#artblogger

[michelangelob]

Andrea Mantegna: passione di pietra. Ecco il documentario

Andrea Mantegna nacque in un piccolo paese di campagna sulle rive del Brenta ed ebbe umili origini ma ben presto sarebbe diventato uno degli artisti più celebrati dai suoi contemporanei e tutt’oggi ammirato in tutto il mondo. Il documentario dal titolo “Andrea Mantegna: passione di pietra” racconta proprio la sua storia attraverso la narrazione scritta da Emanuela Avallone e Linda Tugnoli che ha…

[dirtytimeslut]

Molly Haynes, Changeling, 2023

Kenaf fiber and monofilament

[purpleellaandcoco]

Procreate with jingsketch basics brushes

[arthistoriansdiary]

Plan

Jenny Saville, Plan (1993). Oil on canvas, 274 x 213cm.

Jenny Saville's Plan, created in 1993, is a striking embodiment of her approach to redefining the portrayal of the female form in contemporary art. This analysis aims to delve into the various elements that make Plan a significant work in the realm of modern art and feminist discourse.

The Visual Narrative:

Plan presents a large-scale depiction of a female nude, a subject traditionally associated with beauty and idealization. However, Saville subverts these conventions by presenting a figure that is unapologetically raw and real. The body is marked with lines and contours, reminiscent of surgical markings, which demarcate areas of the flesh. These lines speak to the societal pressures on women to conform to certain physical standards, echoing the invasive nature of cosmetic surgery.

Technique and Style:

Saville's use of oil on canvas is notable for its thick, tactile application, giving the painting a visceral quality that emphasizes the physicality of the body. The exaggerated scale of the work, measuring 274 x 213 cm, confronts the viewer with its imposing presence, making it impossible to ignore or diminish the subject's physicality.

Influences and Inspirations:

Saville's work is heavily influenced by a range of artists, from the voluptuous figures of Peter Paul Rubens to the raw, emotional intensity of Lucian Freud. Yet, she transcends these influences by challenging the traditional male gaze in art, offering a perspective that is deeply rooted in the realities of the female experience.

Feminist Undertones:

Plan resonates with feminist ideas, particularly those related to body politics and the societal scrutiny of female bodies. Saville's work is informed by feminist theories and writers, exploring themes of identity, autonomy, and the complexity of the female experience. The painting becomes a powerful statement against the idealized, often unrealistic standards imposed on women's bodies.

A Canvas for Thought:

How does Jenny Saville's Plan challenge your perceptions of beauty and the representation of the female form in art? What does this painting evoke in you regarding the societal expectations placed on women's bodies?

[lagallery-art]

Nuevo blog de lagallery.art, conoce mas de la marca e inspírate a través de nuestros artículos, acá esta nuestro primer articulo del blog, en el siguiente link.

(vía Lagallery.art Una marca colorida)

[lovefya]

Visual Culture & Political Art : Angela Davis as an Afrofuturistic Icon

"Our Queen" by Erin LeAnn Mitchell

Angela Davis, an influential figure in civil rights and feminism, transcends conventional narratives as an Afrofuturistic icon, reshaping cultural perceptions through the dynamic interplay of visual culture and political art. Her iconic image, characterized by the defiant afro hairstyle and raised fist, becomes a symbol of resistance and empowerment within the framework of Afrofuturism. Angela Davis's visual representation, particularly in Erin LeAnn Mitchell's "Our Queen," extends beyond aesthetics, embodying the core vibe of Afrofuturism. It further delves into the intersection of visual culture and political art, highlighting Davis's role in challenging historical norms and envisioning a future where identity and culture are redefined on individual terms.

Afrofuturism, a cultural and artistic movement, combines elements of science fiction, speculative fiction, and fantasy to explore themes such as identity, culture, and liberation. It serves as a vehicle for political imagination, enabling marginalized communities to envision and create alternative realities. Erin LeAnn Mitchell's "Our Queen" exemplifies the evolution of Afrofuturist art, emphasizing empowerment and identity for black women and portraying Angela Davis at different stages as a metamorphosis over time. Afrofuturism celebrates the diversity of black experiences, challenging monolithic portrayals of blackness and embracing a multicultural perspective. Erin Mitchell's art challenges the portrayal of blackness by incorporating vibrant colors that represent spiritual elements and multi-layered comfort. Angela Davis, as a global and multicultural icon, signifies liberation for women of color across various cultures.

Beyond being an Afrofuturist icon, Angela Davis disrupts traditional beauty standards and advocates for the liberation of black women. Her image as a political prisoner turned professor, author, and public intellectual symbolizes liberation for all. The iconic raised fist signifies resistance and solidarity, turning her image into a form of political art that transcends mere representation. Davis's image defies binary oppositions, encouraging the blurring of boundaries and a more inclusive future. The representation of Angela Davis's body in Afrofuturist art challenges historical and societal norms. In "Seeing Differently" by Amelia Jones, the concept of "Bodies on Display" is explored, highlighting how visual culture can redefine societal perceptions of the body. Davis, through Afrofuturist art, represents a woman with agency over her own body, challenging the commodification of black bodies and influencing the visual culture discourse.

Angela Davis's Afrofuturistic representation reconceives difference by challenging stereotypical portrayals of women of color. Angela Davis's visual representation is inseparable from her involvement in various political movements. From her early activism in the Black Panther Party to her fight against systemic racism and mass incarceration, Davis's iconography displays the spirit of resistance and the pursuit of justice. Mitchell's artwork captures the duality of Davis's political journey, from the young, vital activist with the raised fist to the wise and peaceful intellectual, symbolizing the multifaceted nature of her contributions to political movements. In the context of visual culture, the notion of "Seeing Differently" is central to understanding how Afrofuturism provides an alternative perspective. Afrofuturism invites viewers to see beyond conventional norms, envisioning a future where difference is celebrated rather than marginalized.

Angela Davis's iconography becomes a crucial component in the visual history of Afrofuturism, where identity is not confined by external expectations but defined by one's own terms. In "Seeing Differently," Amelia Jones theorizes the relationship between identity and visual history, emphasizing how visual representations contribute to the construction of identity. Davis's evolution from political prisoner to iconic Afrofuturist figure represents a dynamic shift in visual history, challenging preconceived notions and inspiring new narratives. The feminist slogan "The personal is political" resonates strongly in Angela Davis's image and artworks like "Our Queen." Davis's personal journey, from incarceration to academic prominence, is intrinsically tied to her political activism. The Afrofuturistic representation of Davis as a queen signifies not only personal triumph but also a collective political statement. Mitchell's artwork encapsulates the personal and political dimensions, illustrating how Davis's identity and visual representation contribute to broader societal change.

Davis's Afrofuturistic iconography stands at the intersection of visual culture and political art, challenging historical norms and influencing contemporary discourse. Visual culture, as an essential aspect of Afrofuturism, becomes a tool for political expression and reclamation. Davis's image, whether as a professor, activist, or global icon, embodies the transformative potential of visual culture in shaping societal perceptions and advocating for political change. Angela Davis emerges as a powerful Afrofuturistic icon, navigating the realms of visual culture and political art to challenge historical norms and envision a future where identity and culture are redefined on individual terms. Through her iconic image and Mitchell's Afrofuturist artwork, Davis becomes a symbol of resistance, empowerment, and inclusivity. Afrofuturism, with Davis at its forefront, invites a reevaluation of visual culture's role in political expression, paving the way for a more dynamic and inclusive cultural narrative. The concept of worldview, as discussed by Amelia Jones in "Seeing Differently," adds another layer to the Afrofuturistic exploration. Davis's visual representation, both in her iconic images and Mitchell's artwork, offers a distinct world view that challenges and expands societal perspectives. Afrofuturism, with Davis at its forefront, becomes a lens through which alternative worldviews are explored, emphasizing the importance of diverse narratives and challenging the dominant culture.

References:

Jones, Amelia. Seeing Differently. https://www.amazon.com/Seeing-Differently-History-Theory-Identification/dp/0415543835

"Afrofuturism and Its Possibility of Elsewhere: The Power of Political Imagination." The Conversation, https://theconversation.com/afrofuturism-and-its-possibility-of-elsewhere-the-power-of-political-imagination-166002.

"Wearing My Afro: Always a Political Act." The New Republic, https://newrepublic.com/article/122515/wearing-my-afro-always-political-act

"Afrofuturism: How Black Creatives Point to a Brighter Future." Domestika, https://www.domestika.org/en/blog/6930-afrofuturism-how-black-creatives-point-to-a-brighter-future

"Afrofuturism." UCLA Newsroom, https://newsroom.ucla.edu/magazine/afrofuturism.

"Artist Profile: Erin LeAnn Mitchell." Ruckus Journal, https://ruckusjournal.org/Artist-Profile-Erin-LeAnn-Mitchellh.

"Our Queen" by Erin LeAnn Mitchell, National Museum of African American History and Culture, https://nmaahc.si.edu/object/nmaahc_2010.55.2.

[drrobertpuffphd]

Lawrence Alma-Tadema 1836-1912 Love's Jewelled Fetter (The Betrothal Ring) Oil on wood Photo is taken by @robertpuffjr This painting transposes to Antiquity Amazone, a novel by Dutch writer Carel Vosmaer (1880), which recounts the adventures of the artist Swart Aisma and his love affair with poetess Marciana van Buren. On the marble terrace of a luxurious villa overlooking the Bay of Naples, Marciana shows a friend her ring, a symbol of Aisma's love for her. The latter is depicted in the portrait hanging behind her, inspired by the Fayum mummy portraits of ancient Egypt. At the top right of the composition, we can recognize the Boy with Thorn statue. (This writeup is taken from the description at the Museum.) Petit Palais, Paris, France 🇫🇷 #historyofart #arthistory #greatworksofart #artmuseum #art #artist #masterpiece #painting #museumvisit #artlover #artists #artblogger #lawrence #alma #tadema (at Petit Palais, musée des Beaux-arts de la Ville de Paris) https://www.instagram.com/p/Cp1YsiMrztV/?igshid=NGJjMDIxMWI=

[mindyyuan]

Ovary, Uterus & Vagina 🇮🇹🪸🇪🇸 #venezia #venice #italy #italia #arsenale #biennale #symbolism #masonite #uterus #embroidery #artblogger #travelblogger #mindyyuan #象徵主義 #母體子宮 Naturaleza Viva by Maruja Mallo, 1943 Oil on Masonite. (at Arsenale Biennale Di Venezia) https://www.instagram.com/p/CmPk8_jtIJ6/?igshid=NGJjMDIxMWI=

[thepriyankaarthouse]

hey beautiful souls !

How are all of you? I hope will be good...

So today we will talk about the traditional painting of Rajasthan.

Every place has its own story, every story, and every place has its own identity. every place has its traditional painting.

Rajasthan where does call dharti -dhora -ri .

Rajasthan famous for the pink city, blue city,sun city...Here Krishna Leela painting, Rag-Ragini, Hunting, elephantt fighting.

Here a different identity has been made in the human painting, which can be recognized by looking at the painting here. In which the description of women's dresses and their clothes are given.

Various styles developed under the royal patronage of Rajasthan. From the 15 to 17 centuries, it reached its glory peak. Many pictures of Rajasthan places are famous, mostly nine styles of painting famous in Rajasthan..

I will tell you about the names

(1) Phad painting

(2) Miniature painting

(3) Gemstone painting

(4) Kajali painting

(5) pichwai painting

(6) Bhitti Chitra painting

(7) Kishangarh painting

(8) Sanjhi Painting

(9) Bani Thani's painting.

If you like my blog so please like , comments and share with your friends and relatives.

[oursimplearts]

Being an artist can be pretty amazing. 🖌️🎨 You get all these wonderful ideas and spend the day daydreaming about them. For you to do your best you need to be in the zone, feel good, inspired, and focused. .......... Read More in our article “ Overcoming Creative Block ” 🎙️ To see more of what we are up to lately visit www.oursimplearts.com   Twitter   Pinterest   Facebook  Ello  Instagram   DeviantArt   TikTok

[tynatunis]

The Seine at Bougival in the evening, 1869 - Claude Monet #Repost @maker.of.myth • #claudemonet #vincentvangogh #paulgauguin #pierreaugusterenoir #františekkupka #henrimatisse #cunoamiet #alfredsisley #camillepissarro #paulcezanne #картина #peintures #импрессионизм #paintings #impressionismus #chemnitz #artblog #artblogger #impressionisti #artefrancese #impressionistart #neoimpressionismus #expressionismus #expressionism #realismus https://www.instagram.com/p/Chw7qnsjplG/?igshid=NGJjMDIxMWI=

[michelangelob]

Galleria dell'Accademia di Firenze: aperture in notturna

La Galleria dell’Accademia di Firenze torna ad aprire le porte al pubblico in orario notturno a partire da giugno. Dal 4 giugno fino al 26 settembre sarà possibile visitare il museo fino alle ore 22, con ultimo ingresso previsto per le ore 21:30. Foto di Guido Cozzi L’iniziativa che lo scorso anno è stata molto apprezzata dal pubblico, permetterà di diluire il numero di presenze in Galleria su…

[agiselepoupee]

Stop yourself…….. #art#artblogger#style#pfw#lfw#mfw#paris#london#milan#streetart#streetfashion#funart#artist#gisellekeza_art #ny#nyfw#illustrator#illustration#sketching #drawing #gallery#artgallery #artwork https://www.instagram.com/p/CeX4tuMjxOx/?igshid=NGJjMDIxMWI=

[stephanyrei]

Saint Laurent Resort 2023 . . . . @ysl #ilustraciondemoda #fashionillustrator #fashionsketch #procreatefashionsketch #fashionillustration #fashionfeature007 #digitalfashionillustration #artistinternational #artblogger #saintlaurent #saintlaurentresort #ysl #yslillustration #resort2023 #sketch #stephanyrei #stephanyreifashionillustrator https://www.instagram.com/p/CnmOKrMOVK_/?igshid=NGJjMDIxMWI=

[marcantoinephotographie]

[stellisonica]

“Surplace” Chiara Bettazzi @lagallerianazionale @lagallerianazionaleteens 📸 @artigiano2.0 _____________________________________________ #chiarabettazzi #surplace #lagallerianazionale #alessiomingiardi #photographer #silk #exhibition #arte #fotografia #chiarabettazziwork #selfportraitphotography #gnam #rome🇮🇹 #photography #contemporaryart #storiadellarte #historyofart #artblogger #me #myself #artistsoninstagram #womensinmuseums #museum #artlover #igersroma #timeisoutofjoint #weareigersit #romecity #artshare #artlovers @quiriters @scatto_roma @clickfor_roma (presso Galleria Nazionale Arte Moderna) https://www.instagram.com/p/Cj2bEyDthA1/?igshid=NGJjMDIxMWI=