#clancy tour tracklist

[heavymetalluverr566]

They don't come to my country and in order to buy a ticket for their concert I first need to get a visa or a passport for abroad, and spend 10 times more money on it

BUT THIS TRACKLIST, JUST LOOK AT IT, DOES IT LOOK LIKE A MIRACLE?

[chorusfm]

Twenty One Pilots – Clancy

The seventh studio album from Twenty One Pilots, called Clancy, brings closure to the near decade-long conceptual series that began with Trench. In many ways, Twenty One Pilots are challenging their audience to go on this ride with them as they navigate through the waters of rap, alternative, punk, and indie rock, while still looking for new and innovative ways to express the right emotions in their music. Clancy is the character that the band first introduced in Trench, and this record of the same name pulls out some additional thematic elements to bring rich context to the story. After some hard to hear radio chatter on the beginning of the opener, “Overcompensate,” a voice comes on to set the tone by stating emphatically, “Welcome back to Trench.” By taking a brief detour to where they’ve been, while still trying to advance the music forward in their repertoire, Twenty One Pilots have crafted an album worthy of multiple repeat spins and reward listeners willing to take deep dive into the world of Clancy. After the brilliant opening track/lead single, the subsequent single of “Next Semester” follows with a frenetic drumbeat from Josh Dun, while lead vocalist Tyler Joseph croons over the mix to bring some experimental pop into the fold. The dreamy acoustic guitar outro in the song is a welcome departure from what the band has attempted to date, and yet it still feels authentic to the band. “Backslide” is largely a hip-hop song that is rooted in the nostalgia of what Twenty One Pilots accomplished on Trench, while the production from longtime collaborator, Paul Meany, accelerates the artistic growth from the band. The steady pick-me-up bounce found on “Midwest Indigo” is sure to be a crowd favorite on the Clancy arena tour, while the brooding “Routines in the Night” is clouded in mystery, much like its intentions. Twenty One Pilots have never been strangers to the darkest of thoughts, and this song sounds like the logical progression from their standout single “Heathens.” The bombastic pop of “Vignette” is filled with sweeping orchestral parts that lend itself well to the heavy synth breakdowns in the song, while “The Craving (Jenna’s version)” was a curious choice for a fourth single since it seems a bit out of place in the overall sequencing of Clancy. The largely acoustic ballad features the refrain of, “Say enough, say enough / Did I let her know, let her know? / If I found my body in chains / I’d lay down and wait / And hope she looks for me,” and puts the spotlight on the vulnerability of the Clancy character. It may have made more sense towards the end of the tracklisting, or even as the album closer, if they chose to go out on a somber tone. Things pick back up on “Lavish” as Tyler Joseph softly croons, “Welcome to the new way of livin’ / It’s just the beginning of lavish.” The song plays out a bit like a commercial jingle in its memorable chorus, while the rapping in the verses makes it firmly implanted in Twenty One Pilots lore. The heavy bass line in “Navigating,” mixed with great guitar riffing, makes for one of the heaviest songs that the band have attempted to date, and they largely pull it off with grace and poise. “Snap Back” features a unique blend of dreamscape pop paired with heavy hip-hop elements to make for a really creative listening experience. “Oldies Station” features a clever pre-chorus of, “Fear of the past and (Relative pain) / Future’s comin’ fast, you’ve got (Nothin’ in the tank) / In a season of purging things you used to love / Everything must go,” since a lot of this LP is about looking back, while still embracing the uncertain path ahead of us. The closing one-two punch of the bouncy “At the Risk of Feeling Dumb” has a great, gradual crescendo towards the tail end of the track, plus the sprawling “Paladin Strait” is an excellent way of making a memorable statement. The closing lines sung over an acoustic guitar of, “On the ground are Banditos / Fighting while I find Nico / Even though I’m past the point of no return /… https://chorus.fm/reviews/twenty-one-pilots-clancy/

[slrmagazine]

Twenty One Pilots Announce Massive Global Headline Tour

Twenty One Pilots Announce Massive Global Headline Tour. #twentyonepilots @twentyonepilots

GRAMMY® Award winning duo Twenty One Pilots have announced details of their massive global headline The Clancy World Tour and shared “Next Semester,” a new song from their highly anticipated forthcoming album, Clancy, which will be released May 17th via Fueled By Ramen [album artwork / tracklist below]. Watch the Andrew Donoho directed music video for “Next Semester” HERE. Twenty One Pilots will…

[topweeklyupdate]

TØP Bi-Yearly Update #139: Don't You Shy Away (From Blogging About Fan Culture) (4/16/21)

Well... this week has been interesting!

A few years ago- heck, just one year ago- it would have been inconceivable to imagine Twenty One Pilots entering into a new era and me not being all over it. When Trench was released, I was practically a daily update page, covering every new drop of info as I reached it. Admittedly, a lot's changed since then. Some of those changes are just a matter of how much time and energy I have to run a blog. As I said ten days ago when it became clear that a new era was coming, I am deep into my doctoral work at the moment (and, due to defending my dissertation prospectus next Friday, will not be able to post next week either).

But there have also been some fundamental shifts in how I approach fan culture. The events of the last year, in the world and in my personal life, have made me really confront the problems inherent with holding people up onto a pedestal, of devoting any part of your life to following a stranger's, and of parasocial relationships in general. I cannot go back to the same mentality I formed in 2013 and kept until somewhere between 2017-19 where the music that I liked was a core part of my personality and writing about the people who made it was a thing that gave me purpose.

At the same time, though, I cannot pretend that I don't still love the band that provided me with indescribably valuable comfort at a time in my life where I needed it. Twenty One Pilots' music, message, and fan community carried me from one place to the next, and so did this blog. They're always going to be a part of me, my interests, and my history. So, yeah; I'm gonna keep writing about them, just with perhaps a little less gusto. And that's a healthy thing!

But boy, is there a lot to gush about. I don't know about the rest of you, but "Shy Away" has only continued to grow on me over the last week, leaving me very excited about the future of our band moving into the Scaled and Icy era.

Recap's under the "Read More". But before that, just gotta say (since I haven't for awhile): Power to the local dreamer.

|-/ (I ain't changing the logo, Tyler, you doof.)

Ok, so y'all don't need me to explain everything that's gone down in Cliqueland over the last two weeks. We had dmaorg updates that were quickly overshadowed by promo posters for Scaled and Icy (which, of course, is just an anagram of "Clancy is Dead", because Tyler Joseph hates me personally) featuring our new icon mascot, Trash the Dragon and an album tracklist. We had a sweet new website launch with plenty of nifty Easter eggs and the promise of an exciting livestream performance on the album's release date, May 21, after well over a year off the stage. We had several interviews where we got intel over when to expect a tour (no clue), where Ned's at (missing), and if the album's being produced under duress from Dema (no comment).

More importantly than all of that, we had a dope new electro-indie song/tutorial for Jay's music drop. After I initially responded with a somewhat subdued "This is fun", "Shy Away" has just continued to worm its way deeper and deeper into my brain; I'm still humming it every hour or so. I cannot wait to someday hear a room full of people yell "I LOVE YOU (ooh ooh)" in harmony. The music video, directed by Miles Cable and AJ Favicchio, is somewhat light on narrative unless you fall down some Reddit rabbit holes, but has some nifty visuals (and space buns). More exciting for me is seeing another BTS video from Mark; it's been over two years since we've gotten to see Tyler and Josh at work, joking around with each other between takes, and that's such comfort.

Clearly, lots of folks are also digging this song. While it's still early, "Shy Away" has been outperforming "Level of Concern" at this same point in its release, having the best debut performance from an alternative song at Billboard since... "Jumpsuit". We'll see if this poppier track catches on better with radio audiences than other TØP tracks have since Blurryface and deliver the band another bona fide hit. I'll admit, I'm skeptical- I haven't heard anything quite like this cross over to the Top 40 in a few years now, it's gonna need to have some time to grow on people, and those promising early numbers are starting to trail off. I'm excited to be proved wrong!

That's about all I've got for now. Like I said earlier, I don't plan on releasing another update until two weeks from now, but I might change that plan if they happen to mess around and drop another track over the next week. We'll see. I'm excited. My band's back in action! Stuff's wild.

Once again, power to the local dreamer.

|-/