as a sympathetic character.  The evidence for her villainy remains subtextual or subject to interpretation, and the challenges to her personality were always emotionally charged.  As I’ve said elsewhere, the explanation given by the show for her shooting Sherlock is entirely acceptable within the show’s established boundaries.  Even as a temporary romantic obstacle in a romance, she still wouldn’t qualify as a villain.
Anti-Johnlockary friendship: This is closely related to the above.  Sherlock genuinely liked Mary, valued her judgment, and wanted John to be happy with her.  This was clearly shown both textually and subtextually in TSoT and T6T.  In T6T when he was anticipating his death, he may have even hoped that she would pick up where he left off, after.  Her importance to John can’t be made clearer than in TLD.  Meanwhile her advice to Sherlock in that episode is not really more ridiculous than what Sherlock did to himself the day after he met John Watson.  The teasing between the three of them is pretty typical of mature, clever, close friends, in my experience.
Lazarus was false: The creators have said on a few occasions that they wished they had been as clever as the fans.  Perhaps this is one case of it.  But in the end, they wrote a television ending for a television show.  Again, it’s acceptable within the show’s established boundaries.  And after they dug up the characters’ feelings again but not the details of the act, I’m convinced the Lazarus explanation did indeed survive the fall (and the hiatuses).
Sherlock has been depressed and dabbling in drugs since TEH, and his increasingly elaborate mind palace sequences are the result: My own theory, though not something I’m desperately attached to.  Now that I’ve definitely seen Sherlock deducing on drugs, it’s clear the writers were just having fun with their own trope, previously.
Continuity errors, set choices, and plot holes indicate T6T and TLD are not real: My immediate instinct with T6T was reliable narrator, at least to the extent that Sherlock is capable of it.  Without adopting preconceptions based on other theories, that remains the most fitting explanation.  The twists in this episode were not as deep as usual, perhaps because the show had an extra agenda of “consequences” to communicate.  The housekeeping episodes are always a bit of a mess, anyway.  As for TLD, we now have textual examples of how the creators handle drug-induced hallucination and memory distortion.  We have the first serious misfortune contemplated by the show as well as massive character development in the span of these two episodes.  Audiences would not accept their reversal, and the writers knew and intended this when writing.  cf bullets below for opinions on the potential “mistakes”.
EMP or any other (TD12 etc.) massive retcon/rehash stretching into previous seasons: They wrote “it was all a dream” once, and even then, Sue and Benedict were hesitant to sign on, critics were unimpressed, and some casual fans were alienated.  Even with 26 pages of dialogue between Mycroft and Sherlock in TFP, with flashbacks throughout, it wouldn’t be possible to go back and re-interpret major events from multiple seasons.  The questions raised in T6T and TLD alone will be difficult to address in just one episode (because there’s still whatever new plot they devised, as well).  In the end, there’s also the simplest question: why would you want this now?  We have enough character development, enough beautiful moments, and enough mind-fuckery to be going on with.
Adlock as a central focus: This isn’t a popular theory, but it may be a common if unacknowledged fear.  The way Irene’s re-introduction in TLD was handled - as leverage for a scene about John and Sherlock’s friendship - makes me confident that anything further to do with her would be sideplot, comic relief, or tension release at best.  But (branching into pure speculation here) based on what the writers have said in the past, I think it most likely she’ll remain a mysterious yet absent symbol of the ambiguity that defines part of Sherlock’s appeal.
Mega flashbacks of Johnlock scenes: Honestly I’ve never really been on board with this.  The fact that the creators have had to remount expensive scenes like the fall and the tarmac for subsequent seasons proves that they just don’t plan this far ahead when writing and shooting.  In any case, logistically, there is simply not time to fit it in now.
Finally, the one that hurts the most.  Johnlock as television history / groundbreaking representation: If they’re not doing Johnlock, they’re doing it wrong.  But unfortunately, if they’re doing Johnlock, they’re also doing it wrong.  All the metas about romantic character arcs, slow burn, and audience manipulation to combat heteronormativity were absolutely right.  Series 4 was the time to draw this story together, or at least to build it to its climax.  At this point, a S4 Johnlock resolution would have to be addressed so quickly (because there’s so much else to address already in TFP), it would blindside casual fans, not convince them that it’s what they were seeing all along.  It would come across as one more rug pull, and would be derided with all the vitriol that this fandom has been intercepting in the meantime.  We didn’t join this game only to be met with a moving or shrinking target.  Could they still do it in series 5?  Maybe.  They introduced enough estrangement and other darkness that delaying relationship progression now makes actual emotional sense.  But the show is at its peak influence right now, they’ve never been assured of a 5th series, and the writers have admitted that their plans for series 5 amount to little more than notes.  Canon Johnlock is possible, but I think they’ve missed their chance to make history with it.
How I got here
None of you know me personally, and I almost never post this type of thing.  So if anyone’s reading it, some background is called for.  Let’s start with the impersonal bit, which you might have a chance of relating to.
As a television audience, we have to draw a line: where do we suspend disbelief?  Some shows make this decision easy, but Sherlock makes it nearly impossible.  We either draw the line generously, redraw it constantly, or commit to endless (fun?) mental anguish.  In defense of generosity, and to avoid the disappointment and evasion of declaring it all “bad writing”, it’s important to keep these facts in mind:
The show is written by committee, pass-the-pen style, so inconsistencies in characterizations and plot logic are bound to occur, even with the head writers vetting everything.
The writers’ commitment to shocking rug pulls and the attendant necessity of obsessive secret-keeping mean that some writing choices exist in a critical vacuum, unexamined and un-analyzed except by the core creators.   Market research is impossible here, and history illustrates the many potential pitfalls of this approach.
The show’s influence is outsize and its quality is tremendous in comparison to its relatively tiny budget and production team.  We ARE watching low-budget network television, so expectations need to align.
The fandom vastly outnumbers the production crew, and vastly outspends it in both (re)creative and analytic effort, so we’re bound to catch more details than they do.
Some members of fandom also vastly exceed the creators in cleverness and creativity.  I’m constantly astounded by the intelligence, imagination, and critical capacity of the fans, and between you and me, that is saying something.  Our creators are clever and imaginative, but they’ve got nothing on some of you.
At the core of that production team is a nepotistic hive mind.  It’s not nice, but it’s true.  There is definitely a virtuous circle, a positive feedback loop, going on.  Part of this is borne of the secret-keeping, part of the low budget, and part of the usual human tendencies to value our own, to seek comfort, and to submit to confirmation bias.
The writers and actors have admitted to not fully developing backstories before jumping into the scripts [BC] [AA].  I actually thought Benedict must have been lying in that NPR interview (or trying to wind Steven up) when I first read it, but later interviews have confirmed it.  Our best fanfic writers take backstory more seriously than this, so we should expect OOC moments.
The writers don’t often use consultants, even where they obviously should and easily could.  Plenty of unnecessary mistakes happen when you don’t ask for help.
Various breaks in the show’s own internal logic suggest that the writers also didn’t bother to map this out fully before they began.  They firmly believe that Sherlock “exists in a slightly exaggerated version of our own universe“, so they make assumptions accordingly.  Except, obviously there are huge differences between the Sherlock universe and the real world.  They simply go unacknowledged, with little or no explanation offered to help fans make sense of them.  We’re meant to let them pass unhindered over our suspension lines.  Rowling’s or Tolkien’s meticulously-planned fantasy world this is not.
Our creators are nonetheless at the top of their crafts, producing an entertainment product that never fails to be unique, surprising, visually stunning, mentally engaging, and emotionally wrenching.  The original reason we (most of us) are here is still this amazing show.
And now for the personal part.  First, it’s my policy to let entertainment enhance my life, but never to ruin it.  If that sounds flippant, know that it’s something of a self-preservation tactic: part of managing a tendency to depression.  It’s also my policy to believe nothing without proof.  I’m heavily influenced by scientific skepticism, and prefer “reliable and valid [conclusions] to ones that are comforting or convenient”.  That makes me an extreme outlier among humans, let along among conspirators, which is why I say that my non-belief in TJLC has little bearing on anything.  Theory-wise, I don’t have a lot of chips on the table - most of mine are partly crack or lightly researched.  I do have personal investment in queer representation in media.  I even have a little bit of money on the table for this show.  But not all my eggs are in this basket: I’ve always believed that it’s a larger battle than this one show can wage (again, self-preservation).
As for enhancing my life, I had a blast watching TLD.  But I was strung out, panicked, and somewhat disengaged watching T6T.  The quality of writing and nature of the episodes can partly account for it, but when I examine my own mind, I know that a huge part of that was expectations.  I came to TLD after a week of overwhelming work obligations.   I’d had to abstain from the fandom, had missed nearly all the theories and analysis, and brought mainly my own impressions of T6T with me.  By contrast, I came to T6T fully steeped in fandom culture and theory (mostly TJLC), having spent a shocking fraction of my December devouring meta, analyzing promo material, making a fanvid, rewatching multiple times, and even leaking a bit of content.  My first impression was “difficult to engage with”, and I was constantly distracted with thoughts of the fandom - this despite the fact that I usually have no problem forgetting outside life while I’m consuming entertainment.  It was depressing, and literally for my own sake, I can’t afford to get depressed.
The simple explanation is that my expectations were too high and too specific.  In a brief career in corporate America that included marketing work, I learned that the key to avoiding failure in almost any human interaction is managing expectations.  Cynical, but true.  It’s a valuable life lesson, though, and one that I guess I am lucky to have learned so early.  I am now something of a career traveler, and the same truth holds: when I travel to a new place for the first time with sketchy plans and low expectations, I never fail to be amazed.  High expectations frequently result in disappointment.  I do know to apply this truth to entertainment consumption, as well, but I was a little swept away in the fervor pre-T6T.  I’m trying not to make that mistake again.
The name of my blog is meant to represent how I engage with this show, and indeed with everything.  Challenging my own perspective frequently and rigorously is important to my worldview and self-worth.  Quotes to live by include “the un-examined life is not worth living”, “an echo chamber is a reassuring womb but no place to live”, and “the surest way to corrupt a youth is to teach him to hold in higher regard those who think alike than those who think differently” (paraphrased, you can Google ‘em).  I pursue multiple interpretations (roads) simultaneously, compartmentalizing to avoid cognitive dissonance. The demons beneath are the perils of committing to any one path without justification: dangerous to theorize without data and all that.
Over the years, so few fan theories have been borne out by the show.  That’s not any kind of shade on fandom.  If anything, it proves how wondrous and limitless is human imagination.  I’ve enjoyed reading theories so much, I wonder if there is anything to do with Sherlock, or indeed anything nerdy under the sun,  that wouldn’t entertain me.  (Yes, I used to read the dictionary as a child.)  But Moftiss have shown time and again that their idea of a great television story is simpler, more traditional, and more worthy of an old white man than what the fandom tends to imagine.  So I’m taking them at their word for most of the previous episodes, and resetting my expectations in hopes of at least being entertained, if not validated and delighted, by tomorrow’s episode.
(Actual conclusion is outside the cut, above.)
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