#corser

[boanerges20]

Troy Corser

[celestialmazer]

Annabel's was the most extra exit - and it was everything

The Traitors Australia s2ep5

[ramonaflow]

They honestly couldn't have picked 3 more perfect hosts. I'm obsessed with all of them!

[koolinus]

[2dami2furious]

Black ppl saying that miles has to put down the s-curl is one of the funniest jokes to come out of atsv im being so serious

[agorgeousfixation]

DR. HUGH KNIGHT IN EVERY EPISODE ↳ Season One - Episode One: "Doctor Doctor"

[ladiesoftheages]

Christine Corser as Anne Boleyn in the 2016 play The Chamber of Beheaded Queens by KT Parker

[boanerges20]

Troy Corser

[celestialmazer]

Loved this unnecessary, out of the blue joke from Rodger on The Traitors Australia s2 finale, if like to think just breaking character for a second 😂😘🤌

Bonus mention to the end of The Heist 😂

And that ending 🙌 may a lesson be learned

[maysshortmoviereviews]

The Heart Guy (aka 'Doctor Doctor') (2016-2021)

A rising heart surgeon's life takes a turn he never expected and soon everything comes crashing down. He soon finds himself a former big city doctor turned small town doctor.

This is a really feel-good, light-hearted, and fun watch. It is a family drama as well as a rom-com full of quirky and interesting characters. The location will make you want to move to the Australian countryside and run a farm, and it will also make you long for a small-town life. Fans of shows like 'Brothers and Sisters' and '800 Words' will enjoy it. It really is a sweet, charming, and feel-good show which is now available to binge-watch. It's called 'The Heart Guy' on UKTVPlay, but for some reason, it is also known as 'Doctor Doctor'.

[laurxn1]

Life’s whirlpool love affair, the one you have with yourself, forgiving time and time again

Lauren Kelisha by Isabella Corser

[omoghouls]

Some stuff about Benjamin ☆

• Gen 3 synth. Initially, he was created to replace a vault dweller overseer. But, stuff happened, Ben realizes he's a synth and has taken over a human's life, so he vanishes, goes MIA.

Now he's constantly on the run in fear of a corser nabbing him back to the institute to zap his memories (he is unaware that the institute has been demolished)

• Synth wise, Ben is in a constant state of "Oh god identity crisis". He had a hard time grasping the knowledge that none of "his" memories prior to finding out his origin were really his.

• A lone wanderer type. He appreciates company, but you can never be too careful. Except for this one molerat, it's become his friend (he's named it Polly)

• Straight up a weird lil guy. He will dive head first into abandoned buildings in order to find the wildest thing (ie; clown masks, bone crown, a frog that 100% have him radiation burns from holding it)

• A sneaky guy. He's able to weasel his way out of a lot of situations by just getting low and going completely silent

• Piss wise, he's got a damn good bladder (institute does tend to perfect the innards of their synths) so he can hold for hours longer than a human. But, that can sometimes leave him in situations bc/ of how long he'll pee once he does go😎

[lesgenouxdanslegif]

LA BARKLEY EST-ELLE TROP FACILE ?

C’est bon, on rigole. N’empêche que cette année cinq tarés ont terminé le festin de ronces : Ihor Verys (58h44’59’’), John Kelly pour la 3ème fois (59h15’38’’), Jared Campbell pour la 4ème fois (59h30’32’’), Greig Hamilton (59h38’42’’) et bien sûr la reine Jasmin Paris (59h58’21’’). Un record. Pour que la Barkley reste ce truc complètement maboule et que le créateur Laz ne fasse pas une dépression, voici cinq idées pour corser l’affaire :

• Laz n’allume pas une cigarette (synonyme de départ) mais se met à vapoter. Il ne peut pas avoir de finisseurs si la course ne démarre pas.

• Laz peint la barrière jaune dans une autre couleur. Si la barrière est verte, ils ne pourront pas toucher la barrière jaune. C’est très tordu mais bougrement intelligent.

• Laz demande à un gamin de donner un chiffre entre 5 et 1000. Ce chiffre sera le nombre de tours à parcourir.

• Laz exige que la troisième boucle se fasse en bâton sauteur, mains dans le dos, en chantant « En passant par la Lorraine » en langue des signes.

• Laz remplace les bouquins dont il faut arracher les pages qui correspondent au numéro de dossard par des liseuses.

Vivement l’année prochaine.

Photo Howie Stern

[ladylooch]

it feels amazing when yk 🐱👅 but it can get a bit painful at times haha. i don’t think mack would be able to handle as much as beard burn timo reader did

Me rn: 📝👀📝

Babe... good for you! hahaha! Straight up 👏🏻 Love this for you.

But I agree, the thickness of the mustach hairs, and especially with corser hair, it would definitle wear her down. But I imagine that is probably fine with both of them cause they want to spend most of their time with his massive 🍆 working it's magic...

[ncisfranchise-source]

Acamera sweeps under Sydney Harbour Bridge, to the right is the Opera House and then we’re at Fleet Base East in Woolloomooloo. It could be an ad for Tourism Australia, except soon there’s a dead US sailor floating in the water. It’s not so much, “Where bloody hell are we?” more “What the bloody hell is going on?”

Now, it’s here. And for that, you can thank AUKUS, the contentious nuclear submarine deal between Australia, the US and the UK, which provides a great excuse for getting NCIS agents on Australian soil.

“That’s what the show is piggybacking off,” says Todd Lasance, who plays Australian Federal Police agent Sergeant Jim “JD” Dempsey who is called in to investigate the sailor’s death. The catch? Because the sailor was a US citizen, NCIS also has jurisdiction over the investigation.

Mackey (Swann) and JD (Lasance) face off over who gets to investigate the death of a US sailor in NCIS: Sydney.

Enter Olivia Swann, who plays NCIS Special Agent Michelle Mackey. “She’s a very straightforward woman, she’s here to get a job done,” says Swann. “She’s here to do things her own way, she follows her own rules. So having to join forces with these larrikin, laid-back Aussies is not her ideal way of working.”

It’s a big swing and one I have been so curious about since the show was announced last year. Back then, it seemed ludicrous – how could NCIS even operate here? Would every dead body have a major tourism landmark in the background? How many times can they visit Bondi? Would they throw another shrimp on the barbie?

NCIS: Sydney is a throwback to the kind of police dramas we used to do so well, such as Rush, starring Jolene Anderson, Rodger Corser and Callan Mulvey.

But, you know what? It works, it really does. It’s zippy and light on its feet, with a distinctive Australian twang. It’s a throwback to the type of police action dramas we used to do – Police Rescue, Water Rats and Rush. Yes, it’s still slightly absurd that the AFP would team up with the NCIS crew and that AUKUS would be the catalyst, but it’s the back end of a rank 2023, so let’s go with it.

“With NCIS, the audience comes for the crime, but stays for the characters and chemistry,” says Lasance. “And that is very true for our series. It centres around interesting and well-rounded and nuanced characters, and when they come together, it’s just exciting stuff. They’re flawed people, but also so lovable.”

‘I wonder why they haven’t done this?’

Part of the enduring popularity of NCIS is that it’s the opposite of every cult, word-of-mouth, zeitgeisty show ever made. It’s easygoing, almost daggy TV. Everyone knows how it works – mysterious death in the first five minutes, some office banter, investigation of said death, a scene or two in the autopsy room or forensic lab, a red herring, then a chase, suspect is caught, more banter and cue credits. And repeat.

“My very first reaction was: I wonder why they haven’t done this already?” says O’Neill, who created the ABC series Les Norton.

So he watched a lot of NCIS – the Washington original, plus the Los Angeles, New Orleans and Hawaii spin-offs – and realised that far from creating a carbon copy of the “mothership”, each spin-off worked because it had its own identity.

“They expanded the universe, but they never made the same show twice,” says O’Neill. “So the original show, which is now in its 20th year, is a really unique show. It has its own swagger, its own tempo, its own tonality. But when they came to make NCIS: LA, it wasn’t the same show. They really took a step to the side and a couple of steps in a different direction to make sure that it stood out as a distinctive version of a show that shares a lot of DNA, but isn’t the same.”

And while these building blocks may seem creatively restrictive, O’Neill found them liberating.

“There is an expectation from the audience that this is going to be a quirky family, where you have these archetypes that exist within it,” says O’Neill. “Fortunately, we have those archetypes in Australia, and they’re not really the same as the ones that America has.

The other ingredient O’Neill wanted was humour. Whereas the US versions are cheesy, at best – Mark Harmon couldn’t crack a smile if he tried – NCIS: Sydney burrows into the culture clash between the US and Australia. The slang for yanks, “septic”, has to be explained, as does our coffee. There’s drag queens at Bondi and mustachioed hipsters in Marrickville, while a chase through a narrow terrace house is one you won’t find in Los Angeles.

“What I think makes this show such a behemoth – someone was telling me they reckon there’s four and a quarter trillion minutes of this show that has been viewed around the world since its inception – is that at the core of its success is the fact it’s fun. There’s a wink to it, there’s a twinkle in its eye,” says O’Neill.

‘Just be still’

One of the other main building blocks of NCIS is that each episode opens with a death – the sillier the better (one recent one had hairy body chunks falling from the sky onto a child’s birthday party). But what I want to know is, how do you play a dead body?

“You know, I had the same question,” says Michael Jupp, a stunt performer who was asked to, well, play dead. “I’ve done my fair share of acting and stunt work, but I’ve never played a dead body. So the first place you go, as anyone, is Google, to have a little look at the experiences of other people. I asked a few of my actor friends, and they’re like, ‘Just be still’.”

Jupp’s character has a fairly pedestrian death by NCIS standards – a drug-induced heart attack – but it required him to stagger while running before eventually collapsing. He then had to lie on the ground for a few hours while filming carried on around him.

“You’re just still and you try not to breathe with your chest, so you don’t look alive,” he says. “And if you do need to take a breath, go deep in the belly.”

Jupp also spent a couple of days on the autopsy table. “They make you super pale, with purpley dark bits under your eyes to make you look a bit lifeless,” says Jupp. “Then, because it was an investigative autopsy, they had to put prosthetics on my chest. The first thing we did was the sewn-up version, with the big Y-shape and stitches.

“Then there was a prosthetic change, where they put the open chest on. And that was like a massive build, from hip to shoulder. I couldn’t move at all, they were like: ‘If you move, it’ll break the seams and we’ll have to start again’.”

And the best thing about being a dead body? “It was a lot of getting paid to lie down,” says Jupp.

‘All sorts of sticky situations’

If O’Neill has his way, there’ll be plenty more opportunities for actors to play dead. “I can imagine a couple of [future] episodes shot up in Darwin,” he says. “There’s a huge port up in Darwin that houses a continual marine rotation unit, of anywhere between 3000 and 4000 Marines who get in all sorts of sticky situations up there.”

What about other US TV franchises, does O’Neill see a future with Law and Order: Melbourne perhaps?

“Melbourne can have Law and Order and then we can keep NCIS: Sydney and we can just co-exist,” he says. “The world is in a pretty dark place right now. I was just talking to one of my story producers and she said it’s actually good to come to work and be thinking of stories that are slightly escapist, where you can tell a story and wrap it up and actually love the people for what they’re doing. And I hope audiences feel that.”

NCIS: Sydney streams on Paramount+ from November 10.

[boanerges20]

Troy Corser