#bailey roper

[tomsmusictaste]

As Sirens Fall // Holy Water

[mirandamckenni1]

Liked on YouTube: Ozzy Osbourne - Patient Number 9 (Official Music Video) ft. Jeff Beck || https://www.youtube.com/watch?v=h_6DfxA6LiI || Ozzy Osbourne feat. Jeff Beck - Patient Number 9 (Official Music Video) Get the Limited Edition Patient Number 9 LP, CD & Comic Book by Todd McFarlane : https://ift.tt/5mZpdMk... Listen To Patient Number 9 Full-Length Audio: https://ift.tt/VpfH8ZK... Director: TODD McFARLANE A GATEWAY PICTURES PRODUCTION in association with McFARLANE FILMS, LLC. and THIN EDGE FILMS Co-Director: M. WARTELLA Executive Producers: SHARON OSBOURNE • GINA HARRELL Producers: SCOTT GREER • MICHAEL GUARRACINO • LISA M. THOMAS • SHANNON BAILEY • BONNIE SHOUSE Director of Photography: KEN GLASSING FX Makeup Department Head: RICHARD REDLEFSEN “Man Bat” Actor: GORDON TARPLEY Concept Designs: TODD McFARLANE • OZZY OSBOURNE • M. WARTELLA with JASON SHAWN ALEXANDER • PAUL POPE • ARIK ROPER Animation: DREAM FACTORY ANIMATION Animators: CHET KNEBEL • SETH BRADY • CHRISTOPHER CONFORTI • WARTELLA Special FX Compositors: MICHAEL CULLEN • WARTELLA Analog Liquid Effects: FEZ MORENO Background Paintings: ARIK ROPER Storyboards: MARY LANDRO Field Producer (LA): REBECCA MARTOS Crew: TWELVE TONE PRODUCTIONS Stage Manager: JOHN PIENTA No.9 Seamstress: JUDITH PIERCE Mr. Osbourne's Hair & Makeup: JUDE ALCALA Special Thanks: ROSS HALFIN © MMXXII EPIC RECORDS, A DIVISION OF SONY MUSIC ENTERTAINMENT Follow Ozzy Osbourne: Facebook: https://ift.tt/hYMbT6O Instagram: https://www.twitter.com/ozzyosbourne Twitter: https://www.twitter.com/ozzyosbourne Website: https://www.ozzy.com Spotify: http://bit.ly/ozzyosbournespotify YouTube: https://www.youtube.com/ozzyosbourne (C) 2022 Epic Records, a division of Sony Music Entertainment #OzzyOsbourne #JeffBeck #PatientNumber9

[quirky-book-reads]

Them Romper Girls

Them Roper Girls by David G Bailey is a character driven story that outlines the lives, thoughts and actions of each sister as they look back on their younger and most difficult years, in their later life. #womensfiction #domesticfiction

Genre: Women’s Fiction, Domestic Fiction They were beauties all right, them Roper girls – but sometimes even four aces don’t make a winning hand. In an unsettled household in the 1950s, how will the sisters come up from their shipwrecked childhood? Facing issues including domestic and sexual abuse, physical and mental illness, they struggle to offer their own children a better legacy. Follow…

[thegirl20]

Watching this scene on mute, it struck me how much the body language is like an intensely awkward double date. Rachel’s done something to piss Gill off, so they’re not talking. Janet and Andy are trying to ignore the obvious tension by being overly normal. Everybody’s wishing they were somewhere else. Love it.

[fyeahameliabullmore]

[claudia1829things]

"ESCAPE FROM FORT BRAVO" (1953) Review

"ESCAPE FROM FORT BRAVO" (1953) Review Years ago, I used to watch a great deal of old movies on late night television. My two favorite channels that offered these movies were Turner Network Television (TNT) and the American Movies Classic (AMC), which used to air movies without any commercial breaks. On TNT, I had stumbled across a Western movie originally released by MGM Studios in 1953 called "ESCAPE FROM FORT BRAVO" (1953) and fell in love with it. After watching my recently purchased DVD copy of the movie, I could see why it became a favorite of mine. 

 Directed by John Sturges during the first decade of his directorial career, "ESCAPE FROM FORT BRAVO" told the story of a Union Army officer that served as the second-in-command of a prisoner-of-war camp located in the Arizona Territory in 1863. The movie’s opening pretty much set the stage of what kind of character Captain Roper was, as it depicted him dragging an escaped Confederate prisoner back to Fort Bravo. The fact that Roper was on horseback and his prisoner – a Lieutenant Bailey – was on foot pretty much established the Union officer as a hard-nosed and ruthless man. That flint-like personality was exacerbated by his cynicism, revealed in his reactions to the other characters’ disapproval of his treatment of Bailey. However, chaos soon arrived in the form of one Carla Forrester, a Texas belle who arrived at Fort Bravo to serve as maid-of-honor at the wedding of Alice Owens, the daughter of Fort Bravo’s commanding officer, Colonel Owens. Carla was also there to ensure the escape of the prisoners’ ranking officer, her fiancé Captain John Marsh and a few of his men. In order to keep their Union jailers distracted, Carla set out to seduce and romance the fort’s most feared man – Captain Roper. When I first saw "ESCAPE FROM FORT BRAVO", I never thought I would become such a diehard fan of the movie. Do not get me wrong. It was not the best or innovative Western I had ever seen. Screenwriters Frank Fenton and an unaccredited Michael Pate had created a solid character study about conflicts – both political and personal – between the Union and Confederate troops in the Civil War Southwest, and the conflict between the Apaches and everyone else. The movie even had a happy ending – somewhat. Yet, Sturges, Fenton and Pate managed to lift a solid tale into something more fascinating by infusing a great deal of emotion and complexity in the main characters And it were these complex characters that truly made "ESCAPE FROM FORT BRAVO" for me. The characters seemed to seethe with an array of emotions that eventually burst forth as the movie unfolded. Many of these emotions seemed to center around the story’s main character. One of those characters happened to be Carla Forrester. And Eleanor Parker managed to do a top-notch job in portraying the bundle of contradictions that simmered underneath her ladylike façade. Parker portrayed Carla as a cool Southern belle with impeccable manners and a talent for seduction. Her Carla also possessed the ruthlessness to browbeat a reluctant pro-Southern storekeeper into helping Marsh and his men escape; a boldness that allowed her to chase after Roper in an age where women were valued for being passive; and a great deal of passion for Marsh and later, Roper. One of the more interesting aspects of Parker’s performance was expessing Carla’s struggles to suppress her feelings for Roper. Recently, I learned that Parker had earned the nickname Woman of a Thousand Faces. Judging from her portrayal of Carla Forrester, I would say that she deserved the name. I have been a fan of John Forsythe since his years as Charlie Townsend’s voice in "CHARLIE’S ANGELS" (1976-1981) and his work on the ABC nighttime soap opera "DYNASTY" (1981-1989). But I must admit that I found his performance in "ESCAPE FROM FORT BRAVO" somewhat perplexing. On one hand, Forsythe did a excellent job in portraying John Marsh’s patience, intelligence and slightly caustic nature - especially in scenes that featured Marsh's exchanges with his fellow Confederate prisoners. However, there seemed to be something not quite . . . right about the character. I do not know if the fault lay with Forsythe’s performance or Fenton and Pate’s screenplay. The problem with the Marsh character or Forsythe’s acting seemed to be Marsh’s successful ability to suppress his emotions. There were times when I wondered if the only true feelings that Marsh seemed able to truly express, centered around his desire to escape. And when he finally did express his his jealousy toward Carla’s feelings about Roper – it came off as slightly unconvincing. Either Forsythe had failed to sell it . . . or Fenton and Pate failed to allow Marsh to express his jealousy until it was too late in the story. I certainly cannot accuse William Demarest and William Campbell for giving unconvincing performances. The pair portrayed two of the Confederate prisoners – the wise "old" man Sergeant Campbell and the cocky young Cabot Young. The pair seemed to be engaged in some kind of verbal warfare that I found a lot of fun. Yet, it also seemed to hint some kind of mild dislike between the two – until the ending revealed their true feelings for each other. Two other performances caught my attention – John Lupo as the cowardly Confederate officer Lieutenant Bailey and Richard Anderson (of "THE SIX MILLION DOLLAR MAN" and "THE BIONIC WOMAN" fame) as the soon-to-be husband of Alice Owen, Lieutenant Beecher. What made these two characters interesting was that each man – in his own way – seemed capable of some kind of courage. Although a physical coward, Bailey possessed the courage to openly admit his limitations. And Beecher had no qualms about openly expressing his disapproval of Roper’s ruthlessness, despite being the captain’s subordinate. While writing this review, it occurred to me that I had yet to comment on William Holden’s performance as the hard-nosed Captain Roper. The same year (1953) that MGM released "ESCAPE FROM FORT BRAVO", Paramount released Billy Wilder’s movie, "STALAG 17" - the movie that featured Holden’s Oscar winning performance. If I had my way, I would have given Holden the Oscar for his performances in both movies. What I found amazing about his portrayal of Roper is that in the hands of a lesser actor, the character could have easily ended up one-dimensional. Ironically, most of the supporting characters seemed to view him as a one-dimensional hard ass. Yet, Holden managed to effectively convey Roper’s complexity by perfectly balancing the character’s ruthlessness with an intelligent, witty and passionate man. In the end, he actor did a superb job in combining the many aspects of Roper’s personality into a complex and interesting character. MGM’s Oscar winning costume designer Helen Rose added color to the movie with some lush costumes befitting the movie’s early 1860s setting. Unfortunately, Rose made one serious misstep with a yellow evening gown worn by Eleanor Parker:

The gown seemed more befitting of a movie set in the early 1950s, instead of the 1860s. It is not surprising that Rose had received her Oscar nominations and wins for movies in a modern setting. I also have to commend cinematographer Robert Surtees for capturing the Southwest landscape (Southern California and New Mexico) without overwhelming the performers. Surtees also made use of the Ansco cameras to give the movie a rich and lush aura, allowing the desert to seem more colorful than usual. Surprisingly, Frank Fenton and Michael Pate’s script for "ESCAPE FROM FORT BRAVO" seemed to bear a small, yet striking resemblance to John Ford’s 1939 classic, "STAGECOACH". Both movies are basically character studies of a group of people in a Western setting – namely the Southwest – that included action against the Apaches in the final acts. And the Apaches in both films proved to be nothing more than plot devices to drive the characters’ situations forward. However, Sturges and the two screenwriters gave the Apaches’ roles a twist by portraying them as an organized military unit, instead of a bunch of rampaging "savages", during a sequence that featured Roper, Carla, Beecher, Marsh, Bailey, Campbell and Young under besiege by the Apaches’ "bombardment" of arrow similar to Henry V’s use of English and Welsh longbowmen at the Battle of Agincourt. And unlike the John Wayne and Claire Trevor characters in "STAGECOACH", this movie left the fate of Roper and Carla’s future romance in the air. After all, she had assisted in the Confederates’ escape. It is a shame that "ESCAPE FROM FORT BRAVO" has never been considered when top Hollywood Westers are discussed. Or even when John Sturges’ career is discussed. Frankly, I believe the movie deserves to be considered. Sturges had taken Frank Fenton and Michael Pate’s sharp screenplay and a top notch cast to create a tense and complex Western that I feel is one of the best I have seen to come out of the Hollywood studio era.

[kwebtv]

Scott and Bailey  -   ITV  -  May 29, 2011 - April 27, 2016

Crime Drama (33 episodes)

Running Time: 60 minutes

Stars:

Lesley Sharp as DC Janet Scott

Suranne Jones as DC / DS Rachel Bailey

Nicholas Gleaves as DS Andy Roper (series 1–2).

Rupert Graves as Nicholas “Nick” Savage (Series 1)

Danny Miller as DS Rob Waddington (series 3–4).

Amelia Bullmore as DCI Gill Murray (series 1–4).

Pippa Haywood as DSuptJulie Dodson (series 5, recurring series 2–4).

[nat1forinitiative]

Laura/Jester, despite not physically being there, was 100% the MVP for that fight holy moly. Banishing the Roper? Leaping off the edge and saving Nott? All while texting it to her husband who was (understandably) unsure about doing some of the more risky things? Bravo Laura Bailey, bravo

[photokid313]

Im excited to announce that I will be participating in the 2019 Newark Art festival 🙌🏽🙌🏽 Women's Narratives: Brick City Blues is an ode to, a celebration, a challenge and a questioning of women's narratives in the context of a racial, socioeconomic and political paradigm shift of the body. This exhibition pivots on the notion of the artist's inner voice, socio-political stance and metamorphosis in conept, material and technique. The redefinition of women, their bodies, spaces and the world they inhabit in the context of today's art makers is the focal point of this exhibition narrative throughout the work of an intergenerational group of diverse artists. Women's Narratives suggests that art is an idea, concept and object, that thing to look at, that thing to acquire and own, and that thing to share ideas and manifestations. It is produced by, for and about women, the context of who, what, and why can be debated but the exhibition is juxtaposition of self and individual, with group and society using Newark as the literary canvas, the forefront, intermediary and background. It is in part about poetry of the body, portraiture and jazz. Visit the link below it a free even! Come out and support these dope artists. https://www.eventbrite.com/e/womens-narratives-brick-city-blues-by-atim-a-oton-at-newark-arts-festival-tickets-71317128451 ARTISTS : Alvaro Franco, Jacqueline Hernandez, Kelley Prevard, Amrisa Niranjan, LAS COLLLITAS, Aminah Keith, Bithika Adhikary, Chase Walker, David James, Tiffany Williams, Simone Bailey Campbell, Kern Bruce, Sean Jamar, B. Curtis Grayson, III, Akil Roper, Anthony Gartmond, Cali Smith, Camila Crivelenti, Siona Benjamin, Elaine Shor, Danielle Richardson, Donchellee Fulwood, Kay Reese, Irene Christensen, Lawrence Ciarallo, Brynissa N. Francis, Ray Johnson, Redens Desrosiers, Margaret Rose Vendryes, Shoshana Weinberger, Steve Green, Theda Sandiford, Joshua Fennell, Heather Williams and Beverley McCutcheon. #atimannetteoton #artcurator #artcollectors #newark #newarkartsfestival #newarkartists #naf #nafestival #newjerseyartists #womensnarratives #brickcity #womensnarrativesbrickcityblues https://www.instagram.com/p/B2CxODMhx0v/?igshid=1lo7fwksr0jzr

[hcasc]

For the #HCASC24 #HCASC 2013 #NCT, Lincoln University of Pennsylvania #Lincolnuniversitypa sent us Captain Taron Jordan, Adrienne Bailey, Todd Holden, and Decland Paul-Roper; coached by Ihsan R. Mujahid. #FriendsForLife https://ift.tt/neEkx0w

[onelasthq]

THE CONMAN

Full Name: Jack Bailey Age: 54 Gender: cis male Pronouns: he/him Faceclaim: Aidan Gillen AVAILABILITY: TAKEN

ABOUT

back at the height of your ‘career’, you had roped in everyone, from business owners to honchos and the occasional politician. you dabbled in everything — counterfeit schemes, extortion rackets and even embarrassing check scams. every game in the book, you’ve pulled off seamlessly at one point or another. until you didn’t, and your last scheme before 1991 ended up blowing up in your face. you walked into the team including batteux with your ego still bruised, but eager to get back on track. it only made the blow worse when he wound up running off with the money. ever since, you haven’t had much luck reaching the spot you know you can. but, like any over-enthused gambler, you prefer thinking the odds are due to turn in your favor. who knows, maybe you’ll find out whether third time’s the charm soon enough.

PERSONALITY

+ intelligent, quick-thinking, persuasive

- dishonest, unreliable, disloyal 

CONNECTIONS

THE SAFECRACKER - you can feel it just in the way they look at you: they hate your guts. and, in a way, you might deserve it. they’re right to distrust you, but you’re on the same team. you’ve been trying to prove to them for yours that this team is an exception and that you can be loyal when you want to be. but your attempts to win their approval and affection have been met with nothing but disdain. 

THE ROPER - you’re both liars. it’s in the job description. so as much as you are inclined to daydream about a possible life with them you know it’s just a fantasy. you can’t trust them and they can’t trust you, so neither of you will ever be vulnerable to open up and connect in the way you need to in order to turn the relationship and make it into something more. it’s the only aspect of your job that saddens you, maybe even makes you regret your choices. you tell yourself ‘perhaps in another life’. 

THE HACKER - they’re the one person you made extra sure to stay in contact with over the last twenty-five years. you were smart enough to see how the tides were about to change, and when the tech revolution began, you were the one funding their endeavors. you’ve actually become good friends over the years, and even though they drive you a little crazy, they’ve been the one keeping you head above water. it used to be that your crazy schemes got you into trouble, but with the hacker’s help you’ve never been more successful. 

[tomsmusictaste]

I've been standing outside of the hospital door...

As Sirens Fall // Where You Are

[all2collectmore]

I just added this listing on Poshmark: Bailey 1990s XX 4” longhorn cowboy western hat.

[thegirl20]

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What’s going to happen next, is this time next week, one of you won’t be working here anymore. Because this time next week, one of you will have lost that glittering, coveted privilege of working with me in my syndicate.

[fyeahameliabullmore]

[evelynallen41]

I just discovered this while shopping on Poshmark: ROPER Bailey Moccasins | 8. Check it out! #poshmark #fashion #shopping