#bhitti chitra

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hey beautiful souls !

How are all of you? I hope will be good...

So today we will talk about the traditional painting of Rajasthan.

Every place has its own story, every story, and every place has its own identity. every place has its traditional painting.

Rajasthan where does call dharti -dhora -ri .

Rajasthan famous for the pink city, blue city,sun city...Here Krishna Leela painting, Rag-Ragini, Hunting, elephantt fighting.

Here a different identity has been made in the human painting, which can be recognized by looking at the painting here. In which the description of women's dresses and their clothes are given.

Various styles developed under the royal patronage of Rajasthan. From the 15 to 17 centuries, it reached its glory peak. Many pictures of Rajasthan places are famous, mostly nine styles of painting famous in Rajasthan..

I will tell you about the names

(1) Phad painting

(2) Miniature painting

(3) Gemstone painting

(4) Kajali painting

(5) pichwai painting

(6) Bhitti Chitra painting

(7) Kishangarh painting

(8) Sanjhi Painting

(9) Bani Thani's painting.

If you like my blog so please like , comments and share with your friends and relatives.

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Learn an Exclusive Art Work - MADHUBANI Paintings

The name Madhubhani means Backwoods of Honey. The workmanship is made on the walls that have been put with cow fertilizer and mud glue to deliver a dull foundation. The female individuals from the house rehearsed the craftsmanship. It filled in as an imaginative articulation device for their daily existences and happenings. With the conviction that Divine beings visited each house in the first part of the day hours, the workmanship fundamentally wore the walls and entryways, expecting to please and invite the Divine beings.

Madhubani painting are said to have started during the time of Ramayana, when Ruler Janaka dispatched craftsmen to do canvases during the wedding of his little girl, Sita to Master Smash. The artworks normally portrayed nature and Hindu strict themes, the topics by and large spin around Hindu gods. Normal articles like the sun, moon, and strict plants like tulsi (hallowed basil) are additionally generally painted, alongside scenes from the imperial court and get-togethers like weddings. For the most part no space is left vacant, the holes are loaded up with blossoms, creatures, birds, and, surprisingly, mathematical plans. The composition was one of the abilities that was passed down from one age to another in the groups of the Mithila Area, mostly among ladies. The artworks were made on the walls during celebrations, strict occasions, and different achievements of the life-cycle like birth, Upanayanam (Consecrated string service), and marriage. The "kohbar ghar" canvases, which are made on the marital chamber, were customarily made to favor the recently hitched couple and the fundamental subject of these compositions for the most part rotates around affection and richness. The images of richness and success incorporate sun, moon, parrot, elephant, fish, turtle, bamboo tree, lotus, and so on. The tones utilized are splendid - blue, dark, dark red, light yellow, pink, lemon and green and these made the right state of mind and assumed a significant part. The radiant red and yellow portray energy, enthusiasm and the limiting power.

Among the main present day pariahs to record the custom of Madhubani works of art were William and Mildred Bowman. Bowman was an English government worker relegated to the locale during the provincial time. The Bowmen acquired a few drawings on paper that the ladies painters were utilizing as helps to memory. Works that the Bowmen gathered went to the India Records Office in London (presently part of the English Library) where few experts could concentrate on them as imaginative examples of India's people craftsmanship.

Madhubani Workmanship earned respect in India in the last part of the 1960's. After a dry season in the district there was an extreme monetary emergency. To make another wellspring of non-agrarian pay, the All-India Crafted works Board urged the ladies craftsmen to deliver their conventional artistic creations on hand tailored paper for business deal. From that point forward, painting has turned into an essential kind of revenue for scores of families. It is a recognition for the creativity of the ladies of Mithila who have effectively moved their methods of bhitti chitra or wall-painting to the mode of paper.

Generally, normal tones were utilized that were gotten from plant extricates like henna leaves, blossom, bougainvillea, neem, and so on. Then, at that point, to make the paint adhere to the artwork medium, these normal juices are blended in with banana leaves tar and standard gum. Lately, engineered colors that come in powdered structure are effectively accessible on the lookout. In any case, conventional specialists actually use tones got from regular sources. The most well known normal tones in Madhubani workmanship incorporate dark red which is gotten from Kusuma bloom, dark from consumed jowar, green from Bel trees, orange from Palasa blossom and light yellow from turmeric blended in with banyan leaf milk. Two various types of brushes are utilized one for little subtleties that is made from bamboo twigs and the other for occupying in the space that is produced using a little piece of material joined to a twig.

Strangely, Madhubani compositions have three recognized styles:

1. Brahmin Style - The Brahmins are the upper most rank in the Hindu culture and the canvases made by them were permitted liberal utilization of energetic varieties and their artworks were roused by the hallowed texts with accounts of different Hindu Divine beings and Goddesses like Slam, Seetha, Krishna, Durga and Shiva.

2. Kshatriya Style - The Kshatriyas are a little underneath the Brahmins in the standing order and were permitted the utilization of just dark and red tones. The subjects of the artistic creations were comparable as the Brahmin style.

3. Tatoo Style - The Dusadhs are the low standing gathering and they were not permitted to address divinities but rather they could utilize brilliant varieties. Subsequently their subjects incorporated the widely varied vegetation, and of Ruler Salhesh - a Dusadh social legend. This style is known as Tattoo or Godhana painting.

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Phad painting

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Magical Mithila Art

MADHUBANI PAINTINGS: THE MAGICAL WORLD OF STORYTELLING

India is a plethora of rich cultural heritage and traditional art and craft. From every nook and cranny of this vast country, art seems to be oozing in abundance. The influence of various kingdoms and empires can be invariably seen in its varied art forms. One of the most popular among them is Madhubani paintings that originated in the Mithila region of Bihar as wall paintings. Owing to their origin Madhubani paintings are also famously known as Mithila art.

The first mention of the art form is believed to come from the time of Ramayana when King Janak, father of Goddess Sita, ordered the artisans to decorate the walls of the kingdom with this beautiful artwork for the wedding of his daughter with Lord Ram. During ancient times, the walls of the houses in the Madhubani area were decorated with fascinating designs from Madhubani art as a symbol of peace and prosperity.

Earlier confined to the local region of Madhubani, these paintings were exposed to the outside world in 1934. After massive destruction due to the earthquake in the Mithila region in 1934, a British officer, William G. Archer visited Madhubani district and while inspecting the damage caused, he discovered some magnificent paintings on the walls of the houses of the region. He took some pictures of these paintings and mentioned Mithila art in an international art magazine.

Madhubani or Mithila paintings are done using fingers, twigs, matchsticks, brushes, and even pen nibs. The paintings on the walls are known as Bhitti Chitra while the ones on the floor are known as Aripana. The outline for these paintings is done using rice paste and then colours are filled inside the framework. To give a better texture to the walls, a paste of cow dung and mud is used. One would not find any blank spaces left in these paintings. The spaces were filled artistically with geometrical and floral patterns, figures of animals, and birds. Natural colours are used extensively in these paintings. The juice of Kusum flower is often used for pink, indigo for blue, turmeric extract for yellow, sandalwood for red, tesu flowers from Palash tree for orange, charcoal, and soot for black and so on.

Madhubani paintings mostly depict nature and Hindu devotional events, and their themes generally revolve around Hindu deities like Krishna, Ram, Sita, Shiva, Durga, Lakshmi, and Saraswati. Nature and its forms like the sun, moon, and religious plants like tulsi are also commonly painted, along with the scenes from the royal courts and social events like weddings, religious rituals, festival celebrations, etc.

TYPES OF MADHUBANI PAINTINGS

Madhubani paintings are classified under three categories, namely:

BRAHMIN STYLE

The main subject of these paintings were the stories from Hindu mythology that depicted Hindu deities such as Ram, Sita, Krishna, Durga, Kali, and Vishnu among others. These paintings found the extensive use of vibrant colours.

KAYASTHA STYLE

This special form of Madhubani art depicts the characteristics such as fertility, procreation, and life. These types of Madhubani Paintings can be seen on the wall art of Kohbar Ghar (The Nuptial Chamber). The artists generally used a single colour for this form of paintings.

TATOO STYLE

The tatoo form of Madhubani paintings was conceived by the lower caste group of the society. The theme of this style was majorly Moon, Sun, Rahu, flora and fauna of the area, and stories from the lives of the local heroes.

Gradually, the Madhubani painting of India due to the efforts of award-winning artists like Jagdamba Devi, Sita Devi, Godavari Dutta, Mahasundari Devi, etc. found acceptance among the connoisseurs of art at both national and international level. Today, Madhubani art is exported to different countries like the USA, Australia, UK, and Russia. Today, these paintings are not confined to the walls or floors of the houses but patterns from this art form are made on various items like bags, cushion covers, coasters, trays, mugs, crockery, and even wall clocks. Madhubani art is also used to design textile products like saris, stoles, dupattas, shirts, tops, and salwar suits.

Madhubani or Mithila painting has been given the much acclaimed Geographical Indication (G.I.) status in the year 2007. Having been passed from one generation to the other, the content, style, and flavour of these regional Madhubani or Mithila paintings still remain intact and preserved. 

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Rajasthani Paintings: A Mind-blowing Idea Of Wall Décor

Pichwai paintings Bhitti Chitra KalaNakashi paintingsDabu paintings

Rajasthan, a land rich in culture and art, has given us one of the most beautiful souvenirs of Classical Indian Art in the form of Rajasthani Paintings. Rajasthani folk paintings take you on a complete ride through the cultural heritage of Rajasthan, one of the most vibrant and fascinating regions of India. They are admired worldwide for their bold lines, bright colors, fine detailings and brush strokes that drive the attention of the viewers and leave them awestruck by the beauty of their appearance.

The paintings were produced on paper, canvas and also as wall and ceiling art, extending to miniature carvings and stone carvings on old monuments and buildings. They depicted the stories from ancient and Royal times of Rajasthan, and adorned the Rajputana households of the 17th and 18th centuries.

Rajputana paintings, or Rajasthani paintings started to develop and become famous in the medieval period and reached their pinnacle during the Mughal rule between 15th-17th century. The most common themes of these paintings were Hindu religious epics, the Ramayana and Mahabharata, and the story of Radha and Lord Krishna. The figures are mostly shown wearing traditional Rajasthani attires and the landscapes depict desserts and glimpse of the land of Rajasthan. 

Major Rajasthani painting styles

Rajasthani paintings are a choicest option for home decor and wall art. They blend perfectly with any decor theme and carry an aesthetic value due to use of non-synthetic natural colours extracted from plant parts, minerals, valuable stones and shavings of gold and silver. 

They depict Royalty in each frame, making them a must have in your decor list if you wish to give a Royal  and traditional touch to your home. These paintings make your interiors look elegant and fancy and are an attractive sight to look at.

Rajasthani paintings originated from different styles and each of them have their own unique outlook. These are:

This painting style originated in the 17th century in Nathdwara, in the Udaipur region of Rajasthan. Pichwai paintings were placed at the back of Lord Krishna's idols in the temples and depicted the stories of Krishna’s life. They are considered one of the most beautiful art pieces in the cultural history of our nation.

Phad paintings

The great Phad paintings of Bhilwara, in Shahpur is a type of scroll painting. It was  a folk painting style where fifteen to thirty feet long pieces of the canvas were combined to form a single big scroll on which the pictures were painted by hand. This vast canvas is known as phad, and hence the name is given as “phad painting”. Phad paintings were most commonly found in the Kings’ courts.

This was a type of wall painting from the Bikaner region of Rajasthan, which depicted religious themes that were once practised by the ancient people. This art was usually made on the walls of houses and temples with different colours like Neel(blue); geru( brown), jahri black, safed(white). They were made waterproof by cooking the colours in tisi oil.

Nakashi art or Usta Gesso painting is an intricate art form which is an excellent choice to decorate the walls. It was introduced by the Mughals and some of the traditional samples of these paintings are found on the walls, pillars and ceilings of Bikaner’s Junagarh Fort and Anup Mahal. The motifs used in this were mostly floral, bird and animal figures.

A famous art originating from Pali and Jodhpur district of Rajasthan,“Dabu” is a mud resist printing done by using woodblock. Different pictures and stories are carved on the woodblocks, and these are dipped in colour to produce the patches that are made to complete the painting. Dabu paintings make for exquisite wall art to decorate the houses, till date.

Miniature paintings

Rajasthani Miniature Paintings, is an exclusive style known for painting done on tiny canvases during the 16th–17th century. A famous style of art form Bikaner, miniature paintings consisted of religious themes and other cultural backdrops which were typically painted using organically produced colors with thin brushes to make fine details.

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Rajasthan paintings- The best wall décor ideas

Rajasthan is popular for its specialty, works of art, and society moves. Around the late sixteenth century, during the Mughal impact, Rajput canvases began to begin in Bundi. Rajasthani divider craft of the incredible lord Rao Ratan Singh (1607-1631) are genuine instances of the Bundi style of canvases. Prepared Artists made excellent artworks delineating the Hindu strict sagas, the Ramayana and Mahabharata. The specialists additionally made Mughals smaller than normal on their compositions, so the style primarily shows the Mughal designs. Each Rajputana realm had an unmistakable style, and the Havelis and the castles worked by Shekhawat Rajputs had numerous such canvases safeguarded. The photos fundamentally illuminated the individuals and supporters of the family. So what about we carry the imperial work of art to your home?

READ BLOG :-  6 tips for choosing artworks for your home

Rajasthani Paintings

The focal meaning of the craftsmanship could be protecting memory, as these artistic creations portrayed family ancestry. Additionally, these specialists portrayed Nature very well in these wonderful Rajasthani artworks, and communicating Nature is the most ideal way a craftsman can draw out his specialty before people in general.

What are the Rajasthani painting types?

For your home stylistic theme, the most ideal decision of Rajasthan's art things are the extraordinary canvases of Rajputana time:

a. Pichwai painted sanctuary dangling from Udaipur

b. Phad Paintings from Bhilwara, Shahpur

c. Bhitti Chitra divider painting from Bikaner

d. Usta Gesso Painting from Bikaner

e. Dabu mud opposes painting from Pali and Jodhpur

f. A scaled down painting from Bikaner

g. Sanjhi Paper stencils from Alwar

What are the divider stylistic theme things from Rajasthan create?

Rajasthan's most famous specialty things for divider stylistic theme are:

a. Kawada versatile sanctuaries from Bassi, Chittorgarh

b. Koftgiri weaponry from Gangrar, Chittorgarh

c. Katputli manikins from Jaipur

Sorts of Rajasthan Paintings

Rajasthan artworks mix impeccably with any stylistic layout topic. Thus, on the off chance that you wish to add a conventional Indian touch to your home, purchase these artworks. They are wealthy in shading, plans and are accessible in various examples. Clearly, these artworks can make your insides look exquisite and extravagant. In any case, hello, don't really accept that me, investigate them yourself.

Divider stylistic theme canvases

Pichwai painting art

This art began in the seventeenth century and have their foundations in Nathdwara, Udaipur; Rajasthan. Pichwai portrays the accounts of Nathdwara's occupants, and a sign of Krishna. The most popular examples of this customary Rajasthan craftsmanship style are hanging behind the symbol at the Shrinathji sanctuary in Nathdwara, Udaipur.

Phad artworks

The incomparable Phad painting is a sort of parchment painting; certain individuals might call this canvas as people painting as well. This style consolidates fifteen to thirty feet in length bits of the material into one parchment painting. This huge material is known as phad, and thus the name is given as "phad painting".

Bhitti Chitra Kala

This is the portrayal of strict topics that were once polished by the Matheran people group; of the incomparable Mahatma people group. This art is ordinarily on the dividers of houses and sanctuaries. Various tones like Neel(blue); geru( brown), jahri dark, safed(white) are utilized to make the canvases, to get long-lasting waterproof shadings these tones are cooked with' tisi oil'.

Usta Gesso art

Nakashi craftsmanship or Usta Gesso painting is a superb decision to enhance the dividers. Conventional examples of these artistic creations are on the dividers, columns and roofs of Bikaner's Junagadh Fort and Anup Mahal. This craftsmanship turned out to be exceptionally famous during the British realm.

Dabu print

"Dabu" is a mud oppose printing done by utilizing woodblock. This square is plunged in shading, and afterward the patches are made to finish the composition.

Scaled down painting

This style is known for small materials with beginning from the sixteenth seventeenth century. Normally painted n copper, vellum, arranged card, or ivory with slim brushes.

Sanjhi plan

This forte art from Rajasthan is made utilizing stencils. These stencils are made with hands utilizing extraordinary scissors and paper. Be that as it may, in prior days even banana leaves were utilized.

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*OBJECT OF THE WEEK-66* (30th August to 05th September, 2021) *Krishna Leela -Pattachitra (Cloth painting)* Website link - https://igrms.com/wordpress/?page_id=4291 Pattachitra, a spellbinding art form of Orissa, has a centuries-old legacy. This traditional form of painting is deeply rooted in puranic culture, encompassing elements of Hindu mythology that are soothingly presented in vivid colours and magnificent craftsmanship. Based on the medium used, the Odisha painting can be classified into three categories; Patta Chitra or the painting on cloth, Bhitti Chitra or the painting on walls, and the Talapatra Chitra or Pothi Chitra the palm leaf engravings. However, the style of all these varieties remains more or less the same. This painting on cloth depicts Krishna Leela, the enchanting and miraculous stories of the Lord, prepared in white colour over the black background. The painting is presented in three visual parts of narration- the central circle, a rectangular middle space, and circular pictographs around the edges. The central part of the painting depicts the Rasa mandala in a circular flare of the lotus pattern where Lord Krishna and Radha are portrayed with other companions (Gopis). The upper and lower portion illustrated inside the rectangular space provides the scene of Dasavatara (ten incarnations) of Vishnu. Finally, around the edge of the painting, the entire life story of Lord Krishna, beginning from his birth, the slaying of demons, Kaliya-damana, lifting of Govardhan, Vashtraharan (stealing of clothes), and other popular events of Krishna's life is depicted. Acc. No. –98.861 Local Name – Krishna Leela - Pattachitra (Cloth Painting) Tribe/Community – Chitrakar Locality – Puri, Odisha Measurement - Height - 92 cm, Width- 61cm #krishnaleela #pattachitra #paintingoncloth #chitrkar #puri #odisha #krishna #radha #gopi #dashavtar #igrms #museumfromhome #objectoftheweek #ethnograhicobject #museumobject #museumofman #museumofmankind #museumofhumankind #experienceigrms #igrmsstories #staysafe #covid19 https://www.instagram.com/p/CTLq1J8IVxw/?utm_medium=tumblr

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Madhubani Paintings- Lifestyle study of Craftsmen

Mithila painting (also known as Madhubani painting) is practiced in the Mithila region of India and Nepal. Painting is done with fingers, twigs, brushes, nib-pens, and matchsticks, using natural dyes and pigments, and is characterized by eye-catching geometrical patterns. 

The exact time of the origination of Madhubani or Mithila art is not known but it is believed that during the time of the Ramayana.Traditionally these paintings were passed down over generations from mother to daughter.The women painters of Mithila lived in a closed society.

The original inspiration for Madhubani art emerged from women’s craving for religiousness and an intense desire to be one with God. With the belief that painting something divine would achieve that desire, women began to paint pictures of gods and goddesses with an interpretation so divine that captured the hearts of many.

The women painters of Mithila lived in a closed society. It is locally believed that Madhubani painting tradition started when Raja Janak of Videha commissioned local artists to paint murals in his palace in preparations for the marriage of his daughter Sita to Lord Ram. The paintings were originally done on walls coated with mud and cow dung. The kohbar ghar or the nuptial chamber was the room in which the paintings were traditionally done. Originally the paintings depicted an assembly of symbolic images of the lotus plant, the bamboo grove, fishes, birds and snakes in union. These images represented fertility and proliferation of life. There used to be a tradition that the newly married bride and groom would spend three nights in the kohbar ghar without cohabiting. On the fourth night they would consummate the marriage surrounded with the colourful painting. The Mithila paintings were done only by women of the house, the village and the caste and only on occasion of marriages.

The exact time when Mithila art originated is not known , The origin can be traced to the time of the Ramayana, when King Janaka of Videha ordered his kingdom to decorate the town for the wedding of his daughter, Sita, to Lord Rama. The ancient tradition of elaborate wall paintings or Bhitti-Chitra in Nepal and Bihar played a major role in the emergence of this new art form. Except painting they use to do agricultural in the region for their economy and food. The people of madhubani they live in mud house. The drought from 1966 to 1968 crippled the agricultural economy of the region. As part of a larger initiative to bring economic relief to the region, Ms. Pupul Jayakar, the then Director of the All Indo-Nepal Handicrafts Board,sent the Bombay-based artist Mr.Bhaskar Kulkarni to Mithila to encourage women there to replicate their mural paintings on paper which, to facilitate sales, as a source of income to ensure survival.

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The age of post-modernization is not just definitive of rapid technological advancement, but also a revival of the rich ancient past. One of the most influential and distinctive art forms to have ever emerged out of India undoubtedly is Madhubani painting. Mostly associated with regions around Nepal, Bihar and the Mithila region, it is also known as Mithila Art. Madhubani Art often makes use of unique characteristics of complex geometrical patterns. This is so integral to people’s lifestyle who practice it, that women decorate their house walls and doors with this art so as to seek the blessings of God for peace and prosperity.

Origin: There is no definite reference to when did Madhubani Art come into being, however, mythology claims that it came into being around the time of Ramayana when Janaka, the king of Nepal, wanted to decorate his kingdom to celebrate his daughter Princess Sita’s wedding to Lord Rama, King of Ayodhya. Going by material evidence, elaborate wall paintings or Bhitti-Chitra in Nepal and Bihar played a prominent role in the emergence of Madhubani Art. Etymologically, Madhubani means Forest Honey 'Madhu' - honey, 'Ban' -forester the wild) is still a region in Mithila and still a dialect and identity in common currency believed to date as back as 2500 years. Furthermore, the original inspiration for Madhubani Art emerged from the womenfolk’s craving for religiosity and an intense urge to be in union with God. With the belief that painting something divine would achieve that desire, women began to paint pictures of gods and goddesses with an interpretation so divine that it captured the hearts of many. These paintings that were traditionally created by the women of the Brahmin, Dusadh, and Kayastha communities in the Mithila region evolved an art form that originated in the Madhubani village of the capital city of Ancient Mithila, known as Janakpur and has remained confined to a compact geographical area with the skills passed on through generations and centuries. Even the content and the style of this art form have largely remained the same.

Style & design: Madhubani painting traditionally involves fingers, twigs and matchsticks. In recent, pen nibs have also come into use. It is painted with natural bright colors which are often made using a paste of cow dung and mud to develop in it a better texture. The outline of the painting usually has its frame made from rice paste. The juice of Kusum flower is often used for crimson hue, blue from indigo, turmeric extract for yellow, red from sandalwood and so on. The artists often use different natural materials for their color needs. This process of using natural colors adds to it a natural texture that can be felt on closely watching Madhubani paintings.

Art & social formation: Madhubani Art has five distinctive styles, namely, Bharni, Katchni, Tantrik, Nepali and Kohbar. In the 1960s, Bharni, Kachni, and Tantrik style were mainly done by Brahman and Kayasth women (considered upper-castes) in India and Nepal. Their themes were mainly religious and they depicted Gods and Goddesses in their paintings. On the other hand, people of lower castes and classes included aspects of their daily life in their paintings. The Godna and Kohbar styles, for instance, are the preserve of the Dalit and Dushadh communities. Kohbar paintings are usually made by a to-be bride’s family as a present to a to-be groom’s family.

Revival: The domestic ritual activity, Madhubani painting, unknown to the outside world come to public attention only after the 1934 India-Nepal border earthquake. Poetically, the quake brought houses down and the artistic relics out in the open to the public eye. It was the British colonial officer posted in Madhubani at the time, William G. Archer, who discovered the paintings while inspecting the site on the otherwise hidden walls of the homes there. His observations about the paintings claimed to find a stark resemblance between Madhubani Art and paintings of artists like Miro and Picasso as found in Western domestic households.  He took black and white photos of some of these paintings, which today are the earliest images of the art. In addition, William G. Archer also wrote about the paintings in a 1949 article in 'Marg' an Indo-Nepal Art Journal. Thus began the spread of Madhubani Art. Years later, the drought from 1966 to 1968 crippled the agricultural economy of the region. As part of a larger initiative to bring economic relief to the stricken people, Ms. Pupul Jayakar, the then Director of the All Indo-Nepal Handicrafts Board, sent the Bombay-based artist Mr. Bhaskar Kulkarni to Mithila to encourage women there to replicate their mural paintings on paper in order to facilitate sales as a source of income to ensure survival. The contribution of foreign scholars in promoting the art form internationally has also been immense. Yves Vequad, a French novelist and journalist, wrote a book in the early 1970s on the basis of his research on Mithila painting and produced a film 'The Women Painters of Mithila' Since the 1990s, Japan has also shown a keen interest in Madhubani paintings, mainly because of the initiatives of Tokyo Hasegawa, who set up the Mithila Museum in Tokamachi, where around 850 Madhubani paintings are exhibited on a regular basis. As a result of all these initiatives, Madhubani Art is well known all over the world today.

Recognition: In 1975, Madhubani painting received official recognition when the President of India awarded the Padma Shri to Jagdamba Devi, a resident of   Jitwarpur village near Madhubani. This was around the time when Madhubani painting had started to receive acceptance. In 1981, Sita Devi was awarded the Padma Shri. In 1990, Ganga Devi of Mithila was awarded the Padma Shri. Mahasundari Devi was awarded the Padma Shri in 2011. Furthermore, Baoa Devi, Yamuna Devi, Shanti Devi, Chano Devi, Bindeshwari Devi, Chandrakala Devi, Shashikala Devi, Leela Devi, Godavari Dutta, Bharti Dayal, Chandrabhushan, Ambika Devi and Manisha Jha were also given National Awards.

Art cannot be measured by tangible means like State awards, however, with official recognition, Madhubani painting has been successful in spreading its word around the world. Today Madhubani painting makes India proud by representing to the world its rich cultural heritage.