#breadedEscalope

[curiosityengineer]

This special ring of light is actually a clock. Point in the middle of the ring and the shadows created by your finger shows the time.  It’s very simple and clean design. I am fascinated by these kind of creations. See the power of something “simple” in concept. Simple design is still allot a work to get it so pure and clear. Perhaps that is why it can be so powerful.  Created by breadedEscalope

[madlabma]

Shadowplay - Clock by breadedEscalope

http://ift.tt/1OZKIBG from MAD Lab - Mannheim Digital Lab http://ift.tt/1OZKIBG

[testing-space]

Shadowplay by breadedEscalope ! Literally only works if we interact with the piece, we have to fill a space or the piece lacks a purpose

[nureinwortplastik]

Peak Plastic

Weltweit werden jährlich mehr als 300 Millionen Tonnen Kunststoff produziert. Die Installation “Peak Plastic” der Designer-Gruppe breadedEscalope veranschaulicht im Maßstab 1:50 den allein in Österreich anfallenden Müllberg: Es regnet PET-Recyclat; der Niederschlag einer Stunde entspricht dem täglich in Österreich entstehenden Plastik-Müll. Die kleinen Figuren stellen übrigens Menschen dar, angeblich eine vernunftbegabte Spezies.

Gesehen im MAK in Wien: www.mak.at

martin-ebner.net

[nofomoartworld]

Hyperallergic: Participatory Stool Making, Reclaimed Materials, and More at Collective Design Fair

Hairy seating by the Haas Brothers, on view with R & Company of New York at this year’s Collective Design Fair (all photos by the author for Hyperallergic)

Today the Collective Design Fair opens with almost 30 exhibitors at Skylight Clarkson Sq in Manhattan. There’s a thread of material reuse running through the fifth edition, seen in Stickbulb’s lighting installation made with an arch of 300-year-old redwood reclaimed from defunct New York City water towers and Brook Landscape’s “Green Corridor,” with a floor of timber from Rockaway boardwalks destroyed in Hurricane Sandy. Furniture, lighting fixtures, and functional design dominate, but there’s an increase in photography this year, particularly in the displays of New York galleries Yossi Milo and Yancey Richardson.

Overlooking the sleek booths of the main showroom is a dimly illuminated space where a curious white orb rests on the floor, surrounded by colorful concoctions in containers. If you time your visit right this week, you can witness the orb being pushed around by spectators and members of the Viennese design collective breadedEscalope, whose series of Original Stools are formed by filling a silicone mold within the sphere with resin and using motion to create a unique object.

A member of breadedEscalope preparing to create one of the group’s Original Stools at Collective Design

Participants rolling breadedEscalope’s orb to create an Original Stool at Collective Design

Compared to some of the orb’s previous journeys since 2007, including to the Olympic bobsleigh track in St. Moritz, Switzerland, and the Atlantic Ocean off the coast of Spain, a roll around the floor of Skylight Clarkson Sq is fairly mundane. “The project doesn’t really need that,” Michael Tatschl, a member of breadedEscalope, told Hyperallergic of the orb’s more extreme adventures. “We believe it’s much more an engaging project where people join in making things.” Martin Schnabl, a fellow member, added that “there’s always a different outcome that’s site specific.”

The Original Stools will be made from Wednesday to Saturday at the fair at 4:30pm, with a final event taking place on Sunday at 1:30pm. The first attempt, during the media preview on Tuesday, was rather tame, as journalists juggled their cameras and phones with Facebook livestreams while tentatively pushing the ball. “We should be more violent next time,” Schnabl commented upon seeing the yellow seat that emerged from the orb, only slightly misshapen. The resin was still warm to the touch, “like fresh bread,” he added.

breadedEscalope’s first completed Original Stool removed from its orb at Collective Design

Completed Original Stools by breadedEscalope, on view with Frederieke Taylor Gallery of New York

More erratic breadedEscalope creations are on view with Frederieke Taylor Gallery of New York. While they’re certainly the most interactive pieces at this year’s Collective Design (although you might be tempted to collapse on one of the Haas Brothers’ hairy-creature-like couches at R & Company), there’s much for fairgoers to discover. The playful work of Swiss designer Matti Bonetti is featured in the mini Collective Influence exhibition. Flavor Paper and UM Project are presenting touch-activated conductive ink wallpaper that illuminates lights and activates fans. Hidden in an industrial corner of the space, the Noguchi Museum’s installation mixes work by its namesake with undulating sofas by Robert Stadler. Below are more photographs from the fair’s assembly of objects by both local and international designers and artists.

“Ambassador” by Stickbulb, built from reclaimed wood from New York City water towers

Waiting Room: Noguchi/Stadler installation, with designs by Robert Stadler alongside work by Isamu Noguchi, presented by the Noguchi Museum

Flavor Paper and Um Project’s interactive wallpaper that uses conductive ink to activate lights, fans, and other features

Chair by Zhipeng Tan on view with Gallery All of Beijing and Los Angeles

Art by Christopher Russell, on view with Julie Saul Gallery of New York

Photograph by Markus Brunetti, on view with Yossi Milo Gallery of New York

Installation by ceramic artist Peter Lane called “Darkroom”

“Dust Furry” sculptures by Linda Lopez on view with Mindy Solomon Gallery of Miami

Photograph by Mickalene Thomas (at left) on view with Yancey Richardson Gallery of New York

Lighting designs by Christopher Boots of Melbourne

Sculptural casts by Fernando Mastrangelo, which often mix salt, coffee, sand, glass, and cement

Table by Fredrikson Stallard on view with David Gill Gallery of London

LOT-EK’s work for Storefront for Art and Architecture’s New Artifacts, which features three limited-edition, commissioned works

Lamp by Sebastian ErraZuriz on a table by Migguel Anggelo, on view with Cristina Grajales Gallery of New York

Work by Mattia Bonetti on view in the Collective Influence exhibition

Work by Mattia Bonetti on view in the Collective Influence exhibition

Chairs from the Railing Series by Aranda\Lasch, on view with Gallery All of Beijing and Los Angeles

Sculpture by Lone Skov Madsen on view with J. Lohmann Gallery of New York

Vase by Marie-Victoire Winckler, part of TheVanguard Series of 3D printed objects with OTHR

Postwar design on view with Donzella of New York

Porcelain urn by Roberto Lugo with Ruth Bader Ginsburg on one side and Geronimo on the other, on view with Wexler Gallery of Philadelphia

Vessels by Seo Kwang-soo, on view with Gallery LVS of Seoul

“Green Corridor” by Brook Landscape, built with salvaged wood from the Rockaway boardwalk damaged in Hurricane Sandy

“Tinsel Town” entry installation by LAB at Rockwell Group

Collective Design 2017 continues at Skylight Clarkson Sq (550 Washington Street, Hudson Square, Manhattan) through May 7. 

The post Participatory Stool Making, Reclaimed Materials, and More at Collective Design Fair appeared first on Hyperallergic.

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[collectivedesignfair]

Collective Features & Pop-Ups

Newly announced programming includes FRACTURED by Dutch designer Stefan Hengst, an installation that will transform the fair’s entry with a series of varied, digitally printed works; an interactive performance from Viennese design collective breadedEscalope; New Artifacts by Storefront for Art and Architecture, three limited-edition works commissioned from Adam McEwen, LOT-EK, and Murray Moss+Lobmeyr; and a VIP Lounge designed by Huniford Design Studio. Keep reading...

FRACTURED by Stefan Hengst   Dutch designer Stefan Hengst works to challenge perceptions through design. At Collective Design Hengst will debut FRACTURED, a digitally printed installation transforming the entrance area to the fair. The multi-layered art piece has been created using a variety of fabrication techniques and will incorporate intricate stitching super-imposed atop a digitally fabricated work. FRACTURED explores the porous boundaries between art and design and conveys multiple points of view, sparking a dialogue between tradition and modernity. Reflecting and honoring the complicated world we inhabit, the installation is digitally produced by FaberExposize (The Netherlands). New Artifacts by Storefront for Art and Architecture Storefront launches New Artifacts, the first iteration of Storefront Editions, presenting three limited works from the worlds of art, architecture, and design. The works have been specially commissioned for Storefront's 2017 Spring Benefit: Artifact, which will take place at Federal Hall on May 23rd. They includeL-Ruler by Adam McEwen, LITE-SCAPES SF by LOT-EK, and Marilyn by Murray Moss in collaboration with Lobmeyr. Original Stool by BreadedEscalope BreadedEscalope is an experimental design collective from Vienna, Austria. At Collective, they will present a new iteration of their on-going project Original Stools, in which a colorful resin stool is produced through a unique process based on environmental interaction and serendipity. Each process begins with a hollow orb containing a flexible silicone mold. The orb is filled with resin and set in motion, rolling through a chosen location: city streets, down a slope, into water, and more, encompassing over 40 settings around the globe to date. The flexible form “records” all influences from the outside environment as the resin hardens during the orb’s journey. An Original Stool is always an unpredictable character that describes the unique story and place of its evolution.

VIP Lounge designed by Huniford Design Studio Huniford Design Studio was invited to design this year's VIP Lounge at the fair. Located on the ground floor, the VIP lounge, which will be designed by Huniford, will also showcase furniture from the firm's new Huniford Collection, a luxury furnishings line, and will mark the launch of the new collection this Spring 2017. The VIP Lounge will also incorporate artisanal works from Yarema and Beavauis Carpeting and art work by Jennifer Steinkamp, Harmony Hammond, Jack Tworkov and Hassan Sharif, in collaboration with Lehmann Maupin and Alexander Gray Associates.

[agosnesrerose]

breadedEscalope at Elga Wimmer PCC

The art collective breadedEscalope consists of three associates, all from Austria: Sascha Mikel, Martin Schnabl, and Michael Tatschl. Founded in 2007, the group maintains its art practice in Vienna. They function in the very interesting space existing between art and design. In their show “Daily Routines,” their first solo exhibition in America, breadedEscalope put out […]

The post breadedEscalope at Elga Wimmer PCC appeared first on Arte Fuse.

from Arte Fuse http://ift.tt/2l0BnCe

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[digi-lead]

This Clock Uses The Shadows Of Your Finger To Tell Time

This Clock Uses The Shadows Of Your Finger To Tell Time

What time is it? Your shadow can tell you! This is Shadowplay and it’s a simple ring of light on the wall that can tell time using shadows. It was created by the design studio breadedEscalope. You simply point your finger to the center of the light and the clock then focuses two points of light on your finger. When you take your finger back out, the full light ring returns. It casts two shadows…

[motiongraphictrend]

CollectiveDesk - The Result of Collective Furniture - breadedEscalope

[visualfloating]

Shadowplay - Clock by breadedEscalope from be-studio on Vimeo.

[trappymeal]

Shadowplay - Clock by breadedEscalope

[motiongraphictrend]

Shadowplay - Clock by breadedEscalope