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n7punk · 10 months

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"City of Angels" Fic Notes

CoA is done! This was a fun little ride. It ended up a bit longer than I predicted but this is the first fic in a while that didn’t become a runaway so I’ll take that. Actually nvm I just checked and I predicted this fic would be 15k. Oops. The share link will be up later tonight, but for now, here’s the fic notes!

Playlist:

My playlist for this one was less emotional stuff and more “LA sucks” songs, so it’s shorter, but honestly it worked really well. For me, a playlist is something that either 1) helps with the mood/ideas while I’m writing or 2) something that makes me WANT to write when I hear it because I tie it to those ideas, so the LA songs actually worked really well even where they were less relevant. The emotional songs are all centered around the breakup/conflict at the beginning, but the playlist still worked.

City of Angels — Em Beihold.

LA — The Veronicas.

Arizona Pretty — Kailee Morgue.

The Very First Night — Taylor Swift.

Strangers — FLETCHER.

I’m Not Mad — Halsey.

Good Idea At The Time — The Wombats.

MODERATION — Lilyisthatyou. (I’ll be honest I think I added this when I was writing the club scenes as, like, the kind of background music they would be hearing to get in that mood because it’s not relevant to the rest of the fic, but it is a banger lmao)

Epilogue Life:

For a while, Adora and Catra are infuriatingly vague to the press about each other. They’ll go to events together and act like a couple, telling stories and clearly knowing each other well, but they just get all mysterious when asked questions. Eventually, after many months of dating, they’re a bit more willing to talk about their relationship. At that point they confirm that they are dating and later admit that they went to the same acting school, having known each other since they were kids. It takes a long time — “coincidentally” shortly after Catra’s career really solidifies her as someone to watch for years to come — before it comes out that they were foster kids with the same guardian who trained them in acting. They basically just say “yeah, she was our teacher so it was kind of like being in class 24/7” and don’t comment on it further. They (well, Catra at least) would love to dig into Weaver, but saying anything bad about Weaver is basically signing a ticket to have her try to sell every one of their secrets she knows. The closest they get is when someone bothers Catra about the “mutual guardian” thing with her then-fiancée and she basically snaps “that was not a family, that was a boarding school. We were not her children or siblings” and the clip ends up online. Mysteriously, they never hear anything from Weaver in retribution, but DT soon after stops having a favor owed to them at two different tabloids.

Adora and Catra both settle into each other’s places and lives. They keep calling their places “Catra’s apartment” and “Adora’s house” for a long time because each is definitely more owned by one of them (both legally and practically), but in daily life it really has morphed into the apartment in the city and the private house passed the edges of town. Their relationship rekindles beyond where it used to be and, despite them never really publicly “clarifying” their relationship once they’re on the same page about being traditional girlfriends, everybody treats them as a couple up until the point where they get married and become wives instead.

For a while Adora remains more famous/ubiquitous than Catra, but her career peters down over time while Catra diversifies and has such a range she becomes one of the go-to magicats in Hollywood. Adora is very happy with her moderate success and wildly successful wife, though. I don’t remember if I kept the “joke speculation” about this in the fic, but eventually Adora leaves show business to direct a small children’s theater group with the love and warmth she was missing in her own education. She loves it. She loves working with the kids, she loves the low stakes of community plays, and — as referenced in the fic — she loves stage acting.

Catra keeps up in Hollywood all the way until she’s a gray fox, always attending her award shows with her wife on her arm, which is pretty much the only time Adora steps back into the limelight. Adora had her fun, but her own mental health does better in her new career path. It barely pays, but that’s what Catra and Adora’s old investments/savings are for. Occasionally one of her kids really goes down the Hollywood path and Adora does a little networking for them.

Chapter 1:

⦁ Neck kissing is enough of a thing for Adora that it was a total red flag that it wasn’t doing it for her and I find that hilarious.

⦁ Catra’s reputation for calling shit out really bit her as soon as the public picked up on her interaction with Adora. The theory Adora was secretly racist was slowly gaining some traction within Catra’s fanbase, as well as outside of it when that seemed more scandalous — ie, profitable to talk about — to gossipers/tabloids. Catra had been avoiding Adora for years as she built herself up, but when that started spreading, she reached out for Adora’s sake as much as hers. Being friends with some of Adora’s friends, all the stories she has heard seemed to show Adora as she remembered her and not some egomonster twisted by fame, but even starting to wonder if the Adora she loved still existed and their relationship could be repaired, she stayed away until she had a name of her own to stand on. Partly because of pride and partly, yes, because of the stupid superstition.

⦁ Catra was really trying to puff herself up for the encounter, scared of Adora getting under her skin again, but the end of it really threw her off. She made the dig about Adora’s talent and realized — at least a bit — how much it hurt from the way she retreated, and then Adora backed down which she doesn’t do, and then she said she missed her and left. It was the first step to Catra really starting to consider her again.

⦁ When I went to write the first chapter end note, I realized you could easily consider DITM, ASGNE, and SaD “celebrity” fics, not to mention stuff like 5GR that brushes up against fame in some other way, or even SLAS with the socialite aspect. I only really consider DITM and maybe ASGNE celebrity AUs, though, with the others just dealing with some level of fame or notoriety in their specific area (cosplay, sports, etc).

⦁ I was supposed to do a whole fic extra about this, but I didn’t, so I’m just going to whack it up as a block of text here regarding Adora’s reputation and public perception: Adora came out of nowhere and played a kind of a-typical character to be the lead of an action series. She was so similar to her character and dorky in interviews that she immediately grew a very attached fanbase. You know that gif of Jennifer Lawrence looking at Anne Hatheway at the Oscars “like she’s a unicorn” because she’s fangirling herself that everybody reblogged back in 2014 or whatever? Yeah, that exact gif exists of Adora and was kind of the vibe that inspired her public perception here. That and the girl who played April Ludgate saying weird shit in interviews. Adora seems ~quirky and relatable and down to Earth~ (AKA doesn’t know how to cultivate a public personality or censor herself) so she gets a lot of fans pretty quickly. She has this cocky thing that works for lesbians and this “girl next door” vibe that works on everybody else, so she keeps getting “typecast” in those roles because that’s what everyone wants to see her in and her fans will follow her from movie to movie without hesitation when those similarities are there. Of course, the truth is taking on a totally different character is difficult for her, but between auditions for other stuff not working out and more of that fair calling for her, she has been legitimately typecast at this point. She’s way too honest in interviews and it works out for her. Everybody feels connected to her despite how there are sides of herself — the fragile ones — she never lets anyone see, and she’s a household name with her face synonymous with an entire franchise.

Chapter 2:

⦁ Perfuma was there to make sure they didn’t end up hooking up in the bathroom as much as she was standing guard, it’s just that no one ever said that to Adora. Perfuma was supportive of them reconciling now she was getting to know Catra better, but she thought that just might be counterproductive to it.

Chapter 3:

⦁ Catra knew there was a chance of them meeting at the party since she closely associates Randor’s name with Adora. She assumed Adora wouldn’t happen to be on the other side of the country to come to the party, but it was in the back of her mind as a possibility, so she wasn’t that surprised when Adora showed up. Mostly she was grateful for someone she could seem like she was engaging with socially while really she could just relax.

⦁ I rarely put Catra in skirts but in this case it was insurance to make sure her tuck never showed or anything.

⦁ Imitation is part of my larger universe of fics, with it being one of Catra’s movies that she won an Oscar for in DITM. Gunmetal was one of her movies in that fic, and later one of Sea Hawk’s in ASGNE (he was also in it in DITM), and in this fic it’s the third of Adora’s trilogy of movies.

⦁ Catra’s name being “Beth” in her breakout role is once again a reference to the “her real name is Elizabeth” joke from crew.

⦁ Alright the premise of Adora’s breakout trilogy is basically you have a classic action guy who’s secretly a spy and he’s in love with his next-door-neighbor (Adora) who he greets in the hallway every morning. And then in the first ten minutes of the movie he goes missing, and Adora accidentally witnesses suspicious activity at his place and then he never comes out to greet her in the mornings anymore and it starts her down this track of investigating for herself and finding his secret spy gear and going on a mission to rescue him without any knowledge of the spy organization he actually worked for. The whole movie there’s this assumption by the audience that she loves him back and that’s why she’s going to these lengths. She talks with another character about how they’ve known each other since high school and you think oh when she rescues him there will be a confession, and then she does rescue him and, when he’s finally in the movie again after an hour and 42 minutes (at no point was he shown before that so the viewer is just as unsure as Adora whether he’s still alive), it’s revealed she was his babysitter back in the day (she’s a few years older) and she sees him like a younger brother and has no connection to him like that, on top of being a lesbian with a girlfriend he didn’t know about because it turns out he really didn’t know that much about her at all having only had some conversations with her in the hall after they happened to move into the same building after going to different colleges. It’s partially a joke and partially a commentary, although not as progressive as it’s going for considering they casted a 20-year-old for the female lead and an almost 30-year-old for the male despite him supposedly being younger because in Hollywood women HAVE to be young and attractive. It does solidify Adora’s character though, because she went through all of this just for a guy she once knew as a sweet kid and that she was worried about. The sequels are set up by his spy agency inviting her to join them at the end of the first movie since she proved herself by rescuing one of their own. It’s a good button on the end of a single movie and was also a great setup for sequels when they were greenlit. The last two movies have an overarching story connection with the agency turning out to be corrupt and his capture was an inside job, though they can be viewed individually. He’s, once again, barely in the movies and has been demoted to deskwork (which does end up giving him a critical moment where he witnesses something at the office that blows the corruption open, so he’s still important but not the focus). Adora’s struggles with balancing her secret life with her girlfriend are a sideplot in the sequel and in part III they’ve broken up due to Adora being a shitty girlfriend (big oof, Superzero parallel there but it also hit too close to home for in-universe Adora) and she’s gets a new love interest in the form of a sidekick. At the end they basically found their own agency together after taking down her old one. Lesbians love the power dream. In the first movie (and in later movies, but especially at first where she isn’t a part of this world) the character Adora is playing is basically… herself, but with action hero skills, which is why she was cast, because basically as soon as the team saw her audition they were like. That’s the girl. That’s who we’re trying to get someone to play and that just is her. The movie ended up being successful enough that it spawned a graphic novel followed by a comic book series which ran for years and kind of went off the rails into cloning and shit. Typical comic weirdness tbh, but the technology in the comic is noticeably more futuristic (and impossible) than that in the movies. It’s almost like the comics are set 60 years later.

⦁ Catra started blockers and hormones younger than… like 99% of trans people. Part of there being less transphobia means it’s easier to realize your identity and a Lot easier to get access to healthcare, so her natural voice isn’t deep or anything, but when Adora talks about it getting rough that’s Catra letting go of the training she has done to keep it controlled, not just in pitch, but also in cadence.

Chapter 4:

⦁ The tabloid website description is based off my (likely inaccurate) memories of the one time I stumbled into an article on the extremely trashy Perez Hilton gossip magazine website. My memories of it are that they were being truly disgusting about how a like, 16 year old Disney actress was dressed.

⦁ Being that this is a transphobia lite AU, name/gender change process stuff is better and more effective. Catra got her birth certificate and everything updated at a very young age, so unless someone wanted to dig specifically into name change orders from the county she grew up in the year she did it, it would be very hard to find out she used to have a different legal name or gender.

Chapter 5:

⦁ There’s a lot of talk about Catra being “more” talented, and while it’s right, it’s relative. Adora wasn’t cut out to be a great actress. She has honed the skill until she was capable of doing it, but Catra is more naturally inclined towards it and, having had just as much time to hone her skill, is still better. That doesn’t make Adora untalented, it just means she’s not naturally inclined to acting and she was set up to a losing game when Weaver made sure that was the measure by which she valued them and taught them to value themselves. Of course, Weaver still views Catra as mediocre (because she “doesn’t apply herself” and “surfs on talent without honing her skill”) and she views Adora as having the dedication, making her more favorable, but not having enough because otherwise she would perform better than the “lazy” Catra. She also just views Adora more favorably because 1) she does well at stage-acting, an art Weaver’s shitty intellectualism views as superior (in the way that people writing Adora’s biographies in twenty years will say she was even greater than anyone ever knew because she was a good stage actress too), and 2) talent or not, Adora got more roles, and more results meant she was clearly better. Whatever Adora’s technical faults, Catra’s sour attitude was clearly holding her back. If Catra would “just change” then she could finally live up to her potential, and thus she must be personally spiting Weaver by holding back. Weaver’s view of the world is very self-centered.

⦁ Part of the reason Catra said “never again” despite liking the dance was the possibility of them being seen. It would be easy for the tabloids to paint her as a toy or somehow to diminish her worth with it. The rest was that while it was hot, it could become problematic behavior if it were in a pattern — and maybe behavior in line with the selfish, attention-hungry version of Adora she built up in her head when they broke up.

Chapter 6:

⦁ Catra sends Adora that smile after mentioning sleeping in a limo because she’s thinking about how they almost hooked up in the car, it just kind of went over Adora’s head.

⦁ Alright, hybrids and makeup. So far mentions of Catra’s makeup in others’ fics where she’s “supposed” to be human are the number one immersion breaker for me in those (because I just imagine Catra as a magicat regardless) but I do think hybrids could/would wear it. It varies by species obviously (lizardfolk essentially have scale paint they can wear and claw polish/strains, but nothing else that looks traditional beauty products), but a lot of the hybrids could wear some level of the typical stuff. There’s kind of three camps on Catra’s appearance (full fluff, general fluff but not on some places like faces and hands, or no fur just skin). Obviously in the third she can wear all regular beauty products, but it’s noncanonical and not my usual interpretation. I guess I’m somewhere in between them, but either way the skin just around her eyes could probably take fairly traditional products, and she could wear things like blush if there were a special style of product for it that doesn’t exist in our world to accommodate fluffy cheeks. As such, I think wearing lipstick or eyeliner isn’t out of the question for Catra ever, but things like eye shadow and blush get more iffy depending on your interpretation, and foundation is pretty far out there. All that “possible hybrid products” stuff established, Perfuma’s line has a lot of stuff like that included and that’s part of why Catra was talking about the differences in formula for their different kinds of skin. And if you always picture her hairless then I suppose she was just talking about the colors on different skintones to you.

⦁ I had a whole thing I cut out from this chapter about how Catra transitioned under Weaver but I deleted it for the transphobia. I’m going to cover it here, but like, trigger warning. Basically, context matters a lot, so stuff that’s just problematic for reasons unrelated to transphobia in their world is awful in ours. With it being socially acceptable, Weaver didn’t have a lot of reason to say no to Catra’s transition other than it being expensive, which led to things like Catra borrowing Adora’s clothes until she had outgrown the ones she already had and Weaver would let her buy new ones from the right department now she had to spend the money anyway (did they look much different than the ones she already had since neither of them are super femme? No. Did they feel better? Yes). Adora mentions Catra doing HRT young, which was absolutely what Catra wanted, but the part I cut out was that this was one of her few choices that Weaver fully supported her in. Support is kind of a bad word, though, because the reason she approved was she thought that Catra needed to transition as early as possible if she was going to do it because otherwise she might not fit beauty standards and not get any parts. Growing up ugly might as well be every pageant mom’s worst fear and has little to do with gender in-universe, but IRL this is just horrible. There’s so many people who have thought that they couldn’t/shouldn’t transition because it was “too late” and I didn’t want to include anything like it in the fic. I’m only including it here because I’ve previously thought about how controlling Weaver would be in a situation where either of them transitions (in AUs or canon) so I had to think about what would lead her to supporting it and keeping it “a secret” in this AU over the years of Catra’s fame. At this point revealing Catra is trans wouldn’t gain Weaver anything other than making Catra uncomfortable about strangers knowing her deadname or just thinking about her genitals at all (I’ll never forget that Laverne Cox interview where the interviewer thought for some reason they could/should ask about if she had bottom surgery and she just had to laugh it off and say “I’m very happy with the situation down there” without clarifying).

⦁ Regarding timing, my trans headcanons for them fall in line with my sexuality headcanons for them. Catra knows and falls young, but Adora takes a lot longer and might need a big push. In the case of transitioning, Catra realizes very young she’s a girl and is insistent on the fact no matter what others try to tell her. Adora tries to push through it and doesn’t understand why she can’t live up to macho standards or whatever (or never feels like she is, anyway) until eventually enough shit piles on and the realization breaks that she never wanted that set of standards anyway. She would absolutely be the one to be like “Well I’m just Aware™️ of toxic masculinity because I listen to my female friends so much and that’s why everything feels wrong, no need to question the masculine part tho!” with her blinders on full force.

Chapter 7:

⦁ Adora is continually baffled by Catra’s ability to not measure things or use a recipe.

⦁ Entrapta is primarily a VFX and CGI artist in this verse but not a force on Earth could stop her from hacking sometimes.

⦁ Part of the reason Catra wanted the site down was for Adora’s sake. She knows the joke bothers her too.

⦁ Chapters 5, 6, and 7 are interesting because they all contain a scene that was originally in one of the others. They saw a lot of rearranging, which is the main reason I took three days before posting chapters 4 and 5 as I got 5/6/7 settled. I’m ordering this by how things originally started and putting where they ended up in parenthesis. Originally, Chapter 5 had the morning after scene (CH5), an Instagram scene (deleted, I’ll explain in a sec), the the aquarium scene (CH6), photoshoot scene (CH6), and the confession scene (CH6). Then the fic rolled right into the final chapter, 6, with the talk show (CH7) and Clawdeen scenes (CH7). More stuff from the final epilogue was planned to come after but by then I had new ideas and ended up inserting two new chapters to accommodate them. The cut “Instagram” scene featured Adora seeing Catra with the Star siblings on Jewel’s Instagram story and wondering about where things stood with her and Tali. She tried to focus on her shoot, but that night Catra texted her for a booty call and Adora accepted. It gave Adora some confidence that Catra was coming to her when Tali was more convenient, but she also didn’t know if Catra had just struck out. The truth was that being around someone she used to hook up with got Catra thinking down those lines again (horny) so she called Adora up. This felt like too early or them to hook up again, though, and writing that scene got me thinking about the dynamic between all three of them, which gave me the idea for the club dance scenes. When I initially wrote them, they opened chapter 6 following the confession scene and were really different. It didn’t fit with them already being “official,” even if it was casual. I didn’t want to have two scenes centered around the Tali thing either since it really wasn’t a big deal in their lives, so I cut the earlier Instagram scene in favor of the dancing and moved it to before the confession by moving the photoshoot and confession back to chapter 6. I also wrote the scene in Catra’s kitchen at that time (originally opening CH6) but moved it back because (conversely) it didn’t fit with them not being together yet. That’s when Chapter 6 took it’s final form in the fic. I changed the concept of Chapter 7 to go from “wrap up/epilogue” to “public interacting with their relationship” with epilogue following in Chapter 8. I moved the kitchen scene in to 7 and paired it with the talk show and Clawdeen scenes for the final version in the fic. Whenever I moved a scene, it needed rewriting to fit within the tone of their relationship in its new place in the timeline, but sometimes that was the entire reason I moved scenes. The club/dance scenes did not feel like they took place when their relationship was confirmed, so I moved them back to before it. The scene in Catra’s kitchen didn’t feel like it took place before they were confirmed because Adora should have been freaking out about the implications of people thinking they were dating a lot more, so I moved it after. All these moves still required tweaks, but I think everything flows way better where it is now and the chapters (5, 6, 7, and 8) are all decent lengths rather than the final two chapters turning out to be behemoths. After writing this note, I realized I had to go back and rearrange bullet points in my fic notes too since the relevant scenes had moved LOL

Chapter 8:

⦁ The reason Adora’s house is so far out is because that’s what it takes to get a quiet neighborhood where no one will rat her out to the press. Some of her neighbors recognize her, but so far everyone has been chill.

⦁ I’m putting it here because I kept waiting to squeeze it into the fic and I never did so this is my last chance: Weaver’s “backstory” in this is that she wanted to be a Hollywood star and thought she had gotten her big break when she was cast in a soap opera that showed promise. Season one was so bad it crashed hard and almost sabotaged the careers of anyone associated it. Still, hate watching numbers are still numbers, so it came back for a second season that had such low viewership numbers (since it wasn’t even interesting enough for hate watching really and that kind of thing always has a limit) that it was canceled halfway through and the rest of the filmed episodes never aired. Weaver pretty much never got cast in anything again. When she started to age, she “accepted” it was over since Hollywood likes young and beautiful women. She became an acting teacher, and after one of the children from her first set of classes went on to get a successful role, Weaver saw the dollar signs and the chance to maybe grasp at a fraction of the fame she wanted. She decided to foster two potential cash cows and try to raise them up with her as their stage manager so she can directly attribute their success to her (this was as important to her from a personal vindication standpoint as it was a financial one) and finally say that she clearly had what it took to make it in Hollywood since she could steer others through it, she just got unlucky guys :(

⦁ Before I wrote anything for this AU I predicted it would be 5 chapters and 15k, but by the time I went to post it that... was obviously wrong and I said 6 chapters at 30k. It ended up at 38k and honestly at this point I'm calling that win with my history.

⦁ Okay this AU. is interesting. Normally I would put an “Original Outline” at the end of the chapter summary but this one is really brief so I’m just tacking it onto Chapter 8. The idea for this AU came when I was listening to City Of Angels and went “the Catradora vibes are so here,” so I put it on my possible AUs list as just “City of Angels AU” and moved on, waiting for that idea to catch. A few months later (back in February or March probably?) I randomly got the idea for — essentially — chapter 4. I outlined the award show scene with the stupid golden touch joke, them talking on their date (though when I outlined it the conversation had no context) and then them in the car and going home together after “some party.” I had other fics at the time that I was working on, so it had to wait in line, but it was really stupid and fun. I didn’t have much overarching planning ahead of time, so there’s not much to go over other than stuff like the changes around Chapter 5, 6, and 7, but I will say the old plan was for the stuff I labeled as CH5 to, well, be in chapter 5 and then the final chapter would be award show stuff and them at a party together. As I was writing I watched Eddy Burbank’s video on the death of late night TV and added the interview scene (I find those a lot of fun anyway so it was kind of glaring that one was missing in hindsight) and then the Clawdeen scene just kind of happened and led to other changes. The final scene of the fic was outlined before all the major changes that added two more chapters, but it just added to the roster of scenes that required the buffing out.

Upcoming:

So. Here’s the thing. I kind of promised I wouldn’t do something a long time ago and like, I’ve dabbled adjacent to it, but now we’re. we’re just doing the damn thing. So the next AU is called Trade Today For Tomorrow. And it’s going to be up like, in the next day or two probably. Because I’m insane. I wrote over 7000 words in one day. Actually I did something similar for this project, I had like two 6k~ days. I’m in my unhinged era.

#im fucking INSANE for my next project so i had to edit this so i could post it and be able to start doing that #i mean i finished CoA 4 days ago. ive just been posting every other day while i work on the new thing since its fucking long #but brrrrrrr its almost time so lets get this up tonight #coa #fic notes #ficmeta

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