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decorworks · 2 days
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Eight home kitchens finished with tactile brick floors
Our latest lookbook collects eight houses from around the world that feature kitchens with tactile brick floors, including a mid-century home in the USA and a coastal dwelling in Denmark. Widely used for their durability and low maintenance, bricks are a long-time favourite material across the fields of architecture, interiors and design. They are most commonly used on walls and patios, but also popular as internal flooring because of their ability to add rich, earthy tones and tactile qualities to an interior.  While brick flooring may conjure up images of old rustic farmhouses, this roundup shows how they can also be adapted to suit contemporary homes around the world.  The examples below include those that have been arranged in herringbone format, used as a backdrop to oak cabinetry or designed to connect homes to their matching patios outside. This is the latest in our lookbooks series, which provides visual inspiration from Dezeen's archive. For more inspiration, see previous lookbooks featuring conversation pits, autumnal living rooms and lavish members' clubs.
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Photo by Carlos NaudeHacienda Granada, USA, by Working Holiday Studio Working Holiday Studio sought to create a "hacienda vibe" for this mid-century home that it overhauled in Los Angeles. Among the alterations was a revamp of the kitchen, which involved adding a floor of warm terracotta bricks handmade in Tijuana, Mexico, arranged in a herringbone format. They contribute to a warm and earthy aesthetic in the room, which is enhanced by dark green plaster walls and wooden joinery and furniture. Find out more about Hacienda Granada ›
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Photo by Agnese SanvitoGallery House, UK, by Neil Dusheiko Chunky reclaimed bricks extend down from the lower half of the walls of this kitchen and continue out across its floor. Designed by architect Neil Dusheiko for his father-in-law, the terracotta lining forms a backdrop to a wall of storage built from oak that displays ceramics, glassware and framed pictures. Find out more about Gallery House ›
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Photo by Jonas Bjerre-Poulsen of Norm ArchitectsFjord Boat House, Denmark, by Norm Architects Handmade ceramic bricks are inlaid across the floor of this kitchen, which Danish studio Norm Architects created at the Fjord Boat House in Denmark. Married with warm oak finishes and a custom washi-paper pendant lamp, the textured flooring is intended to contribute to a warm and cosy atmosphere. "A refined abundance of warm textures and hues are used throughout, creating a deep sense of cosiness and comfort," said Norm Architects. Find out more about Fjord Boat House ›
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Photo by David SouthwoodArklow Villa III, South Africa, by Douglas & Company During their renovation of a century-old house in Cape Town, architects Liani and Jan Douglas revamped the kitchen with a tactile material palette that includes brick flooring. The terracotta floor continues onto the adjoining patio and is teamed with a structure of exposed South African pine and bespoke wooden units finished with green marble counters. Find out more about Arklow Villa III ›
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Photo by Chris WhartonVinyl House, UK, by Benjamin Wilkes Elongated bricks are arranged in a herringbone formation across the floor of the Vinyl House extension, recently completed by British studio Benjamin Wilkes in London. Designed to help connect its kitchen area to the matching patio outside, the earthy flooring is complemented by warm wooden cabinetry and off-white terrazzo countertops. Find out more about Vinyl House ›
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Photo by Prue RuscoeBudge Over Dover, Australia, by YSG Terracotta brick was teamed with aged brass and tactile plaster across the interior of Budge Over Dover, a house in Australia renovated by YSG. Bricks line much of the ground floor, including its textured kitchen that is complete with a chunky prep counter made with a veiny marble countertop. Find out more about Budge Over Dover ›
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Photo by Jonas Bjerre-PoulsenHeatherhill Beach House, Denmark, by Norm Architects Norm Architects also opted for brick flooring in the kitchen of Heatherhill Beach House, a wooden holiday home on the Danish coast. It was designed as a contemporary twist on the traditional brick flooring found in Denmark. "The bricks are placed side by side instead of in the traditional pattern and have minimal cuts – instead, the grout size changes minimally to achieve a homogenous and harmonious look," the studio explained. Find out more about Heatherhill Beach House ›
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Photo by Fred HowarthCamberwell Cork House, UK, by Delve Architects A floor that acts as a continuation of the brick paving outside features in the open-plan kitchen of Camberwell Cork House, conceived by Delve Architects in London. Its design formed part of a wider strategy for the home that sought to better connect it to its garden. This is also achieved by introducing large green-framed windows that enhance sight lines and maximise natural light. Find out more about Camberwell Cork House › This is the latest in our lookbooks series, which provides visual inspiration from Dezeen's archive. For more inspiration, see previous lookbooks featuring conversation pits, autumnal living rooms and lavish members' clubs. Read the full article
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sbknews · 1 year
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Norton Motorcycles Launches London Atelier
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Norton Motorcycles launches London atelier and announces major expansion of UK dealer network. Norton Motorcycles has launched its flagship London location, the Norton Atelier, at the Bike Shed in Old Street, London. The space brings Norton’s range of premium motorcycles to the capital and houses the brand’s new lifestyle apparel line, created in collaboration with Savile Row designer Nick Tentis. Both the Norton Commando 961 SP and CR, and the V4SV superbike are available from the Norton Atelier. The space will be staffed by the Norton team who can advise on options, arrange test rides as well as facilitate purchases. The unveiling of the Norton Atelier and the announcement of the new sales partners sees Norton grow and diversify its product offering, while continuing to deliver its desirable motorcycles and the very best in customer service excellence. Christian Gladwell, Chief Commercial Officer at Norton Motorcycles, said: “Seeing the Norton brand move from within the four walls of Norton HQ and out into the marketplace is positive on a number of levels.  “Dealer partner enquiries signified the level of demand for our motorcycles, and I’m immensely proud of the work the commercial team has done to meet that demand with what is a growing dealer network. More dealers mean more riders enjoying the results of the hard work and dedication that the entire team at Norton has contributed towards. “Opening the London Atelier is also a big milestone for the brand. For Norton to have created the first of its own spaces from scratch shows our commitment to the growth of this historic marque, at the same time as setting a new standard for motorcycle retail.”
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The Norton Atelier Created in collaboration with fashion designer Nick Tentis, the Norton Atelier is a contemporary design in a stylish location housing examples of Norton Motorcycles’ product line-up as well as the first examples from its off-bike apparel collection – also, designed by Nick Tentis. The space presents a vision of things to come for the Norton brand, providing an environment that is representative of the new Norton DNA: timeless style and craftsmanship informed by 125 years of heritage and expertise, tailored to modern taste. Nick Tentis, the Savile Row fashion designer behind the creation of the Norton Atelier, said: “For the first Atelier, I wanted to create a space that reflected the history and values of the Norton brand while also creating the perfect environment to display the new clothing collection. Outfitting the space with a tailored mix of both bespoke and vintage furniture perfectly encapsulates Norton’s past, present and future.” Gareth Charlton, Global Brand Director of Bike Shed Moto Co. said: “I am delighted to welcome Norton Motorcycles into our shop space at 386 Old Street. With their glorious history and dynamic vision for the future I cannot think of a better neighbour for Bike Shed Shoreditch. Having ridden their wonderful new Commando 961 and witnessed first-hand the stunning detail, and execution, they have sought in the fit-out of Norton Atelier London I very much look forward to frequently walking next door."
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Sales partner network expansion In addition to the Norton Atelier, five further sales partnerships have been announced by Norton Motorcycles, including: Krazy Horse London, P&H Motorcycles, Via Moto, Thor Motorcycles and Oakmere Motor Group. All well-established dealerships, the new agreements see the businesses offering Norton’s product range to existing customers, with test rides, servicing and repairs, and parts and accessories all available from the UK-wide locations. As a result of the new partnerships, the Norton sales partner network has expanded to cover the south, south-west and south-east of England, as well as South Yorkshire and Cheshire.  Visit the new Norton Atelier at 386 Old Street, London EC1V 9LT   To find out more about Norton Motorcycles, go to nortonmotorcycles.com For more Norton Motorcycles check out our dedicated page Norton Motorcycles News or head to the official Norton Motorcycles website nortonmotorcycles.com/
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50 Inspirational Living Room Concepts Living Room Design
We provide an expert two-man supply service on larger items, where our own staff of educated staff will place the merchandise into the room of your alternative and remove all packaging. Pieces have been designed by award-winning designers or are award-winning in their very modern living room furniture own proper. Our custom-made boot rooms are designed with you and your family in mind. Whether you're working with an attic, nook nook or period property, our vary of personalised wardrobes are crafted to fit even the trickiest of areas.
Choosing a espresso table with an open, wire base may also make the house feel roomier. You can instantly create the illusion of area by merely including lounge furniture extra living room mirror ideas. All the higher still, like above, opt for an outsized mirror to cowl an entire wall.
Perfecting this steadiness can generally present a challenge, but Big Furniture Warehouse make it straightforward with an enormous number of modern living room furniture choices. From our timeless and traditional Oakland assortment, which boasts a rustic, real-Oak design, to our more contemporary and chic Chester Grey vary, there are furniture collections to complement your décor type. Not only is it an area to socialise, however it is also a spot for relaxation and rest. Allow our interior stylists to inspire you to create a useful living house you’ll by no means wish to leave with these modern living room designs and ideas.
Choose furniture that suits the dimensions of the room, for example a large corner couch works greatest in a big room. They wobble when touched and you can see that only 3 of the four legs are in contact with the ground. They don’t wobble when they’re sat on so haven’t bothered complaining/asking for substitute. Premium Plus is our delivery and packaging removing service, which is designed to make your life even easier on the day you receive your furniture. The marble prime rests on top of the body and is finished in a lightweight grey marble color.
Interior designer Octavia Dickinson has put together an appealing blend of antique finds, favorite fabrics and bespoke items to create a snug, colourful home for her household in south London. Two paintings lounge furniture uk by Caroline Popham grasp above a settee upholstered in ‘Anura’ linen by Robert Kime. Octavia designed the ottoman, upholstered in ‘Pienza’ by Clarence House’, and the stools, lined in Pierre Frey’s ‘Romi’ and Linwood’s ‘Omega Velvet’.
With Victorian-style panelling, this gray living room is light, ethereal and welcoming. A modern print, geometric rug and blue cushions add color to this neutral space. If you could have slightly living room, don’t go overboard with a huge L-shaped sofa that’s sufficiently big for the whole family, the dog and the neighbours when they pop round for a cuppa. There are loads of living room couch living room furniture concepts that might be a better fit on your area. 'Oversized items will create a crowded impact which can be unsettling in a soothing surroundings,' agrees Paula Taylor from Graham & Brown. Mount some fastidiously camouflaged white storage units at the high of the living room partitions to stash clutter out of sight.
Add a private contact to your living room with plenty of selections in modern, conventional and modern living room furniture styles. Bring life to your living house with our vary of living room furniture. Create a comfy place to loosen up with a nook sofa or avoid wasting room for visitors with our range of sofa beds.
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straight-cut · 2 years
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Making the most out of every little unused corner. The client wanted to use a teeny alcove space for a custom built drinks cabinet and also a few floating shelves in an old fireplace. It is difficult to photograph white furniture against white walls. Hopefully one of these photos gives a clear idea of what can be achieved with bespoke design, rather than buying something smaller than the space to create a clean and minimalist look. www.straightcut.biz #cabinet #bespokedesign #bespokefurniture #storage #shelves #drinkscabinet (at Croydon South London) https://www.instagram.com/p/CnuENXGDbxt/?igshid=NGJjMDIxMWI=
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joshslater · 4 years
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Gift Card
Similar stories and bonus material on my Patreon.
“Yo, anyone here?”
Brock closed the door to South London Styling behind him and surveyed the room. He had no idea what to expect, but was pleasantly surprised by the interior. It looked like a good barber, perhaps even towards the higher end. A man in his thirties, dressed in black polo shirt and pants emerged from a back room, and greeted him. “Good Morning. How can I help?” he said in a British accent, which Brock had always thought sounded smart.
Brock pulled out a card from his khakis and handed over. “Well, that’s the thing. I don’t know what you do. It was just my birthday and the frat house gave me this card. Wrapped in like 30 envelopes.” He was reassured by the surroundings. Jake got a gift card for a lap dance from a male escort service. Luke the second got a blow-up sex doll. Luke the first had gotten a hot air balloon ride, but he was afraid of heights. So far this looked like the pretty normal gift, but he was sure there was some twist somewhere. With frat birthdays you should always watch a gift horse in the mouth.
The man looked carefully at the card in his hands. “Ah, the all-inclusive personal styling and outfitting. You really should have called ahead of time to schedule a session.” Brock was intrigued by the contradictions of this barber’s, or whatever he was, hands, holding his gift card. Both arms were heavily tattooed, but on the left wrist was a fancy designer timepiece. “I’m normally over at the campus but had another thing downtown. How long does it take? Do I need to come back?”
The man looked up from the card. “It sort of depends on the wishes of the client, but we usually set aside two hours. I do have an opening right now, with the caveat that the next appointment might arrive at the end of the session, cutting it slightly short.” “Sure, I have time. What is it you do, though? Haircuts?” “We do that too, but we try to be your one-stop for all styling and grooming. As the name suggests we have a more European focus on the style. In particular a look known as Chav.” “Never heard of. Sounds French.” “It is British. Perhaps you have heard the related term Scally?” “Sounds Italian. Nope there too. I love European fashion though. In theory at least. I have a student budget.” “Well, perhaps we can get started and you’ll get a feel for what direction to go. In the all-inclusive package, besides all the grooming, one full outfit is included for you to take home. I’m Alexander by the way.” “Brock”
Brock had no idea what to expect. He didn’t know anything about British fashion trends. Kilts and tweeds would obviously be off the table. Otherwise his only reference was Rob, the exchange student from UK, who always wore too tight pants, sorry trousers. Was that British fashion? He followed the man into the back room.
The room was a surprise. Large and bright, with neutral furniture and muted, light colors. Lots of wardrobe doors along the walls, some furniture to sit on, and a room divider in one corner, presumably acting as a fitting room. “If you like European fashion, let’s start with the European brands”, said Alexander as he went to a wardrobe and pulled out one adidas top after the other, placing them on a rack.
There was a second of confusion for Brock when the contrast between his expectations and the class of the room clashed with the almost jarring display of streetwear. Of course his frat house hadn’t bought him a bespoke suit and tie. He’d expected a twist, then just when he thought this was a real birthday present: twist. But a new set of athletic clothes isn’t cheap, so he decided to engage fully. Let’s go all in with this style and let the house get the laughter they’ve paid for. Perhaps it would even look good on him.
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Once past the disappointment, Brock found the whole experience interesting. He hadn’t really thought about the difference in relaxed clothes between different areas. Instead of his normal outfit of jerseys, baller shorts or cargo pants Alexander showed him a range of track tops and “joggers”. Together they placed a black T-shirt, adidas track top, unbranded grey sweats, and a pair of Nike shoes on a couch. As Brock grabbed it all to try it on, Alexander placed two plastic-wrapped bundles on top of the pile. One was a two-pack McKenzie briefs and the other was a 3-pack unbranded white socks.
“You want me to strip naked?” “It’s up to you, but we do offer a complete style.”
It wasn’t until behind the divider, with his khakis and shirt folded into a pile, that he made the decision. It felt weird stripping naked in the same room as another dude, although on the other side of the screen, but he reminded himself that he would use the gift card to the max. Off went his underwear, and he started putting all the new clothes on.
Looking at himself in the mirror it kind of felt different. Sure, it was just clothes, but how often do you replace everything. How often is everything you wear chosen by someone else? He had input on what items to take, but from a selection already decided for him.
“Well mint.” “Mint?” “It looks good on you. Let’s style the rest of you to match.”
They walked back out into the barber part and Brock sat down in one of the chairs. Alexander put a barber’s gown over Brock and started to prepare him for a haircut with a sanex strip around his neck. Brock had a quick thought about his clothes in the other room when Brock spoke again.
“There are a few different styles I would recommend for your look and face shape.” “Just pick whatever you think is best.” “Oh, OK. In that case we have an additional service we can provide while you relax, if you wish. It’s a kind of motivational attitude tape you can listen to. Completely complimentary, and optional, of course.” “Yeah, sure. I’m all in.” “Do you smoke?” “What?” “We have different tapes depending on your preference.” “Yeah, now that it’s legal I light up occasionally.” “Very well. Put these in.”
Alexander opened a small box with some wireless in-ear headphones, put on some disposable rubber covers and handed them to Brock. While Brock fiddled with getting them into place, Alexander brought a cup of tea and a small plate with what looked like a piece of single chewing gum.
“Just drink the tea and then start chewing on the chewing gum, and I’ll get started.” Alexander said, and started tapping on a cellphone. The earpieces started to stream a constant, but not very loud hiss. Brock wasn’t used to tea, but this one was alright. Bitter, sweet, and a hint of lemon. Alexander started to draw a line around his skull with a clipper machine. Was he getting a bowl cut? If that is the price for a new set of clothes, so be it. He was getting really relaxed.
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Brock jerked violently as he woke up, looking around confused to establish where he was. His eyes landed on an unfamiliar guy. “Good Morning again. Did you have a nice nap?” said someone standing next to him, and slowly he got his brain in gear. “Oi Alex!”.  Brock looked back at the unfamiliar guy in the mirror. If it wasn’t for the face, he saw nothing that would clue him in that it was him in the mirror. A fresh set of clothes and a fresh new haircut that somehow managed to look clean, athletic, trashy and aggressive, all at the same time. He was loving it. “Looking mint, mate!” he said, causing Alex to smile.
“I didn’t want to make any decisions for you while you were relaxing. Would you care for a nick or two in the brow?” “Hot looking, innit. Go for it, mate.” Alex took a small clipper and quickly made two slits in Brock’s left eyebrow with his steady hand. There was a piece of stale chewing gum in Brock’s mouth that bothered him. He felt he needed something, but this gum had given all it could. Discretely he took it out when Alex looked away, and stuck it under one of the chair’s armrests.
“Finally, we do have some time for ear piercings if you want.” “Sounds epic, mate.” While Alex went to pick up the piercing gun, Brock grabbed the pack of cigarettes off the desk in front of him, pulled out a fag, and put it in his mouth. Even though it wasn’t lit, it felt so much better to have something in the mouth. “I have these healing studs that look pretty good.” Alex held out a pair of cut glass studs. “You can switch them out for something fancier once healed in 6 weeks, if you want.” “Those are well nice. Fucking mint, innit.”
As Alex cleaned, pierced and finished with his ears, Brock considered what he saw in the mirror. If any of the wankers at the frat gave attitude he would kick them in the teeth. This was mint as fuck. If only he was allowed to light his fucking fag.
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architectnews · 3 years
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V&A Raphael Court Renewal, London
V&A Raphael Court London Renewal, Victoria and Albert Museum Architecture Design by FCBS
V&A Raphael Court Redevelopment
6 May 2021
V&A Raphael Court Renewal News
Refurbished V&A Raphael Court unveiled ahead of museum reopening to the public
Location: Victoria & Albert Museum, South Kensington, west London
Design: architects Feilden Clegg Bradley Studios ; lighting designers Studio ZNA
View of refurbished Raphael Court at the V&A, 2021 © Hufton+Crow the Raphael Cartoons, on display in The Raphael Court at the Victoria and Albert Museum (V&A), reopening 19 May 2021
vam.ac.uk/raphael-cartoons | #RaphaelCartoons
Today the V&A unveils a first look at the newly refurbished Raphael Court – home to the Raphael Cartoons – following a landmark renovation in 2020 to mark the 500th anniversary of Raphael’s death. Together with a new interpretive approach, the refreshed gallery will transform the way museum visitors experience the Cartoons, lent to the V&A from the Royal Collection by Her Majesty The Queen. The gallery will reopen to the public for the first time when the V&A reopens on 19 May.
View of refurbished Raphael Court at the V&A, 2021 © Hufton+Crow the Raphael Cartoons, on display in The Raphael Court at the Victoria and Albert Museum (V&A), reopening 19 May 2021
The Raphael Cartoons are among the greatest treasures of the Renaissance in the UK. Shortly after his election in 1513, Pope Leo X commissioned Raphael to create a set of ten full-scale designs for a series of tapestries for the Sistine Chapel in the Vatican Palace, illustrating scenes from the lives of Saint Peter and Saint Paul. Once complete, the Cartoons – each measuring around 5 metres wide and 3.5 metres high – were sent to the workshop of merchant-weaver Pieter van Aelst in Brussels, which transformed the monumental designs into tapestries. Seven of the Cartoons survive to this day, brought to Britain in the early 17th century by the Prince of Wales, later Charles I. They remained in the Royal Collection and were lent to the South Kensington Museum – now the V&A – by Queen Victoria in 1865 in memory of Prince Albert and have been on public display in the museum ever since.
View of refurbished Raphael Court at the V&A, 2021 © Hufton+Crow the Raphael Cartoons, on display in The Raphael Court at the Victoria and Albert Museum (V&A), reopening 19 May 2021
Working with architects Feilden Clegg Bradley Studios and lighting designers Studio ZNA, The Raphael Court has been reconceived to celebrate the Cartoons, focussing on their extraordinary details and vibrant palette. State-of-the-art LED lighting reveals the texture and vitality of the works, whilst acoustic panelling creates a more comfortable environment. Bespoke furniture provides opportunities to sit and enjoy the works and the gallery at leisure.
An extensive high-resolution recording project carried out by Factum Foundation has provided incredible new images of the Cartoons, which will be available for visitors to explore in the gallery, as well as online. Graphics by Polimekanos, and digital gallery interpretation by Spiral Productions produced with the V&A, harness this imagery to reveal in-depth stories about the creation and history of the Cartoons – the first time that audiences have ever been able to explore the masterpieces in such detail.
View of refurbished Raphael Court at the V&A, 2021 © Hufton+Crow the Raphael Cartoons, on display in The Raphael Court at the Victoria and Albert Museum (V&A), reopening 19 May 2021
To help launch the gallery, the V&A has also collaborated with conductor Oliver Zeffman, violinist Viktoria Mullova and the Academy of St Martin in the Fields. Bringing this iconic gallery to life, the refreshed Raphael Court provides a stunning backdrop for the new visual album ‘Live from the V&A’. Performing a programme of Bach, Mozart, Honegger and Pärt, the video performance will be available from 4 June on Apple Music and Marquee TV, a streaming platform dedicated to art, culture and performance.
View of refurbished Raphael Court at the V&A, 2021 © Hufton+Crow the Raphael Cartoons, on display in The Raphael Court at the Victoria and Albert Museum (V&A), reopening 19 May 2021
Tristram Hunt, Director of the V&A, says: “We’re delighted to be reopening the Raphael Court following this landmark refurbishment to mark the 500th anniversary of Raphael’s death. The transformed gallery – with its new, digital interpretation – places the Raphael Cartoons at its heart, revolutionising the public’s appreciation of these remarkable works of art and repositioning Raphael as craftsman and designer as much as Renaissance genius. We look forward to welcoming visitors back to experience the Raphael Cartoons in a whole new light when the museum reopens on 19 May.”
View of refurbished Raphael Court at the V&A, 2021 © Hufton+Crow the Raphael Cartoons, on display in The Raphael Court at the Victoria and Albert Museum (V&A), reopening 19 May 2021
The refurbished gallery’s new interpretive approach provides the public with a deeper level of access to the Raphael Cartoons, enhancing our understanding of these monumental works of art. In August 2019, the V&A and Royal Collection Trust worked with Factum Foundation and Momart on a high-resolution recording project, supported by the Royal Commission for the Exhibition of 1851. This involved unframing each Cartoon to capture high-resolution 3D data of the surface, and panoramic composite photography to record the colour and gather infra-red data.
Each 3D image took over 95 hours to capture with four of Factum’s Lucida 3D Scanners mounted on scaffold towers. The resulting images reveal the Cartoons’ unique surface texture – from the joins of the composite sheets of paper that make up each Cartoon and the tiny pinholes that were made to translate the Cartoons into tapestries, to the creases and tears, and marks of subsequent restoration and repair, from throughout their lifetime.
View of refurbished Raphael Court at the V&A, 2021 © Hufton+Crow the Raphael Cartoons, on display in The Raphael Court at the Victoria and Albert Museum (V&A), reopening 19 May 2021
The imagery captured is crucial for the study and future care of the Cartoons, and enabled us to greatly enhance the gallery interpretation, as well as our online content offer, in an unprecedented way. In the Raphael Court, this pioneering imagery informs a suite of new, digital interactive interpretation, available in the gallery on visitors’ mobile devices. Using QR codes to access the interactives, visitors can discover in-depth stories about the creation and history of the Cartoons, which bring to life their design, making, and incredible survival to the present day.
Created by Spiral Productions with the V&A, interactive features and games enable visitors to get up close to the detail and creation of the Cartoons by zooming into the ultra-high-resolution photography, infrared imagery, and 3D scans of the Cartoons; to discover the Cartoons’ function as full-scale tapestry designs for the Sistine Chapel; to uncover the ingenuity of Raphael and his workshop and their design process; and to learn about the rescue, life and status of the Cartoons in England, from their arrival in the 17th century up to the present day. Together, the interactives highlight the significance and status of the Cartoons, illuminating their enduring fascination and enabling visitors to explore the fragile artworks as never before while in their presence.
View of refurbished Raphael Court at the V&A, 2021 © Hufton+Crow the Raphael Cartoons, on display in The Raphael Court at the Victoria and Albert Museum (V&A), reopening 19 May 2021
Online, the V&A website hosts a range of in-depth, complementary content, providing visitors unique access to explore the Cartoons from anywhere in the world. Launched in January 2021 during a period of temporary closure for the museum, the V&A’s Raphael webpage experienced a 1,500% increase in views.
One of the V&A’s largest and most dramatic galleries, The Raphael Court is almost identical in proportion to the Sistine Chapel and was last refurbished from 1992 to 1996. Combined with enhanced interpretation, the new scheme – with its darker colour palette, state-of-the-art lighting, refreshed furniture, new graphics and on-site digital experience – transform visitors’ viewing experience and their enjoyment of these works of art.
The Raphael Court is also integral to the museum’s programme of events and activities including the V&A’s Fashion in Motion series. Dedicated events lighting and improved acoustics have been central to considerations and now provide the space with even greater flexibility.
The Raphael Court is home to other artworks, including an example of a later tapestry made in the 17th century in England after Raphael’s design – The Miraculous Draught of Fishes, on loan from The Duke of Buccleuch & Queensberry KT KBE, and The Trustees of the Buccleuch Living Heritage Trust. The original set of tapestries for the Sistine Chapel is on view in the Vatican Palace in Rome.
View of refurbished Raphael Court at the V&A, 2021 © Hufton+Crow the Raphael Cartoons, on display in The Raphael Court at the Victoria and Albert Museum (V&A), reopening 19 May 2021
Other important Renaissance works in The Raphael Court include a marble singing gallery from Florence – likely seen by Raphael – and a detached fresco by Perugino, Raphael’s master. On display in the Court apse, a monumental altarpiece from Valencia, Spain, is a rare example of the Gothic International Style and illustrates a founding event of the city under the protection of Saint George.
The refurbishment of the Raphael Court is supported by Lydia & Manfred Gorvy, Julia and Hans Rausing, American Express, the Royal Commission for the Exhibition of 1851, Sir Michael and Lady Hintze, the Robert H. Smith Family Foundation, the American Friends of the V&A, and many other generous donors.
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swiftsureceilings · 3 years
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The Advantages of Furnishing your Office With Custom-made Furniture
From your personal desk space to crowded meeting room, the furniture you interact and use in your office interior can have a grave effect on your company. Design, practicality, as well as functionality are key aspects in creating a positive work environment.
There are not a lot of furniture stores in London that will go out of their way to present customers with custom-made office furniture to suit the requirements of your office environment. However, there are independent companies that can help you with office refurbishment in London. In general, these companies offer a bespoke furniture service that will benefit your company more than a mass-production alternative.
Refurbishing your office with custom made furniture is the ideal way to inject your brand and your personality into your office environment. Below you will read about how customized office refurbishment can be.
Customized Office Furniture is Made to Order:  All bespoke items is made to order, indicating your office will have a one-of-a-kind décor, since no other office in London will be furnished the same way.  This sends out a strong message to prospective clients, specifically if you integrate your company name or logo on to your desks, coffee tables, shelving, bookcases, and more.  When using bespoke refurbishing services from a company that boast a good record of accomplishment, you can rest assured that they will spend additional time in the finishing of your furniture, guaranteeing that your bespoke furniture is of high-workmanship.
Made to Measure: When refurbishing your office in London can be problematic if you are purchasing your office desk, bookcases, shelves, and other furniture from a local dealer since it might not be the correct size.  This will make it challenging to place your furniture in the correct spaces. However, custom made furniture will be made to order and will utilize your office space efficiently; meaning that your desks, shelving, and other items will fit properly into the specific spaces.
Personality: One of the most important factors inside your office is to generate an environment that meets you needs and preferences.  At a local furniture shop the variety of materials and colours to choose form is limited.  Then again, by ordering bespoke office furniture, you can pick the materials and colours of your desks, shelving, bookcases, coffee tables, chairs and more, that match your surroundings and brand. If you want to personalise your environment with bespoke office refurbishing solutions, then it is best to appoint an independent company in London to assist you with your needs.
Improve Brand Image: The layout and the design of your office furniture should represent the brand image and the company’s personality. This will inspire employees to function optimally within their workplace and without fail deliver a positive impact to customers.
Boost Work Life: Along with daily stimulus comes an improved working routine. If your employees feels inspired and motivated by their work environment, then the workplace are more enjoyable for them.
Encourage Efficiency: There are more than one way to encourage success withing your office environment.  But, then again, with the correct refurbishing in your office, your design and layout can be used to promote productivity in the work area.
Functional, stylish and everything in between, custom-made office furniture for your office located in London, is versatile, and vast and will change and environment into a space that not only appears great but functions better as well and stimulate the company as a whole.
In conclusion, when working alongside a reputable independent company in London to refurbish your office environment, your business will benefit from the above-mentioned aspects. Moreover, you will receive high-quality products and matchless office design services.
About Us
SwiftSure Ceilings is an independent company that is branded in Central London and the South East as a specialist in office partitioning, suspended ceilings, and office refurbishment. With more than 20 years of knowledge and skill in our core industry, we have an excellent repute among our valued customers. We have carried out contracts from as little as a few hundred pounds to hundreds of thousands.  Contact us today to discuss your requirements and arrange a free no-obligation quote and survey. For more information, please visit http://www.swiftsureceilings.co.uk
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myhouseidea · 5 years
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The design focus for this North London Victorian terrace home design project designed by Charles Tashima Architecture was the refurbishment and reconfiguration of the ground floor together with additional space of a new side-return. Photography by Oliver Perrott.
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“Orienting and organising the interior architecture to maximise sunlight during the course of the day was one of our primary challenges solved.
While the front of the house faces south-southeast with wonderful direct morning light, the rear garden faces northwest, consequently less light for most of the day.
​At the encouragement and inspiration of our famous client, we made the somewhat counter-intuitive decision of relocating the kitchen to the smallest room at the back of the terrace house, rather than in the larger room extension in the garden.
This move had advantages. The kitchen gained the strategic position to serve both the garden living area to the back and breakfast room at the front. It’s important to note that the living and family dining areas are set (about 7 steps) lower than the main ground floor of the house.
In order to improve the connection and flow of the two levels, we designed a stair with a generous half landing – a space between. Just above this landing, we introduced a glazed cube for light as well as head-height. The stair is made of reclaimed oak, blackened steel and polished brass handrail.
To improve the use and volume of light within the existing extension, we added a number of windows and skylights in addition to a side return and window seat, projecting into the garden with a direct view of a beautiful magnolia tree. In the late afternoon, there is a brief period when light cuts across the house on the garden side and light does have a moment of direct engagement.
As to the character of the rooms, our client asked for an eclectic approach, using a rich variety of materials – including reclaimed flooring, concrete worktop, Moroccan cement tiles, coloured glass and steel windows – to work together with a variety of colours and rich array of their furniture.
We sought to create atmospheric and warm spaces with bespoke joinery. It was important that the room had the dual feel of being a place to read the newspaper and have breakfast, while having the warmth and comfort of surrounding books and photographs.”
An Eclectic Victorian Home Refurbishment and Extension by Charles Tashima Architecture The design focus for this North London Victorian terrace home design project designed by Charles Tashima Architecture…
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dawnrmoore-blog · 5 years
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Buy Bespoke Kitchens
Welcome to handmade kitchens kent. We are a small Father and Son Company that has many years of experience in the design and installation of bespoke and non bespoke furniture. We have designed and installed hundreds of quality kitchens for our customers and have even installed a second kitchen for customers who have moved to another property. We are the Buying a bespoke kitchen has so many advantages as it allows you to plan your kitchen exactly how you want it. We work mostly in the South East of London and Kent areas, we can supply kitchens in Kent and surrounding areas and offer a full fitting service for kitchens in Kent.
Website: http://www.handmadekitchenskent.co.uk
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janinestoneco · 5 years
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‘South Downs towards the Horizon‘ - by Louise Balaam (@louisebalaam). An oil painting that, as if by magic, will transport your mind’s eye to the crest of a grassy knoll, stretching deep into your memories of playing as a child in nature, amid flora and fauna. The sky blues and fern greens, complement the gilded objects and furniture we sourced for this project from @bakerfurniture @hollyhuntlondon @hollyhuntdesign #interiors #interiordesign #art #oilpainting #landscapeportrait #southdowns #gilded #bespoke #objet #london #renovation #modernisation #furniture #design #janinestone_co https://www.instagram.com/p/BztpJl2BcEp/?igshid=1hav6qh5iro2n
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londonsprayfinishes · 2 years
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London spray finishes offers Bespoke Lacquer Luxury Finish London, on–site spraying London, best furniture polish spray company, best onsite hard surface repair company and decorative contractor, based in South West London. Whether you are about to embark on a refurbishment, restoration or a redesign project, London Spray Finishes can accommodate your project requirements. Our team of talented craftsmen have an uncompromising eye for detail, precision, quality, delivering projects on-time and on-budget. We work with both domestic and commercial clients, across a wide range of sectors, from private homes to museums.Our approach is traditionally derived from 33 years in fine finishing experience and onsite hard surface repair service, combined with a well equipped workshop and studio; which features a host of modern technology and equipment, enabling us to create a seamless, smooth, and high-quality finish to every project. For more information, visit us on londonsprayfinishes.co.uk/.
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ippnoida · 3 years
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JLF enroute to Malvides in 2022
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The 15th edition of the Jaipur Literature Festival (JLF) has moved to the Clarks Amer in Jaipur from 5 to 14 March 2022. In a press conference on 12 March, the third day of the on-ground event, festival directors William Dalrymple and Namita Gokhale, accompanied by author and socialite Shobhaa De, and Teamwork Arts managing director Sanjoy Roy along with Donna Campbell communications director from the luxury retreat Sovena Fushi in the Maldives announced the JLF Sovena Fushi from 13 – 22 May 2022.
The opulent Sovena Fushi resort where villas go from US$ 3000 a night for two, is located on the pristine shores of the Maldives and offers a shoe-less adventure to visitors. The award-winning resort is located within the Baa Atoll Unesco Biosphere Reserve. It will be the 9th international outing of the literary jamboree after Belfast, London, New York, Houston, Adelaide, Colorado, Toronto, and Doha. The event will once again showcase the multilingual literary heritage of India and South Asia to the international literary community.
[caption id="attachment_32341" align="alignright" width="300"]📷 Soneva Fushi in the Maldives Photo cropped from panoramio Ameer Dawood[/caption]
The announcement comes as a breath of fresh air to readers and litfest fans across the world. JLF discovered a gap in this niche during the Covid-19 pandemic and has tried to bridge it with the JLF Sovena Fushi. The environmentally aware and active resort recycles everything including automobile parts, converting them to aesthetic furniture centerpieces.
Dalrymple announced the list of elite authors for the niche literary recycling event. These include the author and politician Shashi Tharoor, widely-read Turkish-British novelist Elif Shafak, Indian-American filmmaker Mira Nair, non-fiction author of Empire of Pain Patrick Radden Keefe, former Indian diplomat and writer Vikas Swarup, André Aciman, acclaimed author of Call Me By Your Name, 2022 Sahitya Academy award winner and JLF co-director Namita Gokhale, among others.
Roy said, “We are delighted to have our first bespoke JLF experience. We do believe that there is a space for it and that is the reason that we have accepted to do this wonderful festival. All of us at JLF are looking forward to the experience of literary luxury at JLF Soneva Fushi.”
Campbell said on behalf of Soneva Fushi CEO and co-founder Sonu Shivdasani, “We have an essential lineup where you get to experience the beautiful surroundings of Soneva Fushi. This intimate experience has been limited to 200 guests so we have bespoke literary interactions as well as enjoying the rare experience of Soneva Fushi has to offer.” We will have poetry sessions on rooftops, live music sessions, dinner parties on white sandy beaches, art experiences, private lunches and intimate interactions with authors, glass-blowing, Bollywood dancing, and adventure sports such as scuba diving, she added.
Shobhaa De, who is also on the speakers list, has already experienced the luxurious surroundings of Sovena Fushi. “As someone who has visited Sovena Fushi several times, the first thing that struck me on my first visit was the sustainability and the complete commitment that Sonu had on every single tiny detail at the resort which is eco-friendly and aesthetic and created in a manner that makes the entire experience so very unique.
“When Sonu first approached the subject of having a litfest at Sovena Fushi, I thought it was a marvelous idea because it makes it so unique to be able to interact intimately with your favorite writers, to listen to poetry under the stars, to have music playing as you go on these wonderful boats or to even be on a beach with maashalls (torches). Poetry and interactions with writers, poets, and musicians would certainly make this the most unique literary event, perhaps, on the earth under a canopy of stars,” she said.
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Global Luxury Furniture Market poised to grow at a CAGR around 3.14% during the forecast period
Market Analysis 
The global luxury furniture market is predicted to touch USD 183 billion at a 3.14% CAGR over the forecast period (2019-2024), states the new Market Research Future (MRFR) report. People in the current era want comfort and luxury everywhere, no matter at home or office. Luxury furniture is in high demand these days for a good number of reasons. They are available in different styles, materials, sizes, and finishes, are user-friendly, comes in attractive designs, is lightweight, and most importantly, there is something to suit every taste and budget. 
Various factors are propelling the luxury furniture market growth. Some of these factors according to the Market Research Future (MRFR) report, include changing lifestyle, the launch of innovative and new furniture with elegant designs, growing spending power of consumers, higher media penetration, inclination in online retailing, and robust growth in the real estate sector. Additional factors pushing market growth include the increasing impact of globalization, growing demand for eco-friendly luxury furniture, and an increasing trend of the modular kitchen. 
On the contrary, the increasing cost of raw materials and scarcity of skilled workers are factors that may restrict the luxury furniture market growth over the forecast period. 
Access Report Details @ 
https://www.marketresearchfuture.com/reports/luxury-furniture-market-1305  
Market Segmentation
The MRFR report provides a complete segmental analysis of the luxury furniture market on the basis of raw material, retail formats, and end use. 
Based on raw material, the luxury furniture market is segmented into plastic, metal, wood, and others. Of these, the wood segment will have the largest share in the market over the forecast period. 
Based on retail formats, the luxury furniture market is segmented into online retailing, departmental stores, furniture retailers, and others. Of these, online retailing will lead the market over the forecast period. 
Based on end use, the luxury furniture market is segmented into commercial and residential. Of these, the residential segment will dominate the market during the forecast period. This is due to the burgeoning demand for multipurpose and multi-functional residential furniture, increasing influence of online retailing, and the growing number of housing schemes. 
Regional Analysis 
By region, the luxury furniture market report covers the latest trends and growth opportunities across Europe, the Asia Pacific (APAC), North America, and the Rest of the World (RoW). Of these, Europe is predicted to command the market over the forecast period. This is owing to the region’s established hospitality sector and a growing emphasis on interior designing. France and Italy are the key contributors in this region as they are the hub of fashion trends. Moreover, the strong economy in the region is also boosting the market growth. 
 The luxury furniture market in North America is predicted to have favorable growth over the forecast period. This is owing to the presence of leading luxury brands in the region that are largely emphasizing on personalization in the product. 
The luxury furniture market in the APAC region is predicted to grow at the fastest pace over the forecast period. This is owing to product promotion by key market players, expanding real estate industry, and increasing per capita disposable income. Moreover, rising preference for posh ambience such as elegant acoustics and luxurious architecture at vehicles, hotels, restaurants, and homes are also pushing market growth. 
The luxury furniture market in the Rest of the World is predicted to have a notable growth during the forecast period. This is due to the burgeoning need for luxury furniture in the hospitality sector. 
Key Players 
Leading players profiled in the luxury furniture market report include Steinhoff International (South Africa), Turri SRL (Italy), Herman Miller, Inc. (US), Iola Furniture Limited (UK), Heritage Home Group (US), Nella Vetrina (Italy), Muebles Picó (Spain), Scavolini S.p.a. (Italy), Giovanni Visentin S.R.L. (Italy), Valderamobili (S.R.L.) (Italy), and Duresta Upholstery Ltd (UK). 
September 2019: Giorgetti, leading Italian luxury furniture brand will soon make an entry into the UK market following the launch of its very first store in London. This London store along with hosting their renowned products which are highly appreciated for its timeless aesthetic and quality will also serve as the window for an excellent selection of technical solutions and materials to cater to their customer's bespoke needs. 
Request a Sample Report @
https://www.marketresearchfuture.com/sample_request/1305  
NOTE: Our Team of Researchers are Studying Covid19 and its Impact on Various Industry Verticals and wherever required we will be considering Covid19 Footprints for Better Analysis of Market and Industries. Cordially get in Touch for More Details.
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architectnews · 3 years
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Ulu Cliffhouse, Bali
Ulu Cliffhouse, Bali Boutique Hotel, Resort Buildings, Indonesian Architecture Images
Ulu Cliffhouse Resort in Bali
2 Nov 2021
Design: SHED
Location: Bali, Indonesia, South East Asia
Ulu Cliffhouse Boutique Hotel
The Ulu Cliffhouse in Bali provides a dramatic setting for ‘one of the best private clubs in the world’ – Ulu Cliffhouse, designed by Shed, London
The dramatic Uluwatu Cliffs play host to an impressive boutique hotel that boasts some of the world’s best surf, stunning views and atmospheric sunsets. Shed, a London-based interior design and architecture studio, was invited to design The Mandala Group Ulu Cliffhouse boutique hotel, with the brief to re-imagine a new generation of one-off destination venues that dance to the beat of their own drum, whilst making the most of the breath-taking clifftop setting 30 metres above Uluwatu beach.
Described by Tatler as ‘one of the best private clubs in the world’, Ulu Cliffhouse has quickly become a firm favourite on the international club circuit since opening in 2020, featuring superstar DJs such as Carl Cox.
Shed partnered with implementation architects, Design Assembly, and local design firm, The Good Firm who specialise in Balinese craftmanship to design one-off pieces and interiors. As the lead designer, Shed knew to be relevant the right recipe was needed to stand-out from the Balinese resort scene.
Part Beach: Laid-back vibes and a nod to Uluwatu’s surf heritage. Part Natural: Celebration of the location’s landscape, local materials, foliage and craftsmanship. Part Jet Set: All the panache of an International Member’s Club.
The jewel in Ulu Cliffhouse’s crown is the Ocean Deck, hidden out of sight only to be discovered by a winding staircase that leads to this dramatic, secluded rock bar. The inspiration here was simple: The stunning natural beauty of the rock outcrop rising above the crashing waves of the ocean. Built into the cliff face the design is rustic and raw with bleached timber decking and a bar set seamlessly into the rock face.
The Ulu Cliffhouse’s pool area is the hotel’s centrepiece, giving a nod to mid-century geometric forms and pastel furniture. Loungers and bespoke sunshades arranged in ‘sets’ around the pool, make the perfect setting to see and be seen. A bleached yellow diving platform is for posing and drinking in equal measure. Two cantilevered terraces flank the cliff edge with neutral umbrellas and deep sun loungers.
The Cliff Bar and Restaurant offers tiered dining with fantastic sea views. Shed designed the new timber and rattan pavilions that provide a soft dappled shade. Furniture is hand crafted by local craftsmen and comes in an eclectic mix of styles: Mid Century rattan is paired with bold Hawaiian print, soft tertiary colours provide a changing landscape of personality.
The main entrance to the hotel through the Clubhouse teases residents with the unparalleled beauty of the view beyond from the top of the cliffs. Villa décor themes are playful: ‘Beach’ villas reimagine the 70’s ‘avocado suite’, palm wallpaper with dressing gowns to match and a swing in shower, ‘Club’ rooms are inspired by a Panama Penthouse with luxurious tropical furnishings in navy, coral, brass paired with rattan wardrobes and finally ‘Natural’ Villas celebrate material and craft, monolithic slabs of timber and stone form surfaces patterned with Balinese fabrics.
Matt Smith, co-founder of Shed and lead designer, says, “Many of the materials used in this project work within the context of the local resources and the beautiful, natural features available on this unique site. The materials have been skilfully used to create a natural, yet dramatically contemporary, ruggedness to the overall design that ultimately lets the beauty of the clifftop landscape take centre stage.”
Ben Jones, Owner of The Mandala Group, says, “Ulu Cliffhouse has redefined the Bali beach club scene with world-class music, design, food and beverages.”
Ulu Cliffhouse Boutique Hotel in Bali – Building Information
Architects: SHED Completion date: 2020 Building levels: 3
images: SHED
Ulu Cliffhouse Boutique Hotel, Indonesia information / images received 021121
Location: Bali, Indonesia, south east Asia
Indonesia Architecture
Indonesian Architecture : links
Indonesia Architecture News
House O, Mas, Bali Design: Alexis Dornier image from architects New House in Bali
The Stone Ubud Homes and Hotel, Ubud Design: Atelier Urbanus image from architects The Stone Ubud Homes and Hotel
Uluwatu House, Bali Design: SAOTA photograph : Adam Letch Uluwatu House in Bali
Melali House Design: Thomas Winwood Architecture photography : Ryan Robson Contemporary House in Bali
Marine Research Center Design: solus4 Cg Rendering : Tangram 3DS LLC Marine Research Center Bali
DSGN Innovation Hub Scheme in Bali
Sea Sentosa at Echo Beach in Bali
Indonesia Buildings
Clay House on Lombok Island Design: Budi Pradono Architects photography : Fernando Gomulya Clay House on Lombok Island
Indonesian Architect Studios
Singapore Building
Comments / photos for Ulu Cliffhouse Boutique Hotel, Indonesia page welcome
Website: Indonesia
The post Ulu Cliffhouse, Bali appeared first on e-architect.
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swiftsureceilings · 3 years
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Reason Tailored-Made Office Furniture is Better Than Self-Installed Furniture
When starting a new business and setting up your office, the furniture and interior design might not be very important for a lot of company owners in South East and London. You might just want to get your new business venture up and running and purchase a few standard pieces of furniture.
However, the furniture you are going to use in your office interior is not something to be overlooked, and it is worth considering the benefits that custom-made designs can offer.
The interior planning of your office is a lot more important than you believe. If you need to furnish your entire office in South East London, it is likely possible that you will run down to a local office furniture store and purchase a few coffee tables, shelving units, desks, bookcases and more just randomly since you think it is the right thing to do.  However, when it comes to setting up your office furniture, you might discover that it is not as easy as you thought to assemble the pieces.
It is highly likely that there might be a few screws missing and you find it difficult to assemble the furniture.
There are many horror stories when it comes to self-installed flat-pack furniture. Luckily, this is not the only alternative available when you want your office interior to look appealing.  There are many companies situated in London and surrounds that offer business owners with unique furniture options.
As mentioned, priorly, the interior design of your office is important. You want to create a work environment that is pleasing to your employees as well as an inviting space that spells out professionalism so that you can leave a lasting impression on prospective clientele.  
When a new client walks in your door, you do not want them to look around your office and leave the imprint that your company appears a little low budget. That could steer them thinking the same about the company and you. First impressions are very important and therefore your office interior must shout out uniqueness and vibrancy.  You want potential customers to walk into a space that gives off the feeling of trust and professionalism – and all this can be accomplished by purchasing tailored-made office furniture.
Bulk ready-made office furniture lack uniqueness and most of the times when purchasing desks, bookcases, coffee tables, chairs and much more, people tend to overlook the size.  It is worth mentioning that furniture shops do not sell furniture according to your office plans and that office desk that you like, might not even fit in your office. However, when ordering custom-made furniture, you can rest assured that the pieces will fit and are made to the correct size.
Even though custom made desk, bookcases, coffee tables and other furniture pieces might be pricier than those of your local furniture shop in London and South East, it is worth the investment.
The main concern when furnishing your office interior is picking out the correct size. Almost always, when furnishing your area, you will have an idea of what pieces you need and where you want to place them.  Moreover, if you are somebody who likes to do things properly, you will want your furniture pieces to be the right size, all the way down to the last centimetres.
Decorating your office interior with custom-made furniture are not always about size – it can be making a statement and standing out from your rivalries.  Remember, the majority of furniture stores sells the same products and items. By ordering bespoke furniture your office interior will be unique from other offices and you give a lasting impression to prospective partners and clients.
About Us
SwiftSure Ceilings is an independent company that is branded in Central London and the South East as a specialist in office partitioning, suspended ceilings, and office refurbishment. With more than 20 years of knowledge and skill in our core industry, we have an excellent repute among our valued customers. We have carried out contracts from as little as a few hundred pounds to hundreds of thousands.  Contact us today to discuss your requirements and arrange a free no-obligation quote and survey. For more information, please visit http://www.swiftsureceilings.co.uk
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peckhampeculiar · 6 years
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Tailoring with a twist
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Samantha Russell from TENS Studio creates handmade outfits for women and men featuring bright and unique prints. She tells how she followed a long-held dream to set up her own fashion label  
 Words Emma Finamore; Photo Lima Charlie 
 Bespoke tailoring and exclusive prints might be items you associate with the suit-makers of Savile Row and high-end boutiques, but you can buy them right here in Peckham, from a local fashion designer-maker who’s set up shop just off Rye Lane.
Samantha Russell has been living in the area since she studied illustration at Camberwell College of Art, and established her clothing brand, TENS Studio in early 2016.
She specialises in tailored shirts, shorts, trousers and two-piece sets in bright, unique prints, as well as collaborations with Peckham artists and designers. She also makes high-quality unisex sweatshirts and T-shirts with one-off embroidered designs.
However, despite studying at Camberwell, when she graduated Samantha never imagined she would be able to forge a career using her skills in illustration and instead started working in education and schools via an agency.
She worked in a referral unit with children suffering from serious behavioural issues, then at Harris Academy Peckham on Peckham Road, where she was in charge of speech and language.
She also acted as literacy coordinator for the school. “It was such a good job,” she says of her time there. “I loved those kids and the people I worked with. It was so inspiring.”
In her spare time though, Samantha was already sowing the seeds to start her own business. “I’d been making clothes for a really long time when I started TENS – about seven years,” she says.
Using skills picked up at university – such as an eye for the lines of a rough pattern and general dexterity – she started making full outfits from scratch with no training or formal patterns. 
“I was just making outfits for myself,” she says. “First of all I would just make dresses for nights out – I’d go to the fabric shop, find this incredible fabric that you could buy by the yard for next to nothing, then go home and make these outfits.” 
Then Samantha started making ensembles for her birthday and for Carnival weekend and festivals: tops or two-piece shorts-and-top sets. “I found this amazing African print with the Chanel logo,” she remembers.
“I hate to think about all the fabric I wasted because then I didn’t know about cutting material efficiently to save as much of it as possible, but I would end up with one outfit that I wanted to wear. And that was all I wanted at the time.”
When it was time to move on from her role at Harris Academy in 2015, she was thinking that her love of fashion design was something she could develop into a business.
That winter she started an internship as a sample room assistant at Russian fashion house Vilshenko, where friend (and now fellow Peckham-based designer) Beatrice King of Sturla was working as a cutter. 
“It was scary, I’d never done anything in the fashion industry, and didn’t know anything,” Samantha remembers.
She spent three months there dealing with the label’s samples and fabric packs and the components to make pieces, which had to be sent all over the world for shoots and further tailoring.
It was high-stress work – these were designer items worth a lot of money, with all the associated pressure of making sure everything was perfect – but Samantha says she learnt a lot, and that the experience now helps her run her own brand. 
“I did think at the time, ‘I don’t really want to learn how to pack, I want to learn how to make patterns’,” she says. “But I did copy out patterns, and I’ve realised since that I learnt so much from that job.
“I learnt the basics, like how to draw really accurate patterns, what essential information to include. So if something’s being sent to the graders, you give them a pattern and they give you the measurements for small, medium and large, for example.”
She also learnt about “tech packs, the garment drawing, what components you need, what fabric goes on, what buttons you use, organising so you can take it out and know exactly what’s going on.
“It was the simple things as well, like making sure you write down where you get everything like the buttons and other components. It sounds so obvious, but you don’t know until you work in a job like that.”
In the new year she and Beatrice went back to their jobs at Vilshenko and realised they were both thinking the same thing: they wanted to take what they’d learned there and combine it with their love of design and desire to work for themselves.
They knew from friends that spaces in Holdron’s Arcade on Rye Lane were within budget for fledgling businesses. Samantha made a call to the landlord and found an available unit. That day they went to view it and snapped up the spot there and then. 
“It was so quick,” says Samantha. “So we were like, ‘Yes – we’ll take it!” and then we needed to think of a name. By the 10th day of January we were still trying to think of one, and so we settled on TENS – for the 10th.” 
TENS Studio was born. In just a few months, the two new entrepreneurs had to make all the clothes ready for the launch, furnish and dress the shop and set up their own business. Samantha also had to learn how to grade clothes.
“We had no money,” she recalls, “and we had to paint the furniture, print the T-shirts and just not eat. And we did it all in front of everyone because the shop was open in the arcade, there for everyone to see.”  
Beatrice later decided to go her own way with Sturla and make high-end tracksuit sets under her own brand, while Samantha continued with TENS and her aim to create handmade limited edition two-piece outfits made from original prints, designed by herself or in collaboration with artists, playing to her own skills and interests.
“I don’t really know much about ‘fashion’ as such, like when fashion week is, or what season I should be designing for,” she says. “I just like making things I like, and having the chance to work with my friends.”
Samantha has already achieved what she set out to do. Since 2016 she’s been making bespoke shirts, short-and-top and shirt-and-trouser sets, even baby outfits to order, and creating clothing lines in collaboration with local designers and artists.
One such project saw her working with Gabriella Rosenau of Morewalls to come up with pigeon-inspired prints (repeat patterns that look like traditional prints from far away, revealing the pigeon detail up close) and a unisex cut to create MoreTENS.
It’s a collection of high-quality T-shirts and sweatshirts embroidered with their pigeon line-drawing design, as well as tailored two-piece sets in their own exclusive pigeon print, which are made to order.
The two have even produced a MoreTENS lookbook together, shot on location in south-east London using local models. Shoppers can see the resulting prints on the walls of TENS Studio, or find them online. There are plenty more exciting local collaborations with designers and artists in the pipeline too.
TENS is currently developing another line with Lucas Dupay, for example, a south London abstract painter. Lucas is painting fabric for some one-of-a-kind two-piece sets, and together with TENS is producing a digital print in a separate design for made-to-order pieces, as well as an embroidered design.
Samantha has also taken part in local events, like last summer’s Copeland Park market featuring brands from all over south-east London, pushing the message of #SupportYourLocals.
She co-organised an all-female designer-maker market at 133 Rye Lane, encouraging people to support women in fashion and urging them to choose ethically produced products and promoting the #SayNoToFastFashion message. 
She’s come a long way with her shop too. After sharing the store with a few other local brands, Samantha now occupies the space on her own, in a fully dedicated TENS Studio. 
She reopened her newly decorated and reconfigured shop in early March, and now stocks London jewellery designer-makers like Graham Sayle, Joe Holbrook and Lizzie Kingdom, along with handmade leather cross-body bags from Kyodai.
She’s also kitted out the unit with a new, bigger work station (also built by Graham Sayle) allowing her to draw and cut designs, as well as sewing them, all while manning the store and taking ad hoc enquiries about commissions from customers.
Tailoring is at the centre of TENS Studio, so it seems right that Samantha’s sewing machine takes pride of place in the shop. It’s at the centre of how she sees her brand moving forward now too.
“I’ve made some good patterns, which I hope to expand so customers can come into the shop or go online and choose the silhouette, size and fabric and get something that’s a bit special made that they can keep forever, no matter what goes in and out of style – timeless pieces.”
If that sounds appealing, you don’t have far to go: head to Holdron’s Arcade.
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