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#but like the difference is that Jet is smirking 'evilly' (he's not evil he's a child) while Spike's looking soft and happy
army-of-mai-lovers · 4 years
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Comparing ATLA’s Jet to Cowboy Bebop’s Spike
(this is so late, but. Happy birthday @the-hot-zone​, hope you had an amazing day) 
In my opinion, Cowboy Bebop is one of the greatest shows ever created. It hits a lot of my personal favorite attributes in a TV show: cowboys, fantastic music, absolutely spectacular animation, really deep themes and characters with rich inner lives, worldbuilding that’s thought out. Simply put, it’s a masterpiece. 
I started watching Bebop this summer, at the height of the ATLA Renaissance, and the first thing I noticed about protagonist Spike Spiegel is that he looked a hell of a lot like Jet from ATLA. And it wasn’t just the looks either: like Jet, Spike is the leader of a ragtag group of misfits living on the fringes of society. Like Jet, Spike is a smooth talker. Like Jet, Spike is compassionate and cares for other people, and like Jet, the world has hardened Spike to the point where his virtues can still lead him down the wrong path. And while Jet isn’t named for Spike, there’s a character in Bebop named Jet (he sort of plays the right hand person role that Smellerbee plays for Jet in ATLA.) They’re not completely similar--Spike isn’t fighting for anybody’s liberation, whereas for Jet that’s a core aspect of his character--but it was enough to make me wonder about how Jet was designed and how much influence Bebop had on his character design and on ATLA as a whole, and whether looking at Spike can illuminate some of the conversations we’ve been having about Jet. 
A little about the inspiration and process of ATLA: Bryan and Michael were working on shows like Family Guy when they decided they wanted to make something more sincere and more cinematic. They were both really inspired by anime. Bryan said “Back in the late '90s I was getting pretty disillusioned with working on sitcoms -- then I saw Princess Mononoke and I was emboldened. My heart was so much closer to that kind of story, those kinds of characters and that type of tone. After that, Cowboy Bebop really inspired us in terms of being a great example of an epic series that had a wide breadth of tones. Then FLCL came along and rewrote the rules for everything, as far as I'm concerned!” I haven’t seen FLCL, I’ll admit, but having seen both Bebop and Princess Mononoke--yeah, I get that. Both are incredible pieces of art that, for me personally, make me want to push myself as an artist, and I cannot recommend both enough if you haven’t seen them already. 
So, Bryan and Michael decide they want to make something inspired by shows like Bebop and movies like Princess Mononoke, they get a pilot order from Nickelodeon and, as is custom at the time, they start reaching out to East Asian animation studios to help them with the animation. This video is a great source for how ATLA in particular interacted in this environment, but suffice to say that Bryan built a relationship with the studio that did a lot of work for ATLA, JM Animation, and gave them a lot of creative freedom in making the visuals of the show. This included designing Jet and the rest of the Freedom Fighters. 
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[ID: An image of Jet from ATLA from the shoulders up against a sky background fading from blue at the top to white at the bottom. He had dark skin, shaggy black hair, black eyes, eyebrows turned way up, a smirk on his face, and some wheat in his mouth. He is wearing a red jacket with a gray popped collar. End ID] 
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[ID: An image of Spike from Cowboy Bebop from the shoulders up against a sky blue background with trees behind him. He has shaggy dark brown hair that has a slight bit more curl in it than Jet’s, dark brown eyes, light skin, and a closed mouth smile on his face. He is wearing a blue suit with a yellow shirt that has a popped collar, and a skinny black tie/ End ID] 
So, let’s look at the character design. Both Spike and Jet have these long, angular faces, shaggy dark hair, long necks, broad shoulders, dark eyes, some popped collar element to their attire, etc. While both characters are pretty tall and lanky, Spike’s height is more immediately obvious than Jet’s--in fact, I wouldn’t think of Jet as a tall character had I not seen some fandom height comparisons. The most obvious and immediate differences between how the characters physically look are their clothes, which are very different (likely due to the setting--ATLA is set in a proto-industrial war-torn society and Jet in particular has had to scavenge his clothes from Fire Nation troops, while Bebop is a space epic set in the far future), the lack of mouth wheat for Spike, Spike’s incredibly normal looking eyebrows versus Jet’s adorable long division eyebrows, and, of course, their skin tones. Colorism is something that people bring up a lot when talking about Jet’s character, and I have to wonder why Jet, a character that was so clearly inspired by this light-skinned character who was morally ambiguous in Bebop, was made darker-skinned when explicitly coded as a “villain” in ATLA. 
In fact, colorism is a super important aspect of how Jet and Spike’s stories are told. To its credit, ATLA has two MCs (Sokka and Katara) with dark skin (not that the fanartists who whitewash them notice) while Bebop has just one (Ed). However, it’s important to note that Sokka and Katara are each portrayed in ways that Aang or other lighter-skinned characters in the show simply aren’t. For example, despite both characters being literal teenagers, they are sexualized within the text of the show. Another example of the colorism in ATLA is, of course, Jet, a Brown boy leading a resistance against oppressive colonialist imperialist forces, being so unambiguously vilified. Yes, within the text, Jet has some sense of complexity, especially in Book 2, but even that is undermined by his death at the hands of the Dai Li. Jet is never given the subjectivity of a character like Zuko. In fact, it’s pretty clear that Jet’s redemption and subsequent death happens when it does to demonstrate what Zuko is capable of if he makes the right choice. Whether or not this is a good decision writing-wise is another discussion, but the fact of the matter is that in using Jet to further Zuko’s arc, bryke used a Brown teenage boy/victim of imperialist violence to prop up the narrative of a light-skinned prince/perpetrator of imperial violence. This is not to say that Zuko shouldn’t have been redeemed or that Jet shouldn’t have died or that the narrative shouldn’t have dedicated time and attention to Zuko’s story, but it is to say that ultimately, the writers of the show decided that Jet’s subjectivity was a tool to further Zuko’s actualization. 
Contrast this to Spike. Bebop is about a lot of things, but a core part of it is exploring Spike’s backstory and way of looking at the world. It’s part of what makes the show the show. It’s the thing that keeps you liking the guy even when he says or does something absolutely unconscionable. Nothing in the show is more important than Spike’s subjectivity. The show may have individual episodes that focus on the other main characters, but it’s pretty clear that it’s really *about* Spike. Where does Spike come from? What is his obsession with the past? Why do all these people want to kill him? Who is Julia? These are all prescient questions that I had as a viewer of Bebop, and these were questions that were not only important to understanding Spike Spiegel, but to understanding the narrative that the writers, director, and animators are telling. Bebop is nothing without Spike’s subjectivity, and the people behind the show invest in his narrative even though he does some pretty horrible things! (kills many people, is part of a crime syndicate at one point, says some pretty misogynistic crap, hell, the whole concept of the show is that he and his buddies hunt people down for money.) As I said before, Spike is morally ambiguous, an antihero, and the people behind Bebop run with that, because that is an integral part of the story that they’re telling. 
You could certainly argue that ATLA, being a show for children, needs clear heroes and villains, to be unambiguous in its depiction of right and wrong. And to an extent that would be correct. But let’s not forget that ATLA is not shy in its depiction of morally ambiguous characters. That’s an integral part of what the show is. Characters like Zuko, Iroh, Mai, Azula, and Ty Lee are beloved despite (or perhaps because of) their complex moral frameworks. Zuko, Mai, and Ty Lee in particular move between designations of villain, victim, and hero pretty fluidly (Iroh and Azula are two other conversations in themselves.) I personally am okay, and in fact delighted, to have Zuko, Mai, Azula, and Ty Lee in the show because I think their stories and the ways that they move between evil, good, and morally gray are incredibly compelling. We know why they act the way they do, and we can condemn or validate their actions while always knowing exactly where they’re coming from. 
But then I see Jet. Jet, whose village was burned down by the Fire Nation. Jet, who survived by himself and helped 5 other people survive along the way, while leading an organized resistance against the Fire Nation on wits alone. Jet, who somehow ended up in Ba Sing Se, his new family cut in half, wanting to start over. So much of him is a blank slate. Where Spike in Bebop, or Zuko, Iroh, Mai, Azula, and Ty Lee in ATLA, get fleshed out, have the writers convey specific information that helps the audience understand their actions and motivations, even if they’re wrong, Jet never gets that sort of care in his narrative. Jet never gets to be the center of ATLA, even for a moment, even in his own death. There’s always something more pressing, something more meaningful, than Jet. You could argue (I certainly would) that the show would be better if we spent more time with him, if the writers cared to understand him, but unlike Bebop and Spike, the show doesn’t revolve around the audience understanding Jet. The story is coherent without him. In book 3, despite the fact that Jet sacrificed his life for them, the Gaang only brings up Jet once, and that’s to condemn him. Jet’s story is a tragedy, an important one, but only insofar as it props up other pieces of the narrative. And that’s the most tragic part of it. 
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Chapters: 2/? Fandom: Red Hood and the Outlaws (Comics), Red Robin (Comics), Batman - All Media Types Rating: Mature Warnings: Creator Chose Not To Use Archive Warnings Relationships: Tim Drake/Jason Todd Characters: Tim Drake, Jason Todd, Tamara Fox, Some OC for cuteness Additional Tags: Angst, Fluff and Angst, Sickfic, Tim Drake is Not Robin, Tim Drake is Not Red Robin, Jason Todd is Red Hood, Tim Drake Needs a Hug, Jason Todd Needs A Hug, Crying, so much crying, Love Confessions, Cheesy, God it's so cheesy, Cringe, So sweet so cheesy so angsty that you'll cringe, Tim Drake-centric, some Jason POV tho, A wild X-men appereance, I know they're not the same universe but I'm running out of character and running out of creativity, So yeah X-men characters and vaugly their mansion/orphanage too, Bruce Wayne Bashing, Some things that I don't put down bcs it'll be a spoiler, Smoking, Implied/Referenced Sex, POV from a cat????, The Clichést Cliché that ever Cliché, Cliche Summary:
They meet again on a rooftop after ten years. They're different now, and things are not the same. It's all too late. Chapter 1 sneakpeek
“Don’t jump.”
Sighing exasperatedly, Tim puts down his cigarette-clutching fingers and drags his eyes to the source of the voice. His gelled-back hair loses its hold and a strand of ear-length bangs falls to his vision.
Sadly, without seeing him and just from the voice, Tim knows exactly who this person is. One of the Bat franchise, and it just had to be the Red Hood variation, fucking great. Out of all time, it has to be tonight. The world is playing a joke on him.
Tim is sitting hunched on the rooftop’s edge, wishing he’d have some peace and quiet for once, and of course one of these pestering bats just has to bug him at the worst time. Yet, it’s actually pretty rare for Red Hood to patrol Gotham lately, and Tim curses up a storm in his mind. Out of all the days, it just has to be fucking tonight.
No, Tim is not having it.
“This man has too much to do tomorrow to jump.” Tim looks away, getting a light from his suit.
One hand lighting another one of his death stick, and the other unbuttoning his suit and loosens his tie. After a puff and two, Tim drags in and keeps the smoke in, letting his nerves uncoil. Seems like it doesn’t work that well when the big bad shadow of a vigilante doesn’t move from the corner of his eyes.
“I’m not jumping, go away, I can’t deal with you tonight,” Tim says as he sighs the smoke away to the red polluted sky, thinking the man must be deaf or just not convinced. Maybe the latter, the bats are famous for their tact after all. People say they’re purely human. Seeing Red hood’s physique, maybe this one becomes meta-human at some point.
Tim looks the other way so the vigilante is completely out of his vision, to make a point that he’s not having this conversation. He looks to the city, engulfed by the red sky. It’s bright since this building is at the heart of the city, where the higher caste of Gothamites live and prosper. You can see the border around the bright side of the city where the lights stop dead and darkness begins. The poor side of the city. The gap is ghastly, it’s what makes Gotham what it is.
Tim is not surprised but highly disappointed when he hears shuffling instead, and when he looks at where the tall brick wall of a man, he already sits down next to him. Red Hood keeps a respectable distance though, at least he has that much of a tact.
Red Hood hooks his fingers inside his helmet, does some finger shimmy, and the red shiny mask helmet is off. His face is still covered by a domino mask, his hair looks damp, and his gloved hands rake his jet black hair back. Curls bounce to his forehead, sighing a fog, the only indication that the weather is reaching the end of the year. In turn, Tim felt his cleanly shaved nape chilled.
From inside the leather jacket, the vigilante digs to look for something, and that’s when Tim realized he’s been looking at the cuts on Red Hood’s exposed forearms from the folded sleeves. Very thick and muscled forearms. This guy either lifts all day or a meta-human, not that Tim cares anymore.
“Got a light?” Red says, plush lips smirking.
Tim sighs, guess he has company today. He digs into his suit and throws him his lighter. The masked man inspects it and Tim rolls his eyes. The lighter is a metal one that you flip, and on it engraved ‘From my heart with love, that this one lasts longer, Tam.’
“A sweetheart of yours?” Says the man, the second sentence he speaks, and Tim doesn’t recognize the voice. Deep, gravely, the typical voice of someone that smokes.
Red Hood extends his hand to give back the lighter to Tim instead of throwing it, must’ve thought it’s special.
“Kind of,” Tim says, receiving the lighter.
Red Hood drags in, keeps the smoke in, “Why kind of?” and sighs.
“Never established the relationship.”
“Commitment issues?”
Tim quirks an eyebrow at the man, sitting just as hunched as him. There’s a pillar beside Tim, and he lays his back there, thinking whether or not he should engage in this conversation. Eh, why not right? It’s not like it’s confidential information, and Tim is just so tired of caring about social politics.
“I was too late,” Tim says. It’s not as painful to say now, but lately, Tim has been numb. He’s been numb for years. Tim’s gay, or so he thought. When he began to really love her, she’s gone from him.
“Girl got another guy?” Red Hood teases.
“Girl got dead,” Tim deadpans. The smile dropped from the vigilante’s mouth, and if only he can see his eyes, panic would look funny on the all-powerful Bat. But, no, Tim can see his tell by the tapping hands.
“Ah fuck, sorry.”
Tim chuckles at the spectacle of an awkward vigilante. Maybe this night won’t be so bad after all.
“Relax, I’m not too sad about it now, it was years ago.”
It’s hard to predict Red’s expression with that domino mask that takes his cheekbones and half his forehead, but Tim’s pretty sure the twist on that mouth means his opinion of Tim isn’t good. Well, not that Tim cares.
“How did she die?”
“Wrong place, wrong time,” Tim put the filter on his lips and drags in as deep as he can. Too deep, and Tim coughs hard, once and twice that his vision blurs. Her face comes to vision, the morbidity of her expression tips Tim’s nerves off balance. Tim quickly takes another deep drag, “She was in the Joker’s way.”
At the name, Red Hood snaps his face at Tim. Slowly, languidly, Tim looks back. The vigilante clenched jaw and balled fists look like he’s about to kill somebody. Tim knows that a few years ago Red Hood kidnapped Joker, didn’t kill him, and just vanished before popping up again to have a vendetta against Batman. What a load of drama those bunch.
This also means that Tim knows exactly who this person is. Suddenly the voice registers, the familiar jaw, the soft fucking tone.
He blames it on the nicotine that his heart is calmer than he’d like, his mind still not on overdrive, still plagued with Tam’s face as she died in front of him. He’d breathe smoke instead of oxygen if he could. God he wished he’d breathe smoke from now on. Why does it have to be today? One grace from the universe is that Tim -for some reason- feels amused instead of dread.
“You look like you’re about to kill somebody, Red,” Tim says, can’t help the ease and sass in his voice. Tim lays back hunched, crosses his legs. “I thought you let go of your vendetta against the Joker.”
“Where do you hear that bullshit?” Redhood snaps and Tim can’t help but let go another chuckle.
“People talk, words get around,” Tim says.
“Then they’re far off the truth,” Red hisses before dragging in his cig.
“Yet the Joker still roams.”
“Ain’t my call.”
“Is it the big bat daddy calls?”
Red Hood splutters at the name and Tim smirks evilly at the reaction. “Ew, don’t call him that!”
“I can call that higher-than-thou furry hero wannabe anything I want,” Tim spits bitterly, looking out to the city. Sometimes when he’s really lucky, he’ll catch one of the bats twirling in the sky, and now one of ‘em is sitting beside him, but sadly it’s not the most shocking knowledge he has today. “One of these days it’s going to be my turn.”
“What?”
“Dying in the collision of mad men’s evil master plan you refuse to get rid of.”
“Ck, I don’t like what you’re insinuating.”
“Sorry then, I don’t mean to insinuate anything. This is me telling you loud and clear that you’re all cowards for not killing these maniacs that kill us like ants when you have the power to stop them.” Tim’s voice is even and chill, it did not raise a tone, but it reduces the bulk of a man beside him to still. “Some of us rooted for you when you caught the Joker, and your reputation gives us high hopes that it’ll be the last of him. Then he showed up again.” Tim feels the lighter in his pocket burn, “Then Tam died.”
Tim pumps his lung full of smokes, keeping it in there so that the clawing gloom will die before it takes roots.
“I almost did kill him, Batman stopped me,” the gravel voice says lowly.
Tim feels himself stiffens, now that’s something he doesn’t know. His eyes scan the hunched vigilante, trying to find any sign of a lie, there’s none.
“Shit,” Tim curses, sighing up smoke and quickly takes a deep drag in. “Fuck Batman.”
For the first time, Tim hears Red chuckle, “Yeah, fuck him.”
“Still your family though, right?” Tim says, earning what he thinks is a glare, who would fucking know with that mask. “Why else would you stay in his line?”
Red Hood looks away, not answering.
“Guess I understand. Proving something to someone.”
Red scoffs, “Would you?”
“You know who I am.”
“Yeah, not your story.”
Tim scoffs at the obvious lie, “Look it up. I have better things to do than telling you my backstory that’s a google search away.”
Tim Drake. Son of the CEOs of Drake Industries. Running smoothly since ever he becomes the COO. Yada yada, young and successful, yada yada, has the reputation to chew out the reporters and a resting bitch face, all that shit. Tim doesn’t have the best bedside manners, but when it comes to business, Tim gets things done, and his business partners know to swallow their pride for a potential too stupid to missed just because Tim has fangs.
“I dunno, you’re pretty mysterious in the eye of the media,” Red says.
“Because they’re nosy pricks and not worth my time when they’re asking me about rumors of my flings.”
“They’re not true?”
“What the fuck are you? Does TMZ sent you?”
“Good point, never mind.”
They let the quiet settle in, and Tim isn’t too bothered by the company so much. The red amber eats to his filter. Tim puts out the light and puts the bud back inside the pack while he gets another one. He looks down at his light, which reminded him of Tam. Damn, she was such a good assistant, she’s also his best friend but a damn better assistant. Tim doesn’t let himself think about it.
He lights another, and puffs.
“Shouldn’t you be patroling?” Tim says before he can stop himself.
“Nah, not here to patrol, just some errands.”
“Don’t mind me. I’m not jumping.”
“No, I know that,” Red says, tone softer that Tim narrows his eyes at him.
“Lonely?” Tim teases, putting the filter in his lips while locking eyes to the pair of white lenses.
Red shrugs, “Just wanna kill time with someone that doesn’t wear one of these,” he says, tapping to his domino mask.
Tim hums imagining himself with his family, “Yeah, me too, I’d take a vigilante franchise over family dinner anytime.”
“Aww,” Red surprisingly coos, making Tim flustered.
“Don’t get it twisted, my family sets a pretty low bar for good company.”
“I can say the same, Timmy.”
Tim flinches, “I didn’t say you can call me Timmy.”
“What about friends then?” Red follows up, ignoring him.
“Joker killed my only best friend. Oh god, stop making that face, everyone I know got someone they know killed by the Joker, or Bane, or.... shit just those freaks.”
“Doesn’t make me feel better.”
“I don’t care what you feel.”
“I’m wounded,” Red says in that joking ‘boo-hoo’ voice but it was the last thing to snap Tim’s patience completely. He hates this casual conversation as if nothing happened.
“I’m not jumping, and I know you’re not here just to talk to some random civilian. You know who I am, so say what you wanna say and go,” Tim inhales deeply after the low-toned rant, only to be met with another silence.
They stay quiet for a few whiles again. Smoking the tension away. After Tim’s cig burns halfway, his nerves calmed down. Then he realizes that Red is looking at him. Staring.
“What?” Tim says, sighing smoke.
“Would you kill Joker if you could?”
“In a heartbeat.”
“Killing someone isn’t as easy as it sounds, especially if you did it before.”
“You underestimate my anger then.”
Red Hood goes still for what Tim is insinuating. His phone vibrates in his pocket. Tim gets it and his new assistant reminds him of a flight in an hour and he needs to be ready in half. Tim puts out his cig and pockets it.
As he stands up, he looks down at Red Hood, really looks at him. It reminded Tim of the time has passed. It’s been so long.
“Nothing to say?” Tim asks, he has an underlying tone of ‘last chance.’
“Thanks for the light.”
Tim clenches his jaw and breaths slowly. What did he expect? “You caught me at a bad time but it’s good to meet you again, Jason.”
When Tim walks away, his elbow is grabbed and he’s spun to face Jason in all his bulk. Looming over him with his height.
“You know who I am?” Red says with a threat in his voice that makes Tim wants to laugh.
“Are you really that surprised? Or did you forget me when you fucking died?” Tim smiles bitterly.
Moments passed, eyes on each other, chest to chest. The last time he sees Jason, Tim was staring at these white lenses too, and Jason was still as tall as him. At this close, Tim sees tiny tears that heal pale than the rest of his tan skin, bulked up body looming over him that used to be similar to his. For anyone, Tim had two best friends, Robin and Jason Wayne-Todd, he had known the two are the same. Seems like Jason doesn’t.
Doesn’t matter now. Everything said and done. Too late.
“Say your goodbyes now,” Tim says, because why else would his childhood friend pops back again after a decade of not saying anything after he returned to life. Tim doesn’t realize it’ll hurt this bad though. Missing Tam doesn’t hurt this bad.
Perhaps it was because the scar never healed right, but he still thinks of Jason like a big chunk of him that’s been torn away forcefully, even now.
“I’m sorry,” Jason finally says, low and guilty, as he should be, but it irks Tim to no end.
“I lost you, and when you’re back you didn’t tell me,” Tim says, his voice cracks and he curses it to hell. Red Hood’s been around for years, and Jason never came to Tim to say he’s alive.  “If you have nothing else to say, let go of me.”
“I didn’t know that you knew.”
“What?”
“I didn’t know you know I was Robin... Did you know... everyone?”
Tim rolls his eyes, “Yes.” Gloved hands still on his elbow, and white lenses not letting him go. The non-challant face he wears slips off as if oil just slicked between the mask and his skin. His heart picks up a beat. There are layers between their skin, Jason’s thick gloves and Tim’s three-piece suit, but it feels warmer. Burning.
“Damn,” Jason curses under his breath.
It’s just a little thing, but Jason’s silence following that is a nother prick to Tim’s skin.
“Is that all?” Tim dismissed, pulling his arm away, but Jason only holds tighter.
“I didn’t know, okay?” Jason pushes, “And you’re a civilian, you’re not supposed to know Jason Todd is back to the land of the living.”
“A civilian,” Tim mutters under his breath. That’s all he is to Jason? All this time. His chest hurts, Tim knows this is because of Jason’s words instead of anything else. “Get away from me.”
“I’ll see you again,” Jason says before letting go.
Before Tim can say don’t bother, the man puts on his red helmet and grapples away. For a moment Tim can see the shadow of red yellow green flying away.
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minimin1993 · 4 years
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S/M 7 & B/L 7
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Warning: Violence
“NOO YOU CAN’T LEAVE ME!!!!” Min said as she charges into Sebastian's room.
“Princess, I am not leaving for a while, I still have the Black swan after party to attend soon. Plus I still kind of want to go sight seeing a little before I head back to New York next month for the premiere.” Sebastian said still laying in bed.
“Oh, I heard them saying that your finish filming and will head back. Okay good to know.” Min said plopping down next to him.
“Really? You bust into my room demand that I can’t leave then just get comfy? ” Sebastian said placing his arm over her shoulder pulling her closer. 
“Well yeah, now I know your not leaving, I am going to get as comfortable as I can before you leave. DUH. Plus once you get yourself a girl I can’t cuddle with The Sebastian Stan anymore.” Min said snuggling closer to him. 
“Yeah right, like I am going to get a girl anytime soon.” Sebastian said plainly.
“Are you kidding me? You are joking right? Have you look at yourself in the mirror? You hot as fuck. A sexy ass Romanian hottie.” Min said flabbergasted making him blush.
“Stop princess your making me blush.” He said covering his red hot face.
“What it's true. If anyone thinks otherwise, point them toward my direction and I will sort them out.” She said removing his hands from his face to look at him in his eyes. “Wait on second thought, don’t so I can keep you all to myself.” She said making him laugh. 
“Thank you princess. You know how to make a guy feel special.” Sebastian said placing a kiss on her forehead. 
“Now we got that over, I got a free day before I go back tomorrow. Let’s start the movie, what are you watching anyways?” 
“Valentine’s Day?!” Sebastian said shyly. 
“Awwww is my Bucky a hidden romantic.” Min said playfully.
“Oh shut up.” Sebastian said as he starts to tickle Min finding it hilarious that she is actually tickle after that day on set. 
“UNCLE! UNCLE! Okay. You win….. Start the movie, I wouldn’t mind seeing Aston Kutcher, Emma Roberts, and Chris’s Ex.” 
“Oh shit, I forgot they were together.” 
“Yup, plus don’t tell him but I would totally bang them both. Together or separately.” Min whisper like Chris was going to hear. 
“So you would totally bang Chris?” Sebastian asked teasingly. 
“Hell yeah, have you seen him? God damn he's been a part of my fantasies since Fantastic 4.”
“Dam I don’t know how I feel about having you cuddling next to me while daydreaming about Chris. There goes my self esteem.” He said jokingly. 
“Hey come on, that's why they fantasies. It will never happen.” Min said pouting. 
“I was only joking jeez. But to be honest, give me some liquid courage and I would bang him too.” Sebastian said before both of them bust out laughing. 
  After they captured Zola, they headed back to London where the integration is being held. No one has seen or heard from Linda or Steve as they both disappeared the moment they changed back into their military uniform. 
Linda had took her grief to vain as she walked down an abandoned part of the destroyed city twirling the engagement ring on her finger looking up at the grey skies until she heard someone behind her. She pulled out her gun pointing behind her only to see Steve and Peggy. 
“Linda it's just us.” Steve said surprise stopping Peggy from moving when he saw Linda pointing the gun at him with jet black eyes. 
“Linda? Lower the gun down.” Steve said walking slowly toward her. 
“Its me Steve.” He said as he finally reached her before lightly touching her hand holding the gun before pushing her hand down. Once he successfully disarmed her he pulled her into a hug when her heard quiet sobs coming from her. “It hurts Steve. It feels like my soul has been ripped away.” 
“I know Linda, I know.” Steve said holding onto the crying girl in his arms.  
“I’m goin’ after Schmidt. I’m not gonna stop till all of Hydra is dead or captured.” A voice that sounds like Linda said softly. 
“And you won’t be alone.” Steve said placing a kiss on top of her head. 
After Linda had calmed down enough she wiped her tears and looked back up to Steve and Peggy. 
“Oh my god! She almost shot you guys. I am so sorry ...” Linda said realizing what happened. 
“Linda what do you mean by ‘she’?” Steve asked confused.
“I am sorry, we are sorry, we shouldn’t be near anyone, we are not emotionally stable anymore.” Linda said trying to get away but Peggy ran over and pulled the girl into a hug. 
“Its okay Linda, you are in shock, she was only doing what she can to protect you when you are not at your peak. But she recognized us and didn’t shoot us. Both you and her are still in control.” Peggy said soothing the girl’s hair while Steve stands there still shock. 
“Umm I always knew there was something different with Linda but can you tell me what's going on?” Steve said calmly. 
“Linda is a mutant, she has an alter ego called Luna which possesses a greater power then we yet to see. Abraham Eskine was the one that found her when she was young, abandoned by her family because of her powers and has kept her safe since. They both found that Luna comes out when Linda is emotional, it's like a trigger. But as Linda grew up she learns how to control her emotions, Linda and Luna now works together to keep each other safe. The only time Luna comes out is to protect Linda, and Linda keeps Luna a secret until absolutely necessary. However both girls have fallen to love ‘him’ and is emotionally attached so now Linda is phasing back and forth. Linda is special, and part of the serum working is because of Luna.” Peggy said quietly only for Steve to hear. 
“We are sorry.. We’re sorry.” Linda whispers holding onto Peggy. 
  The team was sitting in the meeting room preparing a battle plan to take down Red Skull.
“Johann Schmidt belongs in a bug house. He thinks he’s a God. He’s willing to blow up half the world to prove it, starting with the USA.” Colonel Phillips said pointing to the map 
“  Schmidt’s working with powers beyond our capabilities. He gets across the Atlantic, he will wipe out the entire eastern seaboard in an hour.” Howard Stark said walking over to the table taking a sit next to Linda who was staring at the papers in her hands. 
“  How much time we got?” Gabe Jones asks as Steve throws his papers down on the table.
“  According to my new best friend, under twenty four hours.” Colonel Phillips said 
“  Where is he now?” Linda asks with no emotion on her face. 
“  Hydra’s last base is here. In the Alps. Five hundred feet below the surface.” Colonel Phillips said pointing to the photo he was holding.
“  So, what are we supposed to do. I mean, it’s not like we can just knock on the front door.” Morita said looking at his own set of pictures with Dernier looking at it as well. 
“  Why not?” Steve said as everyone looks over at him “That’s exactly what we’re gonna do.” He said making Linda smirk evilly as he eyes flash quickly without anyone seeing. 
  Linda, Jones, Falsworth, and Dum Dum was waiting on the mountain across the mountain waiting for Steve as he was bait for the entire operation. Linda was looking around the snowy mountain thinking about Bucky when her eyes slowly turns jet black once again.
“Linda, your eyes?” Falsworth said seeing Linda eyes but before anymore question could be asked the signal was seen flashing 
“Time for Linda to get her revenge.” Linda/Luna said as she fires her zipline bow across and hanging her glider on and leaving the 3 boys there. She comes in contact with the window she jumps into position holding Bucky’s favorite rifle and starts firing at the agents and most importantly Schmidt. The 3 boys comes crashing in shortly after and she starts to run after Schmidt hearing Falsworth throwing Steve shield to him following behind her. Once they almost caught up to him Schmidt starts to fire his weapon at Linda only to have her deflect it with a flick of her wrist shocking Steve. Steve then throws his shield trying to get Schmidt only to have it get wedge between 2 steel door. They were about to chase after him when a Hydra agent with flamethrower comes charging at them. Steve pulls Linda out of instinct to safety before Peggy came around the corner and shots the tank of the flame thrower blowing him up instantly. 
“You’re late.”  Steve said staring at Peggy around the corner lovestruck making Linda smirk but chase after Schimdt dodging under the shield.
“Weren’t you about to…” Peggy said but was cut off by Steve 
“Right.” He said running behind Linda after grabbing his shield. 
Linda made it out of the bunker in time to see Schmidt taking off as she chases after the plane only to jump onto the wheels at the last minute before it was about to go too fast for her. Once she was secured enough on the wheels she turns to see Colonel Phillips driving Schmidt beloved care with Steve and Peggy in it. When Steve stood up Linda heard him yell “Keep it steady”  before Peggy pulls him down into a kiss making Linda scream finally in her head with a smirk on her face. 
When they parted, Steve had this dumbstruck look on his face as he was in awe of what just happen only to get snapped out of the daze after hearing Colonel Phillips says “I am not kissing ya.” Once the care got into position Steve jumped onto the wheel just in time for Colonel and Peggy to stop the car just in time. 
“Took you both long enough.” Linda/Luna said loudly over the engine with a smirk on her face which just looks pure evil still with her jet black eyes. 
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