Des portraits de ses filles devant le miroir par Lady Clementina Hawarden au 19ème siècle
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Des portraits de ses filles devant le miroir par Lady Clementina Hawarden au 19ème siècle
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by Lady Clementina Hawarden (1822-1865)
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Lady Clementina Hawarden
* * * * *
Sleep Hygiene
Jill Khoury
A bed should be a tender slab, devoid of insects.
A tired woman should be able to lie across diagonally,
headache to hag feet.
A bed should exist in crystalline silence.
It should have a sleepy blue view.
A nearby window not close to voyeurs.
A bed should have a special pillow to shush the head,
to coddle and safety the amygdala.
If established on the ground, a bed should have
a bioluminescent quilt to redirect the gaze: the prey
is over there.
If established in a tree, the quilt may allow for free feet
or a tossback with luxuriant abandon.
Among other things, do not build your bed on dictionaries
or books of any kind.
A bed is best made from a wood frame, or metal, or dark matter.
A bed should be free of lye, lime, and liars.
One should be able to enter the bed and think
I could fly far away in this. I could die; I could just die.
Copyright © 2023 by Jill Khoury. Originally published in Poem-a-Day on July 14, 2023, by the Academy of American Poets.
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Lady Clementina Hawarden • Clementina and Florence Elizabeth Maude,1862
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Clementina Hawarden (UK, 1822 -1865)
Clementina Maude, ca. 1862
albumen print
17.4 x 15 cm. (6.85 x 5.91 in.)
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Now You See us
Women Artists in Britain 1520 - 1920
Tate Britain
A selection of my favourites from the show:
Anne Brigman - Soul of the Blasted Pine 1907
Clementina Hawarden - Clementina Maude 5 Princes Gardens c1861-1862
Laura Knight - At the Edge of the Cliff c1917
Henrietta Rae - A Baccante 1885 (left)
Anna Lea Merritt - Love Locked out 1890 (right)
Minnie Jane Hardman - Study of the Wrestlers c1883
Gwen John - Self-Portrait 1902
Nina Hammett - Still Life with a Blue Jug 1917
Vanessa Bell - Still Life on Corner of a Mantlepiece 1914
Ethel Walker - Decoration: The Exursion of Nausicaa 1920 & detail
Ethel Wright - The Music Room. Portrait of Una Dugdale c1912
Una Dugdale Duval - Love and Honour but NOT Obey 1912
Helen Saunders - Portrait of a Woman 1914
Helen Saunders - Study for Vorticist Composition in Black and White c1915
and in the Duveen gallery:
Grace
Alvaro Barrington
also currently showing is
Sargent and Fashion
Nonchaloir (Repose) 1911
Rose-Marie Ormond reclines, perhaps asleep, on a sofa in an elegant, unidentified interior. On loan for this exhibition from the National Gallery of Art, Washington
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PHOTOGRAPHIC STUDY, CLEMENTINA HAWARDEN, EARLY 1860S
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Lady Hawarden Clementina (1822-1865 English) • ‘Clementine’ 1864
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Clementina Hawarden, Photographic Study, early 1860s (Met Museum)
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