#because im barely a 3a hair pattern

[3liza]

I think it must be for the lack of going outside of your room on this website that debates about personal presentation and appearance literally never have any material analysis. sorry it's counterrevolutionary to shave my legs or wear makeup or a bra or style my hair in certain ways or "worry" about visible signs of aging but have some of you just never encountered real world situations where those things caused measurable problems dealing with other people, jobs, money, respectability, access to resources, or the ability to influence important situations? this starts happening when you go outside a lot. there's a debate on my dash rn about balding and finasteride in which not a single person has mentioned the potential negative social outcomes of losing your hair and how that can affect socioeconomic status and personal risk. maybe someone doesn't need to be "vain" to care about keeping their hair and consider the risks of medication for it. maybe they've seen how bald people get treated and referred to and made a cost benefit calculation that they can't afford, sometimes literally, to eat that cost, with everything else they've got going on. maybe I wear makeup when I have to go talk to doctors and other gatekeepers because people make assumptions about your class and mental status when you have "bad skin" and "eye bags". maybe a lot of women who wear uncomfortable restrictive bras and shave whatever and buy skin products and do gua sha have already been sharply punished when someone saw leg hair or a mustache or puffy greasy skin or god forbid their nipple through their shirt. not everyone can just say "fuck it, I can afford to eat one more social cost that will measurably impact my ability to get medical treatment or pay rent". sorry this sounds like an economics lecture, that's because it is

if you are about to tell me a long story about how you personally have not been affected by perceptions of your appearance actually so you can conclude it never happens at all, please don't. sometimes you get lucky, that's it. and on this website I think it's less likely that you're lucky and more likely that you're oblivious

[xxxdragonfucker69xxx]

@lyhoradka​ tagged me in that post about five bits of text from written media that are burned into your brain and, kindly, gave me a theme of places. i am going to annotate this because i am a bitch

1. holy places are dark places. the wisdom that we get in them is not thin and clear like water but thick and dark like blood. - cs lewis, till we have faces

im almost certain ive misremembered this one but its better this way. clive what the devil fuck were you trying to say with till we have faces. burn it down and start over with this. i have a sidenote about hope faith and love but thats beyond the scope of this discussion

2. night falls. the workers put down their tools and point to the sky. “there is the blueprint,” they say.  invisible cities, italo calvino

again idr if its sky or stars. this is the description of thecla from invisible cities, kindly appointed to me by my good friend venus. this is not the strongest one but it is a strong one and its for Me and i remember it. inna thought i was going to make this whole post about haunted houses and this one is completely the opposite; i’ll consider it aspirational

3. walk to the east till you can walk no more. swim east until you pass the sunrise; swim east until you pass the stars; swim east until you come to the edge of the sky. there you will find yourself on the shores of a different land. even in that place, they shall know your name, and mine. - adel, kc danine/unlikely flowerings, jenna moran

sorry i cheated on this one bc i looked up the attribution and found my memory was wrong. but i cut it up to match what i thought. this one is actually a combo with

3a. the sea will be the color night behind glass. then, slowly, it becomes green: first rain-wet slate, then darkest jade. green as fresh emeralds. green as remembered rivers - the sun beneath the sea, sunless seas

again ive hashed the first part of that but green as remembered rivers lives in my head rent free. these two live under the heading “an exile in the uttermost east”

4. THIS IS NOT A PLACE OF HONOR. NO HIGHLY VALUED DEED IS REMEMBERED HERE. NOTHING OF VALUE IS STORED HERE. 

the warning continues of course but the basis is here. the idea that we cannot produce something so horrifying and terrifying that it does not also fascinate us, as you might guess, fascinates me. nightmare and obsession are such close brothers

5. a woman drew her hair out tight/and fiddled in the violet light/and upside down in air were towers/tolling reminiscent bells that kept the hours/and voices singing out of empty cisterns and exhausted wells.

in my head sean bean reads these lines in his civ vi voice. why did so much weird fiction pattern weird bits of worldbuilding after this bit. not that i am immune. voices singing out of empty cisterns and exhauuusted wells

BONUS CONTENT

so many things i wanted to add that werent written or that i didnt have memorized perfectly enough

1i. the, like, entire first half of to tundra by los camp, which i will reproduce below

meet me at st nicholas among the oaks behind the church that sway like pigtailed girls as summer wind whistles around your bare-shin knees and the forsythia leaves in the shade lay with me tickled by the feather reeds thats where the trees grow old under the ivys hold as you in my two arms equally safe from harm and in a hazy daydream our bodies married the stream and we broke down into pebbles and silt the water ran from the fields until the oceans we filled and found the seabed the comfiest quilt

there was more life in the weeds than in the few hundred seats that rose from transept to chancel to nave [...]

2i. prim leaves her father’s house. i won’t reproduce the whole story here but there’s a girl prim and her father is the god hansa and they live in a house of iron nails and one day her dad is killed and she has to go bury him and takes nothing but his corpse and a single iron nail. and she traipses all across creation and the void looking for somewhere to bury him but every time she tries his corpse shouts at her for being shit at it. and eventually she collapses, and drops the nail and it springs right up into the same exact house, and she imagines crawling in there with her fathers corpse to die next to him and freaks out and then

A pale face came before her and she was abruptly struck from her despair as though by a great hammer. A beautiful stranger had appeared, mild and tall, of milky flesh, spare in figure, but radiant in voice and visage. "I know you," said the stranger in a small voice, "you are Prim."

"I was Hansa's orphan, the slave, Prim," croaked Prim in response, "and now I am nobody, just a small dirty thing in great emptiness and here I will die."

"No," said the stranger, and the clarity and firmness of her voice and smile send a shock through Prim, "you are Prim, and Prim only, and Prim you shall be." And Prim there realized her tears had made a great pool and she was greeting her own reflection. And she fell into that murky pool and straight away it turned clear as crystal and Prim vomited forth a great black knot from very deep within her, and her body was scoured and lashed by the icy waters of that pool, and great draughts of poisonous filth and despondency were drawn in rushing gasps from her wounds, and her skin was sealed and her soiled trappings were purged and the caked illness and death was ripped away and she rose from that pool fresh and humming. Her back straightened and she scarcely thought on her father's corpse or the faintest echo of that iron house.  That is how Prim left her father's house.

so basically abaddon scooped all of tsiy and every other haunted house writer in like five thousand words

3i. berenike

From my words you will have reached the conclusion that the real Berenice is a temporal succession of different cities, alternately just and unjust. But what I wanted to warn you about is something else: all the future Berenices are already present in this instant, wrapped one within the other, confined, crammed, inextricable.

4i. a ghost does not come to stand in the dark doorway of your room because it is an 18th century orphan girl named annie. a ghost comes to stand in the doorway of your room because the doorway is where things come to stand. - i am in eskew, david ward

the formats all fucked up now huh. this has influenced my thoughts on both psychogeo and necromancy. what a fucking guy. theres also the pope lick bridge one but

5i. i hope you will forgive me for including a bit from tsiy

I opened my eyes. I was kneeling at the base of a tree, at the top of a grassy hill, under starry night. Dad was standing a little ways back, head craned back to look at the tree. "What is this place to you?" he asked, looking around. The island came to an abrupt stop at the edges; it wasn't a floating island in space or anything, there just.....wasn't anything beyond the edge of it. Like looking past the edge of your own eyesight -- not the blackness of eyelids, but the colorless place beyond.

"I'll die here someday," I said, and meant it.

i really need to work on getting places and haunted places into the new draft. im slacking. but im also not allowed to go back and change anything rn or ill just never get anywhere