#bangtan boys BST MV Japanese version theory

[thedramafilesblog-blog]

We’re not a blog that is dedicated to reviewing music (including Kpop), but because we absolutely adore BTS and their music, we decided to do a memo-style review of the Music Video (MV) for their Japanese Version “Blood, Sweat & Tears” (血、汗、涙 -Japanese Ver.-).

***Note: If this is your first time browsing the Drama Files, please read The Rules on how our Memo-style reviews work.***

***Note: We really wanted to analyze the Blood, Sweat, Tears Korean MV before, but we missed out on the opportunity. We thought this MV was very interesting as well, so we were really eager to share our theories about what they could possibly signify. There are definitely many theories, so we thought we’d propose ours. Our views are simply theories and purely speculative.***

Memo

Dear Reader,

There have been some questions regarding the recent release of BTS’s 血、汗、涙 -Japanese Ver.- (“BST”), particularly:

(1) Who/What does each member represent?

(2) How is the ending clip that is reminiscient of the “I Need U” MV connected to BST?

Conclusion

(1.1) J-Hope acts as a guide. J-Hope is Archangel Michael and Frau Eva from Demian.

(2) This will be answered in a subsequent Memo.

Background

Jubiemon J: I will first start by setting the background that leads to the analysis of the characters. Please bear with me! Through BST, we see two predominant influences: the Bible in particular The Fall of the Rebel Angels by Pieter Bruegel the Elder and Demian. The Fall of the Rebel Angels is based on the passage from the Book of Revelation. This passage highlights the confrontation between Good and Evil, before the Fall of Man. Archangel Michael forces Lucifer to leave heaven based on God’s Orders and as a result, there is the fall of other rebel angels (See here for the actual text).

The main themes in BST, as a result, are adulthood and temptation/sin. (I write it as temptation/sin because I believe they go hand in hand. Each member is tempted by something sinful.) The lyrics of BST highly emphasize temptation; the chorus is: I want more, more, more. Given this context, we can see how each member, except for J-Hope and maybe Suga, face temptation and from these struggles, they are forced to eventually grow up and mature into an adult. I will go through each character from a biblical point of view (POV) and then from the perspective based on Demian.

When the MV has a blend of neon colours, we are safe to assume that this is a time of war/temptation/animus and that we are in the internal reality.

This is after Jungkook drank the green liquid; Look at the neon vibes.

When the MV is in an everyday type of light and the setting is still in a Victorian vibe, this seems to imply that we are looking deeper within ourselves.

Jimin is trapped in this room.

When the MV is filmed with an everyday light but the setting is modern, then that is reality in a distant past.

Jin is hitting V and V is retaliating. Look at the modern kitchen and their clothes.

When the MV is filmed with a slightly brown light that gives a nostalgic vibe, then that is the present reality.

Look at this brownish tint. Mostly only Jin shows up for these type of scenes.

I also think it’s important to establish where BST chronologically fits among BTS’ MVs to understand who each member represents. I rewatched almost all of the MVs and I think the ones that are related to BST are the Korean “BST”, “I Need U”, “Run”, the BTS 화양연화 On Stage Prologue MV, and “EPILOGUE: Young Forever”. (I consider “Spring Day” another story by itself. Feel free to read our analysis of it to understand why that is so.)

The chronology of the story, in my view, is:

1. “I Need U”

2. “Run”/the BTS 화양연화 On Stage Prologue MV/Korean BST

4. “BST”

5. “EPILOGUE: Young Forever”

I think we can divide the MVs into external reality and inner reality (aka psychical reality). “I Need U”, “Run”, and the BTS 화양연화 On Stage Prologue MV focus on the external reality (The BTS 화양연화 On Stage Prologue MV does have psychical reality, but I think it’s more like a memory playback.) The other three MVs represent the psychical reality. The way they are filmed is different from the former three.

The starting point of the boys’ story would be “I Need U”. That is when we are introduced to all of the boys’ problems (eg V struggling with his broken family, J-Hope battling what’s likely a mental health problem, etc). We end this song with V killing his father to save his sister.

Next is “Run” where we see V fall back into the water, meaning that he has succumbed to darkness. He also leads the boys into mishaps and they all play pranks or do some petty crime together.

In the end, we find that Jimin is in a tub, burning a group photo of them. All of them have changed or matured and there’s no turning back now. I placed BTS 화양연화 On Stage Prologue MV with “Run” because I see the BTS 화양연화 On Stage Prologue MV as a time where V is reminiscing about the past.

Then we move into the psychical reality. We see in the Korean BST how the characters are struggling internally. Chronologically speaking, I think the Korean BST happens around the same time as “Run” and the BTS 화양연화 On Stage Prologue MV. As the boys are changing and being led by V for the external reality, the inner reality is also occurring. That’s where the Korean BST fits in. I placed BST after the Korean BST because we see Jin reminiscing about what has happened.

Finally, there is “EPILOGUE: Young Forever” where all of them have all grown up and are wishing to stay “Forever Young”. There’s a really dream-like state with this MV, so I consider it more of a psychical reality.

There is a chance that the boys have all died as a lot of fans have remarked, but in my opinion, the boys have just matured and though they wish to stay a boy, they have to become an adult. Their “youth” has died and not their actual selves. When we go through each boy, we see what they have gone through or left behind.

White ribbons are used in Korean funerals and white ribbons can also mean innocence and pureness in other cultures. At one point, the ribbon in Jungkook’s hand seems to have turned into a white feather–hope and then the white feather is shown by J-Hope’s feet along with the scattered pills.

The members will try to savour this blissful moment for as long as they can. I think this explanation matches the lyrics more like how J-Hope raps that “[he] wants to stay young forever”/”yeongwonhi sonyeonigo sipeo nan Aah”/”영원히 소년이고 싶어 난 Aah” (See credits for translation here). I think the huge irony here is that even though they want to savour youth, getting through youth is a challenge and a maze itself. That’s why they’re in this grey fenced maze that also resembles a cage. At the end of the day, you navigate through this maze and grow up, yet you also still become super nostalgic of those days. Ironic huh?

Look at this scary maze — youth.

(Side note: I quoted the romanized Hangul and Korean lyrics because I prefer to translate the phrase as “I want to stay as a young boy forever”. Though I’m not fluent in Korean, I am certain that “sonyeon” is “少年”. 少年 in Mandarin means a teenage youth or young boy (something like a boy of ages 10-16). To be honest, I feel like when the term is translated into English, it loses its beauty and what it embodies. 少年 embodies that growing up phase.) 

(Just a another note: I am not an expert in Christianity. I only know references based on what I’ve learned in English Literature and Art. I also have not fully read Demian as I have a bit too much on my hands right now. However, I’ve read summaries on Cliff Notes and Coles Notes and read character analyses. Finally, I am not a psychology major, so I apologize if I’m not 100% clear with the psychological concepts. I’ve tried my best to understand them through research.)

Now that we have all the background settled. Let’s go onto who the members represent in BST beginning with J-Hope. I have decided to release this Memo into different parts.

Analysis

(1.1) J-Hope acts as a guide. J-Hope is Archangel Michael and Frau Eva from Demian.

Throughout BST, J-Hope is like a guide. We first see him sitting in front of Michelangelo’s Pieta. Pieta depicts Virgin Mary who holds onto Jesus Christ’s deceased body after his crucifixion. We are past the scene where Jin looks through the painting, The Fall of the Rebel Angels, with some binoculars, so we know that we are in a chaotic stage of war. Notice how when the painting is zoomed in, we only see the images of the monsters and rebel angels and the Archangel in the centre is completely black.

Jin with the binoculars (setting = reality based on how it’s filmed)

No Archangel here. Just monsters and rebel angels.

Reference to the Devil from the Korean BST. 

Then the first time we see J-Hope, nearly everything is pitch black, except for him and Pieta. The neon pink/yellow light symbolizes that he is here to show the light. J-Hope has a sword in his hand; we know from a lot of stories, noble knights or Kings have to fight with a sword (ie King Arthur/Lancelot etc). Similarly, he has to fight off the bad angels.

Neon pink in BST meaning that “there was war in heaven: Michael and his angels fought against the dragon; and the dragon fought and his angels,” (Book of Revelations, 12:7)

As Archangel Michael, J-Hope chases V who is likely Lucifer from Heaven and brings about the demise of the Rebel Angels. Jimin and Jungkook are seen restraining V, the Fallen Angel. You’re probably wondering how these two can be helping J-Hope when they too have fallen into despair. I think the only reasonable way to explain it is that each member starts their story at a different time. Jimin and Jungkook were saved first or have matured enough to realize that the Fallen Angel needs to be out of Heaven.

Jimin and Jungkook are restraining V (the Fallen Angel). 

Reminder that J-Hope is the one holding the sword.

I am pretty sure that this is J-Hope shooting at V because in his other outfit, he is wearing the same sweater as the one here.

After all, right after the scene above, we see J-Hope with a bow and arrow. 

We never get to see who exactly is the one that aims at V. However, we see in the subsequent scene that J-Hope is the one shooting his bow and arrow. In the Bible, a bow is the doctrine of truth and good: “Jehovah’s arrows are sharp, and all His bows are bent, the hoofs of His horses are counted as rock, and His wheels as the whirlwind” (Isaiah 5:28) (See this website for more explanation). After he shoots that arrow, the doctrine of truth and good are spread to all of the boys. We see the boys hanging out with J-Hope after there’s a small clip of V being in pain.

Then we notice J-Hope pouring down some pills in a cauldron which lets the truth explode. In a way, I think it could be that J-Hope is foretelling what “may” happen, but I think it is more likely that he is telling us what “has” happened. This is because the next scene is Jin looking around in the present and after that we cut to V and Jin.

(Just a little note: When J-Hope is with the boys or in his lounge room, he is wearing a sweater that is pieced together in many parts. Half of it is black and red and the other is grey, white, and blue. I suddenly got the feeling that the red and black reminded me of Jin’s outfit throughout this whole MV. In a way J-Hope seems to embody both Good and Evil at this stage after fighting the war.)

J-Hope pouring some pills down and revealing fortunes or the past.

Based on the two filming styles, I think the V and Jin scene feels more like the past. Jin keeps hitting V and then mouths a “Sorry”. This somehow makes me feel that Jin is really enraged that V led Jin or all of them down the wrong road. After all, if we take a jog back memory lane, we will notice that V is always the one leading the group to do something. V is the only one that jumps from that high contraption in BTS 화양연화 On Stage Prologue MV.

V being the first to jump and to lead the group to elsewhere

That jumping scene is more likely a memory of the past as we first see V with bloody hands in BTS 화양연화 On Stage Prologue MV, meaning that he has already committed the murder. He keeps trying to wash off the blood but like Lady Macbeth in Macbeth, his hands are stained. Right after this short scene, the lighting in the MV changes to give off a bright yet nostalgic vibe and then there are clips of happiness. Therefore, it’s likely V’s memory of the happier times. I think this theory works because this is also a Prologue MV leading to Butterfly.

In “Run”, V is also the first one that has plunged into the water because he has sunken too deep via the murder. After his plunge, we are shown Rapmonster who dumps some sugar into his cup of coffee. This act symbolises that similarly, all the boys have subsequently fallen into darkness after V’s crime. In “I Need U”, we already know that all the boys suffer from problems. However, V is the only one who commits arguably the biggest crime out of the boys: V has murdered his father. Therefore, these all prove that V is the one that has led the boys astray.

  Also, closer to the end of”I Need U”, J-Hope is the one pouring down pills. In the beginning of “I Need U”, he seems to have to rely heavily on pills as we see him with his pill cabinet. His external reality is likely dealing with a mental health issue which is why he also suffers a lot in his psychical reality. (It could be non mental health related illness as well; we don’t really know that much based on the clips.)

J-Hope pouring pills in this fire in “I Need U”

J-Hope pouring pills in this cauldron in BST

Let’s go back and contrast this “I Need U” pill pouring scene to the BST one. Somehow I keep getting reminded of the Three Witches in Macbeth. I wouldn’t say J-Hope fully embodies the Three Witches because there are three of them and J-Hope doesn’t start any of the MVs. However, I think there is a subtle inference that J-Hope may have been like Three Witches who planted the seed of temptation in Macbeth’s mind to kill King Duncan. Although this pill pouring scene is shown among all of the boys changing towards the end of the MV, there are also clips of the boys’ happy youth where they are playing with fireworks and I’m pretty sure they all gathered around a fire way before V killed his father.

V coming in to rescue his sister and ends up killing his father.

Jimin sinking to despair

Happy Jungkook at the group camp fire

Everyone playing with fireworks (in the past)

Therefore, when he pours the pills in his external reality, he is foreshadowing the darkness that will come and perhaps in a very subtle way, he has influenced V to act. However, unlike the other boys who have succumbed to darkness, J-Hope is able to break free from temptation and is the bearer of truth in the inner reality. He dumps the pills once more in BST, becomes the one that awakens from this chaos, and has to punish V, the Fallen Angel.

  Now that we have established how J-Hope fits as Archangel Michael, we can see how J-Hope can also be Frau Eva who represents the anima. Anima and animus are concepts developed by Carl Jung. Anima is “the woman in men” (See here for more info). The Anima’s archetype is the mother figure. It’s quite fitting that Pieta, which shows the Virgin Mary, is right behind J-Hope. Moreover, in Demian, Demian gives a kiss from Frau Eva to Sinclair. As a result of the kiss, Sinclair who represents the conscious ego is able to combine with Demian (the self) and merge with Frau Eva (the anima). Throughout the novel, Frau Eva’s role is also to help Sinclair grow. As a result, J-Hope has helped all of the other boys mature and the boys are thrown back to the external reality.

Look behind J-Hope!

As for himself? J-Hope is left behind and gazes up to this sky that features an ominous green butterfly/pair of wings. I initially saw this as a butterfly; butterflies generally symbolize great transformation. Think of a caterpillar who changes into a butterfly. Wings gives a different meaning like freedom, independence, and in the Bible, wings are known to be spiritual truths (See here).

  All of the boys have gained some form of truth and returned to the external reality which is in green. Green is associated with nature and the Earth. I’m pretty sure in BST, green here is used to represent when the characters are in the external reality.

Whenever this neon green is used, the scenes are related to the characters being in the inner reality. We first see this neon green when Rapmonster and Jungkook are sitting across from one another and Rapmonster tempts Jungkook. Notice how the neon green is on the exterior of the windows and how the Hotel is outside of this building. Jungkook was in a hotel at the beginning. The last three pictures show the ending scenes of the MV. There is V who has been punished looking up to the green sky (external reality). There is Jungkook who is going through that weird neon green/blue light to get back to the external reality. There’s Jin looking down at the vortex and stepping away from it. The green sky is all around him. He too is getting back to the external reality.

I haven’t figured out which member to analyze for the next post, so please feel free to let me know who you’d like to understand first!

[thedramafilesblog-blog]

We’re not a blog that is dedicated to reviewing music (including Kpop), but because we absolutely adore BTS and their music, we decided to do a memo-style review of the Music Video (MV) for their Japanese Version “Blood, Sweat & Tears” (血、汗、涙 -Japanese Ver.-).

***Note: If this is your first time browsing the Drama Files, please read The Rules on how our Memo-style reviews work.***

***Note: We really wanted to analyze the Blood, Sweat, Tears Korean MV before, but we missed out on the opportunity. We thought this MV was very interesting as well, so we were really eager to share our theories about what they could possibly signify. There are definitely many theories, so we thought we’d propose ours. Our views are simply theories and purely speculative.***

Memo

Dear Reader,

There have been some questions regarding the recent release of BTS’s 血、汗、涙 -Japanese Ver.- (“BST”), particularly:

(1) Who/What does each member represent?

(2) How is the ending clip that is reminiscient of the “I Need U” MV connected to BST?

Conclusion

(1.1) J-Hope acts as a guide. J-Hope is Archangel Michael and Frau Eva from Demian.

(1.2) V is Max Demian (“Demian”) from Demian and the Devil/Lucifer/the Fallen Angel (“the Devil”) .

(1.3) Suga is Pistorius and the Old Wise Man (archetype).

(1.4) Jimin is Sinclair from Demian and Adam from the Bible.

(1.5) Jungkook is Icarus and Sinclair from Demian.

(2) This will be answered in a subsequent Memo.

Background

Please read the first post to understand how this MV fits in with the other MVs and the different types of reality in this MV.

Please read the second post for more information on Demian and other important concepts.

Please read the third post for a detailed analysis of Suga’s role.

Please read the fourth post to understand Jimin’s role.

Analysis

(1.1) J-Hope acts as a guide. J-Hope is Archangel Michael and Frau Eva from Demian.

Please read the first post to see this analysis.

(1.2) V is Max Demian (“Demian”) from Demian and the Devil/Lucifer/the Fallen Angel (“the Devil”) .

Please read the second post to see this analysis.

(1.3) Suga is Pistorius and the Old Wise Man (archetype).

Please read the third post to see this analysis.

(1.4) Jimin is Sinclair from Demian and Adam from the Bible. 

Please see the fourth post for this analysis.

(1.5) Jungkook is Icarus and Sinclair from Demian.

(i) Jungkook is Icarus.

Jungkook swinging on the swing

  We see signs in the Korean “BST” MV that show Jungkook as Icarus. We see the painting behind Jungkook, which is “Lament of Icarus” by Herbert James Derper. To the right is another painting about Icarus, “Landscape with the Fall of Icarus” by Pieter Bruegel the Elder.

Look at Jungkook flying back/falling. Behind him is the painting, “Lament of Icarus” by Herbert James Derper and to his right, you see the painting, “Landscape with the Fall of Icarus” by Pieter Bruegel the Elder.

The myth is that King Minos hired Daedalus to build a palace and a maze (Labyrinth)to imprison Minos’ son, the Minotaur. Minos also imprisoned Daedalus in the Labyrinth because Daedalus gave Minos’ daughter, a clew, to help Minos’ enemy, Theseus, to defeat the Minotaur and beat the Labyrinth. Daedalus’ plan to escape was to build wings out of wax and feathers to fly away. He fashioned wings for both himself and his son, Icarus. He warned Icarus not to fly too close to the sea or the sun and to follow Daedalus’ flight path. However, Icarus did not listen.

Jungkook first starts off swinging on the swings in the Korean “BST” MV and then leaning back like he’s flying. After, he fully falls back and the swing is gone, meaning that he is like Icarus who chose not to listen to his father and flew too close to the sea. There are bits of what seem like white feathers floating in the air to represent the melted wax and feathers from the myth.

The paintings are even clearer and damn that move must have been exhausting for JK!

Remember how in the older BTS MVs like “Run” and “I Need U”, RM is shown with a lollipop in his mouth. Here, we see Jungkook with a blue lollipop in his hand. The lollipop, in a sense, is like our desires that we know aren’t good yet we still consume them. Lollipops can also mean a new adventure starting, which is true in Jungkook’s case as he is going through a transformation.  After we see Jungkook suck on the lollipop, we get a scene of RM showing a dropping sign with his fist and then we get transported down a level of a building to meet Suga and RM.

Look at the blue lollipop!

Eats lollipop then . . . tumbles down . . .

Drop down! (RM is in the same room as JK who was swinging on the swing there)

RM is also going through a big transformation as he drinks the green liquid, which is likely absinthe. I’m going over RM’s part and Suga’s part a bit here because RM and JK are closely connected in both the “BST” MVs. I won’t go into extreme detail with the two other members as this post focuses on Jungkook, but it’s still important to recall how Jungkook is linked with these two members. Here’s a little chart I’ve made, which has been used in a previous post.

RM influences Jungkook (see the black arrow leading from RM to JK) and in turn Jungkook and Suga both influence each other. I’d say Suga is more like Daedalus than RM because Suga in the “BST” MV tries to pull Jungkook away from temptation, whereas RM leads Jungkook to temptation.

In the “BST” MV, we still see signs that prove that Jungkook represents Icarus. In the beginning of the MV, Jungkook is lying on this white plastic sheet. The walls are all painted in bright neon colours, which represents the psychological reality. Then, he gets up from his spot and looks back to see a pair of red wings behind him. Icarus, as mentioned before, flew with wings made of feathers and wax. The red colour likely symbolizes that Jungkook has fallen and has been “tainted”.

(Remember to focus on Jungkook’s clothing in this “BST” MV. Jungkook here is wearing a plaid jacket. He also later wears a hoodie with the writing “Thirteen”.)

(ii) Jungkook is Sinclair from Demian.

I think it’s interesting to note that the whole BST is really a matter of perspective. From one member’s POV, another member is a certain character. However, when you view it from a different member’s POV, then one member can represent another character. Let’s try to apply it in this case.

Jungkook, in the Korean “BST” MV, succumbs to RM’s temptation. Jungkook is Sinclair and RM is Demian in that view. However, from RM’s POV, RM is Sinclair and Jin is Demian (This will be explained further in the next post).

In the external reality, Suga is still Pistorius to Jungkook who is Sinclair. Remember that Suga is the one trying to pull Jungkook away from the toilet like how Pistorius is instilling the standard biblical beliefs to Sinclair.

Also, Jungkook here is wearing a “Thirteen” hoodie. The number “thirteen” is normally seen as an unlucky number like Friday the thirteenth and receives a darker form of symbolism. Often, apartments or hotels will also not have a button for the 13th floor. In Norse mythology, the 12 Norse gods hold a party; however, Loki, the trickster, was an uninvited guest and was the 13th to arrive. Later, we learn that Hoor slayed Baldur, using a magical spear given by Loki. We also see from the Bible that the Last Supper comprised of 13 attendees (12 disciples and the Christ). Thirteen is seen as an omen as Christ suffers from a tragic fate.

Look at his hoodie’s word: “Thirteen”.

However, thirteen can have a brighter interpretation. For example, Christ and Baldur can be considered the enlightened guests. Therefore, the number, thirteen, can be said to be associated with enlightenment, ascension, and resurrection. We also see from an Egyptian tale that Osiris, the Egyptian God of life and death, was killed by Typhon, his brother. Typhon then stole Osiris’ body and chopped it into 14 pieces. Meanwhile, Isis, Osiris’ wife, could only find 13 parts of his body. Therefore, thirteen can be said to be the precursor of completion.  (See here for more info about the number, 13.)

Here, since the word “thirteen” is written in a font that looks like it’s burning, there seems to be more of an interpretation of resurrection. Phoenixes are known to be reborn upon burning in flames. Therefore, Jungkook can be said to be experiencing a rebirth after succumbing to temptation. I wouldn’t say that going to a “dark” side is necessarily bad, as I’ve suggested in my previous posts based on Demian‘s interpretation of events.

Going back to how Demian applies to the relationship between Jungkook and Suga, recall that in Suga’s post, Sinclair eventually says a lot of harsh words to Pistorius and Sinclair’s friendship with Pistorius comes to an end. Similarly, the toilet scene is like Jungkook pushing his “master” away and surpassing his mentor. Jungkook’s relationship with Pistorius ends and rejects the standard biblical ideas.

Jungkook is also tempted by RM, who acts as Demian, once he enters the psychological reality. RM brings the absinthe to Jungkook. Jungkook has taken a seat, which seems to imply that he has accepted RM’s offer. RM then makes Jungkook drink the absinthe and Jungkook goes through an interesting experience. Notice that Jungkook is wearing the “thirteen” hoodie when he’s in the psychological reality world. He gets transported on a truck that Jin has been driving since the older MVs and at the very end of this “BST” MV. Jin, at this stage, is already Demian, so it’s interesting to see that Jungkook, a variant of Sinclair, is being taken away by Demian to experience a different world.

Once Jungkook has experienced this mental change and transformation, he is brought back to the external reality where there is a black cloud hovering around Jungkook with the hoodie. The Jungkook wearing the plaid blazer is transported back to the external reality. At the end, Jungkook is a changed person.

Another evidence that Jungkook is Sinclair from his short clip. We see him lying on this bed, which is similar to his situation in the beginning of the “BST” MV. He is tossing and turning in this bed. Then we see him closing his eyes and there’s a burning piano, which has been mentioned in a previous post as being linked to Suga as Pistorius.

We see a narration of a quotation from Demian and Jungkook, in a white button-up with a sparrow hawk on his heart. This quotation “because it’s darkest at dawn right before the sun rises” is from BTS’ song “Tomorrow” and then the next one is “The fifteen year old me who didn’t have anything” comes from his song, “Begin”. Here, Jungkook is like Sinclair who starts off in a very sheltered, structured family. I think it’s interesting that this quotation was picked because “Tomorrow” is about following your dreams and struggling with these. It makes sense that that particular line of “Begin” was used because it sets the tone that Jungkook was young then.

Then Jungkook has this painting in his hand of a young boy. After, he starts painting this larger portrait of another boy and as he is painting, the scene of a piano burning is seen through his eye. The painting then bursts into flames.  Jungkook becomes very distressed upon viewing the portrait more. The portrait’s young boy seems to change in its appearance.

The changing painting is reflected in Demian as well. At first, Sinclair is inspired by Beatrice, a woman he meets after walking in a park, to paint. He tries to reproduce her face, but fails.  This is like that scene in Jungkook’s short film where he first sees a picture of a person and then proceeds to paint it.

After Sinclair lets his imagination do its work and he paints again. When the painting is complete, it looks half-masculine and half-feminine, ageless, and mask-like.  When he wakes up from another dream, he believes that the face knows him and calls to him. Sinclair notices this weird brightness at the painting’s forehead and its eyes and recognizes it as Demian. However, after placing the painting to his window and letting the light shine through it, he realizes that the painting is actually a reflection of himself, his daemon, and his inner self. This whole scene happens in a dream-like state, so whether he actually puts the painting to the window is up for debate.

This part of the scene in Jungkook’s short film has also been portrayed when he watches the painting burn and turn into another painting. Jungkook is struggling to believe what he is seeing and is crying a bit too. It first looks like Taehyung, who we’ve said is Demian to Jin, but then if you look carefully, it also seems to look like Jungkook. Jungkook realizes that the painting is actually himself, which is just like what we’ve seen in Demian.

In Demian, Sinclair then starts recalling his last meeting with Demian. Demian and Sinclair talk about Sinclair’s rebellious stage. Demian notices that Sinclair has been drinking and frowns upon that habit; however, Demian points out that sometimes a life of hedonism is a precursor to sainthood and refers to St. Augustine as an example of this concept. In his youth, St. Augustine lived a hedonistic lifestyle where he was related to several young men who bragged about their sexual adventures. He also had an affair with a young woman. It wasn’t until he was 31 did he convert to Christianity and wrote extensively in the areas of theology, sociology, and philosophy. He developed many ideas related to Christianity as well. Sinclair identifies with this example that Demian has given and believes that Sinclair’s life is headed in a similar direction as that of St. Augustine.

On the night of this flashback, Sinclair has a nightmare where Demian forces him to swallow this coat of arms above this doorway. He senses that this bird is bursting into life within himself and starts to eat his insides. After this dream, Sinclair begins to paint this bird.

After Sinclair finishes the painting, we see that he has painted a sparrow hawk. The sparrow hawk is trying to break free from this dark globe; it’s like it is hatching from an egg. However, this sparrow hawk is fully grown, and so this means that this painting is about rebirth.

Here, the egg is an archetype, formed through Sinclair’s collective consciousness. The egg has its origins to the Roman times where Bachofen, a late anthropologist, claims that it represents the two poles of the world. Therefore, the sparrow hawk, which is breaking out of the egg to be reborn, is breaking the world of false polarities, unreal, and the arbitrary.

Going back to the short film, we see that Jungkook is holding onto this picture of a sparrow hawk and staring at it. The final scene ends with Jungkook standing in the middle of the room and his shadow has grown wings.  These scenes are similar to those of Sinclair. Though we don’t see Jungkook going through a memory recall of a meeting with Demian, we have seen him waking up from nightmares before. We aren’t sure whether he has actually painted the sparrow hawk, but that sparrow hawk is just like the one described in Demian. Moreover, the fact that Jungkook has grown wings shows that he is going through a rebirth like in Demian.  This also indicates that Jungkook has activated the part of himself that wants to be broken free.

It’s interesting to note that Jungkook is also wearing a “sparrow hawk” button-up shirt. That’s a signal that supports the notion that he wants to be free from his past views. That’s why his eyes show the burning piano–a remnant of the old principles.

      Memo: “Blood, Sweat & Tears” (Japanese Version) Music Video Analysis Part 5 We're not a blog that is dedicated to reviewing music (including Kpop), but because we…

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We’re not a blog that is dedicated to reviewing music (including Kpop), but because we absolutely adore BTS and their music, we decided to do a memo-style review of the Music Video (MV) for their Japanese Version “Blood, Sweat & Tears” (血、汗、涙 -Japanese Ver.-).

***Note: If this is your first time browsing the Drama Files, please read The Rules on how our Memo-style reviews work.***

***Note: We really wanted to analyze the Blood, Sweat, Tears Korean MV before, but we missed out on the opportunity. We thought this MV was very interesting as well, so we were really eager to share our theories about what they could possibly signify. There are definitely many theories, so we thought we’d propose ours. Our views are simply theories and purely speculative.***

Memo

Dear Reader,

There have been some questions regarding the recent release of BTS’s 血、汗、涙 -Japanese Ver.- (“BST”), particularly:

(1) Who/What does each member represent?

(2) How is the ending clip that is reminiscient of the “I Need U” MV connected to BST?

Conclusion

(1.1) J-Hope acts as a guide. J-Hope is Archangel Michael and Frau Eva from Demian.

(1.2) V is Max Demian (“Demian”) from Demian and the Devil/Lucifer/the Fallen Angel (“the Devil”) .

(1.3) Suga is Pistorius and the Old Wise Man (archetype).

(1.4) Jimin is Sinclair from Demian and Adam from the Bible.

(2) This will be answered in a subsequent Memo.

Background

Please read the first post to understand how this MV fits in with the other MVs and the different types of reality in this MV.

Please read the second post for more information on Demian and other important concepts.

Please read the third post for a detailed analysis of Suga’s role.

Analysis

(1.1) J-Hope acts as a guide. J-Hope is Archangel Michael and Frau Eva from Demian.

Please read the first post to see this analysis.

(1.2) V is Max Demian (“Demian”) from Demian and the Devil/Lucifer/the Fallen Angel (“the Devil”) .

Please read the second post to see this analysis.

(1.3) Suga is Pistorius and the Old Wise Man (archetype).

Please read the third post to see this analysis.

(1.4) Jimin is Sinclair from Demian and Adam from the Bible. 

Jubiemon J: We will first look at Jimin being Sinclair, then at Jimin being the Hero archetype, and finally at his being Adam from the Bible.

(i) Jimin is Sinclair from Demian.

Let’s do something a bit different this time and start by looking at his short clip called “Lie”. Rapmonster narrates from Demian‘s Chapter 1, “Two Realms”: “My parent’s house made of one realm. This realm was familiar to me in almost every way–mother and father, love and strictness, model behaviour, and school.” This part is towards the beginning of the novel, where Sinclair is recounting his story of self-realization. This passage, as a result, suggests that Jimin is also on the path to self-realization.

In the clip, we see Jimin by himself and he seems to be eerily looking at this camera and smiling. On the outside as in the external reality, Jimin is happy, but then we see that inner struggle within himself. We get a feeling that he is “caught in a lie” like his lyrics suggest.

Jimin forcing a smile

Jimin struggling internally – look at the dance too! He is covering his mouth, which is something people do when they’re trying to stop themselves from saying stuff. He’s resisting to tell his lie.

Then Jimin falls back and we get to see his inner world. We see him in a hospital bed and in this room that’s completely white. We���re getting the vibes of a psychiatric ward. After, we see a glimpse of a card that has the word “Eva” all over it. Frau Eva is who J-Hope represents from Demian. To be brief, Eva is like Sinclair’s mother and acts as his romantic interest (See J-Hope’s post for more). We know that J-Hope is involved here as Eva because J-Hope has been associated with pills in the previous BTS MVs. Eva also represents a symbol of completion and perfection; she has both masculine and feminine qualities. Therefore, Jimin is striving to find that perfection through J-Hope and we notice Jimin struggling via the pillow whacking.

Jimin struggling internally

Eva!

J-Hope and pills…

Seeking perfection

There’s also a sign that signals Jimin’s journey to find his self. The sign says Pulkkot Arboreteum 1.2 km. Pulkkot translates to Hibiscus, which is South Korea’s national flower, while an arboreteum is a botanical garden dedicated to trees. These likely allude to the Garden of Eden. Another point is that when I was searching for the meaning of the sign, I came across the Korean words: 불꽃 (“bul” + “kkot”). 불 means “fire” and 꽃 means “flower”. Together, they can either mean a flame, a spark, or fireworks/fire cracker (See here).

In the last chapter of Demian, “The End Begins”, Sinclair and Demian are soldiers at war and one night, Sinclair sees this giant godlike figure that looks like Frau Eva. Figuratively, she swallows up the soldiers and then cries out in pain. Stars explode from her forehead and one gravely wounds Sinclair. Demian lies beside Sinclair and says that he has to leave. Demian then gives Sinclair a kiss on the forehead, which is said to be from Frau Eva. Sinclair (the Ego) ends up merging with Demian (the Self) and Frau Eva (the Animus).

The Ego is our conscious self; it’s when we think of “I” and “me”. The Self is the consciousness, the unconscious, and the ego. Carl Jung believed that when you are born, you start out with the Self, but then you gradually develop a separate ego-consciousness in order to fit into society. During the later half of your life, you’ll spend time finding your Self again.

The centre dot is the Ego. The bigger circle and the inner circle make up the Self.

I think the sign, Pulkkot Arboreteum, does serve as a reference to this scene from Demian. Yes, it is likely the Garden of Eden, but it is also where an explosion will occur to cause Jimin to find his Self once more.

During this journey of self-discovery, Jimin will feel lost and confused. We see tons of clips of his struggles. That’s probably why the lyrics from “Run” are seen from the short clip: “Please stop me. Please guide me. Please let me breathe.” There also seems to be a reference to a verse from “Save Me”: “I’m trapped inside of myself and I’m dead.” That line is telling because Jimin is struggling internally like Sinclair and metaphorically speaking, his old, innocent self becomes dead due to this journey. In the end, Jimin succumbs to temptation and bites that apple. He leaves us with a smirk because he has now become wiser and knows more than us.

Struggling Jimin

Burning piano – leaving his mentor, Pistorius aka Suga

Sinking deeply into the darkness – remember how Taehyung’s fall into water is associated with turning “evil”? This is similar here.

Forbidden apple sinking deeply into the water

Jimin fighting the urge to jump into the pool of water.

Eating that apple

Jimin smirking

We also see in the MVs that Jimin is searching for himself. In the Korean “BST” MV, Jimin begins his journey to self-discovery. Like Sinclair, Jimin has probably led a sheltered, innocent life and therefore, in the Korean “BST” MV, we see Jimin’s eyes being covered by Suga’s hands from the beginning.

Suga shielding Jimin’s eyes

As mentioned in the previous post, Suga is Pistorious to Jimin and Pistorius represents someone who is progressive yet still wants to cling onto the foundations of our society (See part 3 memo for more details on Suga’s role as Pistorius). Thus, it makes sense that Suga is the one guiding Jimin and colours Jimin’s lens of the world via the blindfold Suga puts on Jimin. Although Suga is allowing Jimin to explore and understand the world better, Suga is also restraining Jimin. Jimin, as a result, hasn’t succumbed fully to “temptation”/what people perceive as the dark side. We see in the Korean “BST” MV, Jimin still has not bitten the apple. He held onto it, but he didn’t bite it.

This situation is analogous to the one we find between Pistorius and Sinclair. Pistorius acts as a mentor to Sinclair and educates him about many concepts. However, Sinclair later realizes that Pistorius is archaic and still unwilling to let go of the set ways of understanding God (standard biblical beliefs). Upon this realization, Sinclair criticizes Pistorius and leaves him, meaning that the student has left his mentor.

We see this act of departure from Jimin in BST. In the beginning of BST, Jimin runs away from Suga who is by this piano. (Remember: this is the inner reality/psychical reality because Jin is looking through the lens of the painting.) Jimin is now on his way to explore and figure out himself by himself. We also see before this that there is another Jimin in this blue room. That is his innocent self that he will reunite with later.

Innocent Jimin here

Jimin pushing away Suga 

Jimin leaving Suga

Jimin running for his journey

This Jimin, which I’ll call Innocent Jimin from now on, is sitting on a chair that reminds us of those ones that we see in films where a patient is talking to his therapist/psychiatrist. Moreover, we also see that he is dressed more purely: white button-up shirt and trousers. That’s different from the sweater he wears when he is looking for his innocent self; that sweater reminds me of feathers/wings.

We see Jimin trailing behind Taehyung and Jungkook. V walks further away, leaving Jimin behind in the kitchen. Jungkook and Jimin are Sinclairs, so it’s interesting to see that they are tagging behind V, who is clearly the most “developed” Demian. Because Jimin has run away from Suga, he has “fully” succumbed to the “dark side”. Hence, we see Jimin taking a bite from that apple and the blender mixes some crazy colours.

Then we see Jimin and Jungkook restraining V to let J-Hope punish V. I think that makes sense because Jimin and Jungkook are still not as developed as V and there are times where they too are fighting within themselves about change. That’s seen throughout Demian where Sinclair goes back and forth about his feelings. He feels guilty for criticizing Pistorius, yet he still leaves him.

In the end, there is that battle between the two thoughts with J-Hope dancing in a room that has a ceiling of heaven in blue and then Jimin is dancing in the same room with the same ceiling in red. We know from J-Hope’s post, the boys can’t stick to the old belief system and so J-Hope “loses”. Jimin is covered in red in the external reality where he is looking into a mirror at himself, while Jungkook is covered in this grey smoke in a red washroom.

Jimin dancing

J-Hope dancing

At the end of this journey, Jimin is able to reunite with his Self that’s in that blue room. Suga is covering the Innocent Jimin’s eyes because he probably doesn’t want the Innocent one to be completely tainted.

However, the two Jimins make eye contact and merge together. I’ve talked about how Sinclair merges with his other entities so this scene represents that unity. That’s why as soon as the two Jimins combine together, Jimin is shot back to the external reality through that weird neon-coloured whirlpool.

Jimin being shot back

(ii) Jimin is Adam from the Bible.

Jimin is the one that has an apple in his hand. Adam bit the apple from the tree of the knowledge of good and evil. Adam couldn’t resist the temptation and gave in. Similarly, Jimin gives into this temptation to know more and leave his sheltered life. Because of that, Jimin goes through some painful trials and “chaos” ensues.

Memo: BTS Blood, Sweat & Tears (Japanese Version) Music Video Analysis Part 4 We're not a blog that is dedicated to reviewing music (including Kpop), but because we…