#corin petersen

[vvindication]

what would you trade the pain for? — 2. Aftermath

3.6k word count content warnings: smoking, alcoholism, harassment, mentioned break up

Vincent Travart, diligent patrol officer of precinct 41 in the RCM, forms a bond with the infamous Lt. Du Bois when he fails to escape his own inherent need to help people — unwittingly exposing himself to the very beating heart of Revachol, a man who he will never be able to drive from his mind as it seems he's fated to shadow his every step.

read the full thing on AO3 💖

Vincent's absence has become a notable occurrence during the lunch hour, where before he'd frequently lingered in a quiet corner of the break room like a persistent ghost. It started with late arrivals, gradually leading into occasional disappearances - the tar scent of cigarette smoke lingering on his dark uniform - until his presence had ceased entirely. While the chatter of the precinct's officers continues on around him, Harry picks distractedly at his wilted sandwich.

Unknown to him, Vincent himself is leaning against the rusty railing of a decaying fire escape. The structure juts out from the very end of the old silk mill like a metallic fungus, clashing with the ruddy brickwork as it snakes down the building. The air is thick with autumn rain, and he takes a deep breath of his smoke. Below, the city is a hive of activity. Raindrops patter along the tops of tenements, lorries, and people alike as the daily cycle commences before his eyes, to and fro among Jamrock's estuary of roads, filling the silence with the steady drone of ever-moving traffic. He watches it all without comprehension, his focus on a murmur beyond.

Despite their inelegant first meeting - an awkward encounter after-hours that provided more insight to one another than any of the chats they'd had in passing - the two men had kept in contact. He'd offered his phone number - "in case of emergencies" he clarified, though the lieutenant's flash of a grin when handed the scrap of paper implied that he expected otherwise. What had started out as a simple attempt to help a coworker in need transformed into an odd sort-of friendship the evening Harry had called and asked for him.

He rolls the cooler end of his cigarette back and forth between his finger and thumb, habitually. Deep in thought.

When the door behind him opens with a heavy thunk, he jolts - the little spark of a cigarette flickering out and disappearing onto the sodden pavement two stories down.

"Is this where you've been hiding lately?"

He scoffs, straightening out to greet the man who'd abruptly interrupted his thoughts. "Hiding?" He asks, rhetorical. Still, the corner of his lip turns up in a faint smile as he greets him. "Lt. Du Bois."

The heavy metal door swings shut as he steps out beside him, giving the platform a wary glance as it groans with the added weight. "This isn't the safest place for a smoke."

"Yeah, probably not. At least it's quiet." His tone is subdued, shrugging his shoulders and resting his arm against the rail. Already his brown gaze has wandered off, the small fleck of blue in his left iris much more visible in the clouded daylight. He watches the swifts fly in arcs above the roofs of Jamrock, dark little silhouettes dancing in the pale grey sky.

Harry gives what seems an appropriate pause, following his lead in appreciating the view from their vantage point. Then he presents his own box of cigarettes from his overcoat, bright red with a bold triangle of black printed across the front. Astras, half-full. "Sorry about your cig."

"Oh - thanks." His hand hovers, uncertain, then takes one for himself. He uses his own lighter, shielding the flame from the humid breeze, and wordlessly offers him the same courtesy. The lieutenant leans in close with cigarette between his lips to catch it before it's blown out.

He lets the smoke trail from his open mouth, billowing away with the wind. "Since when do you smoke, anyway?"

Vincent chuckles softly. "Since I was young and stupid." He presses his cheek into the palm of his own hand, the darkened rings under his eyes prominent as he closes them. His posture is sagging with evident fatigue.

"Wait - aren't you twenty? That's not even old."

He hums. "Younger and stupider, then."

That at least makes him laugh a little.

The seconds tick by as they smoke side by side, arms slung over the railing, allowing cold raindrops to soak into the fabric of their clothes. Somewhere down the street, the horn of an aggravated driver sounds. In the reverberating heart of a city, beating with the lifeblood of its citizens on their daily commute, there is a shared moment of quiet between two officers. The younger sighs out the smoldering contents of his lungs and bumps his shoulder into the other's.

"How've you been?" He asks directly.

"Me?" Harry asks as if there were anyone else the question could be directed at, "fine. Only drank half a bottle."

His brows lower, blinking open his eyes to examine him closer. "Wait - Only? You're drunk?"

"'Course not, do I sound drunk?"

He frowns, pupils flickering back and forth with close inspection. Eventually, he concedes. "No." His expression has hardened considerably, shifting to stare in the opposite direction of his companion and instead at the horizon. A stagnant silence hangs between them.

"It hasn't stopped my work." He huffs. "I'm still filing paperwork, gathering evidence -"

"Forget it. I'm glad you're okay." Suddenly the lieutenant's fingers are on his wrist - again - and he instinctively jerks his body backwards, pulls against his grasp.

The man's dull green eyes are intense, fingers pressing hard into the small amount of skin exposed from under the sleeve of his work coat. His still-lit cigarette is perched in the other hand, flickering yellow in his peripheral. "What happened?" His tone is far from aggressive, yet the sudden drop in octave makes Vincent freeze.

"W-What?" He stammers out.

"You've been avoiding everyone to come out here and smoke, by yourself." As quickly as his demeanor had shifted before, it eases again, lightening his grip on him. "On an old rusty fire escape that barely holds two people."

He shrinks into himself, tries to move further away from his prying gaze.

"What's wrong, Vincent?"

His jaw juts out slightly, swallowing a lump in his throat. "Don't wanna do this now." He eventually mutters, turning his head and refusing eye contact.

"Do what? Talk?" He remains at his side, unflinchingly fixated as he waits for his answer.

A shaky sigh is released, held within his chest for far too long, nicotine burning at his insides. The sensation pushes up and leaks out from the corners of his eyes, hastily rubbing the moisture away. "Broke up with my boyfriend. That's all."

"Oh." The remark is barely audible, a whisper in the wind.

The cracks in his demeanor have crumbled, his entire weight is on the metal now as he shudders out in a sob, "Happy?"

Harry says nothing.

"I-It's - It's all my fault. After that one night, I just … I don't know. Wanted the chance to know you. I shouldn't have - He didn't …" he trails off as he struggles to breathe, hurriedly trying to explain himself between gasps for air.

He pats his arm, slides his palm up to rest on his upper shoulder. Vincent leans into him for support.

"M'sorry." He sniffles, a little clearer now. "I made such a mess of this."

He's vulnerable, emotionally open. Both are acutely aware of it.

Wordlessly, the lieutenant takes a small step closer into the other's personal space, hand fitting comfortably into the crook of his neck as he lifts his chin. With the way he has to stoop down, he must be about half a foot taller than him - the difference evident with their proximity. His mouth moves to say something. Soothing words. Anything. The other's dark eyes stare up into his own, anticipating.

"Don't." He whispers, breath unsteady.

"Why not?" His tone is equally quiet, leaning in over him. Even with barely any contact between them, their bodies readily share heat as they stand closely together under the overhanging clouds - Vincent's cheeks flushing with bright, unmistakable color. "You want this too, don't you?" Closing the distance would take no effort at all.

He declines to answer, biting his lip.

"Please - talk to me." He's practically begging. Desperate for connection.

Finally, he puts an end to the exchange, dipping his chin and pulling himself away. "I - I can't do this now." He puts his own cigarette out on the railing. "And you've been drinking. Should get it out of your system."

"That doesn't mean anything," he protests, "I can think fine." He moves after him.

"Stop, Harry." He speaks sharply, drying the last of his tears and adjusting the collar of his shirt to look presentable. "Let me … I need to think." He retreats further, back against the door. "I just need to think."

He pursues his exit, hand outstretched. Vincent is faster this time, recoiling from his reach and tucking his arm closely to his chest. There's a flash of fear in his expression, there one second and gone the next.

"… I'll call - I'll call you. Okay?" It's more a question than a statement.

"Wait …"

His request goes unheard. Unceremoniously, the steel door closes.

read the rest on AO3 💖

[milfjagger]

posting this on its own as well :) template and idea from @trollmaiden and full guide/sources under cut

"La Belle Dame sans Merci” by Henry Meynell Rheam

by Ayami Kojima 

“The Fairy Lovers” by Theodor Richard Edward von Holst 

Gnomes from the novel The Little Grey Men, written and illustrated by “BB” (Denys Watkins-Pitchford)

Nyform Norwegian troll

“Little Red Mischief” by Amy Brown

Faery from “The Hallow” dir. Corin Hardy, SFX by John Nolan

Ariel from Shakespeare’s The Tempest, illustrated by Jane Ray

The Beast from Over The Garden Wall, created by Patrick McHale

“Morgan Le Fay” by Clive Hicks-Jenkins

Unicorn foal sculpture by SovaeArt https://www.deviantart.com/indigo-ocean/gallery

Faery from Good Faeries, Bad Faeries by Brian Froud

“Dusk” by Stephanie Pui-Mun Law

Honeythorn Gump from “Legend” dir. Ridley Scott

Oona from “Legend” dir. Ridley Scott

Flora, Fauna and Merryweather from “Sleeping Beauty”, art direction by Eyvind Earle

Bilbo Baggins from a Dutch edition of JRR Tolkein’s The Hobbit, illustrated by Kees Kelfkens(?)

Selkie depicted on a Faroese stamp

Chortlebones from Bella Sara, illustrated by Lynn Hogan

Huldra from the game “Year Walk” 

The Sprite from Fantasia 2000, segment directed by Paul and Gaëtan Brizzi

and 23 Costume designs for Shakespeare’s A Midsummer Night’s Dream by Robert Courtneidge

As above

Tinker Bell from Peter Pan (2003) dir. PJ Hogan

Hoggle from Labyrinth, designed by Brian Froud and created by Jim Henson’s Creature Shop

Mr Tumnus from The Chronicles of Narnia: The Lion, the Witch and the Wardrobe dir. Andrew Adamson

Tom Bombadil from JRR Tolkein’s The Lord of the Rings, illustrated by Tim Hildebrandt

The Green Man (source unclear)

Illustration for Terry Pratchett’s The Wee Free Men by Robyn Haley

Truffle from Adventure Quest

 Littlest Pet Shop fairy

Woodland Furby made by me :) Please do not call him cursed

The Psammead from the BBC’s TV adaptation of E Nesbitt's Five Children and It, dir. Marilyn Fox

Thranduil, King of the Wood Elves from The Hobbit, dir. Arthur Rankin Jr. and Jules Bass

Nøkken by John Bauer

Gizmo from Gremlins dir. Joe Dante, creature design by Chris Walas

Gollum from JRR Tolkein’s The Hobbit, illustrated by Tove Jansson

Soot Sprite from Spirited Away dir. Hayao Miyazaki

Gonk

“The Junk Lady” from Labyrinth; concept art by Brian Froud

Domovoi by Vladimir Chernickov

Falkor from The Neverending Story dir. Wolfgang Petersen, creature design by Patrick Woodroffe

Cherry Fairy from Webkinz

Titania from Vertigo Comics, illustrated by Matt Dixon

Wind Drifter, My Little Pony G1

[allspark]

It’s time for our weekly Diamond Comics Shipping List! Check out some great titles IDW has in store for us next week like Transformers, Clue, Samurai Jack, Spider-Man, Teenage Mutant Ninja Turtles, and more! All coming your way for June 19th!

TRANSFORMERS THE IDW COLLECTION PHASE 2 HC VOL 09

John Barber, James Roberts, Mairghread Scott (A) Livio Ramondelli, Sarah Stone, Andrew Griffith, Marcelo Ferreira, Corin Howell, Alex Milne, Hayato Sakamoto

The Autobots and Decepticons’ uneasy peace is threatened by the flames of war! Starscream, ruler of Cybertron, makes contact with Windblade’s homeworld-and the only defense against a new Cybertronian Empire is the Combiners-multiple Cybertronians joining together into huge, dangerous forms! Collects Transformers issues #39-43, More Than Meets the Eye issues #41-44, and Windblade, Volume 2 issues #1-5.

AMOEBA

Greg Preslicka, Heidi Preslicka

Advance solicited for June release! You’ll need to divide in order to conquer in Amoeba, the tile-laying game that requires you to think strategically and act microscopically. 2-4 players draw and place tiles in order to build the biggest amoebas. But be careful: your opponents can place tiles on top of your completed amoebas to split them up and hurt your score. After all tiles are played, the players with the biggest amoeba wins! 2-4 players o Playable from ages 8+ o 30 minutes.

CLUE CANDLESTICK #2

Dash Shaw (A/CVR A) Dash Shaw

Was it Miss Scarlet in the conservatory with the lead pipe?! In issue two of this mind-boggler based on the timeless detective game, suspicions mount and Scarlet’s story is revealed. Still, more bodies will fall. Cartoonist auteur Dash Shaw deepens the mysterious, quirky, and colorful world of Clue!

•   From the creative mind that brought you the animated movie My Entire High School Sinking Into the Sea! •   Visionary creator Dash Shaw re-imagines the world of Clue in this suspense-filled murder mystery! •   Each extra-length issue also features playable Clue cards based on the comic!

DRAGON BALL SUPER TOURNAMENT OF DESTROYERS

Sen-Foong Lim, Jessey Wright (A/CVR) Toei Animation

Ultimate power collides as Goku and Hit face off to determine which of their universes will be spared from destruction in The Tournament of Destroyers! Dragon Ball Super: Tournament of Destroyers is a 2-player combat game that challenges players to predict their opponents next move while building their ultimate combo. Unleash devastating combos in order to knock your opponent out of the ring, but be warned, after each ring-out your opponent will grow in strength! The last fighter standing after 3 knock-outs is the winner! 2 players o Playable from ages 10+ o 30 minutes

•   Replace cards in your deck to improve your abilities and learn new moves. •   Knock your opponent out of the ring with powerful card attacks and clever combos. •   Includes 2 large, fully painted, combat-ready miniatures.

MARVEL ACTION SPIDER-MAN TP BOOK 01: A NEW BEGINNING

Delilah S Dawson (A/CVR) Fico Ossio

Advance solicited for June release! A Marvelous new era begins here! Readers of all ages can get tangled up in these all-new adventures of Spider-Man and his astonishing friends! Peter Parker has thrown down with deadly villains and legendary heroes, but high school life might be his greatest challenge yet. Luckily, he has a shot at making the grade with a little help from his new friends… Miles Morales and Gwen Stacy!

SAMURAI JACK LOST WORLDS #2

Paul Allor (A/CVR A) Adam Bryce Thomas (CVR B) Gavin Fullerton

“Samurai Jack and the Empty Village!” As Jack travels through lonely mountain roads, he’s warned to turn back lest he disturb a haunted village. Of course, Jack’s never one to shy from danger, he continues forward. But maybe some things are better left undisturbed…

TMNT 35TH ANNIVERSARY BOX SET

Peter Laird, Kevin Eastman (A) Peter Laird (A/CVR) Kevin Eastman

Revisit the glorious origins of the TMNT during the 35th anniversary month! This special box set includes Mirage Publishing’s TMNT #1-4 and the Raphael Micro-Series at their original 8″ x 10″ dimensions enclosed in a box with new art from TMNT co-creator Kevin Eastman. A must-have for all shell-heads!

TMNT MACROSERIES TP

Kevin Eastman, Tom Waltz, Paul Allor, Ian Flynn, Sophie Campbell (A) Sophie Campbell, Brahm Revel, Michael Dialynas, Ben Bishop (CVR) David Petersen

First, Donatello understands that more is at stake than his brothers realize and in order to prepare for the coming conflict, Don will aim to repair his relationship with his mentor, Harold… and his malicious robotic counterpart, Metalhead! Then, Michelangelo’s deteriorating relationship with his father, Splinter, reaches a point of no return! Will Mikey fight those he loves to save those who need him the most? Next, Leonardo seeks refuge in Northampton, but danger follows-in the form of Koya and Karai! An epic throwdown will result in Leo making a drastic decision that will quickly alter the course of TMNT history! And finally, Raphael is pushed to his breaking point as he is separated from his brothers and forced to endure an onslaught from the nefarious Bishop unlike anything he has experienced in the past!

•   Advance solicited for June release. •   TMNT returns to its roots in these stories spotlighting each of the individual Turtles.

TMNT URBAN LEGENDS #14

Gary Carlson (A/CVR A&B) Frank Fosco (CVR B) Erik Larsen

The search for Deathwatch continues! As Leo, Mikey, and Donatello face new hardships in Arkansas, Raph attempts to scare some sense into the criminal underbelly of the city with a very familiar-and unsettling-disguise. What happens when the long-lost Master Splinter comes face-to-face with the Shredder?!

•   The entire TMNT Volume 3 run-all 23 issues-reprinted in full color for the first time! •   Culminating in 3 brand-new issues to close out the series!

UNCLE SCROOGE #46

Carlo Gentina (A) Stefano Intini (CVR A) Marco Gervasio

When Uncle Scrooge receives a hexed cell phone from Magica De Spell, he falls completely under her sway and starts behaving in a very hilarious and un-Scrooge-like manner. Will Magica finally get her hands on the much-coveted Number One Dime? Find out in “The Cursed Cell Phone”!

USAGI YOJIMBO #1

Stan Sakai (A/CVR A) Stan Sakai

Follow the adventures of rabbit ronin Miyamoto Usagi as he wanders Edo period Japan on his warrior’s journey. In the start of this three-part story, Usagi becomes embroiled in a puppet drama where the players are not quite what they seem! Written, drawn, and lettered by comics legend Stan Sakai! Colors by Tom Luth (Groo the Wanderer)!

•   The start of an exciting new chapter in the epic ongoing saga of Usagi, now published by IDW! •   Exciting retail incentive variants are offered for the serialized Usagi Yojimbo series for the first time! •   This series will be in all color!

  Join the IDW Hasbro Shared Universe related conversation here in our Comics Discussion and Reviews section and here for all other franchises, superheroes, or general comic book discussions! Not a member? Join our community by creating your own free account here! Or jump right into the live chat on our Discord server or our Facebook Group!

IDW Comics Shipping List for June 19th! It’s time for our weekly Diamond Comics Shipping List! Check out some great titles IDW has in store for us next week like…

[martaandecochea]

Géneros, clasificaciones y duraciones del vídeo

 1.-Establece una clasificación y subclasificación de las producciones audiovisuales, explicando lo que más caracteriza a cada una de ellas

Según la duración:

Un cortometraje es cualquier película que dura entre 0 y 25 minutos que se caracteriza por ser contundente, de narración ágil y normalmente con la llamada vuelta de tuerca o con un giro inesperado que da la vuelta a la historia y nos sorprende al final.

El mediometraje es una película de 26 a 69 minutos. No tiene reglas fijas y puede cumplir o no con cualquiera de las reglas del cortometraje o del largometraje. Junta lo peor de ambos y dura demasiado poco como para estar en un evento de cine y demasiado como para participar en un festival de cortometraje, lo que lo convierte en un formato desventajoso para hacer cine por lo que no es nada recomendable.

Y el largometraje que es aquella pelicula que dura 70 o más minutos. Es más profundo y completo que los demás. Transmite emcciones de manera más extensa. Sus objetivos narrativos se basan en la exposición y en la dramaturgia.

Según la temática general de la película:

Las películas de ficción son toda obra de cine que hable de sucesos y personajes imaginario

Las películas de animación donde sus elementos son creados y traídos a la realidad por los realizadores creando un mundo a base de dibujos, modelos 3D, elementos de plastilina, etc.

Los documentales presentan hechos y escenas reales aunque no sea una realidad objetiva pues está manipulada por las personas.

Según la temática particular de la historia:

Las películas de acción se basan en enfrentamientos físicos de sus personajes y elementos llenos de energía y por lo general toman esto como base importante de la película.

Las películas de horror donde el principal elemento narrativo es el miedo y los elementos funcionan en conjunto para asustar al espectador.

Las películas de drama están protagonizadas por la psicología y acontecimientos de los personajes y las situaciones. Suelen exponer la intensidad positiva o negativa de sus interacciones.

Las comedias románticas son las versión suave y bonita del drama con comedia. Suelen ser historias de amor.

El melodrama es un drama con características muy exageradas y estereotipadas.

Las películas de aventura y fantasía tienen historias emocionantes que suelen ocurrir en lugares exóticos.

Las películas históricas son aquellas cuya trama es un acontecimiento histórico.

Los musicales construyen su narrativa a través del canto y del baile.

Los westerns presentan una estructura del salvaje oeste (vaqueros contra bandidos en un lugar sin leyes, con viajes prolongados y peligrosos).

Las películas de ciencia ficción cuya narrativa se construye a partir de lo que imaginamos que puede pasar al mezclar la ciencia y la tecnología.

2.-¿Por qué hablamos de corto/medio/largo metraje? 

Esto se debe a que antiguamente las películas de celuloide se medían en pies y el metraje nos indica exactamente la longitud de la película cinematográfica. De ello corto, medio y largo.

3.-En general, cuándo decimos que una producción audiovisual es más cinematográfica o más televisiva?

Se dice que una producción audiovisual es más cinematográfica cuando el lenguaje y la narrativa toman mayor protagonismo en su narración y así se logra un mayor cuidado y calidad en la forma en que está realizado. Así como, se suele decir que es un producto más televisivo cuando su realización es más rápida, menos cuidada y de menor calidad.

En general, cuando hablamos de algo cinematográfico, nos referimos al refinamiento, complejidad o calidad de su lenguaje audiovisual, y cuando hablamos de algo televisivo nos referimos a una narrativa de calidad en cuanto a lenguaje y producción, aunque no son reglas escritas.

4.-Realiza la clasificación del punto 1 con varios ejemplos de cada caso.

Según la duración:

Algunos cortometrajes son “Anónimos” de Felix Llorente, “La culpa” de David Victori, “Café para llevar” de Patricia Font (ganador del premio Goya a mejor cotrometraje en 2015), “Paperman” de John Kahrs, “Roles” de Álvaro Cuevas, “Cuerdas” de Pedro Solís García y “El Tesoro” de Marisa Lafuente entre otros.

Varios mediometrajes son “El chico” de Charles Chaplin (51 minutos), “La cabina” de Antonio Mercero (35 minutos), “El muelle” de Chris Marker (29 minutos), “Simon del desierto” de Luis Buñuel (46 minutos), “Una partida de campo” de Jean Renoir (40 minutos) y “El hombre que plantaba árboles” de Frédéric Back (30 minutos) entre otros.

Dentro de los largometrajes algunos son “Invencible” de Angelina Jolie (2 horas y 17 minutos), “El ascenso” de Ludovic Bernard (1 hora y 45 minutos), “Infiltrados en Miami” de Tim Story (1 hora y 41 minutos), “Dolor y dinero” de Michael Bay (2 horas y 10 minutos), “El niño” de Daniel Monzón (2 horas y 10 minutos) y “Cien años de perdón” de Daniel Carparsoro (1 hora y 33 minutos) entre otros.

Según la temática general de la película:

Algunas películas de ficción son “Metropolis” de Fritz Lang, “Planeta prohibido” de Fred M. Wilcox, “El planeta de los simios” de  Franklin J. Schaffner, “Encuentros en la tercera fase” de Steven Spielberg, “La guerra de las galaxias” de George Lucas y “E.T. el extraterrestre” de Steven Spielberg entre otras.

Varios documentales son “La historia de Jan” de Bernardo Moll, ”La sal de la tierra” de Wim Wenders y Juliano Ribeiro Salgado, “Un océano de plástico” de  Craig Leeson, “Océanos” de Jacques Perrin entre otros.

Dentro de las películas de animacion encontramos “Gru, mi villano favorito” de  Pierre Coffin y Chris Renaud, “Los mundos de Coraline” de Henry Selick, “El principito” de Mark Osborne, “Enredados” de Nathan Greno y Byron Howard y “Shrek” de Andrew Adamson y Vicky Jenson entre otras.

Según la temática particular de la historia:

Algunas películas de acción son “Terminator 2: El juicio final” de James Cameron, “Matrix” de Lana & Lily Wachowski, “Indomable” de Steven Soderbergh, “Avengers: endgame” de Joe Russo y Anthony Russo y “Atómica” de David Leitch entre otras

Entre las películas de horror destaco “El hombre invisible” de Leigh Whannell, “It” de Andrés Muschietti, “Annabelle” de Gary Dauberman, “La Monja” de Corin Hardy, “Verónica” de Paco Plaza y “No respires” de Federico Álvarez entre otras.

Varias películas de drama son “Mujercitas” de Greta Gerwig, “Diecisiete” de Daniel Sánchez Arévalo, “Lo imposible” de Juan Antonio Bayona, “Roma” de Alfonso Cuarón, “Diario de una pasión” de Nick Cassavetes y “Siempre a tu lado, Hachiko” de Lasse Hallström entre otras.

Algunas comedias románticas son “La boda de mi novia” de Paul Weiland, “El chico ideal” de Frank Coraci, “50 primeras citas” de Peter Segal, “Sucedió una noche” de Frank Capra, “Sabrina” de Billy Wilder y “Algo salvaje” de Jonathan Demme entre otras.

Algunos melodramas son “Cautivos del mal” de Vincente Minnelli, “Toys in the Attic” de George Roy Hill, “Vidas truncadas” de Frank Lloyd, “Edward, mi hijo” de George Cukor, “Tierra firme” de Carlos Marques y “A contratiempo” de Óscar Ladoire y Fernando Trueba entre otros.

Como películas de fantasía y aventura destaco “Animales fantásticos: Los crímenes de Grindelwald” de David Yates, “Maléfica” de Robert Stromberg, “ El Señor de los Anillos: la Comunidad del Anillo” de Peter Jackson, “Harry Potter y las reliquias de la muerte” de David Yates y “Oz: el poderoso” de Sam Raimi entre otras.

Varias películas historicas son “El discurso del rey” de Tom Hooper, “12 años de esclavitud” de Steve McQueen, “Gandhi” de Richard Attenborough, “Trece días” de Roger Donaldson, “Troya” de Wolfgang Petersen y “La lista de Schindler” de Steven Spielberg entre otros.

Algunos musicales son “La La Land” de Damien Chazelle, “Cats” de Tom Hooper, “El gran showman” de Michael Gracey, “Mamma mia!” de Phyllida Lloyd, “Grease” de Randal Kleiser y “Cabaret” de Bob Fosse entre otros.

Entre peliculas westerns encontramos "Centauros del desierto” de John Ford, “Valor de ley” de Ethan Jesse Coen y Joel David Coen, “El tren de las 3:10″ de James Mangold, “Los siete magníficos” de John Sturges y “El renacido” de Alejandro González Iñárritu entre otros.

Algunas películas de ciencia ficcion son “Metropolis” de Fritz Lang, “La novia de Frankenstein” de James Whale, “El increíble hombre menguante” de Jack Arnold, “La naranja mecánica” de Stanley Kubrick, “Solaris” de Andrei Tarkovsky y ”Almas de metal” de Michael Crichton entre otros.  

5.-Busca los trailers oficiales de las siguientes producciones y clasifícalas según los criterios vistos en el punto 1.

a. L´Odyssée: se trata de un largometraje ya que supera los 70 minutos de duración (dura 122 minutos). Respecto a la temática general se trata de un documental pues esta basado en la vida de Jacques Cousteau y respecto a la temática particular es una película de aventuras y dramática.

b. No soy madame Bovary: dura 128 minutos por lo que se trata de un largometraje. Se trata de una película de ficción en cuanto a la temática general y en cuanto a la temática particular es una comedia y un drama.

c. El hombre de las mil caras: se trata de un largometraje pues dura 123 minutos. Es una película de acción según la temática general y según la temática particular se trata de una película dramática.

[vvindication]

WIP FUCKING WEDNESDAY: IM NOT MISSING IT THIS TIME EVEN FOR SURGERY

I dont remember who tagged me uhhhhhh @henbased probably <3 tagging @necro-hamster @nuclearstorms show me your wips when/if you post them >:] mutuals let me know if I should tag you, or even feel free to tag me for writing/art wips, Id love to see them !!

"Well, I wouldn't expect much different." Mr. Petersen claps him on the back, reaching over to one of the tarnished bundles to diligently comb out the damaged stems. "You've been a great help as it is, so thank you officer." He then resettles the bouquet of small white flowers and herbs into place and holds it out to him. "Here - for a loved one of yours. The least I could do." It's placed in his hands before he can even protest.

Joakim's arms are crossed when he's ushered out of the shop, shaking his head at the sight of the gift he'd received. With no hesitation, he turns on his heel and climbs up into the saddle of his patiently awaiting mare. "Seriously, Travart? Can we go one case without you flirting?"

Vincent disregards him with a roll of his eyes, petting his own horse's muzzle before he too is mounted, with the flowers carefully tucked against his chest. "He's not my type."

Their horses fall into place alongside one another as they head back toward the precinct, hooves clicking loudly against the pavement. "Who're you giving them to then, Antonin?" He heckles him, smirking as he looks for his reaction - only for his expression to quickly fall back into a critical squint at his partner's flinch.

"No, of course not." He laughs out, hollow and forced.