#creatives are people first and content creators second. their work is not equal to their worth and value as a person. they're human too

[ravenwolfie97]

i just got very heated all of a sudden

so an announcement just came out about a youtuber retiring from their content, and won't be making videos nearly as frequently and some fan on twitter was like "SAY SIKE RIGHT NOW THAT CONTENT IS MY COMFORT SHOW WHAT WILL I DO WITHOUT IT" and i'm just like. god. how entitled are you

like i'm not going to devalue one's interest or commitment to a piece of media. if that particular thing brings you comfort or even saved you from a dark place, that's fantastic. no issues there

what really pisses me off is seeing someone retire from a content-creating career spanning over a decade long to prioritize their health and their family and going "but what about me? why are you not producing the thing i love anymore?" like what the FUCK that's a fucking human being you're talking about, not a machine

i really hate the kinds of people who have this insane attachment to creatives and their work where the content is the only thing that matters to them and if they don't get more they'll die, but like why don't you care about the creator as a person? why do you only view them as a factory to make a thing you just so happen to like? obviously they made those things in order for them to be enjoyed by others, but the whining of a handful of fanatics is not going to stop them from slowing down or ceasing creation entirely, because as meaningful as it is that they have fans that enjoy their work, it's still the creator's choice whether or not to continue their creations. they are only human. we can only do so much. and out of a sea of subscribers, You in particular are not going to change their mind

[kaz-oooo]

Honestly, as shit as this past week and a bit has been for this fandom, I think it’s worth congratulating us all for how we handled it. (At least on tumblr, I haven’t touched twitter in a while)

This fandom has always had a reputation — all big fandoms do, more people just equals more drama I suppose — but I think when information like Wilbur’s abuse or the QSMP failing to pay its staff drops like this the rest of the world just expects us to turn to absolute shit, and I’m proud of us for not doing that :)

Of course there’s some exceptions — there always will be, especially when there’s so much emotion involved — but for the most part we supported victims, supported each other and left the assholes in the dust where they belong.

With Wilbur it helped that he straight up admitted it, but even before he made his *statement* I watched almost everyone take the side of caution, people supported Shubble first and foremost and distanced themselves from their once favourite streamer. The few people who stuck around were quick to drop him the second he responded.

As a community I’ve seen so much support for one another! From people supporting every decision made by creatives within the fandom (moving onto new fandoms, creating work about different characters, yoinking c!wilbur for themselves, etc) to popular blogs offering up their anons as a place to vent, to sharing playlists and new content with one another. I think i can count on one hand the number of times I’ve heard the word “cancel” as well, which is great! We’ve been treating Shubble’s experiences with the respect and maturity it deserves. It’s been phenomenal, honestly makes me proud to be apart of this community, even if the *guy* who brought us all here is a fuckwit.

And with Quackity and the QSMP, honestly the initial reaction seemed to be the same, albeit a little less dramatic (especially since he responded so quickly). A victim came out, we all stood in solidarity with them and patiently awaited Quackity’s response. While he also admitted guilt, he actually apologised and promised to make changes. We’ve seen him taking those steps, shutting down the QSMP temporarily to work behind the scenes, firing the people responsible for causing harm, doing everything within his power to set things right, even if that means paying people out of his own pocket and shutting down his beloved project, and of course being open and honest about the changes being made. <- this is how you apologise, you say sorry and you take the steps to set things right!

And of course the community reacted positively. I’ve seen a few people worried about the future of QSMP (and a few drm stans praying for his downfall because of course they are) but for the most part Quackity and the QSMP team have been given our patience and support, I’m confident things will get better with time.

I mean I’ve been loitering on the internet for a while now, I’ve seen my fair share of creators being exposed as garbage humans and I just don’t think I’ve seen a fandom react like this, especially not in such a short timeframe. Just — good job guys, let’s keep supporting victims, not just those who’ve come out now, but for those who come out in the future.

[avaantares]

I might be a bit whiny, but I’m seeking for advise after what I’ve learned about art and writing thieves, and not just from your case, but others too. How do you continue posting your work knowing that a thief can just take it and try make the credit theirs? After all I’ve learned, I find myself in a slump and ask, “What’s the point of showing anything?”

That's a valid question, and the answer for each individual is going to stem from the question, "Why do I create?"

For some people, the primary motivation for creating art (of whatever kind -- visual art, writing, music, whatever) is external. That means they are making things with the goal of receiving some kind of response from other people, whether that's in the form of reactions from friends, Tumblr notes, AO3 comments, awards from a competition, revenue from sales, etc. For these creators, art is a vector for connecting with others in some way.

For other people, the primary motivation is internal -- they have an image they want to create, a story they want to tell, a mood they want to express, a struggle they want to work through, or some other personal desire that they can achieve through creating something. Recognition from others is a nice bonus, but these people are creating for themselves first, and others second.

It's important to understand that neither of these motivation types is a more "pure" or morally superior approach to art! They're equally valid but different, in the same way that some people are introverts who are recharged by alone time, while others are extroverts who are recharged by social contact. And most creators have some mix of these two motivations. (In my case, I tend to create content that I have a personal passion for, but I also want to share it with others and get excited about their response, so I'm about 60% internal/40% external.)

Now, for those creators who are externally motivated, something like art theft or piracy is a massive blow to their creative motivation, because the whole reason they're making the thing in the first place is so people will engage with it and connect with them. Having that engagement/feedback/revenue go to someone else is robbing the artist of their incentive, just like robbing someone of a paycheck they've earned by working hard. (In the case of commercial artists/writers/musicians, the paycheck theft is literal.)

That's not to say that creators who are internally motivated aren't also hurt by piracy; in their case, the theft might feel extremely personal, because the thing they made was for them, and someone else took it. Rather than entirely killing their creative impulse, though, an internally-motivated artist might still create, but will be more reluctant to share their work in a venue/format where it could be stolen.

All of that can help you recognize why you're in a slump, which might help you decide what approach you want to take with your creative works in the future. For someone whose work is therapeutic or deeply personal, piracy might be extremely hurtful, and it might not be worth the risk to share it publicly. For someone who thrives on feedback but is upset by the thought of someone else taking credit for their work, there are options to create and share works in smaller communities (such as a focused Discord server or to Patreon followers). For someone who just wants the most people possible to see their work, posting publicly but monitoring more frequently for piracy might be the way to go. The answer might be different for every artist.

Preventing piracy in the digital age is difficult. Posting in places where visibility is high carries increased risk of theft. Paywalls like Patreon, et al. can slow bot scraping, but also drastically reduce the number of people who can see your work. Some visual artists use watermarks and low-resolution images to prevent theft, but speaking as an artist, it's very frustrating to have to obscure parts of or reduce the quality of something I spent dozens of hours on when it's meant to be seen in glorious high definition. As a writer, I've just had to accept that posting publicly on a site like AO3 or publishing my work professionally carries risk, and address it when it happens. (To be honest, my commercial writing is at just as much or even more risk; piracy is a huge issue in the publishing industry, too.)

Ultimately, the choice is up to you. If you want to take some time off from creating to think about it, there's nothing wrong with that. If you want to throw yourself into something creative to try to overcome the slump, that's also a valid approach. If you want to change how (or if) you share your work online to reduce risk, that's fine. But as a fellow creator, I'd urge you not to let the existence of a handful of thieves discourage you from creating art -- for whatever reason -- if making things is what makes you happy. (EDIT: Apparently when I tried to save this as a draft it posted a half-finished version. I think I've fixed it now, but Asks are a weird thing.)

[usertiff]

y’know... i think the only reason people are so upset about paid content is because we live in a world that does not value art/artists, nor service providers. we are taught that it’s acceptable to consume art/services and expect it for free or for the best deal. content creators are out here putting paid stuff up for the bare minimum and i see people complaining (whether it be on the dash or anons, etc) that it’s sooOoOOoO expensive. like this is the reason the phrase “starving artist” is a thing, why parents do not encourage their children to grow up to be artists or cosmetologists (at least until recently, they’re valued a bit more now) or photographers or a masseuse or any kind of service provider, etc. because art/service is not valued.  service and art is highly demanded, but for some reason the world expects to have it for free. i don’t get that, i really don’t. someone is pouring endless amounts of time, creativity, dedication, etc to a project/service and yet? what is it worth to you? nothing. you want it SO BADLY you’ll cry about it on tumblr dot com forever, harass people in their inboxes, but it’s not worth the very minimal $price tag most of us put on it? 

it just astounds me, i guess. as an artist, i cannot imagine not supporting other artists. people do not value art or services because it is not seen as essential to survival but this isn’t necessarily true, we may not need to actively consume it to survive, but it provides positive mental health effects, it provides comfort and joy, and art tells history, without it we wouldn’t be able to look back in time, and not to mention... YOU CONSUME CONTENT ALL DAY EVERY DAY — fashion, tv, architecture, makeup looks, car design, music, everything is art. 

and like saying our stuff isn’t original or we don’t own gif content or images in themes, etc, like first of all, we’re providing a service to u, and second, i cannot freaking begin to imagine going into a store, especially a small business, and demanding i take their products home free because of some insanely strange reason like “i like this decorative plate but i don’t think you made the porcelain... only the paint so you didn’t make it so you’re not entitled to the payment” or “i saw this same/similar thing made at x store so it’s not original enough and you’re not entitled to the payment” etc. or contacting Netflix and saying “actually i think i should stream for free because i’ve already seen this movie” or going to a movie and saying “this is a remake... not original content, i get in for free :)” LIKE WHAT?! 

and the argument of “most of us are poor” like oookay... i get that so hard it hurts but just bc i’m poor (personally working 3 jobs and still below poverty level) doesn’t mean i’m gonna be mad at someone else for trying to make a (VERY SMALL) profit off of THEIR EFFORT?? like u said... most of us are poor, so ur really gonna shame someone for trying to make a dime for HOURS worth of work? if u can’t afford it just don’t buy it! u don’t have to! no one is forcing u! if you want the content that badly, make it urself?????????????????????/ there’s plenty of free themes, u can make ur own google docs, ur own gifs, etc. and if u think it’s too hard, too much work, too much time, then HOW are you out here whining that a small price tag is too much to ask for? 

this vent does not apply to frustration surrounding diverse fc’s being paid content, that i understand, so long as your anger isn’t coming from a place of “i hate paying for content” and for the simple fact that we want diverse fc’s being used. i want diverse fc’s being used. when i started putting gifs on payhip i questioned what i should do, and at first i thought making them equal was better, but i decided in the end my fc’s of color/fat fc’s/etc should be easier to access. 

all in all... i think if you’re someone whining about paid content, mad about it, and most of all, someone sending anonymous hatred about it... you need to do some thinking on where it rly comes from. like your anger about paid content is a reflection of you, not us. 

in my opinion, it just shows that you don’t value creativity, you don’t value services, and tbh, you’re full of entitlement.

[itariilles]

My Statement on Tolkien 2019

[ French translation and German translation availible. ]

It has been incredibly difficult for me to speak on my experiences regarding my experiences of hostility and othering in spaces that I loved and still hold dear to my heart, and for that reason I have been silent. That is until now. 

I have decided that now is the right time for me to come forward with my experience and statement regarding my negative experience as a person of colour engaging in Tolkien spaces. 

I want people involved in the wider Tolkien community to reflect on their roles in the specific spaces they inhabit, and how you can foster a better environment for marginalised groups to interact and engage with those spaces in a safe and inclusive manner. 

Take your time to listen and put effort into listening to fans of colour when they are speaking about their lived experiences and their grievances especially when they are speaking about a topic as personal as racism. Being critical of a work you love and the media surrounding it is not easy thing, but we need to recognise that these criticisms are valid and deserve to be taken seriously when it affects a collective of people across different backgrounds. 

I want to preface this by stating that I am speaking only for myself and my own lived experience as a vocal young non-black POC in a predominantly white space. I acknowledge that my experience is by no means universal or indicative of all POC in Tolkien fandom spaces. 

I also understand that real life interactions differ widely from interactions on online fandom spaces, but there are disturbing similarities across both online and real life spaces with specific regard to the environment and treatment of vocal POC in both. 

The tragedy is many people do not realise their impact not only on the individuals involved, but on the wider attitude towards POC voices in fandom when the topic of racism is discussed. We need to build safe environments where critical discussions of diversity and race from the people most affected by them are taken to heart, not invalidated or spoken over as targets of microaggressions. 

To give a bit of context, Tolkien 2019 was an in person conference organised by the Tolkien Society (which I was a member of at the time). The official website for Tolkien 2019 has been taken down but the Tolkien Society has a nice summary written in August 2018 breaking down the event here. 

I was approached by the Education Secretary at the time about my possible involvement in a panel discussing the history and future of the Tolkien Society which I elaborate on further in my statement. It was the first time I had felt that I had a platform where I could freely express my voice as a diverse reader and consumer of Tolkien media who held diversity in Tolkien as a core value in the wider Tolkien brand. 

I felt that as the only non-white member on the panel I had an obligation to speak out on the topic of diversity when it was raised. I tried to speak briefly about some of the points and discourses I had heard on portrayals of diversity in Tolkien media with as much nuance as I could manage at the time. In response to some points I had made I was met with vocal disapproval by some audience members and visible signs of disapproval and hostile body language from others. 

This was made even more jarring when later during the course of the event when two white creators hinted at vague notions of diversity were met with a far greater degree of approval. The former instance was during the context of a panel regarding the upcoming LOTR on Prime series, and the latter was during a talk presented by the chair of the Tolkien Society.

I felt intimidated and reluctant to involve myself any further in the Tolkien fandom, especially in real life spaces as my experience at Tolkien 2019 had only solidified and reaffirmed my fears and unease I had engaging in a predominantly white fandom with few visible POC members and creators who tackle topics of diversity and racism in both the community and source texts.

Following this event I was approached by an affiliate of one of the attendees who very kindly took the time to listen to me and suggested that I should write a statement in response to my experience. To my knowledge, my statement has not been shared or published on any platform yet and this will be the first time I have ever spoken about it publicly. 

Since then some of my thoughts and opinions on certain aspects of Tolkien fandom and meta have shifted or evolved which I will hopefully expand on in the future, but I wanted to share my initial unchanged statement I wrote reflecting my immediate reaction to my experience. 

I want to be seen as a Tolkien creative and critical thinker above anything else, but I cannot move forward with my work without speaking about my lived experience in a space which has been consistently hostile to me and so many others across different Tolkien spaces for so many years starting with my account of this one experience.

I hope my statement finds itself in good hands and I will always be willing to engage with others about my experiences so long as you engage with me in good faith. 

The statement I wrote on 25/09/2019 is as follows:

From the 9th to 11th of August of this year I attended a conference held by the Tolkien society aptly named “Tolkien 2019” that advertised itself as the “largest celebration of Tolkien ever held by the Society” in which I both spoke as a panelist and independant speaker. The event itself was a mixture of both formal and informal panels, papers presented by selected members of the society, and evening social events.

My invitation to speak on the “History of the Tolkien Society” panel was presented as deliberate choice made by the panel organiser as a gateway for discussion about diversity and representation in Tolkien. On the official programme, the panel was described as a discussion concerning “what the Tolkien Society and Tolkien fandom in general may become as it encounters digital spaces, issues of representation and diversity, academic interest and a myriad other factors that make up our lived experience today”.

Although there was much excitement and anticipation on my half in the weeks and days leading up to the event, it soon turned to dread when the tone and climate of the discussion dawned on me when I took my seat alongside five other panelists ranging from seasoned Tolkien scholars, long-time members of the Society, and a member with a leadership position within the Society. On that four person panel, I was the only one racialised as non-white. In fact, I was one of only three people in a room of approximately fifty to sixty people racialised as non-white.

It wasn’t long before the true motive of placing me — a young, new member of the Society, who felt already out of place and out of my depth even being offered the opportunity to participate in the first place — on a panel of what I perceived to be more seasoned members of the society.

When the topic of diversity and representation in the Tolkien fandom was raised by the moderator, I saw it as an opportunity for me to share my own experiences as a young fan who predominantly consumed Tolkien content online, as well as some observations I had made regarding the current pop-cultural perception of Tolkien as being heavily influenced, if not wholly entered around the Peter Jackson trilogies and being deeply ingrained with the issues that seep from those interpretations into our overall perception of the Tolkien brand.

One of the talking points that seemed to have caused the biggest uproar and dissent was one in which I referred Tolkien’s description of Sam’s hands as brown in two instances — the first in the Two Towers, and the second instance in Return of the King and how this has been translated into film as both literal and symbolic interpretations. The former in the Ralph Bakshi’s the “Lord of the Rings” released in 1978 in which I noted that the decision to portray Sam as more ethnically ambiguous compared to the other Hobbits was a deliberate choice, whereas the latter was depicted in the recent Peter Jackson trilogy released in the early 2000’s took the description symbolically and cast the white American actor Sean Astin for the role.

The backlash I received for this was, I believe, absolutely disproportionate to the views I expressed. I saw members frown and grunt in disapproval, as well as some visibly shake their heads at me. In spite of me parroting how I saw both interpretations as equally valid as a defence mechanism in the face of such an aggressive response to what to me seemed like an innocuous observation made by a young person of colour who did not see many portrayals of people of colour in Tolkien. 

Comments such as “I don’t care who they cast as Sam whether he’s black, brown, yellow, blue or green!” and “Tolkien’s message is universal I don’t see how race factors into this!” were shouted in between points I was making, and countless others were made as an effort to dismiss the effort I put in to hopefully start an open dialogue about the lack of diversity in adaptations of Tolkien and how it has coloured our perception of the overall brand, and perhaps fantasy as a whole.

Some other talking points I decided to mention included Peter Jackson’s Easterlings (coded as being North African or Middle Eastern in the film) as being appallingly Orientalist and damaging in a post-911 world, as well as referring to Tolkien’s vague descriptions of certain characters and people groups that can be interpreted as ethnic coding or perhaps hint at a more diverse cast than the popular brand of Tolkien that may have us believe. I iterated that it is the responsibility of consumers of Tolkien and Tolkien related media to push for different interpretations of the text in order to break the perception that Tolkien’s works are entirely Anglo and Eurocentric with no place for people of colour in the vast world he had created in my opinion as a love letter to his own.

A month later it is still difficult for me to fully wrap my head around what I had experienced during the conference, much less articulating it in a statement, but if there is a note I would like to conclude on it would be this: it was never about changing Tolkien’s works, but reinterpreting his 20th century text littered with colonial artefacts and reimagining the foundations of his work through a 21st century lens in an attempt to decolonise the interpretation of his works in popular culture.

To change the way we read, write and depict the Tolkien brand is to fundamentally change the landscape of the entire genre of fantasy which has and still derives so heavily from Tolkien’s works and the global Tolkien brand.

End.

[sukirichi]

heeeey do you have any advice for newbie writers?

writing advice for newbies!

disclaimer: the advice i’m going to give (funnily enough) is not something that i always personally do. i’ve been writing both fiction and non-fiction for years, i only came to tumblr because i wasn’t satisfied with how i kept pressuring myself to write “high literature” after gaining awards and recognition for my stories. my fanfiction here in this blog...it’s unrefined, definitely not what i used to write before because i’m a lot less serious about it and i’m just writing freely. but the advice i’ll list below is personally some stuff that has helped me a lot in my entire writing journey! Some are technical, some are personal! down below will also list some tumblr related writing advice! 

1. Keep writing! No one is born a great writer. Before I actually started publishing/posting my stories, I remember I spent at least five years writing the most random crap just so I can get a feel for what my style is. Plus, the more you do things repeatedly, it’ll come eventually like second nature to you and you’ll find the words are flowing. Keep writing, keep writing, keep writing! Even if you’re not satisfied with your first work, that’s okay, just keep going on!

2. Be mindful of what tense you’re using. NOW I KNOW I DON’T REALLY FOLLOW THIS BUT THAT’S BECAUSE I DON’T EDIT MY FICS LMAO, but you could totally do this! So in writing, we have “voices.” The narration will always use tenses of whether the entire story will be past tense or present tense and it’s important this remains consistent in your entire story. This one is TECHNICAL, this just help improves the flow and formality of your story. As for me though, I don’t really care about the tenses anymore because like I said, I just write freely with no regards for “creative writing techniques.” an example of past tense is: Suki jumped to Naoya’s arms. “My love!” she called, wrapping her arms around him. (RIP EXAMPLES) and present tense is: Suki jumps to Naoya’s arms. “My love!” she calls and wraps her arms around him. (this could be real flexible tho, this is just an example ehehehe)

3. Be mindful of dialogue tags! There’s a huge difference between putting periods and commas after dialogues. Like for example, “Suki loves Naoya,” she declared. If it’s followed by an action, the comma is best. Or example, Suki said, “I really love Naoya.” If the statement can stand alone, then it can be “Suki really loves Naoya./I really love Naoya.” There’s better explanations here! And one more thing, you should put the commas/periods inside the quotation marks. There’s more variations/explanations here but generally, this way of writing,,,example: “Suki really loves Naoya”, LIKE??? if it’s a dialogue, put the commas/periods inside the quotation marks.

4. PARAGRAPH BREAKS. I cannot stress this enough. There should be a variety in the sizes of your paragraphs. Long paragraphs should be followed by smaller ones, varied with medium paragraphs and then so and so forth. There’s no formal sequence that it should be LONG – MEDIUM – SHORT – MEDIUM – LONG, writing is flexible, just make sure you’re varying the lengths because reading long, chunky paragraphs with no end is equally annoying as reading paragraphs that are always 1-2 sentences and then a paragraph break.

5. Outline, outline, outline! Whether it’s long fics or short ones (excluding drabbles, I don’t think you need them that much) outlines will help you have a more solid feel of your story, and you can easily track your story flow when you have your ideas plotted out. or me, my outlines is in the form of Dialogue Outline, where I write out all the dialogues first so my pages will be just conversations then I’ll add the monologues/actions later. That’s personally what works for me, you can discover your own writing style <3

6. Research! Now this is pretty funny for me to say this because I don’t really do research, at least not the “how to effectively write this type of role” or whatever. Of course it’s better if you try to learn more about the concept you’re going to write about (like if you wanna do a vampire AU then read Twiligh – JK THAT’S A BAD REFERENCE, SORRY NOT SORRY, love the memes tho!) or you can do my own way of researching, which is reading other people’s fanfics! Not only do you get a vibe of how this character is like, but you also get to support other content creators!

7. You don’t need verbs all the time. Sometimes I see stories wherein ALL dialogues have “said” “screamed” “explained” on EACH line and here’s the key: as long as the readers can understand which character is speaking, you don’t need dialogue cues all the time. 

8. PUT THE KEEP READING TAB. I cannot stress this enough, but please put the keep reading tab. Drabbles are fine without them, but if it exceeds maybe 400 words then you’re going to need that. Sure, it’s easy to scroll past a long text, but some fics are super long and without the keep reading tab that it can be quite a hassle to whoever sees it.

9. Have your own writing safe space. Now this could be more personal than technical, but I absolutely cannot write or focus when I’m in a public space or when I’m being bothered. So if you want to write, SHUT THE WORLD OUT and dive deep into your imaginations, let the noise of your fantasies be louder than distractions.

10. Take your time! I guess that would be my best advice. You don’t have to rush anything at all, and one more thing, DO NOT OVERTHINK! Maybe this is just me but I honestly don’t really try to dive too deep in the technicalities anymore :// I’ve been in Creative Writing class for years and it stressed me out that my writing teachers always told me “not to use big words because no one will understand that” or “don’t try to paint the picture too clearly because not everyone has that big of an imagination” and I was like ISN’T THAT THE POINT THOUGH, TO MAKE PEOPLE IMAGINE THINGS? but yeah anyways, maybe this is just me again, but I find that I write better when I’m not overthinking too much on how to write a “perfect” story. I don’t always have the prettiest words to use. I don’t always have the most intricate plot. I don’t always have the most poetic content that is “inspiring” or “moving.” Sometimes I write stupid shit that has no plot at all, and that’s okay. Just write whatever you want tbh, I’d say my biggest advice is to not worry too much about having the “perfect” story. It’s still great to do research and want to improve your writing skills, but hmm...I guess I’d say the most important thing is that you enjoy what you do!

11. “There is nothing to writing. All you do is sit down at a typewriter and bleed.” – Ernest Hemingway. This is one of my favourite quotes because it’s true, writing is both complicated and simple, but as for me, writing is something that I don’t want to stress too much about. There isn’t really an actual right or wrong, there isn’t a law, just some techniques that could help you improve, but at the end of the day, it should be about the steady state of progress or the “creation flow” that matters the most. Just write, that’s it. You’ll get there eventually and you’ll start creating magic before you know it. Just let the words flow and build, worry about quality later when you edit it. Or you know, if you’re lazy like me, just post it when you’re done LMAO. really though the BEST advice is to enjoy the process and not stress too much about it!

here is a previous ask i answered that may be of help too! 

[yadiriku19992]

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Filme, também chamado de filme, filme ou filme, é uma forma de arte visual usada para simular experiências que comunicam ideias, histórias, percepções, sentimentos, beleza ou atmosfera por meio do uso de imagens em movimento. Essas imagens geralmente são acompanhadas por som e, mais raramente, por outros estímulos sensoriais. [1] A palavra “cinema”, abreviatura de cinematografia, é frequentemente usada para se referir à produção cinematográfica e à indústria cinematográfica, e à forma de arte que é o resultado disso.

❏ STREAMING MEDIA ❏

Streaming media is multimedia that is constantly received by and presented to an end-user while being delivered by a provider. The verb to stream refers to the process of delivering or obtaining media in this manner.[clarification needed] Streaming refers to the delivery method of the medium, rather than the medium itself. Distinguishing delivery method from the media distributed applies specifically to telecommunications networks, as most of the delivery systems are either inherently streaming (e.g. radio, television, streaming apps) or inherently non-streaming (e.g. books, video cassettes, audio CDs). There are challenges with streaming content on the Internet. For example, users whose Internet connection lacks sufficient bandwidth may experience stops, lags, or slow buffering of the content. And users lacking compatible hardware or software systems may be unable to stream certain content.

Live streaming is the delivery of Internet content in real-time much as live television broadcasts content over the airwaves via a television signal. Live internet streaming requires a form of source media (e.g. a video camera, an audio interface, screen capture software), an encoder to digitize the content, a media publisher, and a content delivery network to distribute and deliver the content. Live streaming does not need to be recorded at the origination point, although it frequently is.

Streaming is an alternative to file downloading, a process in which the end-user obtains the entire file for the content before watching or listening to it. Through streaming, an end-user can use their media player to start playing digital video or digital audio content before the entire file has been transmitted. The term “streaming media” can apply to media other than video and audio, such as live closed captioning, ticker tape, and real-time text, which are all considered “streaming text”.

❏ COPYRIGHT CONTENT ❏

Copyright is a type of intellectual property that gives its owner the exclusive right to make copies of a creative work, usually for a limited time.[1][2][3][4][5] The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itself.[6][7][8] A copyright is subject to limitations based on public interest considerations, such as the fair use doctrine in the United States.

Some jurisdictions require “fixing” copyrighted works in a tangible form. It is often shared among multiple authors, each of whom holds a set of rights to use or license the work, and who are commonly referred to as rights holders.[citation needed][9][10][11][12] These rights frequently include reproduction, control over derivative works, distribution, public performance, and moral rights such as attribution.[13]

Copyrights can be granted by public law and are in that case considered “territorial rights”. This means that copyrights granted by the law of a certain state, do not extend beyond the territory of that specific jurisdiction. Copyrights of this type vary by country; many countries, and sometimes a large group of countries, have made agreements with other countries on procedures applicable when works “cross” national borders or national rights are inconsistent.[14]

Typically, the public law duration of a copyright expires 50 to 100 years after the creator dies, depending on the jurisdiction. Some countries require certain copyright formalities[5] to establishing copyright, others recognize copyright in any completed work, without a formal registration.

It is widely believed that copyrights are a must to foster cultural diversity and creativity. However, Parc argues that contrary to prevailing beliefs, imitation and copying do not restrict cultural creativity or diversity but in fact support them further. This argument has been supported by many examples such as Millet and Van Gogh, Picasso, Manet, and Monet, etc.[15]

❏ GOODS OF SERVICES ❏

Credit (from Latin credit, “(he/she/it) believes”) is the trust which allows one party to provide money or resources to another party wherein the second party does not reimburse the first party immediately (thereby generating a debt), but promises either to repay or return those resources (or other materials of equal value) at a later date.[1] In other words, credit is a method of making reciprocity formal, legally enforceable, and extensible to a large group of unrelated people.

The resources provided may be financial (e.g. granting a loan), or they may consist of goods or services (e.g. consumer credit). Credit encompasses any form of deferred payment.[2] Credit is extended by a creditor, also known as a lender, to a debtor, also known as a borrower.

[kate2021new]

Kate (2021) Teljes Film Magyarul Online Ingyen

Letöltés Kate Teljes Filmet 2021 — letöltés NetFlix Full Movie | töltse le a filmet ingyen és jogilag korlátlan | Letöltés Kate térség letöltése Kate BitTorrent | Torrente | Yify torrent | Utorrent FR | Avi | YouTube | 4K | VOSTFR | 720p-1080p HD

➥ Nézze meg vagy töltse le itt → https://stream.cineplay.cc/hu/movie/597891/kate

A Kate egy hamarosan megjelenő amerikai akció-thriller, amelyet Cedric Nicolas-Troyan rendezett, és Umair Aleem írta. A film főszereplői Mary Elizabeth Winstead, Miku Martineau, Woody Harrelson, Michiel Huisman és Tadanobu Asano. A tervek szerint 2021. szeptember 10 -én jelenik meg a Netflixnél.

☉ felszabadított: Sep 10, 2021

☉ Runtime: 106 percek

☉ Műfaj: Akció, Thriller

☉ Csillag: Mary Elizabeth Winstead, Miku Martineau, Woody Harrelson, Tadanobu Asano, Michiel Huisman, Jun Kunimura

☉ Crew: Charlie Revai (Supervising Art Director), David Leitch (Producer), Nathan Barr (Music), Dominic Watkins (Production Design), Scott Meehan (Art Direction), Elísabet Ronaldsdóttir (Editor)

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#Hungary #Magyarul #Teljes #Magyar #Film #Videa #2021 #mafab #mozi #IndAvIdeo

Film, also called movie, motion picture or moving picture, is a visual art-form used to simulate experiences that communicate ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound, and more rarely, other sensory stimulations.[1] The word “cinema”, short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it.

❏ STREAMING MEDIA ❏

Streaming media is multimedia that is constantly received by and presented to an end-user while being delivered by a provider. The verb to stream refers to the process of delivering or obtaining media in this manner.[clarification needed] Streaming refers to the delivery method of the medium, rather than the medium itself. Distinguishing delivery method from the media distributed applies specifically to telecommunications networks, as most of the delivery systems are either inherently streaming (e.g. radio, television, streaming apps) or inherently non-streaming (e.g. books, video cassettes, audio CDs). There are challenges with streaming content on the Internet. For example, users whose Internet connection lacks sufficient bandwidth may experience stops, lags, or slow buffering of the content. And users lacking compatible hardware or software systems may be unable to stream certain content.

Live streaming is the delivery of Internet content in real-time much as live television broadcasts content over the airwaves via a television signal. Live internet streaming requires a form of source media (e.g. a video camera, an audio interface, screen capture software), an encoder to digitize the content, a media publisher, and a content delivery network to distribute and deliver the content. Live streaming does not need to be recorded at the origination point, although it frequently is.

Streaming is an alternative to file downloading, a process in which the end-user obtains the entire file for the content before watching or listening to it. Through streaming, an end-user can use their media player to start playing digital video or digital audio content before the entire file has been transmitted. The term “streaming media” can apply to media other than video and audio, such as live closed captioning, ticker tape, and real-time text, which are all considered “streaming text”.

❏ COPYRIGHT CONTENT ❏

Copyright is a type of intellectual property that gives its owner the exclusive right to make copies of a creative work, usually for a limited time.[1][2][3][4][5] The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itself.[6][7][8] A copyright is subject to limitations based on public interest considerations, such as the fair use doctrine in the United States.

Some jurisdictions require “fixing” copyrighted works in a tangible form. It is often shared among multiple authors, each of whom holds a set of rights to use or license the work, and who are commonly referred to as rights holders.[citation needed][9][10][11][12] These rights frequently include reproduction, control over derivative works, distribution, public performance, and moral rights such as attribution.[13]

Copyrights can be granted by public law and are in that case considered “territorial rights”. This means that copyrights granted by the law of a certain state, do not extend beyond the territory of that specific jurisdiction. Copyrights of this type vary by country; many countries, and sometimes a large group of countries, have made agreements with other countries on procedures applicable when works “cross” national borders or national rights are inconsistent.[14]

Typically, the public law duration of a copyright expires 50 to 100 years after the creator dies, depending on the jurisdiction. Some countries require certain copyright formalities[5] to establishing copyright, others recognize copyright in any completed work, without a formal registration.

It is widely believed that copyrights are a must to foster cultural diversity and creativity. However, Parc argues that contrary to prevailing beliefs, imitation and copying do not restrict cultural creativity or diversity but in fact support them further. This argument has been supported by many examples such as Millet an-Watch!- f9 2021 Fast And Furious 9 — full (2021) — Movie HD

Denmarkd Van Gogh, Picasso, Manet, and Monet, etc.[15]

❏ GOODS OF SERVICES ❏

Credit (from Latin credit, “(he/she/it) believes”) is the trust which allows one party to provide money or resources to another party wherein the second party does not reimburse the first party immediately (thereby generating a debt), but promises either to repay or return those resources (or other materials of equal value) at a later date.[1] In other words, credit is a method of making reciprocity formal, legally enforceable, and extensible to a large group of unrelated people.

The resources provided may be financial (e.g. granting a loan), or they may consist of goods or services (e.g. consumer credit). Credit encompasses any form of deferred payment.[2] Credit is extended by a creditor, also known as a lender, to a debtor, also known as a borrower.”

[alexandrasavior]

Oregon native, ALEXANDRA SAVIOR, first gained industry attention as a teenager when she posted a cover of Angus Stone’s “Big Jet Plane” on YouTube. The playful, haunting performance landed her a legion of fans, leading her to co-write her debut album, Belladonna of Sadness, with the Arctic Monkeys’ Alex Turner. Alexandra now shoulders the responsibility for the lion’s share of her output herself, writing her own songs, creating the artwork for her album’s cover and often filming her own videos. Her second album, The Archer, is the establishment of a unique voice. ”There’s depression and there’s heartbreak, but each song represents a different emotional state. I tried to project some sort of strength; I wrote during a time when I was a young woman growing into my identity and developing my confidence, and I hope that comes through." Now writing and self-producing her third album, Alexandra Savior is an extraordinary talent coming into the peak of her power.

Who inspired you to become a musician?

Well, at around 12 or 13, I was very inspired by Billie Holiday and Nina Simone. But, I think Amy Winehouse was the only real, truly inspiring artist that I saw growing up in the 2000's. As a girl, my modern musical role models were mostly hyper calculated and sexualized pop-star like characters, but Amy was a unique talent.

How would you describe your style of music and performance? How would you describe your philosophy and style as an artist?

My style of music is simply a combination of my mind and emotions. My style of performance is still evolving, but because touring gives me so much anxiety, in my performances I use tactics to help me cope with that anxiety. I like to imagine that I am telling a scary story to a group of young children, or playing charades with strangers and the secret topic is "I want to cry." My philosophy and style as an artist is "go deeper and be honest."

What drives you to create, and how do you define success for yourself in music?

I have been driven to create by some sort of addictive euphoric-like force that has completely controlled my life and sense of self worth since I was a little girl. I can't describe it really, but if I don't create, I decline into some feeling of nothingness. Creativity is the worst and best thing to happen to me. Success for myself in music, is to create quality work that is genuine to who I am, and to be able to support myself through it for as long as possible.

How do you think the music industry can develop into a more equitable and inclusive environment for women music creators?

I think that the power lays in the hands of the people who are working in the background of the music industry. Producers, music supervisors, publishing companies, those are the people who have the power to be giving women equal opportunities and pay. Bottom line, women need to be given more jobs, gigs, syncs; we need to be hired for more sessions and tours, we need our writing to be pushed to pop stars, radio DJs, and advertising agencies. The simplest way to create an inclusive environment is to consciously provide equal opportunity.

Do you have any advice for young women musicians just starting their careers, based on what you’ve experienced?

Yes, there can be a lot of "gaslighting" in this industry. As a tactic to control young women or people who are new to the industry, labels and industry people will try and convince you that what you're making isn't pristine, "official", or sellable enough on its own. If you have a bad feeling, or sense that you're being misled or controlled, listen to that feeling. In the end, it is your work, and one day all of the people surrounding your project will be gone, and it will be your name stamped over it all. It will be your responsibility to dig yourself out.

From your view, what other kinds of marginalization and erasure does the music industry need to ensure we don’t enact in the name of gender equality?

I think comparison culture is the worst thing we've done to ourselves as a society in general, in life, and in music. We tend to pit people against one another because of their similarities or because of their differences. I think marginalization and erasure are two very different things. In general, people are marginalized because of something about them that is out of their control, like their gender, race, or sexuality. Whereas when you say "erasure", I assume you're talking about the cancel-culture that we recently see happening.

We can stop marginalization simply by creating equal opportunities and appreciating the content of one's art rather than their gender identity, race, religion, sexuality, etc. But, with erasure, I feel I don't have an answer to that question, it is a much more complex topic, and I don't feel I am in the place to even begin to address how we heal ourselves from others actions, or how we decide as a community to react to them. I just want a safe environment for people of all walks of life to be able to create what they want to create. I am not an oracle into the depths of social morality, I am just trying to process it all myself.  

[pulledpurplecurtains]

CREATOR TAG MEME

Rules: It’s time to love yourselves! Choose your 5 (ish) favorite works you created in the past year (fics, art, edits, etc.) and link them below to reflect on the amazing things you brought into the world in 2020. Tag as many writers/artists/etc. as you want (fan or original) so we can spread the love and link each other to awesome works!

I was tagged by: @chloebeale thank you love <33

okay, so i don’t actually have five works to offer y’all, just three. and i’ll share them from most recent to least recent, because i love all of them, and am also very emotionally attached for different reasons. so here we go

1. Broken Clocks - this is my current WIP, and it’s been laying inactive for a long time. but it is definitely not abandoned. this story came from exhaustive, but oh so fun, mental work and many long hours and careful planning and considering of details between a very special fellow human and i. and it was born because we both love angst and we both love a good roadtrip au and idiots in love. this is a story of mistakes and disconnect and choices with lasting results, more so than my other two. and it’s so special for all the reasons above, and also because the people in it, our girls, are beaten down and bent and tired. and sometimes they think broken as well. but that is not the case.

2. as the time runs out (i don’t wanna wait) - my one and only one shot, written for a special occasion for a friend i love so so dearly. it’s my favorite kind of fic, a post pp3 fix-it. and i was so happy and blessed to be given the opportunity, and the inspiration, to write a fic like this. i’ve never written slower, it feels like, than when i was writing this. so, so careful of every word. it was gonna be just a single chapter, an one shot, and meant for someone. and i wanted to make right by all that, to make it count. and it’s equally special for both the reason it was written and for its content.

3. All is Fair in Love and War - and last but definitely not least. this started as an one shot, which i almost had an anxiety attack about posting, before a very good friend calmed me down and convinced me to post it. and then couple of people had some questions that could be answered in a second chapter and before i knew it. 8 chapters and more than 60k words of a high school AU is what happened. this story is so special to me. is the first ever work i finished, the first full work i wrote in english, it has so many personal feelings and events and thoughts in it, it helped me deal with life and heal whilst writing it, it turned into a wonderful creative challenge. i’m very proud of it, for all the ways it helped me and for all the ways it allowed me to grow, both as a writer and a creator, and as a person. it’s my firstborn and it will always be my baby

all three of my stories have a special place in my heart, each for its own unique, beautiful reasons. just an honorary mention here, to my own book, written in greek and still sitting in hand written manuscripts in my room. i finished it right after my first fic, and without that first fic and this fandom and some of the people in it (y’all know who you are) i never would have

tagging (some people have already been tagged but idc): @snowonebutyou @bechloehuh @snowydot @becasbelt @ninth-on-eight @chloes-yellow-cup @pan-de-queer @aubreys-posen @shaneythealphawolf @tara-draws @sketchywave and any other creator who would like to do this <3

[popculturebuffet]

Top 13 Venture Bros Episodes!

In honor of it’s recent passing I take a look at the best episodes of easily one of the best adult animated, or animated period, shows ever and one of my faviorites. Join me as I look back on Grand Galactic High  Inquistors, Venturestiens, ninja filled first dates, Noir, super science garage sales and much more under the cut, and GO TEAM VENTURE!

As I said in the teaser.. the Venture Bros is one of my favorite shows of all time. Starting way back in 2003, the show created by Jackson “Christopher Mculloch” Publick and from mid season 1 onwards cowritten, plotted and what have you by his best friend and creative soulmate Doc Hammer, the show enjoyed a healthy 17 year run on adult swim, making it the longest standing show and despite the years of hiatuses between episodes it’s most popular till Rick and Morty came around. The show endured through changing trends in animation, network shifts and scabies until it’s recently announced, though apparently having happened months ago, cancellation.  I watched the show from the start, sneaking it as a boy and by my teen years watching it every week online through Adult Swim’s website and lapping up every episode, becoming a huge fan in the process and continuing my huge love of the series through the rest of it’s life, breifly forgetting to watch season 6 but getting back to it weekly for the 7th, and currently unless adult swim does indeed find a way to bring it back, final season. This show has been a part of my life since it started, and a part of me for slightly less long: it informed my sense of humor, probably informed my comics taste in ragtag groups consiting of lesser known characters, and informed me david bowie existed for which my life will ever be better.  It was a part of me and while I gave it a breif memorial earlier I felt after my long content hiatus due to my moven to another room, and for the 1 of you reading this who reads my amphibia weekly coverage it’ll be back shortly, that honoring a show that gave me so much and made me who I am, in a good way I know i’m kind of a mess so that statment could be seen as a threat in some states, by diving into my faviorite episodes of it and the ones I honeslty consider i’ts finest half hours.. or hours in two cases but we’ll get to that. 

For now it’s time to have your ro-bo pour you a red mocho cooler, slap on your vintage batman mask, and eat some pennies quizboys, this is my top 13 venture bros episodes. Pitter Patter!

13. It Happening One Night (Season 6, Episode 6) 

Season 6 had a huge burst of fresh energy and ideas: Doc and Jackson moved the show to New York for a number of reasons: To shake things up, because they lived there and thus could inject the energy of a city they loved in and because one of the series biggets inspriations is marvel comics, as seen by the sheer number of marvel parodies and homages in comparison to dc or other superhero outlets, so having New York be the big hub for superhero and villian activity in the ventureverse was a no brainer. This also moved the ventures from an isolated corner of the Ventureverse on their old compound, which burned down in the gargantua 2 special, right into the heart of it, bringing in tons of new characters to the already large cast. Not only that but it thrust our heroes and villian protaganists both into new and intresting situations: Doctor Venture was suddenly rich and running his own think tank with white and billy. Dean was going to college, Hank found a love intrest in Serena, more on that obviously in a second, Brock returned to the team proper as bodyguard once more, while the Monarch grappled with both his father being a hero and his wife being promoted and their marraige hitting choppy waters. It had great new characters like warina and serena, brought fan faviorite brown widow in if not as much as i’d like frankly, but there’s always room for nathan fillion, and freshened things up a bit.  Granted one of Venture Bros biggest strengths was it didn’t have the rigid status quo, or entire lack of any continuity a lot of animated shows at the time and even now have, that things changed and evolved and the universe was dense as it was wonderful. But here instead of just moving the pieces around the board and maybe slapping on some new coats of pait, they threw the board up and put the pieces on an enitrley new one. However all this experimentation did nick the show a little: while it was a step up from the rather standard outside of Dean’s plot Season 5 (which not concendtially is the only season not represented here), it also felt like the plots were a bit looser and some characters like Dermott and Dr. Orpheous, one of whom had a huge untouched subplot and the other who was a beloved fan faviorite and fixture of the show since season 1, got left out all together. It was a decent season it just felt lacking at times, and the Monarch and Shielda’s relationship disolving wasn’t at all fun to watch and thankfully got resolved next season. And that was the other problem: Due to wanting to give their big epic finale the room it needed and only having 8 episodes to work with due to the special, they had to move it to next season which meant it just sorta.. ended with most things left unresolved till season 7. Thankfully for me I didn’t get around to watching this season till close to 7, but for everyone else they had to wait YEARS for a proper resolution. It was  a mixed bag of a season, the mass changes leading to growing pains, but it had it’s moments. And naturally our one season 6 representivie here is it’s finest. 

It Happening One Night juggles two diffrent but equally awesome plots. In the first Hank goes on his first date with Serena, their new next door neighbor and daughter of big villain in town, new councilman and combination of kingpin and tobias whale, Wide Whale. Serena was one of the best additions to the series, voiced by a game Cristini Miloti, she’s a no nonsense girl with a sharp tounge, an annoyance with her father and his number 2 rocko’s overprotectivness of her and gills and meshes well with hank: Her no nonsense and more down to earth attitude compliments his up int he clouds weirdness and lack of reality really well and the two were cute together. Were... while they’d do.. things I did not like.. with her character next season, for this one she’s great and a fine addition and it was nice to give one of the boys a proper love interest, while also having her be her own person. Sure all her plots centered around hank.. but she still felt like a fully realized addition to the cast and given this was over a decade in with so many great members it wasn’t an easy task.  The date is paticuarlly hank as he has a carraige (his air car) ready, has dean chauffer them, has Billy and White show up as street toughs to challenge him to a dance off and dinner is at a ninja themed restraunt Dean’s friend Jared, aka brown widow, works at. It’s really adorable and charming stuff, and the two genuinely bond, and Hank gets some good character stuff. He genuinely worries Serena is only intrested to piss off her dad.. but fins she likes him for who he is: his charm, his lack of fear, and the fact he went so far for a romantic gesture he had his friends dress up as street toughs, or the hank venture idea of one anyway, and get into a dance off just to impress. her. it’s really good stuff. The Ninja themed restraunt is also both hilarious and apparently a very real thing the creators actually toned down. I’m unsuprised by all of this. The two also dodge their bodyguards, Brock and Rocco and share a romantic kiss underwater leading to the above. It’s a really good plot and the easy reason why I put it on here and defintely a review cantidate.  The other plot however is just pure comedy and invention. While the Monarch works on his plan to use his dad’s blue morpho guise to take out the other arches on his way to venture, Venture is plauged by the utterly bizzare and utterly delightful Doom Factory: A combination of Andy Warhol and his hangers on and the legion of doom... yes this actually happened. While I know nothing of Warhol and thus a lot of it flew over my head, it’s made up for by the sheer joyous lunacy of having the art school version of the legion of doom arch rusty by invading his house, throwing a party and taking various pictures of him in his underwear. The one mistep of the episode is them getting blown up at the end despite being great, but their one apperance was a treat, and it was such a great and bizzarely speific parody I couldn’t help but love it. It was a good night indeed. 

12. Tag Sale, You’re It! (Season 1, Episode 6 (10 in airing order) Season 1 of The Venture Bros is a bit rocky. It’s not unusual for season 1′s but it’s understandable, espcesially now i’ve read Go Team Venture!: The Art of the Venture Bros, the art book for the series as well as a full on making of for seasons 1-6, and know the team was under immense crunch to get the season done and is likely the reason every season after had a few years between them. But yeah at the start the series was more of a broad comedy, with the characters being the simiplest versions of their characters, the boys in paticular only having “jock and nerd” as things that defined them as seperate people early on and it took a bit for things to come together. However things really started to crystalize into what the show would truly be with two episodes. One we’ll get to later but the other is this one: Tag Sale Your It.  Tag Sale started one of my faviorite recurring themes for the series: Venture Compound Episodes. Basically their episodes where a huge pile of the shows cast get together at the venture compound for whatever reason and chaos, great jokes and great worldbuilding inveitbly insues. It’s good stuff. And it’s usually centerted around a great concept.  In this case all the villians and heroes of the world are gathering at the Venture Compound for of all things, a Garage Sale. Or Tag Sale as it’s called in the title or Yard Sale as Venutre himself calls it. In order to make a quick buck and get rid of some of his dad’s excess scientific wonders, Rusty’s sellling them off to whatever weirdo wants em. it’s an utterly hilarious concept, with Brock complaning about the security risk and the fact Doc is entirely convinced this won’t go horribly wrong despite the fact he has a bargin bin for death rays, one of my faviorite gags of the episode. But there’s still plenty of sense here too: There’s what i’m presuming are OSI agents on standbye, who also screen the various villians to have them check their weapons. 

The episode also opens the cast up considerably introducing Phantom Limb, and fleshing out Billy and Pete, as well as being the episode where two of the casts standouts came into their own as 21 and 24 go off on their own misadventur where 21 uses the monarchs money to buy what turns out ot bea non working lightsaber and tries to fight brock in one of the best scenes of the episode.  Speaking of the Monarch, . The Monarch himself is there to cause miscihief, as usual, as well as have his minons buy him some stuff because he’s not going to miss a bargin, and finds himself struggling to get his hate boner up in a neat subplot, eventually acheiving it even if it gets him stuck to the celing However the other two subplots really shine. Orpheous in a micro plot, and after yelling at Dr. Venture for trying to sell the weed wacker he borrowed from Oprheous, tries to get his own nemisis, a thread that would continue at the end of the season and into the next, having a ghost slap the monarch ot try and get him to become Orpheous arch and telling various villians he’s blasting who they can blame if they want to swear vegnance. It’s short but really funny.  The other however is my faviorite and the plot that really set up hank’s bizzarely and uniquely him personality, which would be expanded on more as the show went on. Annoyed that their dad is selling their old things and getting the money, Hank decides to get him and Dean a piece of the action and sets up his own grinder and lemonade stand, Hank Co, starting the sparkling runner of his bizzare personal buisness, and while the lemonade stand is standard kids stuff, the added oddly specific addition of grinders is what makes it hank as is his oddly agreesive managment style. Dean ends up working for him alongside HELPEr, while Dean awkwardly talks up Orpheous daughter triana. More on that whole thing in a later entry, with Triana joining in. It’s just a fun side bit that ends hilariously as, when the sale cascades into an orgy of violence as it was always destined to, the rest of the team book it while Hank definatly refuses to get knocked down before a shoe hits him. 

IT’s a damn fun time that sets up the backbone of the show’s universe. Nuff Said. 

11. Pinstripes and Poltergeists (Season 4, Episode 8)  Season 4 is easily my faviorite season hands down, and in my opinion the best, in part helped by the fact it’s the longest and thus had the most time to work on it. Like season 6, if on a smaller scale, it threw up the table. While Season 2 and 3 had status quo changes, the Monarch being on his own without the guild or dr girlfriend and then the newly married couple being forced to arch eleswhere this one had probably the biggets shakeups: Brock Sampson left team venture, and was MIA for all but two episodes of the first half, Sgt. Hatred took over as boydguard a move that wasn’t one of there best as while Hatred could be funny at times.. replacing one of the show’s most beloved and most iconic characters with a reformed pedophile who fans already didn’t like all that much in season 3 wasn’t one of Jackson and Doc’s smarter moves let’s be honest. Again he has his moments, but he just wasn’t as compelling or well fleshed out as the rest of hte main cast, helper included.  The other big swing, one admitted in the making of art book that was an intentional risk, was killing off 24, half of the beloved buddy duo of 21  and 24. However this one paid off way better, as 21, while still a husky dork who loves his crappy job, reinvented himself in the wake of hte tragedy, turning a lot of his blubber into muscle (And I say that as a chub myself, so relax), and becoming the badass drill seargent of the cocoon.  But both big changes expertly dovetailed into this episode which explains where brock was after the premiere. The ball gets rolling when the Monarch goes to see Monstroso, a great addition to the series and the sum of all evil lawyer jokes, a lawyer in a pinstripe suit and small devil hood who makes deals with other supervillians, in this case to buy up part of the venture compound to take it from Rusty.   Naturally making a deal with a lawyer super villian who dresses like the devil, every bit of that sentence a red flag, goes poorly. As Shiela points out in one of the series best lines as she berates her husband’s terrible decision making “Monstro’s a lawyer that’s also a super villian. That’s like a shark with a rocket launcher strapped to his head, and the monstroso plans to take the monarch’s stuff as well. It falls to 21 to stop him and 21 is on the venture compound to find our missiing sampson and get answers on who killed his best friend, whose also following him around possibly as a ghost/hallucination.  Speaking of Brock, when exploring a shack on the edge of the property to use it for stuff, Rusty finds instead the base for SPHINX, consiting of Hunter Gathers (Who I hope gets to retransition someday), gay icon Shore Leave, and Brock Himself. Turns out Brocks literally been right there, SPHINX Just needed to stay secret and the pain of not being able to see the boys has seriously hurt brock. And naturally this deal will impact spinix, so they send brock to deal with it.  This leads to the best part of the episode as the above episode gets a callback as 21 challenges brock to a fight.. and to show how far he’s come, instead of becoming a bloody pile on the lawn, fights EVENELY with brock freaking sampson. After it’s confirmed brock has nothing to do with it and 21 and him have wiggle room to operate, the two go after monstroso who next we see needs heart surgery so mission acomplished. This episode is light on jokes, apart from a great one where rusty tells the boys everything before mindwiping them, but good on character stuffs as we find out where Brocks been, meet some good new supporting cast and see just how far 21′s come, and close out the first half of a stellar season iwth a great scene of Brock eating cereal, finally allowed to be part of his family again.

10. Viva Los Muertos! (Season 2, Episode 11)  Season 2 was easily where the show hit it’s stride. While Season 1 is going through growing pains Season 2 has all the setup, half planned ideas and what not mostly out of the way to just focus on building up the world, and characters as well as playing around with things and having the first instance of the show’s refusal to have a set status quo by having the Monarch’s breakup iwth Shiela stick until the end of the season. More on that later. However some experimentation still happened as something that would likely NEVER happen from this point on happened.  See the Venture Bros is very much Jackson and Doc’s baby. While Jackson created it, Doc because just as important and the two share one giant geeky brain. WHile they may argue on some things, the two still agree on most stuff and thus the project has their unified vision of this weirdly specific superhero universe that’s mainly focused on what would be prehriay characters leftover from a one time genre experiment and supervillians. While the staff on the show clearly enjoyed working on it far as I can tell an dare celebrated in the making of when credit’s do, the writing and worldbuilding is on two guy’s shoulders, an absolute rarity in animation let alone of a project with this gorgeous and detailed animation. But for three episodes the two did let someone in.. it’s just someone who not only got exactly what htey were going for but was their friend and mentor who helped nurture their talents on the tick. Ben Edlund. If you haven’t heard of Ben first off shame on you and second, he’s the creator of the Tick, writing the original comics series and having a major hand in all three series, all of which are unsuprisingly stellar, and having brought jackson and doc on board for 2/3 of them, likely only not bringing them to the Amazon one because by this point they’d far outgrown being writters on someone elses show.  He also created supernatural and left long before it became a tire fire so there’s that. I need to watch that sometime. Point is he’s a big deal and helped write two episodes and wrote this one Solo. And this one is easily the best of the three and given it’s on this list one of the series best.  The episode has Doc have another great idea in the Zack Morris with mad scientest abilities veign he always have: Take the parts of one of hte monarch’s dead henchman, as brock tends to leave piles around, into a “Venturestein’ and sell it to the goverment. While the simple man bonds with the boys, he cowers in fear of brock, who is forced to grapple with his violent nature and deeds and goes to Orpheous spirtial gathering fors some perspective. It’s a nice subplot that has some character development before a spirit vision of hunter gathers convinces him he can’t get caught up in killing people when it’s hwat he goods at. Brock meets him halfway, deciding he can’t feel entirely guilty but he can help the guy and gets Venturestein some “prostitoots!” he’s been wanting since apparnelty the henchman he was made out of really liked htem.  The concept of venturestein himself is neat, from the idea of reusing old henchman to him using the boys learning beds to learn about the third world and be indocrinated for third world labor, as was Doc’s orginal plan.  The other plot which dovetalls into venture steins is another great one as The Groovy Gang, the show’s answer to mystery inc arrives. And in a great idea by Edlund.. their all based on various serial killers, with leader ted being baised on ted bundy and being unerviing as he speaks cherfully while threanting the rest of hte gang, the shaggy stand in being a stand in for the son of sam and the only one that can hear groovy talk who rather than be an adorable dog, talks like a nightmarish german man, the daphne standin is clearly kidnapped and the velma one valries acts like valrie solanis. It’s creepy stuff but it’s also funny because theys till include hannah barbara sound effects, including when Venturestein in a ptsd fueld rage kills ted, not-shaggy and groovy> It’s a horrible but great scene and a great concept that just works. They also tie in the boys being clones by having it revealed one of their deaths was caused by Sonny, finalylr emembered his name, and Ted wanting to kill them. The boys end up finding their clones too, but Doc spins them a yarn to get by and is kept from kiling them. Not much to say, outside of brocks bit this isn’t huge on character but the sheer balls of the scooby doo parody and the sheer amount of jokes and creativity here make Edlund’s sole solo outing a true highlight. 

9. The Inamorata Consequence (Season 7, Episode 5) 

The likely final compound episode and a welcome return after season 6 lacked theme entirely, and as I established earlier the compound isn’t required it’s just where most of these take place.  Season 7 was a good note to go out on. While I still want closure, after the forgetable Season 5 and the  fresh but messy Season 6, 7 was almost pure goodness, with most of the episodes being standouts and the premire trilogy wrapping up the dangling threads from season 6 being a highlight, if not enough to make this list but it was a tight list as is. It had it’s flaws: The “Serena Cheats on Hank with Dean thing” was not only horribly underdeveloped but basically wrote off one of their best new characters. Her and hank breaking up and her dating dean is fine, relationships end and stuff, it was just done poorly. Even if Hank found out because a scary man in a bear costume literally carried him to a convience store and then to Dean which was great as was the button on that plot of, after Dean and Serena naturally react to the guy “Oh good you see him too. “ The Unicorn in Captivity is also a series low point despite having mark freaking hamil guest star, for a number of reasons i’ll probably get into one of these days either on a worst of list for this show or it’s own review. But those blemishes don’t overide a great season that makes up for Oprehous and Dermott’s absensces by bringing both back for an episode, has some true classics, some great character stuff and in general is just really good and it was hard to cut a lot of it from this list, but two made it. And it was nice to see the show go out on top if nothing else. 

So onto this episode which has a brilliant complex: Every exty years the Guild and the OSI meet to hash out the details of their mututal treaty with a Venture prociding and with Jonas now well and truly dead, and missing before that, it falls on Rusty. and since it was made before the compound burned down, our heroes returned to the charred remains of their home to hash things out.  The episode then nicely settles into 3 really excellent plots. The first is the obvious, the peace treaty which has the Council of 13, who in a delebrate move by the creators went from a bunch of faceless nobodies who were killed off to characters we all knew, versus our standard stable of OSI recureerers as the two bicker over terms and we find out one of the conflict settlers is a pool fight, done without a pool since that’s gone now. It’s just pure comedy goodness, but it ends with the rare unequivoocable VICTORY for Rusty. Fed up with both sides acting like children, and even calling them such, as well as both threatning war, he gives one hell of a speech to both to shut them up and for once in his life does BETTER than his father. 

It’s easily James Urbanik’s finest hour as the character and one of the series best moments which, 17 years in, is a high achievement.  The other two plots aren’t too shabby themselves. The second is an overlap as Hank gets lured away from the confrence by an old friend: IT’S DERMOTT! The dynamic duo rides again and their old dynamic of two dumbasses, one a normal teen but entirely full of himself the other being a cloudcuckoolander with little self awarness but more empathy and sometimes sense, is one I really missed and it shines here. Dermott’s joined the OSI, with Rusty giving him a recomendation as long as he didn’t tell anyone else he was his son, or at least it’s implied as much, finally buttoning up that bit while leaving it open for hank to find out later, and a bit that also was never resolved and hopefully will be by a follow up, especially since Dean revealed in the series finale he found out from his dad a while back while rusty was hammered. They follow kimberly mcmanus and one of the strangers, the guilds soldiers who are engaging in a clandestine affair.. which also reveals that the stranger is the peril partnerships mole in the guild, a nice twist. The two have fun chemistry and it’s great ot see them again just like it’s great to see hank and dermott pal around again with the highlight being hanks utterly bizzare and utterly hank fantasy sequence.  Rounding out the three is a more emotional tale as Dean sneaks off to see an old friend, Ben the genetisct who worked with his father and grandfather at various points and revealed to dean he was a clone. Ben is gone, either due to Doc and Jackson not wanting to use him, or because JK simmons was unvaliable and unlike dr. impossible and steven colbert, they didn’t want to recast. But we do get a great substitute as we meet H.E.L.P.er 2, a household model voiced by Rhys Darby who Ben left behind on his trip.  As it turns out Jonas tried mass marketing H.E.L.P.er units (With the equally unsurprisingly sexist tag line of “Get a H.E.L.P.er to Help Her!”), but a  baby choked on a stray bolt and a the ensuing backlash lead to mass burnings and most being destroyed and the one we meat being a nervous wreck that Ben took in. Dean naturally sees himself in the scared bot and while he fails to get his new friend to be able to leave, H2 is too nervous about possibly being destroyed and given the uncaring nature of the venture world sometimes yeah probably a good point, he does bond with dean.. and reveal that Rusty himself is a clone by accident. IT’s a nice twist that makes perfect since: While we don’t know if Rusty knows the tech was used on him most of his stuff , with few exceptions is old equipment of his dad’s. It’s not a stretch that his greatest invention was actually Jonas’. It also leads to a nice moment as dean hugs his dad, understanding him a bit better. It’s a funny, well done episode that lets doc and sons really shine. Truly a great way fo ra great theme to go out.

8. The Buddy System (Season 3, Episode 5) Time for a sentimental favorite. See while I watched bits of seasons 1 and 2 when they aired, and more of 2 then I realized, I didn’t get really hooked on the show till season 3.. and this was the episode that did it. The ones before are far from bad, Shadowman 9 was a contender for this list after all, this is just the one that really got me into the show, showing off it’s varied supporting cast, bringing in one or two more, and really getting me into dean.. and Dean and Triana shipping but I can get into that, again, more on that later. Given this and Fallen Arches were early faviorites it’s no suprise compound episodes became my faviorites and this one is easily the second best of em, with one more coming up topping it handily.  But enough showing my hand, let’s talk about Season 3. Season 3 is a slight mixed bag, as some episodes don’t land, but overall is a really good season, it’s just sandwitched between the shows too best. But it did have good ideas, great world building and a hell of a cliffhanger. Some decisions, like Sgt. Hatred, weren’t the best, but overall a solid season, just like 3 it only managed to squeak out one entry, though TONS of possible cantidates.  This episode has a great premise from the get go: Rusty, for once, has a decent idea. Yes it still results in a child dying and being replaced by a clone, but this is rusty. If something didn’t go terribly wrong on some level it wouldn’t be him. But the idea is simple: Since the cartoon based on his nightmarish childhood, which made him a minor celebrity and is why billy likes Rusty so much and looks up to him despite being.. Rusty, is a hit with the kids again, Rusty launches a day camp on the grounds, using his boys as counslers and having his various friends and aquantinces set up booths. From Orpheous and the order of the triad doing an anti drug presentation to the sea captain talking about the benefits of being a scooby doo villian, to Action Johnny, the series version of Johnny Quest renamed to avoid copyrights but very obviously Johnny Quest, whose strung out on drugs and can’t go a few minutes without going into a breakdown about his father or past. All good stuff. It actuallyg oes pretty well till rusty makes the mistake of going into an old thing of his d ad’s without checking and a gorilla monster attacks and gets the one child left behind, thankfully off screen, but it leads to the darkly hilarious bit of him rushing a clone out for his parents to avoid a justified law suit. 

Meanwhile the boys and brock deal with a new figure in their lives: Dermott Fictel. As the creators put it they basically desgined him as that one kid everyone knows who talks shit, thinks he’s way more capable than he is, and way more knowledgble than he is and is kinda dopey. I had one of those, i’m sure you did too, and that’s probably part of why I really liked Dermott as I knew a guy just like him. Hank naturally, not having had any friends other than dean and H.E.L.P.er, bonds with the prick and the two become best friends right away. Dean however hates the little asshole for both constantly shit talking him and just being obnoxious. Brock soon joins the hate train as Dermott invades his karate demonstration to talk about how much of a badass he thinks he is and learned from the internet. Brock soon finds himself asking the age old question. 

But since his code avoids women and children, he tries to find ways around it but Orpheous obviously isn’t having it. His other option is to go to the Monarch’s minons the Pupa Twins, aka the Moppets, Shiela’s old minons who the monarch’s basically stuck with and no one really liked in or out of universe. Their just assholes who treat 21 and 24 and the monarch himself like crap and are thankfully downplayed in Season 4, and only appear in Season 5 to die off and close up a plot thread. But credit where it’s due they did get one good bit, creepy as it may be and it’s this. 

With the Monarch not allowed to arch venture at the time due to plot stuff, the monarch’s mostly spying and sending the pupa twins in as spies which as you can see dosen’t really go well. Everything converges on the finale, as Rusty, again being rusty even when he’s mildly ahead child aside he still screws up, brings in Johnny’s old enemy Dr. Z, who like dermott is important but it’d take till the end of Season 5 for that. Johnny breaks down, Venture’s current nemisis arrives and finds there was a scheduling error and hten we get the crowning moment of the episode that makes it all come together magically: Dean gets to sit with Triana, whose actually being receptive to his crush for once, but also has to put up with Dermott..  who being Dermott, especially early dermott is an obnoxious jackass who makes creepy coments abotu Trianna and eventually sets Dean off

Dermott doesn’t even get two seconds into telling Triana to wait naked for him, because of course he does before dean utterly destroys him. This being Dean, it’s with tears and snot running and coming off like an angry 8 year old, but he still deserves points for utterly decimating the asshole after a full day of taking his self indulgant bullcrap and having the guy be creepy to his crush. And to be fair Triana was dealing with him fine, but still Dean beat up someone twice his size and while lacking any actual fighting skill with at least enough bulk to beat him up and gave the fucker a black eye. Until season 7 with him just paying off the monarch to save his teacher from making a huge mistake, and to show how fed up he was, this was easily Dean’s best moment. Just a great capper to a great episode. Also Dermott turns out to be, possibly brocks son but.. more on that later. 

7. Mid-Life Chrysalis (Season 1, Episode 3 (8 in Airing Order)  As I said earlier Season 1 was a bit rough, though as all of you probably know most 1st seasons are, especially in animation. It takes time to iron out what really works for a show and get it going right. Bojack Horseman, while still excellent, took the first few episodes to really become what it was born to be, Steven Universe season 1a lacks the deep characterization of the main cast that and has loosey goosey animation,  Ducktales had trouble character ballancing and ballancing adventure with deconstruction of adventure.. every show has growing pains.  And while season 1 does have too much of the show basically trying to scream

Like some adult cartoons do, and not even it’s contepraries like sealab and harvey birdman did as much, both excellent excellent shows by the way. But even with my criticsims of it: Flat characters, a try hard tone, clumsy worldbulding in places.. it’s still a good show even this early and even as early as episode 3, with the first two being good.. but this one being an utter classic. It dosen’t QUITE have the emotoinal or character depth of later episodes but damn if it isn’t one of the funniest things the crew ever wrote. 

Mid-Life’s two main plots are simple and start from the cold open: The Ventures get pulled over while on the way to an adventure by the air force, and Doc and Brock both encounter problems: Rusty being Rusty, his is petty and self loathing based as he gets called old or something like that by one of the air force people. Brock’s is a bit more serious: In a funny bit Brock LITERALLY has a legal lisence to kill, but given the burarcaey of the venture world, it’s expired.  So we get our two main plots out of that: Rusty wants to prove he’s not old and still got it by dragging a sad Brock to a strip club. Brock is miserable as the owner mocks him, and he can’t kill him so there’s that and his attempt to have a quickie with a stripper fails because it’s just not the same without his murder boner apparently. Look as I said the show was a wee bit immature early on.. it never stopped being mind you it just became more goofily immature than screaming i’m an adult. Brock leaves in a huff which leaves Rusty open for the oldest trick in the book as the Monarch sends Shiela in in disguise to seduce him, go back to his place, and then stick him with a syringe full of science that turns him into a caterpillar because this is the monarch. Subtly is not even a suite of his let alone his strong suite. Though this also being the Monarch we only get a bit where he watches as the two make out, which is creepy as that sounds until a minon randomly turns out the lights and apolgoizes. He was getting juice. The episode also nicely parodies the trope of a female spy or whatever turning for the hero because of his dick as The Monarch assumes that happen when Shiela has doubts about the scheme, that he “turend her with his oily sex” which is an objectively horrible and paranoid statment but also incredibly hilarious.  Thus the plots split and we get two really hilarious one: On Brocks end he with the boys encouragment, decides to retake his secret agent exam. And both boys really come into their own with this one: Dean’s adorably nerdy and sweet sides come out as he both encourages his second dad and helps him on the written portions, while hanks gung ho hankness emerges in full as he helps train brock, having him drink eggs that he probably spat in and in one of the best bits of the episode going a bit too far with the drill sgt routine till Brock helpfully points out he’ll legally be able to kill after this. The solution is also great as Brock not only avoids using his fire arm during one of the tests, instead uttelry decismating the target cutouts with just his kinfe and whatever he can rig up, and just scribbling icarus from the led zepplin albums on his test.. only for his proctor to pass him anyway as his dad and osi boss general treister, who we meet later, described brock as a living legend, and he did not dissapoint. And we get a great closer, after the main plto finsihes, where Brock shows the strip club asshole his fresh lisence before maiming him.. though even better, he DOSEN’T kill the guy as the asshole does show up again later, just missing an eye now. 

Back on our main plot we get plenty of hilarious and messed up stuff as the boys barely react to their dad’s horrible state, their numb at this point, and doc gives out the classic line and easily the best of the episode “I pissed in god’s eye, and he blinked”. Doc tries to cure himself and fails both due to caterpillar hands and due to helper eating the chemicals, and tries to get helper to help him reinact the end of the fly. All good stuff. It’s just a good, solid comedy episode that both solidifies the character and makes you laugh near constantly. 

6. The Terminus Mandate (Season 7, Episode 8) One of the best parts of the post Garantua shakeup of the show was the new council. After years of the council of 13 just being guys behind silouttes, mantle and dragoon nonwishtanding, Jackson and Doc replaced most of them with familiar charcters and gave a ton of them chances to shine while bringing in new ones like wide whale and easily their best later creation Red Death, more on him in a minute. It gave us a nice workplace dynamic and really made the guild pop more than ever. And this episode showcases this marvelously by giving the new council the spotlight.  In this one the Council find that there’s an old mandate that means they must stop active arching in order to retain their spots, something they all agree to and thus leads to an episode of each of the council having one last ride as each are given an envelope of who their last arch is. And each is hilaroius, some even heartfelt, creative and fleshes out some of them. Going down the list, leaving out Shiela and Red death who has a more involved subplot for hers and has some other buisness entirely we’ll get to: Phantom Limb: Has, in a great gag, a literal dick measuring contest with Hunter Gathers. Just a simple effective gag.  Radical Left: Is merged with his old arch enemy Right Wing so they simply play clue.  Wide Whale: Has the least funny or enteratining but still entresting as he and his old arch are now friends and the guy even plays cards with Rocco, so rather than poision the well he just sends Rocco to rough him up a bit for old times sake, then take him to dinner.  Dr. Z: Reminces with Action Johnny, the two considering each other family at this point and the two have a really nice moment with Johnny in rehab finally getting help that’s actually really touching and really nice to see.. though we also get an utterly fantastic bit where they recreate an actual scene from Johnny Quest but with Z lampshading how stupid everyone’s being. 

And finally we get Mantle and Dragoon, who spend the night binging tv and eating a ton, my mood and general schedule, afraid to open their envelope only to celebrate when they do and find their arches are all dead.  Red Death meanwhile has buisness to take care of. Since I dind’t include Red Means stop on here I’d just like to talk about how much I love the guy. Voiced by clancy brown death is an old school legend in the guild whose great at arching, has a great gimmick.,. but can switch from horribly threatning monster to aflrable nice and loving family man, having a younger wife and a daughter whose utterly adorable and shares his face. He even wanted the guild spot simply so he could basically retire, get the nice pension plan and salary that comes with the guild without the rigors of regular arching having long settled things with his own arch by murdering him> he’s an utterly inspired edition and the crew, and fans, loved him enough he became a recurrer this season. 

And his bit is both awesome and utterly terrifying: earlier the guild tried to parlay with rivals the peril partnership in order to stop the bleeding on their end, but their represntive, Blind Rage, a hilariously broey version of Daredevil, instead mocks and direspects them and is in general a pissant. So rather than do an arch, since he’s done with that anyway, Death evens the score in one of the shows best scenes, which like the rusty one above is an acomplishment years in and is an utterly terrifying and awesome villian scene. 

Clancy Brown is a fucking master at this. and it showss.  As for Shiela her bit ends up tying into the Venture Family’s plot for the evening: Rusty courts a black widow, Teresa Diade because getting laid outweighs the possibility of death and we get a a great bit of dean pretending to be her as the family preps him. Naturally he bungles it because he takes too much anti venom, but Teresa turns out to be a former superhero, probably what actually happened to her husbands, and Shielias arch during her breif solo career. Though instead of an arching, though she try, Shiela instead breaks down over the stress of this, over possibly giving up arching with her husband for her career, and the two share a nice moment. I mean she still takes Diade’s wallet because she’s a villian after all but it’s a nice one and an emotoinal moment. She takes the job as revealed later of course, because even of this probably hurts the Monarch’s feelings a bit he wants what’s best for her. Because they have a damn good marriage again. overally a really inventive, hilarious episode and one fo the show’s finest hurrahs as it approached an untimley end.

5. Everybody Comes to Hanks (Season 4, Episode 12) 

Season 4 as I said was my faviorite and one of it’s highlights was the duo of Bright Lights Dean City, which BARELY didn’t make this list, and Everbody Comes to Hanks. The two episodes followed the same period of time from the perspectives of each brother: Dean has an internship in new york city and Rusty’s bumming along, though being a dick he wants hank to have a job by the time he gets back.  Hank, in a classic hank move, expands Hank Co from an ocasional name for his buisnesses to a full on department store with a restraunt and detective agency because of course he has those. It honestly reminds me of me: Even as a teen I was the kind of goofus who’d do this sort of elaborate stuff. But at the same time it shows hank’s best trait and the one that most people underestimate: his ingniuity and imagination. Sure the guy’s off in his own world, as am I, and it’s his charm, but when push comes to shove he can bust out a wacky scheme, save his family from danger or as seen earlier this list pull out a 3 point romantic gesture. The guy may be kinda dumb, int he best way, but he’s got the natural talent for the superhero/supervillian game and clearly wants to be his own bizzare version of batman, which I hope he gets to be and I prefer over the theroy he’ll be a villian. Sure it makes SOME sense.. but frankly hank’s good heart and love of theatrics and lack of care about the jackasses meancing his dad make him a way better superhero. 

Anyways naturally said detective agency leads to both a noir homage, complete with lack of color and a case: Dermott, who at this point’s a bit more symapthetic, wants to know if brock’s really his dad or not and hires his best bud to do it. Hank also gets a partner in one fo the show’s best recurrers, the Alchemist, ba dah!, Orpheous’ best friend, teammate, sarcasm machine and out and proud magic guy voiced perfectly by Dana Snyder. He’s a good counterpart to Orpheous, sarcastic down to earth and fun loving to the more serious and full of himself Orhpeous and since Triana moving out in our next entry, has been Orpheous’ roomate and bored since he’s now in the middle of nowhere, so he’s eager to jump into Hank’s nonsense.  What follows is a compelling detective story as Hank finds out Brock never slept with Dermott’s mom, and tries to find the real one.. and ends up stumbling upon the solution upon hooking up with Dermott’s older sister Nikki... which quickly goes sideways as he finds out not only is she twice his age, and even without that he’s still a minor and this is still creepy.. but she’s Dermott’s mom.. and RUSTY’S his father, with Dermott’s mom who raised him being his grandma. It’s a hell of a reveal that throws up the table both on Dermott’s relationship with Hank and the chraracter as a whole and has a great flashback where we find out how something this effed up happened and it’s incredibly well acted. It’s good stuff.  Hank uses SPHYNX”s mindwipe machine on himself, since getting laid or not, which being hank he dosen’t see the problems with how it happened as long as he dosen’t know, sends a total recall esque message to himself on his watch so he knwos he got laid, jut not the horirble, horrible details. And I like that , unlike say Phineas and Ferb Across the Second dimension’s bullshit reset ending, this dosen’t erase the impact of things. Not hank loosing his virgnity that’s meaningless I mean Dermott. He’s still there, it jsut left at ticking time bomb of when that reveal’s going to go off, and added an intresting new dynamic that I hope if the show continues somehow gets explored. A masterful, fun and suprisingly disturbing episode, everybody should come to hanks. Also as one last post note i’d be remiss if I forgot the great bit of Hatred saying they only serve eggs at hanks cafe. 

4. The Better Man (Season 4, Episode 7) 

Now we get to Dr. Orpheous, who unsuprisingly is a faviorite of mine. While I wasn’t a big Dr. Strange fan till reading the old lee and ditko stuff, I was always a fan of Orpheous, a hammy divorced dad who will give fighting the hordes of hell the same gravitas as getting junk mail, putting some punks souls in a homies figurine, and venture stealing his weedwacker. He’s a truly loveable character, a silver age pompus style hero in a world he dosen’t quite fit, with more power and competence than most venture bros protaganists, but still having things thta hold him back: while he’s good at his job his own drive and self importance drove away his ex wife and leaves him with not much in his life other than his daughter.  And for the first time in the series he’s forced to face his wife leaving him for another man when said man shows up : The Outrider, a seemingly cooler mystic hero whose better at both being a husband and being a sorecer and stops some creature The Order of the Triad fights after their arch torrid sumons him. Orpheous stews over this a bit and after failing to make hisown doorway to hell t  one up his non-arch nemisis, visits another classic character for the series: the Master. Voiced by Voice Acting Maestro John Benjamin, pre his biggest roles with archer and bob’s burgers but post his breakout with home movies. The Master is a no nonsense mystic entity who loves taking the piss out of orpheous and loves his student even if Orpheous agrviates him. He also has a neat visual habit of showing up in a diffrent shapeshifted form each time to teach his pupil a lesson.. and to do weird sex stuff because he can multi task and we see Trainai’s mom for the first time, though with the master just using the form to taunt Orpheous on his personal failings as usual but has a good point.  Soon however the group returns to the portal from hell and find Torrid and Outrider.. and torid explodes and sends the rider to hell, forcing Orpheous and co to rescue him, with Orpheous finding out via a clue from the master that the outrider embeded an artifact in his head to travel between worlds, the one thing orpheous could never master, as a shortcut.. and said thing gets al and orpheous stuck with the outrider. There we see the contrast: Orpheous is indeed the better sorcerer.. but the outrider’s the better husband and while if his wife cheated on him that’s fucking terrible, it’s clear he didn’t STEAL Tatiana so much as she left Orpheous for someone that geniuinely appricated her. The hatched it buried and it’s godo character work.  Speaking of which we get to Jefferson Twilight, a blade parody who hunts Blackulas (his words and leads to a great moment in his debut where a supervillian tries to find a more pc term for it but Jefferson poitns out since he primarly hutns oversea “African americian” dosen’t really work), and the guy on the team reguarly compalning about having no magic ability.. but who finds he CAN move between worlds and astral project, to his delight and Al’s annoyance. It’s an adorable and well won moment as he finaly finds SOMETHING magic he can do.  The other plot, which dovetails nicely into Orpheous concerns Dean’s longstanding crush on Triana, another pin to pull from earlier this list. I shipped them when I was younger but this episode, and one coming up on this list, pointed out how it jsut didn’t work: Dean’s naivite combined with his lack of making a move just didn’t mesh with her. IT’s something the creators agreed on realizing they just had no use for Triana, but both hating the cliche of a character just vanishing and thus giving her a proper sendoff instead.  Dean tries to move on after another unsucessful attempt to talk her up, with Hank and Dermott playing his wingmen, unsucessfully but Dean actually hits it off with a girl.. a girl we never see again but still and Dermott actually offers sound advice for once.. which given events before and after this prompts Dean to quip “better check the temprature in hell”. He just says to take things slow and just call the girl, maybe ask her out, don’t overblow it again or try too hard. It’s good stuff and like our last entry deepens the character a bit by showing that he’s not always a dumbass. Just  mostly. On Triana’s end she enters her dad’s closet, again having done so before and as shown in previous episodes Orpheous always mindwiped her, and it turns out it’s not the first time as the Master sees great talent, but sees she needs to be taught by her mother and step dad, where she can find other witches and learn at her own pace.. maybe befriend an older witch and a demon, find her own personl lesbian. We’ll see how it goes. He TRIES scaring her out fo a future with dean, but fails because.. she had no intrest in dean whatsoever and there was nothing to scare her away from. The Master is confident this will lead to nothing.. but as we see in the stinger.. this isn’t the case.  Byron for once grew, and rather than wipe his daughter’s brain to keep the last family he has outside of his buddies close, as he likely did before out of fear of loosing her... lets her go. He grows letting his daughter grow up and take the long path he did and hopefully better than either of her parents, while Dean “let’s her down gently’. Triana was a godo character, a downt o earht presence in theboys life and wiry, but it was time for her to fly and it’s a good note to send her off on and overall pure magic. 

3. All This and Gargantua 2! (Special between Seasons 5 and 6) 

ONto another charcter’s sendoff we have JJ, Doc’s brother he absorbed in the womb who came back somehow and then became way more sucessful and spent all of seasons 4 and 5 building a space Station. And this episode pays that and MANY other threads off in a giant sized epic that’s one of the series finest moments.  it’s the Gargantua 2′s grand opening, with Doc and the boys going up. Hank goes to gamble and adventure, with Hank bucks obvoiusly, while Doc and Dean are called to Visit JJ.. whose dying, his body shutting down shortly after he finalyg ot life and wanting this satilite to be his final work. but soon the three, along with col treister who we’ll get to in another entry, have ot save the world with JJ touchingly sacirficing himself just as both brothers finally reconciled and Doc finally accepted him. It’s  a powerful subplot.  Said calamity comes in the form or another loose end, the revenge socieyt, Phantom Limb’s splinter group who are attacking and are unknowing pawns in the soverign, who turns out not tbe bowie which is good becaue he dies here and that would’ve been eerie, and his mad plans to try and outwit the investors, msyterous beings. Yeah i’m going to have to try and summarize a lot here as htis is a big, continuity drive spectacle and it works well if wonkily. TO mak ea long story short our heroes fight on a satlite, and dr. henry killinger, marry poppins meets kissinger with a magical murder bag, fights his brethern and reforges the guild with the various villians tryign to stop the soverign or leftover from the society. The special is one big bit of fanserice that ties up loose ends and launches a bold new era. I don’t have as much to say as other entires but it’s this high up because few episodes match it in sheer importance, scale, humor and timing, it’s just harder to dig into because again, it’s an hour long special with lots of stuff from the series up to that point. it’s what makes it work but it’s harder to dig into in this short a space. Maybe someday soon. either way i’ts a garganguan achivment that feels like a huge pot of payoff after 5 seasons of effort and is utterly worth the ride. 

2. Showdown at Cremation Creek, Parts 1 and 2 (Season 2) Yes this is a two parter. Yes i’m giving it one spot but it’s my list and this is basically a special like the two entires it’s sandwitched between just sliced in half. So pitter patter, let’s talk about this one. 

Showdown was the finale to the stellar season 2, a step up from season 1 that refined the good raw matieral there into something truly stupdencous and it all comes to a head here in a wonderful epic in the might venture maner in that it manages to feel epic while still being hiilarious, characer driven and self parodying.  After a season apart the Monarch and Shielia have reonciled and are having an affair behind Phantom Limb’s back.. though given LImb is a sexist piece of shit who dosen’t value Shielia as a parter or part of his orignization while the Monarch has come around to doing so and did even with his crazy jealousy, it’s forgivable. Shelia wants more form him and the Monarch takes hte painful step of agreeing to stop arching venture. This dosen’t last obviously, but still. HOwever it does lead to pure hilarity when his henchman for the bachelor party, after the monarch went home, kidnapping the ventures, having gottne brock while he was drunk and distracted. Still with fatalities but still.. it’d be the best day of their lives anyo ther day. But to avoid pissing off his fiance who likely woudln’t belivie the truth, he makes up a story of inviting them to a wedding as an olive branch and does so> The whole situation also leads to my faviorite venture line: 24: Holy shit I thought we dreamnt that part! Anyways our gang are soon split up, Brock attends awkardly, Dr. Venture tries to hit on the bride over mid life chriaslys earlier, and we get the dawn of one of the show’s best buddy duos: 21 and Hank. The two being huge nerds quickly bond, and 21 helps hank sneak into the wedding as “Igor Badguyovich via an old henchman uniform, cleverly one of the ones from the pilot. Dean ends up getting stuck in the engine room and ends up spending the two parter hallucinating and going on a patichse version of never ending story while also letting loose his hatred of his boy advenutering lifestyle. It’s prue fun and good stuff.  David Bowie, or someone impersnating him, aka the soverign arrives along with Klaus Nomo and Iggy Pop for the wedding as an old frirend of shelias giving her away. But soon things go as bad as a superhero wedding does, becuase supervillians apparently aren’t immune to that as Phantom Limb attacks, deciding to throw a cou because he can’t kill the guy his ex actually likes or get promtoed and with bowie’s enorage as his moles attacks and tries to take shiela by force. The result is great as brock moblizies the minons, and unbenwonst to him, hank to fight, dean has his epic adventure and rusty and monarch try to do.. something. It’s all great stuff while Bowie fights limb in an epic battle we sadly barely see but what we do is glorious. It’s all good stuff. An donly one episode tops it in scope, humor and spectacle and in my heart. 

1. Operation P.R.O.M. (Season 4, Episode 16)  The show’s best season goes out with it’s best episode. I could close it out there but given i’ve rambled about every other episode why stop now? It’s Homeschool Prom Night! Doc’s gathered their various allies, the order of the triad, pete and billy , shoreleave and brock, along with Hatred who has replaced his hatred tats with a big v.. excpet the d over his junk which is unfortunate. 21 joins in genuinley and because he’s having a crisis while monarch and sheila crash with hatred’s ex as a baragning chip to see wha’ts up and end up joining in. 

The boys are as sucessful getting their own dates as you’d expect: no one will return Hank’s calls but since he runs into best buddy Dermott on the way brings him along as long as their band can play, which is easily the highlight of the episode as their glorious and terrible garage band Shallow Gravy makes it’s debut. Figures I can’t put video in right as the article’s almost done.. but back on point.. Dean brings Triana who has a boyfriend now who resembles Edward Cullen, because tha’ts aged really well, which bugs the crap out of him even though he moved on and casues him to act like a pissant and get a corsage thrown in his face as he should. Dean ends up following Dermott and Hank’s advice to go try and “win her back” with a big romantic gesture... which listneing to dermott on a romantic gesture should be grounds for being delcared legally braindead.. it goes terribly with the big plan instead burning a t on her lawn, and the ghost robes making Dean look like the kkk. The outrider tells him to be happy after beating him up over the mixup, a mixup that REALLLLY hasn’t aged well, and Dean tells him to fuck off. End of their time but it’s good stuff and caps a great season of hank. And while I don’t LIKE dean’s behavior here, it’s nice to see him not act like a good person for a second, and to be as human and faliable as the rest of htem, even if it means beeing deeply unlikable and his next relationship which sadly just.. never got picked up again, would go better. And the one after that.. not getting into that mess. What the hell guys. It’s really good stuff. 

Naturally given all these cast members ther’es a lot else going on: Rusty hires prostitues for the evening because of course he does and fails with his because of course he does.. and because it turns out his name is a sex act which leads toi a long and inspried bit of bleeping as everyone has their own version and we see tons of recurrers way in to Rusty’s horror. Rusty being inscensed tires using an aprohdeiasc , specially spanish fly taken from an actual fly, one of my faviorite bits mostly for this bit after billy gapes in horro at the giant monster fly.  Doc: Don’t scream you’ll just piss it off and it screams acid when it’s pissed off. And I alredy dids that when I ripped it’s wings off.  His scheme is of course utterly terrible but it’s Rusty, and i’m unsuprised and he dosen’t benifit from it as we’ll get into. Al and Shore Leave bond while 21, in a pogniant subplot, realizes he’s had enough and quits his job and through Orpheous realizes his firend isn’t a ghost, but a guilt induced hallucinaiton and lets him go, joining the team implicitly. It’s really good character stuff.  Finally we have the espionge portion. WHile Shore leave is at the party Gathers leaves Brock, once he’s finished chauffering the boys, to watch Monstroso, who they recently captured and gathers wants to use as a barganing chip. But gathers soon finds previously introduced Agents Doe and Cardholder wanting to topple agency head Hunter Gathers, one of my faviorite recurring characters mostly due to being performed by the increidble Toby Huss, a batshit general whose basically nick fury with a kentucky accent and no real filter or fucks to give and he’s utterly hilarious any time he shows up.  He’s been claming his cancer treatments have turned him into a Hulk, and why yes that is their exact terminology. Turns out agents doe and cardholder have been playing along with this seeming delusion to try and outst treister.. and take the OSI over for the guild, being the traitors Gathers suspected were there. However in a brilliant turn, this sub plots resolves as all should: on the bridge of hteir hellicarrier, with Treister draped only in the american flag with a post it note saying fix it on his chest. He reveals that while the cancer is real, the “hulkking” out was just playing them: he knew they were the double agents, and was using Gather’s to ferit them out. However that’s not the only reason: Treister knows his odds of beating cancer are slim so he’s come up with a resonable solution: Shoot himself up into space, as seen in the image for this entry, and see if aliens can cure it. They don’t but space radiation does as he returns later and not only that while he’s lost in the special, after brilliantly ACTUALLY having become a hulk, Doc and Jackson revealed in the making of book they had plans to possibly have him come back as their version of GALACTUS at one point, only holding back on it because their not sure if they want to go full cosmic or not. We’ll see if the show comes back in longform but god I hope so. If not i’m sure as hell doing it. But Treister hands the wheel over to gathers literally and metaphorically, passsing the reigns of the ship and the OSI over to him so Gathers can run it right, and then well.. shoots himself up into space, ending up as the last image of the hour long masterwork. But befroe that theres one last plot that leads into what I consider to be the show’s best scene. Brock finds out the hard way that the other Sphinx agent on duty is actually his ex molotov cocktease, who skirts monstroso away because she’s fallen for him, to brock’s rage. While Brock catches up to them, Mol reveales she has a trump card: The prostitues venture hired are actually her mercinary crew the blackhearts, and if she dosen’t give the signal everyone dies.. and being an utter dick Mol lets the car brock’s holding up off a cliff drop with her and monstroso inside.. though they come back eventually because universe that’s basically a comic book. So we get THIS SEQUENCE THAT’S IN CAPS BECAUSE THEY STOPPED LETTING ME PUT VIDEOS IN THIS ONE FOR SOME REASON AND IT’S ALMOST DONE. It’s easily the show’s best as Pulp’s amazing “Like a Friend” plays as brock rushes to save everyone, finds everyone having a good time thanks to rusty’s spanish fly, and Shore Leave and Al doing the v-day sailor kiss which is amazing, and then all the blackhearts turn into fly monsters because Rusty. It’s a great, tense gorgeously animated sequence that ends showing just how far brock’s come: From an angry asshole who hates everyone to these guys genuine friend.. and still a badass. overall just a great, spectacular finale and the best of one fo the best animated shows period. And with that the list concludes. This took me 2 days worth of adruous work so I hope you enjoyed it. Follow me for more including regular coverage of Amphibia, Ducktales starting back up later this month.. and as of tommorow possibly the loud house! Expect more venture bros including reviewcaps coming soon and if you want to comission your own reviewcap for 5 bucks, just hit up my personal messages or ask box, or just hit it up iwth a casual suggestion i’m bound to listen. Either way until next time, Go Team Venture. And I can think of only one way to properly close this. Play us off sea captain.

[d-criss-news]

Quibi might seem like the Wild West to creators. When it comes to new media, the creators who step to the front to make untested content have to build the rule book themselves. That is just what Darren Criss did with his new Quibi show, Royalties, as a creator, songwriter, and actor. Criss, known for The Assassination of Gianni Versace, Glee, Elsie Fest and several Broadway roles, debuted the ten-episode first season earlier this month.

The show follows two songwriters as they try to churn out a new hit song every week under hilarious parameters. Criss stars alongside Kether Donahue while the supporting cast boasts all-star talent including John Stamos, Georgia King, and Tony Revolori and guest stars Mark Hamill, Julianne Hough, Jennifer Coolidge, Lil Rel Howery, Rufus Wainwright, Jackie Tohn, Jordan Fisher, Bonnie McKee, and Sabrina Carpenter. The series is directed by veteran comedy director, Amy Heckerling. Each episode release is accompanied by a full music video for the comedy song contained in the episode. These include surprising earworms such as ‘Mighty as Kong,’ where Hamill sings about King Kong’s private parts.

Royalties started out as a proof of concept. Criss and his friends and co-collaborators, Matt and Nick Lang, who founded StarKid Productions with Criss, started with a ten-minute episode which would later become the basis for Episode Seven of the series. Criss was flexible about how to make the concept into a project and Quibi was interested. “We were given an opportunity to make something. It’s the way that I've always preferred to operate, especially with my collaborators from StarKid,” Criss explains. “We’ve always done it first and asked questions later. We just like making things as opposed to pitching what it could be, just make it and see if people like it and then go from there.”

Criss had wanted to make Royalties for a long time. While the show is a zany comedy, many moments feel personal, stemming from Criss’s own work as a songwriter. “My life is divided between a pretty involved career as a musician and songwriting and producing music,” Criss says. “And then the acting side, which sometimes gets connected, but it's often put in a separate box. It has way more exposure just by the nature of what it is. While the [music] side, which has equal involvement in my life, is more behind the scenes.”

Quibi has received a lot of press in the last few months. The streaming app is dedicated to short-form content. Most episodes of Quibi shows fall between seven and ten minutes and feature two different aspect ratios, vertical and horizontal. For showrunners and directors, many of the constraints of the platform are brand new. That didn’t scare Criss. “For guys like me, and I guess artists in general, my brain is kind of all over the place,” Criss says. “Time constraints and other necessities truly are the mother of invention.”

For him, working in the short format wasn’t a hindrance. “I really liked the idea of the short form thing. I think our show is strong enough to be able to exist in whatever medium we were sort of assigned to do,” he says. “You only have seven-ish minutes to tell a story. So you really start to eliminate anything that is not in service of a story or a joke. It's a good exercise. It's that classic thing about killing your darlings. You have to really make sure to focus in on what matters.”

Long time fans of StarKid will immediately see its influence on Royalties. “StarKid is a huge bedrock of my background as a creative,” Criss says. The Langs are a big part of that. “I mean, this whole thing [Royalties] was created and built and bred by me and my two buddies. We've been making stuff for years together,” he says of the Lang brothers. “I was never going to make this show without the Lang brothers; they were always going to be who I wanted. And for StarKid fans that really know our company, the whole show is littered with a lot of StarKid performers. That was always going to happen.”

As a creator, Criss felt like Quibi made sense as a platform. “They are a creator-based company that really just want to support their creatives,” he explains. “They're not a studio, they are an acquisition company, they're a platform. So their business model was appealing.”  

While the show was a labor of love, its production tested the ever-busy Criss. “I pride myself on multitasking,” he says. “I was definitely the most tested I'd ever been as a multitasker; I always say I'm crazy, but I'm not insane.” Part of the issue was the production of Royalties overlapped with Criss’s work on the Netflix Original Hollywood in which he is an actor and executive producer. Production got crazy for Criss with days that included mornings on the set of Hollywood then rushing over to the Valley to shoot music videos and changing facial hair back and forth for costumes. “There was a point where I was in post-production for Royalties editing music videos in a sprinter van that was on set of where I was shooting Hollywood,” he recalls. “I would be shooting a scene on Hollywood, and then I would go into the van and edit for however many minutes and then go back to shooting a scene.”  

Even with all the crazy scheduling, he admits, “It was, a pretty insane old time. I would be lying if I said I didn't enjoy it.” For Royalties, time was always against the team. “I want to say we had less than 10 days to prep a show that we had to shoot within just a few weeks, a show that we hadn't even gotten fully cast yet, a show that I had to write 10 songs in 10 days to get those produced.” On top of that, they were learning a new platform. “You can look at it as it's very scary because you have no sort of guiding North Star,” he says. “but on the other hand, it's cool because anything goes. We said ‘let's do our best and do what we like and then figure it out later which is my consistent ethos with creating things.”

Despite the stress of production, the final result doesn’t show it. The show is nothing if not endearing. “I think there's no faster way to people's hearts, then the sort of party trick of music and song,” Criss explains. “You can really get into people's hearts and minds through music in a way that just you can't do any other way. I think the close second to that is humor. So when you can combine the two I think you just have kind of like a super cocktail of endearment ability… Music and comedy are inextricably linked.”

For both longtime fans of Criss’s work and early adopters to Quibi, Royalties serves as an example of what a dedicated and close-knit team can create.

[black-widow-kr-tv]

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물론 많은 분들이 "블랙 위도우"이라는 제목의 영화에 대해 궁금해하실 것입니다. 더 이상 고민하지 않고 아래에서 검토 할 영화 "블랙 위도우"에 대한 요약과 흥미로운 사항을 살펴 보겠습니다. "블랙 위도우"의 전체 버전을 보려면 위의 링크를 클릭하십시오. 감사합니다.

어벤져스의 히어로 블랙 위도우, 나타샤 로마노프는 자신의 과거와 연결된 레드룸의 거대한 음모와 실체를 깨닫게 된다. 상대의 능력을 복제하는 빌런 태스크마스터와 새로운 위도우들의 위협에 맞서 목숨을 건 반격을 시작하는 나타샤는 스파이로 활약했던 자신의 과거 뿐 아니라, 어벤져스가 되기 전 함께했던 동료들을 마주해야만 하는데…

출시 됨: 2021-07-07

실행 시간: 133 의사록

유형: 액션, 모험, 스릴러

별: Scarlett Johansson, Florence Pugh, David Harbour, O.T. Fagbenle, Rachel Weisz

감독: Scarlett Johansson, Sarah Halley Finn, Stan Lee, Kevin Feige, Shannon Mills

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? STREAMING MEDIA ?

Streaming media is multimedia that is constantly received by and presented to an end-user while being delivered by a provider. The verb to stream refers to the process of delivering or obtaining media in this manner.[clarification needed] Streaming refers to the delivery method of the medium, rather than the medium itself. Distinguishing delivery method from the media distributed applies specifically to telecommunications networks, as most of the delivery systems are either inherently streaming (e.g. radio, television, streaming apps) or inherently non-streaming (e.g. books, video cassettes, audio CDs). There are challenges with streaming content on the Internet. For example, users whose Internet connection lacks sufficient bandwidth may experience stops, lags, or slow buffering of the content. And users lacking compatible hardware or software systems may be unable to stream certain content.

Live streaming is the delivery of Internet content in real-time much as live television broadcasts content over the airwaves via a television signal. Live internet streaming requires a form of source media (e.g. a video camera, an audio interface, screen capture software), an encoder to digitize the content, a media publisher, and a content delivery network to distribute and deliver the content. Live streaming does not need to be recorded at the origination point, although it frequently is.

Streaming is an alternative to file downloading, a process in which the end-user obtains the entire file for the content before watching or listening to it. Through streaming, an end-user can use their media player to start playing digital video or digital audio content before the entire file has been transmitted. The term “streaming media” can apply to media other than video and audio, such as live closed captioning, ticker tape, and real-time text, which are all considered “streaming text”.

? COPYRIGHT CONTENT ?

Copyright is a type of intellectual property that gives its owner the exclusive right to make copies of a creative work, usually for a limited time.[1][2][3][4][5] The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itself.[6][7][8] A copyright is subject to limitations based on public interest considerations, such as the fair use doctrine in the United States.

Some jurisdictions require “fixing” copyrighted works in a tangible form. It is often shared among multiple authors, each of whom holds a set of rights to use or license the work, and who are commonly referred to as rights holders.[citation needed][9][10][11][12] These rights frequently include reproduction, control over derivative works, distribution, public performance, and moral rights such as attribution.[13]

Copyrights can be granted by public law and are in that case considered “territorial rights”. This means that copyrights granted by the law of a certain state, do not extend beyond the territory of that specific jurisdiction. Copyrights of this type vary by country; many countries, and sometimes a large group of countries, have made agreements with other countries on procedures applicable when works “cross” national borders or national rights are inconsistent.[14]

Typically, the public law duration of a copyright expires 50 to 100 years after the creator dies, depending on the jurisdiction. Some countries require certain copyright formalities[5] to establishing copyright, others recognize copyright in any completed work, without a formal registration.

It is widely believed that copyrights are a must to foster cultural diversity and creativity. However, Parc argues that contrary to prevailing beliefs, imitation and copying do not restrict cultural creativity or diversity but in fact support them further. This argument has been supported by many examples such as Millet an-Watch!- Jumanji: Level One — full (2021) — Movie HD

Denmarkd Van Gogh, Picasso, Manet, and Monet, etc.[15]

? GOODS OF SERVICES ?

Credit (from Latin credit, “(he/she/it) believes”) is the trust which allows one party to provide money or resources to another party wherein the second party does not reimburse the first party immediately (thereby generating a debt), but promises either to repay or return those resources (or other materials of equal value) at a later date.[1] In other words, credit is a method of making reciprocity formal, legally enforceable, and extensible to a large group of unrelated people.

The resources provided may be financial (e.g. granting a loan), or they may consist of goods or services (e.g. consumer credit). Credit encompasses any form of deferred payment.[2] Credit is extended by a creditor, also known as a lender, to a debtor, also known as a borrower.

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AMERIKAI EGYESÜLT ÁLLAMOK, JAPÁN, KANADA Premier (HU): 2021.08.12. | Forum Hungary Kaland | Akció | Vígjáték | Sci-fi RENDEZŐ: Shawn Levy FORGATÓKÖNYVÍRÓ: Matt Lieberman, Zak Penn ZENE: Christophe Beck SZEREPLŐK: Ryan Reynolds, Jodie Comer, Joe Keery, LilRel Howery, Utkarsh Ambudkar, Taika Waititi, Britne Oldford, Camille Kostek Guy (Ryan Reynolds) egy egyszerű fickó, egyszerű banki állással. Az élete azonban egy pillanat alatt a feje tetejére áll, amikor egy Milly (Jodie Comer) és Keys (JoeKeery) által írt kódnak köszönhetően, melyet a Free City kiadója, Antoine (Taika Waititi) helyezett el a játékban rájön, hogy ő csak… több»

Egy banki pénztáros ráébred, hogy valójában csak egy NPC egy brutális, nyílt világú videojátékban. A FREE GUY-ban egy banki alkalmazott rádöbben, hogy valójában háttérszereplő egy nyílt világú videojátékban, a Free Cityben.

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free guy 2021 Filmezek, Szokás a filmművészetre mint a hetedik művészeti ágra hivatkozni.[2] Radványi Géza filmrendező egy interjúban úgy fogalmazott, hogy az objektíven keresztül „objektíven kell nézni a világot, és felnagyítani az ember és ember, ember és világ közötti összefüggéseket – a láthatatlan összefüggéseket is”.[3]

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❏ STREAMING MEDIA ❏ Streaming media is multimedia that is constantly received by and presented to an end-user while being delivered by a provider. The verb to stream refers to the process of delivering or obtaining media in this manner.[clarification needed] Streaming refers to the delivery method of the medium, rather than the medium itself. Distinguishing delivery method from the media distributed applies specifically to telecommunications networks, as most of the delivery systems are either inherently streaming (e.g. radio, television, streaming apps) or inherently non-streaming (e.g. books, video cassettes, audio CDs). There are challenges with streaming content on the Internet. For example, users whose Internet connection lacks sufficient bandwidth may experience stops, lags, or slow buffering of the content. And users lacking compatible hardware or software systems may be unable to stream certain content. Live streaming is the delivery of Internet content in real-time much as live television broadcasts content over the airwaves via a television signal. Live internet streaming requires a form of source media (e.g. a video camera, an audio interface, screen capture software), an encoder to digitize the content, a media publisher, and a content delivery network to distribute and deliver the content. Live streaming does not need to be recorded at the origination point, although it frequently is. Streaming is an alternative to file downloading, a process in which the end-user obtains the entire file for the content before watching or listening to it. Through streaming, an end-user can use their media player to start playing digital video or digital audio content before the entire file has been transmitted. The term “streaming media” can apply to media other than video and audio, such as live closed captioning, ticker tape, and real-time text, which are all considered “streaming text”.

❏ COPYRIGHT CONTENT ❏ Copyright is a type of intellectual property that gives its owner the exclusive right to make copies of a creative work, usually for a limited time. The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itself. A copyright is subject to limitations based on public interest considerations, such as the fair use doctrine in the United States. Some jurisdictions require “fixing” copyrighted works in a tangible form. It is often shared among multiple authors, each of whom holds a set of rights to use or license the work, and who are commonly referred to as rights holders.[citation needed] These rights frequently include reproduction, control over derivative works, distribution, public performance, and moral rights such as attribution. Copyrights can be granted by public law and are in that case considered “territorial rights”. This means that copyrights granted by the law of a certain state, do not extend beyond the territory of that specific jurisdiction. Copyrights of this type vary by country; many countries, and sometimes a large group of countries, have made agreements with other countries on procedures applicable when works “cross” national borders or national rights are inconsistent. Typically, the public law duration of a copyright expires 50 to 100 years after the creator dies, depending on the jurisdiction. Some countries require certain copyright formalities to establishing copyright, others recognize copyright in any completed work, without a formal registration. It is widely believed that copyrights are a must to foster cultural diversity and creativity. However, Parc argues that contrary to prevailing beliefs, imitation and copying do not restrict cultural creativity or diversity but in fact support them further. This argument has been supported by many examples such as Millet and Van Gogh, Picasso, Manet, and Monet, etc.

❏ GOODS OF SERVICES ❏ Credit (from Latin credit, “(he/she/it) believes”) is the trust which allows one party to provide money or resources to another party wherein the second party does not reimburse the first party immediately (thereby generating a debt), but promises either to repay or return those resources (or other materials of equal value) at a later date. In other words, credit is a method of making reciprocity formal, legally enforceable, and extensible to a large group of unrelated people. The resources provided may be financial (e.g. granting a loan), or they may consist of goods or services (e.g. consumer credit). Credit encompasses any form of deferred payment. Credit is extended by a creditor, also known as a lender, to a debtor, also known as a borrower

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A Kate egy hamarosan megjelenő amerikai akció-thriller, amelyet Cedric Nicolas-Troyan rendezett, és Umair Aleem írta. A film főszereplői Mary Elizabeth Winstead, Miku Martineau, Woody Harrelson, Michiel Huisman és Tadanobu Asano. A tervek szerint 2021. szeptember 10 -én jelenik meg a Netflixnél.

☉ felszabadított: Sep 10, 2021

☉ Runtime: 106 percek

☉ Műfaj: Akció, Thriller

☉ Csillag: Mary Elizabeth Winstead, Miku Martineau, Woody Harrelson, Tadanobu Asano, Michiel Huisman, Jun Kunimura

☉ Crew: Charlie Revai (Supervising Art Director), David Leitch (Producer), Nathan Barr (Music), Dominic Watkins (Production Design), Scott Meehan (Art Direction), Elísabet Ronaldsdóttir (Editor)

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Film, also called movie, motion picture or moving picture, is a visual art-form used to simulate experiences that communicate ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound, and more rarely, other sensory stimulations.[1] The word “cinema”, short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it.

❏ STREAMING MEDIA ❏

Streaming media is multimedia that is constantly received by and presented to an end-user while being delivered by a provider. The verb to stream refers to the process of delivering or obtaining media in this manner.[clarification needed] Streaming refers to the delivery method of the medium, rather than the medium itself. Distinguishing delivery method from the media distributed applies specifically to telecommunications networks, as most of the delivery systems are either inherently streaming (e.g. radio, television, streaming apps) or inherently non-streaming (e.g. books, video cassettes, audio CDs). There are challenges with streaming content on the Internet. For example, users whose Internet connection lacks sufficient bandwidth may experience stops, lags, or slow buffering of the content. And users lacking compatible hardware or software systems may be unable to stream certain content.

Live streaming is the delivery of Internet content in real-time much as live television broadcasts content over the airwaves via a television signal. Live internet streaming requires a form of source media (e.g. a video camera, an audio interface, screen capture software), an encoder to digitize the content, a media publisher, and a content delivery network to distribute and deliver the content. Live streaming does not need to be recorded at the origination point, although it frequently is.

Streaming is an alternative to file downloading, a process in which the end-user obtains the entire file for the content before watching or listening to it. Through streaming, an end-user can use their media player to start playing digital video or digital audio content before the entire file has been transmitted. The term “streaming media” can apply to media other than video and audio, such as live closed captioning, ticker tape, and real-time text, which are all considered “streaming text”.

❏ COPYRIGHT CONTENT ❏

Copyright is a type of intellectual property that gives its owner the exclusive right to make copies of a creative work, usually for a limited time.[1][2][3][4][5] The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itself.[6][7][8] A copyright is subject to limitations based on public interest considerations, such as the fair use doctrine in the United States.

Some jurisdictions require “fixing” copyrighted works in a tangible form. It is often shared among multiple authors, each of whom holds a set of rights to use or license the work, and who are commonly referred to as rights holders.[citation needed][9][10][11][12] These rights frequently include reproduction, control over derivative works, distribution, public performance, and moral rights such as attribution.[13]

Copyrights can be granted by public law and are in that case considered “territorial rights”. This means that copyrights granted by the law of a certain state, do not extend beyond the territory of that specific jurisdiction. Copyrights of this type vary by country; many countries, and sometimes a large group of countries, have made agreements with other countries on procedures applicable when works “cross” national borders or national rights are inconsistent.[14]

Typically, the public law duration of a copyright expires 50 to 100 years after the creator dies, depending on the jurisdiction. Some countries require certain copyright formalities[5] to establishing copyright, others recognize copyright in any completed work, without a formal registration.

It is widely believed that copyrights are a must to foster cultural diversity and creativity. However, Parc argues that contrary to prevailing beliefs, imitation and copying do not restrict cultural creativity or diversity but in fact support them further. This argument has been supported by many examples such as Millet an-Watch!- f9 2021 Fast And Furious 9 — full (2021) — Movie HD

Denmarkd Van Gogh, Picasso, Manet, and Monet, etc.[15]

❏ GOODS OF SERVICES ❏

Credit (from Latin credit, “(he/she/it) believes”) is the trust which allows one party to provide money or resources to another party wherein the second party does not reimburse the first party immediately (thereby generating a debt), but promises either to repay or return those resources (or other materials of equal value) at a later date.[1] In other words, credit is a method of making reciprocity formal, legally enforceable, and extensible to a large group of unrelated people.

The resources provided may be financial (e.g. granting a loan), or they may consist of goods or services (e.g. consumer credit). Credit encompasses any form of deferred payment.[2] Credit is extended by a creditor, also known as a lender, to a debtor, also known as a borrower.”

[ar-vr-trends]

How to make profit with VR/AR?

Virtual Reality and Augmented Reality are changing the way we design, manufacture, construct, shop, business, travel, and finally the way we live. VR and AR are the only new age technology that is still not dominated by robots, we still have the steering in our hands. And that’s why people are exploring the possibility of AR and VR.

According to emarketer 58.9 Million people will use VR, 93.3 Million people will use AR at least once per month in 2021 and they are expecting VR and AR users to be 65.9 and 110.1 Million respectively.

AR and VR keep improving things in our life by making them look so easy and achievable. Like traveling during the pandemic with VR Tours, Trying-Buying Jewellery and Clothes from home with AR Try-On, Collaborating on 3D designs with AR and VR, etc. People are already getting addicted to AR and VR because of their uniqueness but what If I tell you that you can make money from them? Yes, straight profit from a Technology. Here’s How:

Advertising

Advertising is showcasing how different you are from your competitor or what’s new you are offering from others. Where the offerings, as well as the channels you choose to advertise, are equally important. Advertising channels nowadays are using different methods to build a brand, with the use of the internet they are trying and testing every single thing. With AR and VR on the other hand, they can generate humongous traffic with just a single campaign. Be it a social message, blog, or a single 2D image, with the use of AR and VR one can leave an impact on everyone.

Back in 2015, Coca-cola created the first-ever drinkable ad with the use of augmented reality.

Coca-cola Creates First-Ever Drinkable Advertising Campaign

Via Youtube

Coca-cola collaborated with Shazam to let all the people interact with their advertisement. The Ad contained a bottle of coke, pouring the drink in a glass and people had to use their devices to virtually catch the drink in their virtual glass like this. People were rewarded free Coke in return.

via Youtube

They used advertising channels like Radio, Prints, flyers, Social Media, Smart Displays to run this campaign. They generated huge traction with just a single campaign. Thanks to Augmented Reality!

360 Virtual Tours

Creating a video is all about generating curiosity and making people stick to it. Facebook analyzed their user behavior and observed that 45% of the people who watch a video for the first three seconds will keep watching it for at least 30 seconds. (Source)

So all the video editors/creators do is hooking people to their content but not for a long time.

They have been engaging people with 2D Videos and visuals but with 360 Videos and 360 Virtual Tours, they can truly stand out from the crowd and keep the audience engaged.

Like the Real estate giant, Casa Rivera. They developed a 360 VR tour of the project with the help of Melzo. The VR Tour helped them to attract people and engage them with it. 360 VR Tour helped them increase the number of inquiries and bookings.

Via Melzo.com (Experience in VR)

Not only in showcasing but 360 Virtual Tours can also be used for different purposes like Blogging, educating, advertising, traveling, etc. It can generate more traffic than boring 2D Boring Visuals.

Want to explore 360 VR tours read this (5 Pro Tips for Crafting a Profitable 360° Virtual Tour)

Creativity

The creativity of a person is one of the most important factors which differentiates them from others. Creative tribes like designers, architects, interior designers, artists’ work rely on other people’s opinions and likings/dislikings. At the end of the day, they have to satisfy their clients and prospects. They can surely create some exceptional designs and ideas but to generate profit out of it, they have to be extremely unique.

It’s not just what they do, it’s also how they do it.

Via Envatoelements

With Augmented Reality and Virtual Reality, Creators will grab people’s attention. They can make a greater first impression and leverage the profit.

Suppose you’re an architect and you developed this 3D Design yourself, now instead of sending a 2D photo or a video to your client you can send an AR experience to them and grow your business exponentially.

Investing

Via Google

According to Statista the market of AR/VR is 30.7 Billion USD in 2021 and it is expected to be 296.9 Billion USD before 2024. That’s surprising, right? 875% Increase under four years.

It is clear that this technology is still new for the world. People are still exploring ways to integrate AR and VR into their day-to-day life. People are also trying to be involved in this virtual world. And the best way to get involved in a particular field is an investment.

There are some extraordinary XR(Extended Reality)-startups from India like Melzo.com, Avataar.me, Vuexr, Plushvie, and more.

As an established startup, Melzo has created a unique ecosystem to create and experience Augmented Reality/ Virtual Reality with ease and comfort.

Via Youtube

We also got featured on CNBC this year. Take a look: Voicewhat Presents Inspirational Brands Make In India — Melzo & Avon Cycles | CNBC-TV18 ​

Investing in New age Technology-based Businesses or startups will change your life. AR and VR will surely open new doors of opportunities to grow and learn at the same time and with the ease of creation & uniqueness it offers, its growth is unstoppable.

This is the end guys. I can definitely state that Augmented Reality and Virtual Reality are here to stay, because of the ease of creation, limitless use cases, and crazy responses. It will be a gold mine in no time. Just keep one thing in mind that profit can be made from anything but consistent profit can be made after months of research and planning. Choose your Horse wisely.

After months of planning, researching, and hard-working, Melzo.com has developed an automated web-based platform for different sectors. kalaa.melzo.com for architects, interior designers, builders, and every creative tribe to create and experience 360 Virtual Tours. noor.melzo.com for Jewellery Manufacturers, Wholesalers, retailers to create and offer AR Try-ons, udyog.melzo.com for 3D Model Collaboration in AR, VR and Hologram and finally mela.melzo.com for hosting all kinds of Virtual/Online events.