#baby jane holzer

[twixnmix]

Edie Sedgwick and Andy Warhol during a party at the Factory in New York City, 1965.

Photos by Bob Adelman

[lisamarie-vee]

[60sfactorygirl]

Jane Holzer and Donyale Luna in front of Ernie Pintoff, Robert Preston and Norman Norell at the Castelli art gallery, New York City, 1965.

[featherstonevintage]

Falconetto

Vogue, November 1964

Photographed by David Bailey

[savage-kult-of-gorthaur]

WHAT IS HIP? -- SHOWING OFF YOUR LATEST WARHOL PIECES IN '65.

PIC INFO: Resolution at 949x1432 -- Spotlight on American art collector/film producer/former Warhol Superstar, "Baby" Jane Holzer, during an Andy Warhol party in Holzer's apartment, NYC, c. winter 1965. 📸: David McCabe.

Source: http://born-late.blogspot.com/2011/07/celebrity-encounter-baby-jane-meets.html.

[babsi-and-stella]

Jane Holzer by Harry Benson, October 1966.

[higherentity]

[disease]

"ANDY WARHOL & BABY JANE HOLZER" PETER BASCH | @ THE FACTORY, c. 1960 [gelatin silver print | 7 x 10"]

[batteredshoes]

Baby Jane Holzer

[dontbotherwiththepronunciation]

Theon survey songs + links:

@feed-me-a-penny and @team-mom-wannabe In case you still want to see the songs that have been submitted until now.

I found an acoustic version of the song Worms by Lolly Jane Blue on a Theon fan mix once and then lyrics really latched onto my Throne synapses! Very ADWD chapters, I think

The Lighthouse by Halsey; What the Water Gave Me by Florence; Piledriver Waltz by Arctic Monkeys; Ship to Wreck by Florence; Stone by Jaymes Young; Let Me Drown by Orville Peck; Atlantis by Seafret; Wade in the Water by Eva Cassidy; I Don't Want to Talk About Me by Stereo Jane; Sail Away Sweet Sister by Queen; and honestly every song on Everything Ends by Materia.

SOOO many. Ooohhh boy, I hope you like long answers, because you are going to hate me if you don't (you probably already do, I cannot shut up if I'm under the guise of anonymity lol). In terms of poetry, I will forever love this quote by Jenny Holzer: "In a dream you saw a way to survive and you were full of joy". It's so Theon, and I actually have it tattooed on me lol. Social Skills training is also a great poem for Theon ([PRIVATE INFORMATION]... hits so hard for so many reasons when paralleling w Theon), here are some raw verses: "Gloria Steinem says women lose power as they age and yet the loudest voice in my head is my mother. Studies show that the mother we have in mind isn't the mother that exists. Mine says: what the fuck are you crying for? / Studies show the baby monkey will pick the fake monkey with fake fur over the furless wire monkey with milk, without contest. Studies show to negate something is to think it anyway. I'm not sad. I'm not sad. / History is a kind of study. History says we forgave the executioner. Before we mopped the blood, we asked: Lord Judge, have I executed well? Studies suggest yes. What the fuck are you crying for, officer? The wire mother teaches me to say, while studies suggest, Solmaz, have you thanked your executioner today?" Just literally everything about that poem hits me right in the Theon feels. Like, are you kidding me? Then The House That Dripped Blood by Mountain Goats is great for imagining Theon circa his Prince in Winterfell era. The lyrics are all about a house haunted by the pain trapped in there, which seems perfect for Winterfell imo. Any Florence + The Machine, but Heavy In Your Arms for painful throbb feels. Would by Alice in Chains has the right mood and great lyricism for Theon/Reek angst too! Then Everyone's Victim by Lisa Germano just has the right mood I feel for thramsay stuff, same vein as Would by Alice in Chains.

pearl diver by mitski, he doesn’t know why by the fleet foxes, cocaine and abel by amigo the devil

So many, a bunch of guns n roses songs, and dead hearts by stars

Dio Ed Io by Charles Wright, there are more but I'm all burnt out typing AHHH!!!

Cry for Judas the mountain goats "long black night/morning frost/I'm still here/ but all is lost" There is a light that never goes out The smiths. Robb and Theon vibes "to die by your side/ is such a heavenly way to die"

“archers never made good kings, fly headfirst into everything” -archers, the ballroom thieves

Almost Human (Aurelio Voltaire) for the Lucifer association

Putting the dog to sleep by the antlers!

call them brothers - regina spektor (that’s it, it’s split, it won’t recover just frame the halves and call them brothers find your fathers and your mothers if you remember who they are over and over they call us their friends can’t we find something else to pretend? like nobody won and we’re safe at the end) that’s okay - the hush sound (you were a child who was made of glass you carried a black heart passed down from your dad if somebody loved you they’d tell you by now we all turn away when you’re down you want to go back to where you felt safe to hear your brother’s laughter, see your mother’s face your childhood home is just powder-white bones and you’ll never find your way back) house of wolves - my chemical romance (well, i think i’m gonna burn in hell everybody burn the house right down and say what i want to say tell me i’m an angel / take this to my grave tell me i’m a bad man / kick me like a stray) mama - my chemical romance (well mother, what the war did to my legs and to my tongue you should have raised a baby girl i should have been a better son if you can coddle the infection they can amputate at once i should have been - i should have been a better son) JUDAS - the reverent marigold (god knew his face and held it but it still didn’t save him and i see far horizons where the lambs lie with the lions but there are poppies growing over where my friends are lying and paul had an old name, but we never use it you may call me traitor but my lover calls me judas)

i have a playlist, some accidentally theon lyrics i enjoyed is bad medicine by liz green (...) For every man wants more than he, ever did before He’s still got no way out We’ve got no way out No way out We’ve got no way out of this So if my eyes turn black and my teeth fall out and my hairs caught up in rags Don’t give me none of that medicine ‘cos I’ll spit it right back out He tried so hard to fit in but he never really got a chance Before he spoke they burnt him, cut him, roped him and finally put him in the ground He said ‘I’ve been though war, and I’ve been though law and I’ve climbed that hill so cold Yeah I’ve been though more than you’ll ever know still they never let me go And every man wants more than he, ever did before He’s still got no way out We’ve got no way out No way out We’ve got no way out of this So if my eyes turn black and my teeth fall out and my hairs caught up in rags Don’t give me none of that medicine ‘cos I’ll spit it right back out Oh yeah, I’ll spit it right Yeah I’ll spit it right Oh I’ll spit it right back out I will spit it right I will spit it right I will spit it right back out

I love Mr. Tambourine Man for Theon. Especially this line: “Then take me disappearin' through the smoke rings of my mind, Down the foggy ruins of time, far past the frozen leaves, The haunted, frightened trees, out to the windy beach, Far from the twisted reach of crazy sorrow. Yes, to dance beneath the diamond sky with one hand waving free, Silhouetted by the sea, circled by the circus sands, With all memory and fate driven deep beneath the waves, Let me forget about today until tomorrow.” I also love Hurt by Nine Inch nails- All the lyrics and the entire soundscape of that song is Theon to me. Absolutely intense and amazing. And I also love and associate A Hard Rain's A-Gonna Fall with Theon. The "seven sad forests" the "dozen dead oceans" the "newborn baby with wolves all around it." But all the imagery in that song is so cool and very appropriate for asoiaf in general .

Oh man, so so many but to name a few: 1. How Soon is Now by the Smiths ("I am the son and heir of nothing in particular" / I am human and I need to be loved just like everybody else does") 2. Sorrowing Man by City and Colour ("Sorrowing man, look how worn you've become. You once were lord of the barren sea. There's blood on your hands." / "Oh, how you have lost your way." 3. Crystal Ball by Keane ("I lost my heart, I buried it too deep, under the iron sea." / "I'm fading out, everything I know is wrong, So put me where I belong.") 4. Bravado by Lorde ("I learned not to want The quiet of the room with no one around to find me out. I want the applause the approval." 5. Hurt by Johnny Cash ("And you could have it all, my empire of dirt. I will let you down. I will make you hurt" / What have I become? My sweetest friend. Everyone I know goes away in the end."

iron by woodkid seven nation army (in a way) bones in the ocean under the water by the pretty reckless

"Oh No" by Marina & the Diamonds; "Bones" by Ms Mr; "The Ocean" by Dar Williams

i'm a marionette by ABBA starring role by marina and the diamonds asleep by the smiths i still have faith in you by ABBA judas by lady gaga california dreamin' by the mamas & the papas al andar by ABBA crucified by army of lovers i'm not coming home by the cowmen no more from into the woods oh i know by only natural waiting around to die by the be good tanyas

Smoke filled room - daughter

Gilded Lily : I remember when you told me it’s an every decision (Theon’s oath to Robb) But with my double vision, how was I supposed to see the way ? (Double vision : Greyjoy/Stark) Haven’t I given enough? Always the fool with the slowest heart (softie boi ) I know you’ll take me with you ( could refer to Robb or Ramsay as they die that they take a piece or the whole of him with) Every city’s got a graveyard (kinda makes me think of his prince of Winterfell era) Now I’m sleeping in the backyard (Well, his Reek moment ofc)

a spanish song by my fave band ever Fito y fitipaldis - Antes de que cuente diez (Before I count to ten) some verses i really like from it are: I got lost in a cross of words. They missed wrote down the address. I already engraved my name on a bullet. I've already tried the cannon fodder I already have everything under control. And someone said no, no, no, no, no That now the wind is coming from the other side Leave me the rudder And someone said no, no, no. What will take me to the end? It will be my steps, not the way. You don't see that you always go behind. When you pursue destiny And I won't feel strange again. Even if you don't get to know me And I won't love you so much again. And I won't stop loving you again I stopped flying, I sank into the mud. And between so much mud I found myself. Some warmth without your hugs Now I know that I will never come back.

I dont know many poems but sinnerman by nina simon and sorry by karine polwart and some other songs in my own language :)

honestly.. robb and theon are kinda two ghosts by harry styles if you squint

All of Radiohead tbh

Pardon this next block of text where I name random music. I have to say something about the album The Downward Spiral by NIN being huge Theon material to me (the instrumental track named after the album is so TWOW Stannis execution presumably foiled by old gods activity. also Hurt but everyone's saying that. ummm THE BECOMING.). Ptolemaea by Ethel Cain. 1906 by the West Coast Art Pop Experimental Band is so Bolton Occupation of Winterfell. Avalanche by Kyle John Kenowski. Sister Europe by The Psychedelic Furs feels TWOW Asha and Theon returning to the islands or something. Sweat by Oingo Boingo. All We Ever Wanted Was Everything by Bauhaus young Theon in Winterfell. King Rat by Modest Mouse feels either Jeyne and Theon escaping Winterfell or Theon and the invasion of Winterfell. I think I'm saying too much but I hate having things out of context, but I can't just parrot an entire playlist here: these are all ruthlessly selected from my playlist on spotify called [PRIVATE INFORMATION] (Epitaph by King Crimson inspired me to make the playlist) that has these plus more but fair warning it's under construction for my reread I've been doing this summer :^) . Um. A Plague of Lighthouse Keepers by Van Der Graaf Generator but it's 23 minutes long and all over the timeline sorrrrry I like prog rock so much. On Kyra thoughts: Please listen to To The Dogs or Whoever by Josh Ritter for Kyra and the keys thoughts.

Remy Zero - Prophecy: You walk this world like you’re a ghost / Your hands are coming through the needles / Sick of your tragic and your evils / I am the keeper of the songs of everyone / [...] / This is a coming of the times / You are a witness to the movement / If all you’re seeing is your lies / You had your chance, but now you’ve blown it / You want this world so you can own it / I am the keeper of the songs of everyone / / Look into the sun and see your soul is dying / Used to feel the faith, but now you’re tired of trying / Should have left alone what you have stolen from everyone / Mmm, how ya feelin’? Seems a little sick to me now / / From the light on high / A chance to change your fate / Forgiveness falling down / On those who chose to wait / Remember the time / Find yourself home again / Deep within your life / Find yourself home again / Find yourself home again / It’s a choice / You have chosen your own T.S. Eliot - The Love Song of J. Alfred Prufrock: And I have known the eyes already, known them all— / The eyes that fix you in a formulated phrase, / And when I am formulated, sprawling on a pin, / When I am pinned and wriggling on the wall, / Then how should I begin / To spit out all the butt-ends of my days and ways? / And how should I presume? / [...] I should have been a pair of ragged claws / Scuttling across the floors of silent seas. [...] I shall wear white flannel trousers, and walk upon the beach. / I have heard the mermaids singing, each to each. / I do not think that they will sing to me. / I have seen them riding seaward on the waves / Combing the white hair of the waves blown back / When the wind blows the water white and black. / We have lingered in the chambers of the sea / By sea-girls wreathed with seaweed red and brown / Till human voices wake us, and we drown.

Century Eyes by Shearwater (You are not the last of this house / Nor the first to go over the side / Remember the wrecks of those elegant ships / “Turn it off! Turn it off!” / Look with century eyes till they make you go blind) Two Evils by Bastille (I’m the lesser of two evils / Or am I, am I tricking myself nice? / If I’m a lesser of two evils / Who’s this man, who’s this act I hide behind?) Hurt Feelings by Flight of the Conchords (It’s my birthday, 2003 / Waitin’ for a call from my family / They forgot about me / I got hurt feelings, I got hurt feelings)

The Devil's Backbone by The Civil Wars

Lots ([PRIVATE INFORMATION I'M NOT GONNA DO MY COUNTRY DIRTY LIKE THIS] but a very tragicomical and delusional version), but I'm going to list purely English stuff for the sake of it: "Crucify your mind" by Rodriguez is my go to Theon song and I know no one knows or cares about Rodriguez and this might as well be one of those situations where this only works in my head, but fuck it: Was it a huntsman or a player That made you pay the cost That now assumes relaxed positions And prostitutes your loss? Were you tortured by your own thirst In those pleasures that you seek That made you Tom the curious That makes you James the weak? And you claim you got something going Something you call unique But I've seen your self-pity showing As the tears rolled down your cheeks […] So con-convince your mirror As you've always done before Giving substance to shadows Giving substance ever more And you assume you got something to offer Secrets shiny and new But how much of you is repetition That you didn't whisper to him too? "All these things that I've done" by The Killers has some vibes and lyrics too but god do I feel like an idiot for saying that.

[snortabrick]

Edie Sedgwick & Baby Jane Holzer.

[thislovintime]

During research for any additional photos of Jody Babb (apart from the one published in 16 magazine in 1967, alongside the mention of her brief relationshop and marriage with Peter), I came across these photos from Jody's appearance in an Andy Warhol movie, Camp (1965). Photos by Steve Shapiro and Fred W. McDarrah.

"The first of Warhol’s new sync sound films to be shown in Los Angeles was 'Camp,' made late in 1965. It is essentially one unedited shot, interrupted only by one reel change. As the film begins, the performers are grouped in Warhol’s studio as are the figures in Courbet’s painting of 1855, 'L’Atelier,' which Courbet called 'the moral and physical history of my studio' (perhaps the parallels between the two works are more than superficial). There is no simple order to the arrangement: people are seated on a couch, on hard-backed wooden chairs, and on stools; they are standing against a wall in the background. The whole scene is lit with a garish melodrama created not only by stationary lights, but also by portable Sun-Guns carried about by T-shirted technicians who wander into the frame occasionally to light a certain spot or to move a microphone. The performers are listed in the program 'in order of appearance' as 'Baby Jane Holzer, Paul Swan, Mario Montez, Mar-Mar, Jody Babb, Tally Brown, Jack Smith, Fufu Smith, Donyle, Tosh Carillo, and your host, Gerard Malanga.' As this program note suggests, the format is that of a variety show. People are introduced and they perform and act for a set period of time. [...] Jody Babb has been sitting on a stool swinging her leg in studied nervousness. Now the microphone is brought over to her. She announces she is going to sing a song although she only knows part of it. She detaches the microphone from its stand and walks around singing 'Let Me Entertain You' in a halting, untrained voice. At one point she interrupts herself to give an aside, 'I’m bombing.' Actually she succeeds more than any of her predecessors in entertaining. In the middle of her act, the reel ends." - article by Thom Andersen, artforum dot com “Jody’s reaction to the whole Monkee thing is she regards it only as public recognition of what she’s already known, as I do. She’s really capable of great business ability. If she took over an office, she’d make it a success. She already has. There’s a thing called Personality Posters for which she opened international offices.” - Peter Tork, Tiger Beat, July 1968

[jemeryas]

Having the opportunity to explore this year’s Met Costume Exhibit ‘Women Dressing Women’ gave me the chance to learn just how big of a role that women had in helping shape the fashion industry into what it is today. Presented in what I would call a four act play, act I titled ‘Anonymity’ begins with the entrance of women in the fashion world. Dressmaking was first seen as an extension of domestic work in the 16th century done by women, but as the growing vocation made its way to the United States women would begin embroidering their work as to have it be rightfully credited to them, but also helping fashion historians keep track of who designed what.

Act II is what I could only cheekily refer to as “old maiden clothes.” Or the birthplace of female autonomy in creating pieces such as lingerie and evening gowns. As I was walking through this part of the exhibit I couldn’t help but chuckle at the idea of some of these pieces being considered lingerie. For example, when staring at Marie Gerber’s ‘Evening Ensemble’ I kept thinking how conservative it is when I compare it to big lingerie brands such as Victoria’s Secret and Savage Fenty. Having grown up on those brands it’s not that strange to see why I would think Gerber was being a bit too modest with her design. Another of my favorite look from this act included Jeanne Lanvin’s ‘Cyclone’ evening gown who would create her own boutique with no financial backing.

Act III titled ‘Agency’ and could be compared to the third wave of feminism, saw a more revealing woman break into the scene. With the rise of the British Punk scene and popular rock bands like The Rolling Stones, Sex Pistols and Black Sabbath, it inspired British designers like Betsey Johnson and Vivienne Westwood to help create a new, edgy look that could match this subversive culture. Fashion was no longer just for the elite, it became an important symbol in cultural revolution and rebellion. Something that women designers could understand and relate to as they continued to push into the mainstream and make their collections not just works of art but a loud disruption to a corrupt and stiff society. Some of my favorite looks from this act include Betsey Johnson’s ‘Paraphernalia’ that I consider paying homage to the rise of hippie culture and the Beatles smash hit ‘Yellow Submarine.’ It was made most famous by model Baby Jane Holzer. Vivienne Westwood’s ‘On Liberty’ recognizes the British High Class and fun fact Vivienne Westwood’s second husband Malcolm McLaren was the manager of the Sex Pistols and Vivienne would often times design their wardrobes growing popularity for both her and the band. I would also be remiss if I didn’t mention the work of Ann Lowe, an African American designer who would go on to make, and then remake the day before due to a flood in her basement, Jackie Kennedy’s wedding dress which she would receive no credit for.

Act IV titled ‘Absence/Omission’ would introduce the “modern woman” created to feature and examine the inclusion of women with different body types as well as showcasing designs made for women who live with disabilities such as Aaron Philips who would have a mannequin modeled after her wearing peices designed by Collina Strada. Aaron Philips is most notable for her debut in the Moschino Fall ‘22 show. This act will also feature pieces from Danish designer Jasmin Søe who creates ensembles for those who live with achondroplasia(little person syndrome) as well as Ester Manas who is known for championing plus size women with her creations.

Though my favorite pieces would in this exhibit would come from Marie Grazia Chiuri ensemble for Dior. Marie captures everything I love about Dior, the combining of high luxury activities with haute couture to match in this fencing inspired ensemble. Tory Burch’s 2024 resort white dress is simplistic in nature but reminds me of something out of the classical Swan Lake ballet show(or if you’re a bit edgy the 2010 cult film ‘Black Swan’). Along with Simone Rocha’s couture dress that I can absolutely give no notes on, these would be my favorite pieces that I found myself coming back to often. Donna Karen’s ‘93 evening dress is honorably mentioned too due to Hillary Clinton wearing it (very distastefully in my opinion) at the 1993 State Dinner. However the gown itself was beautiful and reminded me of a longer version of Maddie Perez’s New Years dress in season 2 of ‘Euphoria.’

Overall these collection was both inspiring to see. I have only had the opportunity to visit the Met costume exhibit twice. The previous time focusing on works of Karl Lagerfeld. This exhibit however taught me more about women’s role in fashion and their struggle to breakthrough than any fashion course I could potentially take. The importance of preserving this history is obvious. Without the knowledge of Ann Lowe, Jackie Kennedy’s famous wedding dress would have continued to go uncredited and a Black woman would have been forgotten to history. These are the types of exhibits that matter. In preserving and showcasing our history, we are able to teach and inspire a new generation of fashion critics, designers and models to see what is possible in this amazing industry and if you find yourself in New York I would highly recommend making time to check out the exhibit.

[60sfactorygirl]

Jane Holzer, Vogue, August 15, 1967

[featherstonevintage]

Falconetto

Vogue, November 1964

Photographed by David Bailey

[savage-kult-of-gorthaur]

MEETING UP FOR DRINKS AT BABY JANE'S PAD -- NONE MORE HIP FOR '65.

PIC(S) INFO: Spotlight on Mick Jagger, Baby Jane Holzer, Peggy Moffitt (reportedly, anyway), at an Andy Warhol party at Jane Holzer's apartment, NYC, c. winter 1965. 📸: David McCabe.

"The pictures with Mick were taken at a party that I had at my 955 Park Avenue apartment. I can tell by the Warhol "Flower" paintings on the wall. Andy really loved how I hung them. I had six "Flower" paintings and hung them all from their corners (like a diamond)."

-- JANE HOLZER (American art collector/film producer/former Warhol Superstar)

OVERVIEW: "Andy Warhol had met Jagger in 1963 when the band THE ROLLING STONES were not well known in the United States. No doubt with an eye for financial success, Warhol turned to the subject of Mick Jagger, now a celebrity friend and part of the New York club scene. National Gallery of Australia

"In 1964, David McCabe landed the commission of a lifetime, he just didn’t know it yet. A then-relatively unknown artist and illustrator named Andy Warhol was looking for a photographer he felt comfortable with to follow him for a year. The job fell to 24-year-old McCabe, an ex-arts student and photographer from Leicester, England. McCabe had recently moved to New York City at the encouragement – and funding – of his employer back home. McCabe’s own studio was a short walk from the now-infamous Silver Factory at 231 E 47th Street. Warhol, who had possibly seen the amateur’s images in magazines such as LIFE and Mademoiselle, liked his style – but McCabe was asking: "Who is Andy Warhol?""

-- PROUD GALLERIES, Ashleigh Kane for "Dazed"

Source: http://born-late.blogspot.com/2011/07/celebrity-encounter-baby-jane-meets.html.