#back to my regularly scheduled magnus posting thursday or whenever i catch up

[twiggyrogue]

Crazy Ex Girlfriend reading that no one has asked for but I've been thinking about it! but it's about whats up with the songs that Rebecca isn't present for (and some solos that she is but that just makes it confusing)! Because there's a lot of different interpretations of it, and I want to just put out mine

For me, the songs that Rebecca isn't there for aren't in her head, they are in the singers' minds. In the world of the show, especially with songs like "Hey West Covina," "Thought Bubbles," "I Go to the Zoo," (and plenty more), Rebecca absolutely doesn't know the inner thoughts being shared in those numbers. We know she is still projecting onto them from other songs from around those times- "Settle for Me", "Ping Pong Girl", "Strip Away My Conscious" (the first two are putting words in other character's mouths, the third spells out her impression of him pretty clear.) Rebecca doesn't know their struggles, that's why they are singing them to us, the viewers!

They're singing because it's the language that the show, "Crazy Ex Girlfriend" uses to share large emotions and inner thoughts. Yes, it's also the diegetic way Rebecca sees the world, but since her POV is the primary view the show, that's how the viewpoint remains. Despite this, even though Becks is the main character, CXG still goes out of its way to develop and explore character when they are outside of her, to show that none of them are exactly perfect narrators.

I think saying that Rebecca is the one choreographing their personal vignettes- retroactively, after she learns about them- weakens them and puts too many filters over the ideas in the songs. Because then it makes every song actually about what she thinks someone's breakthrough is about. Lets be real, she never had and will never have enough thoughts about George to formulate "George's Turn."

If this was a much more experimental show- which, it already is, but even moreso than normal- everyone would have their own interpretations of their psyche, like Nathaniel's romcom episode. Like, say for "Trapped in a Car" maybe Rebecca is singing in her head, but Paula is imagining a really shitty filler part in a romance novel where the side character she does not care about has way too many lines. They'd be saying the same thing in different mediums, but in the show, they just converge into one song.

CXG is musical comedy, written by comedic musicians and sold with the idea that each episode has a song. And as a medium, musicals are fundamentally fantastic at doing this introspective character work! The changing of genres for certain characters is already an insight on how to read them, which makes it a joy to analyze. It's a format that really, really works for a show that wants viewers to empathize with everybody in the cast. The show needs to use "Rebecca's worldview" on other characters because that's the kind of show it is!

imo it's such a neat move that the writers decided to explore how the introspective and emotional medium of musicals could work as a coping mechanism and I love it! But, if anything, making the main character literally have vivid mental music numbers does confuse the use of them in any other place when they're played more narratively straight lol