#but they somehow gives me the same vibe it makes me a bit nostalgic lmao

[thewritingpossum]

I honestly think ballet and history (especially medieval history) fill the same niche in my head/heart/soul because people who devote their life to it are incredibly passionate and at least a little bit crazy and that's what make them interesting tbh

[hellsingimpuresouls-a]

1, 2, 7, 25 (Gonzo Hellsing)!

responding to this late, so sorry about that! hopefully i’m answering the questions from the correct meme orz. onward to the salt! ( i’m an idiot because only after i answered everything did i realize you put ‘for Gonzo’, so these answers are a mix )

1. What OTP(s) in the fandom do you just not get?

Seras/Integra. 

the most famous interaction that people go nuts over is the finger-sucking scene : it’s gross, rapey and just… uncomfortable how generally this is justified in so many ways. from ‘well, it didn’t ACTUALLY happen like that, that was just through the male gaze’ to ‘it’s just fan-service, Integra wouldn’t actually force herself on Seras’ to ‘uwu lesbian / sapphic rep.’ i just don’t vibe, canonically or fandom wise - there’s a very clear power dynamic in that rendition of Integra, and generally as a whole ( not that i’m infantilizing Seras by the way ), and people really like to use the finger-sucking scene as a sort of… foundation or undeniable evidence that they are very into each other, when if that same scene was done with Walter or god-forbid, Alucard, there would be riots left and right ( clarification : Alucard TO Seras, not Integra to Alucard ). it just really hit too because irl, women go through shit like this in the workplace, being sexually assaulted / harassed by their bosses. Integra being a woman doesn’t make it less rapey.

it’s also hard to ignore the fact that Seras was ‘taken in’ without anyone asking her what she wanted ( unlike Gonzo ) on her end - idc what people say, they literally abducted her ( that creepy smile Integra gives her in the first episode when Seras is being given her uniform, or that even creepier smile when she’s sexually assaulting her : miss me with that shit ). MAYBE i’d be into it a bit more if the finger-sucking scene never happened? who knows. 

i can say i enjoy shipping them in any other way but the fandom / general way. the manga-canon had a funny thing going between them ( even the finger sucking scene hit a little different? still not okay obviously but more… idk ig lighthearted and almost troll-like, ‘here suck it. do it. doooo iiiit.’ i could appreciate that. )

2. Are there any popular fandom OTPs you only BroTP?

i know Millennium pairings aren’t popular, at least in current tumblr spaces, but Dok/Major. it was apparently a popular ship back in the day, and i still occasionally see stuff for it. i genuinely don’t get it, because i saw no kind of connection between those two that was even slightly romantic. Dok legit went ‘aight, i’m out’ when the zeppelin was shot to bits - he gave no fucks about Major lmao.

7. Is there anything you used to like but can’t stand now?

mm... maybe the dynamic between Integra/Alucard? idk, when i first watched Ultimate, no tumblr or fandom involved, i thought it was very complicated. there was definitely trust, suggestiveness, excitement, guardian-like qualities, and the list just goes on! but then i made the mistake of exposing myself to fandom spaces a bit much, and them being spoken about in a strictly romantic sense kind of annoys me now. same thing if people insist that there ISN’T romance. i’m on a high horse, but i genuinely don’t think i’ve seen many people truly understand / capture the Integra/Alucard dynamic. i roll my eyes when i see either extreme sides ( romance v. no romance ).

not that i was the biggest shipper or anything - i gave very little care for Alucard and Integra respectively, but now i just care for them even less. i literally just say ‘idk and idc’ when people ask me if i ship it.

25. How would you end XXX/Would you change the ending of XXX?

impure souls : would they have continued season 2 as planned, just continue to the canon. Integra would run the organization under the watch of the Crown, but everything else would run mostly the same. there would be interesting plot points when Integra and the Queen conflict on what to do with certain missions, and the pressure gets put on even more when they realize there’s literal Nazis behind everything. at some point, reveal that the traitor was the same guy we see in Ultimate, ergo Incognito and the whole FREAK mess was just more Millennium fuss. introduce Pip and Heinkel later on too ( as they were planned to also make an appearance in the anime as well ). i definitely wouldn’t have minded Gonzo’s take on canon, and it’d be easy to pick up from where they left off.

ultimate : everything was fine / dandy, i wouldn’t change anything except for the last minutes. this is the old, nostalgic, Walter-fangirl i once was, but since Alucard is almost close to a god ( or something ) at this point, have him lift up his cape at Integra, only to reveal that he somehow managed to take in Walter as a familiar ( unwillingly, of course ), not only that, but he’s forever stuck in his adolescent form. sort of to have the ‘gang’ back together, or something. Walter was a son of a bitch who deserved no good, but this would be a funny way to condemn him.

as far as canon goes, i am please with how things ended. it was pretty alright.

SALTY ASK LIST

[fangirlingweirdo]

TWT analysis - spoiler alert!

First of all, I just wanna start off by saying that this is heavily based on my opinions and just my personal review about the movie. I’ll try categorize them into different parts and make it brief as possible.

Story

I’m just go out and say I freakin LOVE Trolls World Tour. The concept of the movie where each tribes of trolls is a combination of different genres of music was very uniquely established and it feels so clever. The amount of energy in this film is more fun and exciting than the first film as it kinda introduces different types of trolls and their types of music and culture, showing that there’s more than just pop trolls in the troll kingdom. The underlying themes where dreamworks introduces the ideas about cultural appropriation, colonialism and musical criticism has never been more relevant and more applicable in society’s issues. The message behind the movie is very clear and they executed that perfectly to the viewers, especially to the younger audiences teaching about diversity and that it’s okay to be different and that differences matters. Although I do noticed some inconsistencies in the movie like they have been given a very little time to introduce the different types of trolls and the rushed subplots of the film, Like Cooper having his own story arc where he found out he’s actually a funk troll, (a pop and funk troll) Though I hope they left all those details on Trollstopia.

Animation

I could just let the movie speak for the animation itself and not give a review about it, but I just have to. The animation is a 10/10! periodt. from the visuals to the color to the character designs, you will never be disappointed. Dreamworks animation has a reputation for its good animation, and Trolls is definitely a game changer and the team outdid themselves with this one. Not only with the vibrant colors that stayed since the first film, but also the follow up included new visuals to overall enhance the look of the story, like with pop trolls and their combination of vibrant hues of colors and glitters, and with rock and their angsty mood and redish hues, and the other tribes of trolls that correlates with their type of genre.

Characters

I feel like this is gonna be longer than my other reviews for I do have a lotta bone to pick with this one. So WARNING, this ought to be long. You can skip and scroll it down if you want.

let’s start off with Poppy. Little Queen Poppy. She now became the Queen of the pop trolls and it’s up to her how she’s gonna rule the trolls. (obviously) Then she found out that there’s this whole other world of trolls and she now.. suddenly wants to reunite all trolls and their music. She also got a side plot where she tries to be this epitome of a “good queen” that is kinda her motivation throughout film. At first you’ll think, what’s wrong with Poppy? Like she IS the main protagonist in the movie, so creators must’ve made her like the ‘hero’ in the film. Well... 👀 hmm I— I dunno bout that. let’s see.

I get that the film wants to give her an arc where she has to understand the differences between them (pop trolls) and these other kinds of trolls. And then in addition to her optimistic, bubbly personality, she wants to unite all trolls against the viewed villain in film Queen Barb who wants to destroy all music and make em under rock. Everything could’ve ended greatly if Poppy will just listen. (i get it. whole point of the film is poppy not listening) Her tunnel vision kinda made her annoying at this time around. Her overall ideology about pop being the superior music has made it hard for her to accept all the other types of trolls and their genres of music. In a scene in Lonesome Flats, she kinda just.. disregarded the whole idea of “music can be also sad cause life is sad sometimes” she thinks that music is suppose to make you happy, which is true in a sense but not disparaging the fact that music can also be about sadness and other things in life.

Throughout the whole film, she’s only too focused on one thing and refuses to listen to any advice, especially given by Branch, Biggie, even from her own father. It just felt a bit out of character for me. I guess she might’ve thought her positive, optimistic ways that led the bergens to be their friends kinda checked out and saved the trolls so might as well do the same on this one, when clearly that’s NOT the case.

There was also that one scene where she kinda gets down on Branch for being a bad friend when he gave her constructive criticism and advice (in the raft), completely taking his words out of context assuming he doesn’t think of her as a good queen. (At this point, I wish he could’ve just said yes cuz honestly, it’s getting annoying lmao.) Which is.. why exactly? He’s with her throughout, supporting her despite all the warnings.. but anyways.

I guess the only thing I like about her is she did get the arc that she needed. I mean I thought her not listening has been her whole thing in the franchise like in the first film and Trolls Holiday. I kinda wanted her to realize the stubbornness she acted upon throughout the whole film and somehow it was executed quite nicely..? I sure wish this is the last time she won’t listen and that she learned from all these things. Overall, her character.. didn’t really work out for me this time unlike in the first film though her growth and development is enough. Hopefully they’ll work out on her character more in the future.

Now, Let’s go to Branch. Personally, I love him. He’s my favorite throughout the whole franchise. I’m just gonna say it now, but i’ll try not to look biased here. lol

I love how branch is the sensible one this time. I get that he became like the voice of reason for Poppy and her consort. And let me just say the character development of Branch, from being reclusive, withdrawn type of troll now becoming more open and congenial, the personality growth has made his character so much fitting and I’m so glad to see that. His vulnerability made it easier for him to connect with other trolls, especially to Poppy. There was that one scene where he opened himself to Hickory about his feelings towards Poppy. Just minutes before that scene, he didn’t trust him. But then moments later, he became honest to him, showing a huge amount of growth in his character.

All those aspects really built Branch’s character more stronger. However, I couldn’t help but wish there’s more like an arc to him as well. I mean there has been a lot of injustices for his character. Like basically since the first film, no one’s ever listened to him, even with his warnings about the bergens returning to get them, which turns out he’s actually right by the way and yet no one acknowledges it and still same thing happened in the second film. It’s like a running gag now at this point, where no one listens to Branch and Poppy and the other trolls downplays Branch’s excessive preparedness for danger, then at the end he was actually right about his assumptions. I’m not saying that Branch is always right and that Poppy is wrong. I’m saying they could’ve at least find a balance between that, where Poppy would listen more to Branch and Branch would at least dial down the paranoia and acknowledge the positivity Poppy tries to show. (but then I realized if that happens, the show wouldn’t be as interesting anymore lol)

His range of emotions and awareness is definitely not like other pop trolls. I saw this observation in where he claimed he liked the music of country trolls, sad and a bit gloomy not like the kind of music they are used to sing. And then I realized, he was actually the first troll to ever like a different genre of music. His flexibility and openness to different ideas and genres of other trolls has made him more unique from Poppy or any other pop troll, even blending in with the kpop and reggaton trolls. I just wished they didn’t just reduced his character as being the typical “love interest” of the main character, but making like an arc storyline for him as well (hopefully in future) in my opinion.

Now I bleed Broppy. I definitely love the subplot of the movie where Branch tries to confess his love for Poppy, which at first I thought “didn’t we already do this in the first film though?” but then I guess it wasn’t really official. Basically the story kinda revolves around them and how they teamed up to discover all these new types of music and trolls. It’s almost like a nostalgic feeling for the older viewers when they first headed out to an adventure in the first film. Only difference is Branch is harboring strong romantic feelings for Poppy, whom may also feel the same but totally oblivious to it. The subtle interactions between the two of them brings different energies in the movie, and those interactions are just what we need. Like with affirmations they give each other, and the cheeky smile exchanges. You can really feel the romantic tension between the two, which really vibes with the atmosphere of the show, especially given the chemistry between them in the first film.

The third act breakup of Branch and Poppy was definitely relevant to the story and their different personalities having to give them space for a re-evaluation of their friendship. Honestly that was totally necessary for their relationship, considering how different they are together, especially with Branch who wants to take their relationship in the next level (and that applies for Poppy as well whom I’m sure also feels the same way) So it’s reasonable they had to split for a while, not to ultimately close the chance of them being friends again because of being different but the fact that despite their differences, their love and care for each other will always be stronger, and that will help them find a way to make up again, which is what the message of the main plot tries to exhibit. I do wished they put like a moment for them where they just apologize for their actions (talking to you poppy. ahem)

Overall Branch’s character has left me half satisfied and somehow craving for more development and revelations about his background. The overall growth of his character since the first film is definitely something worth treasuring.

Now with Queen Barb. Well, She’s something else huh? 😆 With the movie running low on time to introduce these whole new characters, they definitely put enough time for us to get to know Barb. Her character as villain was introduced quite nicely. Although rock genre being shown as the villain, isn’t that a little overdone now at this point? But anyways..

Her plan was to unite all strings and make all trolls from different genres become a rock troll or rock zombie. Basically she just despises other genres of music so she forcefully took all different strings to destroy all music except rock. Kinda like what Poppy wants..? Now here me out. It’s like when Barb said she and Poppy are the same. Both of them wants to unite all trolls. Only difference is their mindsets about music. Barb thinks all other genres music are awful except for rock, and Poppy thinks pop music is the right music. There is one who thinks that other music are distasteful and one who thinks their music is the superior. If anything, Barb has a more reasonable point in trying to dominate the troll kingdom. Barb acknowledges the differences between them and the other trolls, and it may not be the right way to do it, she just wants to unite all trolls because she thinks music is what divides them. While Poppy wants to unite all trolls despite their differences, it’s almost like forcing them to give up their own music to follow what Poppy thinks is the right music. Either way, their interpretation of music isn’t really helping with what they want to achieve.

The only hole in her story I guess is that as she tries to dominate the troll kingdom, she didn’t seem to realize that her motives to destroy all music is almost the same as what the ancestors of pop trolls did, making her look like a hypocrite even though totally despising the pop trolls after what their ancestors did in the past.

Overall her character is very well executed as the villain of the film. Although you can easily sympathize with her. Unlike with the Chef in the first film, I can’t show any sympathizing emotions towards her. All throughout you’ll only be feeling mad toward the Chef. While with Barb, I honestly even had a hard time picturing her as an antagonist. For me she’s just a queen, who wants to unite all trolls. I guess her twisted ideologies made her look like the bad guy, but despite that, she’s doesn’t really look like the villain in the film. Now she had a change of heart, I am very excited to see more of her in the future.

Others

Like I said, with a short amount of time given in the film, there’s really not enough space for the creators to introduce these other trolls and their background like the Classical, Techno, Funk, and Country trolls. Though I had a little problem with TWT. I am such a fan of classical music, and I think they had the most brief screen time throughout the film. I was excited to see them in the trailer tho, and they had shortest amount of time in the film. lol but that ain’t important. I’m just saying, there’s a lot more to see and learn about these new introduced trolls. Now i’m not gonna lie though, as adorable as it looks, there are those characters that are only made for merchandise. (*ahem* tiny diamond *ahem*)

The musical numbers are definitely a feast in the eyes. Although very much consuming all the time in the movie and didn’t leave enough space for character development, I still love the music. I feel like the TWT soundtrack is so underrated though. For the whole week since I’ve first watched the film, I cannot stop bopping along with Don’t Slack. 😆

The new casts are adorable! Anderson Paak was there, Sam Rockwell was there, Heck Ozzy Osbourne was even there! I cannot stop watching the behind the scenes of the movie. They are all great!

Conclusion

Overall, the whole theme of the movie and all the underlying messages behind it was definitely well executed in the movie. The line that pretty much sums up the whole movie would be “denying our differences is denying who we are” has a powerful impact, and the message behind it is very relevant till this day. It also teaches the viewers about having to respect one’s preferences of their taste in music. From the storyline to animation to character developments, although there’s still a lot of inconsistencies in the film, they still managed to make the movie worth watching and worth recommending.

I’ve been thinking about these things now and I just feel like I need to let it out here lol. If you guys have any thoughts, feel free to tell me! 😄

[news-mashable-yahoopartner-blog]

HitClips: Remembering the most absurd way we listened to music

If you were a child growing up in the late 90s or early 2000s, odds are you remember the most entertaining and hilariously nonsensical way of listening to music: HitClips.

In 1999, Hasbro's Tiger Electronics released the "slick micro audio systems" known as HitClips, tiny  memory card-like chips that contained a 60-second "clip" of a super popular song. In the early days, that meant tracks from Backstreet Boys, *NSYNC, and Britney Spears, and later they included middle school anthems from Avril Lavigne, Hilary Duff, Simple Plan, and more.

SEE ALSO: Outdated ways of listening to music, ranked

While, from a tech standpoint, HitClips clearly weren't the most innovative devices, they had such a strong cultural impact that for years, people actually felt compelled to spend money on tiny snippets of full songs — a concept that, in hindsight, seems impossibly absurd.

So what exactly made HitClips so successful? And could they ever follow vinyl's path and make a comeback in today's world? To answer these questions, let's take a trip down memory lane.

y'all remember hit clips? i had all the slaps lmao pic.twitter.com/pzGbcOU2fO

— baby💮 (@m0delofiend) August 23, 2018

I recently uncovered my old HitClips players when attempting to clean my basement, but much to my dismay, my extensive song library — hot jams by A*Teens, Baha Men, Aaron Carter, Destiny’s Child, Dream Street, and dozens more — is still packed away somewhere.

Luckily, a single chip was with the devices. Unfortunately for us, that chip happened to be *NSYNC's "It's Gonna Be Me," which is now almost exclusively associated with memes.

The history of HitClips

HitClips initially debuted as toys in select McDonald's kids meals, but became so popular that they transitioned to the main toy/electronics market. That's when things got really exciting.

From 1999 to 2004, HitClips captivated the minds of budding young music lovers, and over the years, the brand ambitiously moved from basic listening devices to tiny CD players and fun extras.

Back in the day, a player cost $20.00 and a cartridge went for $3.99, which seems like a lot of money, even now. But the price seemed worth it back then considering the collectible tunes quickly became status symbols for America's youth. In school hallways and on playgrounds, the more clips that swung from your keychains, backpacks, or belt loops, the cooler you were. Life was once as simple as that.

The basic player 🎶

Image: martha tesema/mashable

The anatomy of most original HitClips devices were the same. Each player was about two inches long, had a slot for the chip, a single headphone wire that connected to an earpiece, a "Play" button, and a clip on the back so that users could conveniently fasten the devices to their clothing.

One of the first HitClips players I ever purchased (picture above) had a headphone wire that was just 12 inches long, which essentially meant that unless you were extremely petite, there was no way you could clip that thing on your belt and listen to music at the same time.

HitClips eventually remedied this flaw, and though users still dealt with poor sound quality, no volume control, and an inability to enjoy music in both ears, I like other naive children considered these toys among my most prized possessions.

HitClips Discs 💿

Image: martha tesema/mashable

As if the tiny versions of cassette tapes weren't adorable (and unnecessary) enough, in 2003 (near HitClips' retirement,) Tiger Electronics created HitClips Discs that played not one, but TWO minutes of music. Ca-chingggg.

These li'l Oreo-creme-filling-sized discs completely upped the game, but also required completely new players. So in the spirit of not making the original HitClips chips completely irrelevant (they were pricey, after all,) several hybrid devices that played both varieties were invented.

The extras 😎

Image: martha tesema/mashable

As any true fan of the amateur listening device will tell you, the real HitClips magic lay beyond the straightforward players.

You were nothing unless you had some snazzy HitClips extras, like an FM radio scanner attachment, or a three-inch-long boom box that played your tunes out loud for all to enjoy. There was an alarm clock, a Dance Bot, and even a karaoke device called the HitClips Groove Machine that somehow featured Destiny's Child in its commercial.

one time as a kid my parents wanted to follow a big gator football game, but it wasn't being aired on tv on a channel we got so they used the only working radio we had: my little hit clips boom box with the radio receiver cartridge plugged in pic.twitter.com/2NGiWROzg9

— Bobby Schroeder (@ponettplus) July 3, 2018

These came in handy and made the very limited devices a bit more functional. Who wouldn't want to blast a minute of Smash Mouth's "All Star" over and over again?

Less is more: An elaborate sham

The allure of HitClips is best summed by a moment from an episode of The Office where Michael Scott keeps listening to the iTunes Music Store preview of James Blunt's "Goodbye My Lover" on repeat after breaking up with his girlfriend Carol.

When his colleague Dwight Schrute asks, "Why don't you just buy the whole song?" Michael replies, "I don't have to buy it. I just want a taste of it."

Now, in this particular scenario, Michael was likely too cheap to purchase the full song. But the sentiment still remains. HitClips did an excellent job of making consumers feel like they needed only a taste of a song to be satisfied. And our silly little brains — distracted by the novelty of miniature music players and more collectible clutter for our keychains — cast aside any shred of reasonable thinking and believed this to be true.

Think about it: People were willing to spend money on part of a song when FULL SONGS existed for less. And in some cases, people (me) already owned the full songs and even full ALBUMS, but still chose to pay more money for a song clip. That's madness. And it worked, because by 2002, Tiger Electronics had reportedly sold more than 20 million HitClips devices, bringing in $80 million. And that doesn't include sales through 2004.

There's certainly an argument that HitClips were more convenient to carry around than Walkmans or CD players, but when you really sit back and think about the logic of it all, it doesn't seem to hold up. In reality, we all got duped with HitClips. But in the moment, all that really mattered was that we felt trendy AF.

Can HitClips make a comeback?

It's been about fourteen years since HitClips were discontinued, and though they'll always hold a special place in our nostalgia-hungry hearts, the thought of a resurgence today is truly laughable.

Nowadays iTunes gives you a 1:30 song preview for FREE, and charges $1.29 on average for a single track. So why would anyone go back to paying more for less music? 

Kids these days will never appreciate hit clips keychains and that makes me a little sad

— Tabby Moore (@tabbykmoore) August 27, 2018

Today we're accustomed to high-tech touch screens, shareable playlists, and instant gratification. In other words, we're spoiled. Imagine paying money for iTunes and Spotify song previews. You would NEVER — especially when you have access to free songs on YouTube and Spotify (if you're willing to endure a few occasional advertisements). And since streaming caught on, most people have stopped purchasing music altogether in favor of streaming service subscriptions. 

Though HitClips would likely still capture the interest of kids, for the adults who once owned them, reverting back song clips would be a bit like trying to switch back to dial-up internet. (Okay, MUCH less painful than that.) The point is, we're too advanced and too impatient now.

I will say, when I brought my devices to the office, my coworkers were really feeling them. And HitClips still remain a topic of nostalgia-tinged jokes.

When will sweetener be released on hitclips?? @ArianaGrande

— matt (@mattdaly) August 20, 2018

Fixin’ to drop my first mixtape, available on Hit Clips everywhere pic.twitter.com/86QYzQtZjx

— Tom Simmermaker (@tomsimmo) August 21, 2018

THIS JUST IN: OMAROSA SAID TO HAVE OVER 200 HITCLIPS OF THE PRESIDENT AND ALSO THE SPICE GIRLS pic.twitter.com/73ofq1G7HW

— Anthony Carboni (@acarboni) August 17, 2018

Foolish or not, these toys were an important step in music history that helped prep the world for the iPod's release in 2001. For many people, HitClips served as a first experience with a handheld, deconstructed mix tape. Unlike Walkmans and CD players, HitClips let you switch between songs and artists with ease. There was no skipping through tracks you didn't like — you simply selected the song you wanted from your collection of clips.

Sure, they were much less advanced than iPods, but the concept foreshadowed the mind-blowing tech to come. And after the iPod came out, HitClips helped fill voids in the hearts of those who were still too young to own an Apple product.

HitClips aren't likely to make a comeback, unless, as Twitter user @punchworm suggests, an ~extra~ brand tries to revive them for nostalgia's sake.

i just know that the product manager at urban outfitters is waiting for just the right moment to bring back hitclips

— nia (@punchworm) August 26, 2018

But if you're dying to live the HitClips lifestyle now, you can buy them on Amazon or eBay for a pretty penny. Until then, I offer you the best of both worlds with this HitClips-themed Spotify playlists.

But remember, you should listen to just a minute each song if you really want that nostalgic vibe.

WATCH: This multi-instrumentalist understands the rhythm of the subway