#consistency and memory are not rwbys strong suits

[constantvariations]

Clicked on a video that wanted to dispute the claim that V9 was filler and it was so bad I didn't even make it halfway through. The guy pretty much argued that 1) stories are more than just the main plot - which is true but doesn't take into account that Salem is racing towards the finish line, meaning neither jrwby nor the audience should have time to dick around with origami people if we want to maintain the sense of urgency and desperation - and 2) it's not filler if it changes the characters which?? The grand climax is literally Ruby choosing to stay the same because "you’re good enough!!1!"

The bees kissing and Jaune getting a highlight don't do shit when the final theme celebrates stagnation

[kalico-to-the-letter]

REVIEW // RWBY | 6.13 | “OUR WAY”

AKA the welcome home.

Welcome in to my review of the thirteenth chapter, and the finale, of RWBY’s sixth volume, entitled, “Our Way”.

In this episode: Light reigns. Greetings are extended. Darkness gathers.

Rise.

TELL THEM – I CAME THE LONG WAY ROUND.

I’ve praised the overall efficiency of this season of RWBY; for the most part, and particularly in the second half of the season, the episode times have been spent wisely, hitting plot points without sacrificing too much build up or leaving us feeling too shortchanged when it’s truly mattered.

But that want to tell expansive, multi-character stories within these kinds of thinned-out structures is always like playing with fire, because one inevitably risks running into one of two things: not doing as much as it can, or trying to do far too much.

And this has been the story of RWBY for all of this season. They nailed that balance, in my opinion, for the first half of the season, by anchoring the story to Team RWBY’s struggles and smartly dotting other teases around the perimeter. But introducing Argus meant introducing a new setting, new side characters, and a new sub-antagonist, all while needing to marry with those established setups – creating a readjustment period which the show then struggled to leverage into anything truly remarkable – and somehow running into both of the above problems.

Question: Do we particularly like Argus, after all this? It’s a nice enough town, with fairly chill people, and that was definitely a breath of fresh air after the darkness of Haven last season, and traipsing through the snowy woods in the first half of this season. But beyond it being the home of the Cotta-Arc family, and providing a truly heartfelt moment remembering Pyrrha, I can’t see that it’s left much of an impact. All the action happened outside of the town itself, and ultimately, it was just another pit stop on the way to Atlas.

There are two principle reasons for that. First is the antagonist – despite the actual mechanics of her character arc working really well, Caroline Cordovin has done very little for me. Sure, she plays a big part in the story, and is ultimately somewhat redeemed by taking down the Leviathan, but when you sit back and look at the wider context of the season, and realise that she, this gatekeeper figure, was the season’s most prominent character antagaonist, it’s a bit unimpressive. Adam played his part, but that part was to essentially appear out of nowhere and die, while the series’ biggest antagonists were kept to the sidelines, even after a number of promising teases.

The second reason Argus has struggled is the lack of a meaningful mooring point. The most appealing characters Argus gave us, in Saphron and Terra Cotta-Arc, were introduced immediately, as well as given an interesting potential subplot thread. Unfortunately, nothing came of it, and their role in the story was quickly reduced to shepherding the protagonists out of town, with a minimum of callback to that tease. If the protagonists’ escape had been more strongly linked to a local subplot, then the experience would have felt more important than it does now, which is really a bit of a blip.

It adds up to a story which didn’t do as much as it could have in defining the basics, and then tried to do a bit too much. A difficult situation, to say the least, and the way it wraps up in this finale doesn’t fix or really even attempt to justify some of the season’s recent creative directions.

Say, if the Argus story we’d had drip-fed to us had ended with a Grimm fight at least matching the intensity of Blake and Yang vs Adam or Gang vs Cordovin, then sure, I wouldn’t be so irritated by how this Leviathan element was executed. But in this finale, there was no epic battle, no time for any drama to build. The big moment just kind of … happened, and then we moved on.

It was a great moment, don’t get me wrong. Seeing Ruby facing off solo against this huge monster was a big deal, and I got quite emotional at seeing all the flashes of her memories as she tried to summon her Silver Eyes. I liked the swell of that moment, and how it finished with Cordovin remembering her purpose and using the mecha suit for the thing for which it was designed.

But this “battle” did not justify how the Leviathan was so clumsily inserted into the story at the end of the previous episode – the creature’s presence hammered in the consequences of the Gang vs Cordovin fight, but really it just existed as a plot device to redeem Cordovin and give Ruby a reason to try her Silver Eyes in earnest.

And ultimately, that was the clear, main objective of this now “in the interim” season, to take Ruby and properly work on her character to the point that someone like myself, who was always just “ok” with her, is now very positive about her and her position in this story, going into the series’ likely final phase.

So here we finally are. In Atlas. Where a lot of things will surely come to a head, and in time, this transitional season will not be remembered as being too difficult of an experience – just a necessary step to get to the big stuff. But right now, in this moment, having spent the past fourteen weeks thinking about the ways that this season’s story was developing, I can’t help but be a little bit flat about it all. Especially when it promised so damn much in the early going.

OBSERVATIONS

Keep in mind that when I talk about the antagonists, obviously I’m putting the Grimm in a separate category – they don’t have characters, after all.

Do I even have to say that I loved the post-fight interactions between Blake, Weiss and Yang? You know I did. As weird as this show has been to follow at times, the best part of it has always been its characters, and these days I can definitely admit my attachment to these three girls, and Ruby now as well.

I believe that’s the first time we’ve seen Neo’s semblance in action – materialisation, seemingly hologram-based in nature.

So, Ozpin helped Oscar safely crash the airship previously, then disappeared again. All right then.

I almost screamed when I saw Summer Rose’s face reveal, I will not lie. The whole animatic was very emotional, especially seeing its progression, and how just the thought of Pyrrha caused Ruby to lose control of her positive energy.

I noticed a couple of spots where the animation seemed to lose or skip some frames – Cordovin leaping at the Leviathan and when Salem shrouds herself in darkness to cut the episode to black.

I like that the main parameters for Volume 7 are already being laid down – everyone is going to Atlas, and things are going to burn.

It seems like the overarching story is proceeding into its end phase, and there is probably a larger discussion to be had about how the rest of the series will unfold on a structural level. RT seem to be scaling back focus on this show as they move onto other projects. I suppose it makes sense – this series is well past the point of having “potential”, and has probably already peaked at a commercial level, so all that’s left to do is manage what remains. It will be interesting to see what happens going forward in terms of production and output for RWBY.

GRADE: C+

As a finale, “Our Way” is a very appropriate encapsulation of season six’s latter half – charged with very good psychology and enough baked-in character work to carry its stories, but also guilty of not doing the best it can with some of its ideas. This was the moment to pay off the season’s recent efficiency with something epic or escalated, but instead it rushes through a number of its important story beats and moves on without batting much of an eyelid. Even though big things are being set up for future stories, the lack of depth in the overall Argus storyline hurts this finale’s attempts to serve as a definitive, grand closer. However, it does complete the season-long ascension of the Main Heroine with emotional aplomb, and leans on its strong characters to the point that it becomes … fine.

Volume 6 of RWBY is a strange beast, stranger than Volume 5’s up-and-down swings, or Volume 4’s all-consuming melancholia. What makes this the case is that it opened by serving up six episodes of consistent, quality storytelling, only to run into roadblocks of its own creation in the latter seven episodes. Some of the worst parts of this season? The meandering in Argus, dropping the “tension within Team RWBY” angle as soon as they’d reached Argus, and the meagre, in hindsight, teases of the antagonists “making moves” but not really doing that much. Some of the best parts of this season? The constant focus on character, the attention paid to the fight psychology, the reestablishment of Team RWBY as a unit, the focus put on Blake and Yang, and the unwavering effort to solidify Ruby Rose as the primary heroine. – KALLIE