#blackbooksandblackholes

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Initially, I wasn’t overly sure how to interpret our title of ‘black books and black holes’. I’ve felt awfully low for a while, and it’s been heavy on my mind, so I figured I’d take this project as somewhat of an opportunity to reflect on the past, troubles i’ve had as well as using it as a kind of venting of current frustrations. These low points act as my own personal black hole, as I fall down into them for some time. Similarly to how black does, they absorb any kind of light surrounding. To me, at times, this has meant not enjoying things I’ve adored prior - such as spending time with loved ones, music and hobbies. Growing up there were several black holes, but amongst them I have fond memories with my cousins, siblings and childhood friends. Somebody who has always been there for me (whether it be through choice or not) has been my brother. I decided to incorporate pictures of us throughout my little black book as homage to him as he is truly one of my favourite people ever, despite the troubles I don’t think our bond has ever gone away - it’s merely taken small redirections. I have such admiration for him and know I can rely on him and speak free from judgement. Years ago, I believe it was 2013, he fell ill and this meant he had to be hospitalised for a couple months. It was really hard for my family and was of course even more difficult for him. Seeing as he was hospitalised, this meant regular trips to the hospital, on the car journeys we’d always have the same Passenger CD playing in the car. I guess we just never got around to changing it. On this CD was a particular song that we’d all sing along to, which funnily enough is called ‘holes’. Hearing this song now makes me feel so safe and hopeful, knowing it got me as well as my family through a rough period in time. I made sure to incorporate some of the lyrics into one of my book spreads. One line reads, ‘but we carry on’, which has definitely stuck with me.

The constellation element of our project had me reflecting on space and the universe, and what exactly it means to me. Although I’m not too into space, I’m definitely fond of the moon. After my parents divorced, I was left in custody of my mum for a while. A teacher told me to look at the moon, because she’d be looking at it too at the same time and thinking of me. During this time I was living in a troubled home (I made this house the exterior of my book*) and would be heavily supported by her in school. She’d give me notebooks to express myself in and explain what was happening, as well as a departing gift when I inevitably left to go live with my dad here in Bury. Despite being a small part of my life, she still means a lot to me and has a place in my heart. Though not physically present with me anymore, she cared enough to find me years later and reached out to make sure I'm doing fine. It's reassuring knowing there are people as pure as she is. Because of this I dedicated a small section of my book to her that looks like a slither of the moon when the pages are flipped back onto it. 

My black book was titled ‘Wailing Ghosts’ by Pu Songling, containing 14 tales of various monsters and creatures, which is fitting to my work revolving around numerous burdens I have that seem to act as these little monsters also, creeping up every now and again. I did consider creating my own ‘chapters’, one for each black hole of mine, but didn’t want to structure my book in that way as I didn’t want to disrupt my creativity or force things.

          I say ‘was’ because I actually decided I wasn’t all that keen on how i’d layed my pages out. I instead took a second black book and collaged, reworked and inserted pages into a new one. I’m really glad I did so, as I now have a book I much prefer over the first. An aspect I did keep relatively whole was the swirly, illusion-looking front cover with a hole burned through the centre, almost like a little entrance to another world. Stanley Donwood inspired this page through his swirly seas he often features in his works, as he uses a bold thick line against white ones. I opted to put this page underneath my front cover so it still got to be showcased - only cutting a part off the corners to make sure it fit. 

Featured in my book are a few small self portraits, in varying cartoon-y styles. Some are only inspired by my face whilst others were drawn whilst staring into the mirror, then back at the page. Having struggled with low self esteem, there have been times where I don’t even want to perceive myself let alone interpret that into a drawing. Meanwhile doing my book work, I realised I have never drawn a self portrait - not since being a kid anyway - and had even actively avoided doing so during GCSE art. Over the past year or so, I’ve overcome an array of issues I’d had, so found myself able to draw these little portraits. It sounds pretty insane to me now that I would’ve found it so hard before, knowing I enjoyed coming up with various ways to put me in my book, even wanting to print pictures of me (sadly our printers decided to act up so I was not able to implement these). I feature my bathroom mirror on one page as it’s been the target of over-analyzing and although I have come far in self love, it still remains a deadly weapon. 

Claude Heath’s sketchy, rough portraits inspired me to create my own. I really enjoy how reckless his style is, as I'm trying to escape the ‘this has to be perfect’ mentality, Heath is a great example of how you don’t need to overthink your work. It can just exist and look cool. It’s fine. This was also encouraged in Thursday drawing sessions where we did blind drawings. I kept this mindset whilst doing my book as I tend to either overwork myself trying to create ‘perfect’ or do absolutely nothing, so I went with the flow of how my book panned out. 

Seeing as my work theme is a little on the darker side, I considered subduing the colours or perhaps even going full black and white. However, I love utilising colour in my art and felt this would make me feel unmotivated and uninspired. Especially seeing as this book is about me, it’s not insensitive to anybody to make it colorful and exciting. So, I have. Plus, despite everything I’m still smiling so I wanted to convey that somehow. Sort of, making the best out of bad situations. Damien Hirst’s usage of colours influenced me to just have fun with it, in the same way he does when creating his works. 

Throughout my book I have experimented with oil pastel, paint, staples, collage, rorschach ink blotting, screen printing, spray paint, photocopied pictures, flip book, tracing paper, washi tape and i’m sure there’s more. Point is, I wanted to cover a wide range of techniques seeing as there were many pages. In doing so I believe this was the best way as it meant there was a flow of ideas coming as I worked. I’ve learned that I love a range of ways of working as it keeps my brain ticking, meaning the work doesn’t feel stagnant and dull. Sadly there were lots more ideas I had for what to do into my book, but due to various reasons I couldn't. Such as wanting to sew using a sewing machine into my book, I tried to set my sewing machine up but when I would go to sew the thread would snap. But I believe it’s definitely something worth trying another time, as I was intrigued to see how it’d turn out. I also wanted to make a better flip book from the corner of my little page (see animation on blog) as it’s really simplistic. But drawing the little stick men alone took me an hour or so, and I didn’t see that being of much importance compared to getting actual pages filled out. Thus, I left it as a simple stickman. That being said I think the stick man illustrates the cycle of being in a slump, which is relatable to how lockdown is feeling and fits well with my book contents. I felt inspired by an artist who goes by ‘inhalerqueen’ (Amanda) on tiktok, who draws a simple, silhouette-like figure repeatedly. She calls this figure ‘void’ and i’d consider her work to be vent art, expressing how she feels. Originally I wanted to make my stick men look like void, however I don’t think that would be all that beneficial/change the effectiveness and would only take up more time.

If I were to have a soundtrack to my work I would opt for ‘Yellow’ by Coldplay. Reason being, regardless of my state of mind I return to this song and feel the same listening through every time. It’s such a lovely song and just feels like peace, as cheesy as that may sound considering Coldplay is very much dad music. It reminds me of my yellows, and how much they mean to me. Even with the black, I have my yellows. Lyrics to the song can be found in my book also. 

Overall, I’m relatively pleased with my work. There’s no doubt things I would do differently, but I’m glad I’ve had this experience and was able to vent a little similarly to how Amanda does. In future I hope to perhaps recreate this book and treat it as kind of a ‘rough’ or ‘plan’ for a more refined and thought-out version, perhaps this time with chapters like I'd considered and with ideas I didn’t get to delve into.  There are pages I’m not so keen on, but I’m proud of myself for just leaving them as opposed to overworking them and/or scrapping them just because they aren’t what I like. I love the pictures of me and my brother, if I could I would’ve collaged more into my book however our printer simply wouldn’t allow it. As well as the exterior of the book, as I think it adds a personal element as opposed to being left as it was. 

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RACHEL WHITEREAD

isolated

blank

primarily produces sculptures 

inspired by objects and spaces in her home, studio and area she lives

she uses concrete, plaster, resin, rubber and metal to cast everyday objects and architectural spaces

eccentric

eerie

familiar

ghostly

feel mundane

unfinished appearance - like construction

deep

meaningful

significant

unnatural yet ordinary

ominous

reminiscent of ‘Doctor Who’

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a5 collages from text from little black book. Text manipulated on the photocopier; stretching some text by dragging it along whilst being photocopied to create elongated and swirl affects, also giving a blue and red effect showing motion. These were experiments to be transferred onto a screen for screen printing and although I’m fond of a couple of my designs, I opted for the one featuring the text ‘way’ in the centre as I think this particular design has varied lines and features lots of photocopier experimentation. 

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NORMAN ACKROYD

gloomy looking

foggy

greyscale

monochrome

landscape

tonal

artist and printmaker

uses etching

depressing feel

depth

inspires Ross Loveday

shading

isolated

atmospheric

These pieces are tonal prints, made through the print method etching, by the artist and printmaker Norman Ackroyd. At first glance, Ackroyd’s work felt fairly underwhelming. As a lover of colour and texture, I’m one to sometimes skip over works such as this, as nothing overly exciting seems to be occurring in the pieces - upon closer look, that may be the entire point. Encapsulating peace and tranquillity, Ackroyd depicts mountains surrounded by thick fog - in many - freckled with little birds. Completely isolated from the business of modern life and disturbance of people, I wish I could climb into one of his prints as an escape from it all. As a sufferer from anxiety this kind of setting appears ideal to be rid from nonsense worries. 

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Sharpie, posca pen + various fine liner thicknesses assisted in creating a chaotic piece during a Thursday drawing session. This piece featured domino's, blind drawings, american currency, finger nails, Asian stencilled text, barbed wire, a raffle ticket, buildings, a muscle man figurine, army figure, floor plans, motherboards from computers, text from my little black book and rapid writing from the news. The majority of which had accumulated towards the bottom of the paper, dispersing towards the top - giving a contrast between the business occurring and the more quiet top section.

Towards the beginning I stressed about making the piece look perfect, using pencil before going in with pen - this started to get rather tedious and I was overthinking, disturbing the creative process. As I continued to work into the piece, I stopped and began to have more fun with it. Because of this, I think it definitely made for a more interesting piece; going out of the lines, sporadic patterns and expressive drawing. 

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new topic: BLACK BOOKS AND BLACK HOLES

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‘Little black book’ front cover, cut into a house-like shape, colours inspired by my childhood house, with movable door revealing the first simple stick man of the flick book. Staples for door handle and prison-like windows