#daler strong

[autisticeducator]

Imagine you’re a high school teacher, school nurse, social worker, or crisis counselor just trying to get through your school day with your students and you hear that a horrific accident happened nearby involving teens from a different county.

That actually happened yesterday. Many of our local high school teachers, social workers, school nurses, and crisis counselors left right after their school day and rushed to the local community college to provide food and grief counseling to dozens of teens who saw a bus with their fellow band members and director go off the road and down a 50ft ravine.

They helped these teens in a time of crisis out of the kindness of their hearts and they know as educators, it was the right thing to do.

Our fire departments, EMS, police departments, doctors, nurses, and educators all showed the true spirit of this county yesterday. Being there for anyone in need is what New Yorkers do.

Farmingdale, Orange County is with you in your time of grief and healing. We’re all Daler Strong.

If you have any spare funds, a GoFundMe has been set up for medical expenses (at the time of this post, 16 students and 2 adults are still in area hospitals, some in critical condition), funeral expenses for the two educators who passed in this horrific accident, and therapy expenses for this community who is grieving right now and the teens and chaperones who were on the bus involved and the other buses who witnessed the accident.

[rapperpakman]

Trap Back Jumpin By RapperPakMan - (Official Lyric Video)

https://www.youtube.com/watch?v=bqbJtcrxaD0 Trap Back Jumpin’ By RapperPakMan #hiphopmusic Get ready for the high-energy track “Trap Back Jumpin’” from the latest album. This official music video showcases strong trap beats and the unmistakable vibes of the hip-hop scene. Perfect for fans of urban rap and fresh beats, this song captures the raw energy and rhythm of the streets. Dive into the sound and let the beat take over! Don’t forget to subscribe, like, and comment to keep up with new music releases! The video is about Trap Back Jumpin’ By RapperPakMan - (Official Lyric Video) but also tries to cover the following subjects: Exploring the latest trap and rap sounds High-energy hip-hop for rap fans Music that captures street vibes and culture ⭐ ⭐ ⭐ Songs is currently on your favorite platforms: 👉 Spotify: https://ift.tt/6hpCZoB 👉 Apple Music: https://ift.tt/9haILvm 👉 Distrokid: https://bit.ly/48HRMV3 👉 Audiomack: https://ift.tt/v28nSZw 👉 Soundcloud: https://ift.tt/NMw6SAt ⭐ ⭐ ⭐ Subscribe To My Channel For More Official Music: https://www.youtube.com/@Rapperpakman/?sub_confirmation=1 ✅ Important Links: 👉 Cash App (Buy me a Coffee): https://ift.tt/uT6c5sx ✅Stay Connected With Me: 👉 Instagram: https://ift.tt/opeXbQG 👉 Facebook: https://ift.tt/podVRve 👉 Tiktok: https://ift.tt/YlKQ8vT 👉 (X)Twitter: https://ift.tt/Iej8yLi 👉 Linktr: https://ift.tt/8AnXt2p ========================= ✅ Other Videos You Might Be Interested In Watching: 📀 Won’t Pull Up By RapperPakMan - (Official Lyric Video) https://www.youtube.com/watch?v=EyrV0tNCGzs 📀 No Time To Rest By RapperPakMan - (Official Lyric Video) https://www.youtube.com/watch?v=fOISB0ltJhs 📀 Flex Rest By RapperPakMan - (Official Lyric Video) https://www.youtube.com/watch?v=sqxmOTaDaZ0 📀 Daler Mehndi Rest By RapperPakMan - (Official Lyric Video) https://www.youtube.com/watch?v=l_OYFCVW-lk ========================= ✅ About RapperPakMan: Welcome to my channel! I'm RapperPakMan, an indie artist living life one verse at a time. Here, you'll get an inside look at my creative process, music projects, and everything that fuels my passion for rap. Join me on this musical journey! For Collaboration and Business inquiries, please use the contact information below: 📩 Email: RapperPakManBooking@gmail.com 🔔 Subscribe to my channel for more great music: https://www.youtube.com/@Rapperpakman/?sub_confirmation=1 ========================= #trapbackjumpin #newrapsong #trapmusic #rapvideo #latesthiphop #atlantarap #trapvibes #rapperpakman #pakman Disclaimer: We do not accept any liability for any loss or damage which is incurred from you acting or not acting as a result of reading any of our publications. You acknowledge that you use the information we provide at your own risk. Do your own research. Copyright Notice: This video and our YouTube channel contains copyrighted music and images. Any public, media and any other business usage is subject to business licence. Unauthorised usage and publications are prohibited. © RapperPakMan via RapperPakMan https://www.youtube.com/channel/UC_AwJnGuWldTFq-WVxoVg1g November 09, 2024 at 08:13AM

[news365timesindia]

[ad_1] In the heart of India's vibrant music scene, a stage is set, and the spotlight is ready to shine on the next wave of singing sensations. Radio City, the nation's leading radio network, proudly announces the launch of Season 16 of its legendary talent hunt, 'Radio City Super Singer' (RCSS). Over the years, RCSS has become more than just a competition; it’s a journey that transforms dreams into reality, uncovering voices that resonate with the soul of a nation.   RCSS National Creative   For 15 years, RCSS has been a beacon for aspiring singers, offering not just a platform but a lifeline to the music world and aspiring artists. It’s where stories begin, and dreams take their first steps toward fame. With Season 16’s theme, “Aapki Success ki shuruat humse hai”, a new chapter of discovery unfolds. From pre-hype activities generating nationwide buzz to auditions as gateways to dreams, the journey culminates in a grand finale, crowning new stars from across the country.   This season’s allure is further magnified by the return of the legendary Padma Shri Kailash Kher as the esteemed mentor. Having guided contestants for the last three seasons, his return is like the homecoming of a master storyteller, whose spiritual and film singing, composing, and lyrical expertise have inspired millions. Alongside him, the show’s legacy is built on the shoulders of musical giants—Daler Mehendi, Shahid Mallya, Jasmeet Jassi, Salim-Sulaiman, Aman Trikha, and Sajid-Wajid—who have all graced the stage as judges, turning RCSS into a cultural phenomenon.   Ashit Kukian, CEO of Radio City, remarked, "At Radio City, we are always focused and passionate about supporting novel ideas. Radio City Super Singer is not merely a competition but a platform that identifies and cherishes extraordinary talents from all corners of our diverse nation. As we move further towards the 16th edition, we invite all upcoming singers, regardless of their background or location, to step onto the stage and showcase their unique musical expressions. Together, let’s craft a melody that echoes with millions and inspires the NextGen musical rockstars.”   Radio City is expanding its singing talent hunt across 39 cities, blending on-air, digital, and on-ground activations. The campaign will feature dynamic Innova activations, canter activities, roadshows, auditions, and on-ground activities at R City mall, to maximize reach and engagement. Digital promotions will leverage Radio City's strong online presence with a dedicated microsite, web banners, and active participation on Facebook, Instagram, and YouTube. Additionally, RCSS will be spotlighted on Jio TV's 24x7 TV RC Studio, featuring short videos and ads to captivate audiences nationwide.   Kailash Kher, reflecting on his ongoing role with Radio City Super Singer, expressed, “Being part of Radio City Super Singer over the past few seasons has been immensely gratifying. Watching budding talents grow into confident performers is truly rewarding. I am grateful for the opportunity to mentor these talented individuals once again. Guiding them on their journey to discover and showcase their musical abilities fills me with joy. Each season brings fresh energy and passion, and I’m excited to continue supporting and nurturing the next generation of stars on their musical voyage.”   Mr. Yogesh Mathur, Director of Sales and Marketing, added, “Radio City has always been passionate about nurturing creativity and supporting fresh ideas. Radio City Super Singer isn’t just a contest—it’s a platform that discovers, uplifts, and celebrates outstanding talent from across our diverse nation. As we approach the 16th edition, we extend an invitation to budding singers everywhere to showcase their unique musical artistry. Let’s unite to craft unforgettable tunes that inspire the next generation of music legends.”   Building on the tremendous success of Season 15, which attracted 4.

64 lakh participants, engaged over 800 on-ground touchpoints, and garnered a staggering 8.77 crore in total exposure, Radio City Super Singer (RCSS) is poised for an even greater impact in Season 16. This year, RCSS continues to elevate its legacy with a powerful blend of on-air, digital, and on-ground activations, offering a dynamic platform for aspiring singers to chase their dreams. As RCSS inspires the stars of tomorrow, participants can take their first step by registering at www.radiocity.in/rcss   About Radio City Radio City, a subsidiary of Jagran Prakashan Ltd. under Music Broadcast Limited (MBL), is India’s first private FM radio broadcaster with over two decades of experience. With 39 stations across 12 states and 1 Union Territory, Radio City reaches 62% of India's FM population, engaging 69 million weekly listeners (Source: AZ Research 2019). Its digital presence extends through www.radiocity.in.   Driven by its brand philosophy “Rag Rag Mein Daude City”, Radio City has pioneered unique and impactful content that resonates with city pride. The launch of #CityKiNayiVibe aims to connect with Gen Z through a fresh, modern sound. Popular IPs like 'Babber Sher', 'Joke Studio', and 'Love Guru' have become listener favorites. The station also champions independent music with the ‘Radio City Freedom Awards’ and provides a platform for emerging talent through ‘Radio City Super Singer’, the first radio singing talent hunt, ongoing for 15 years. Additionally, 'Radio City Business Titans' was introduced in 2022 to honor excellence in Indian businesses.   Radio City has embraced ‘Radigitalization,’ integrating radio with digital technology for a seamless experience. This includes AI-driven RJ Sia, who offers personalized, dynamic content, and RC Studio, a 24/7 video channel that blends video and audio, expanding Radio City’s reach and engagement.   Radio City has earned over 217 awards from prestigious platforms such as New York Festivals, ACEF Global, and India Radio Forum. In 2022, Music Broadcast Limited received ‘India's Best Company of the Year 2022’ from Berkshire Media. The company has consistently ranked in ‘India’s Best Companies to Work For’ by Great Place to Work Institute, earning recognition for its workplace excellence, particularly for women. !function(f,b,e,v,n,t,s) if(f.fbq)return;n=f.fbq=function()n.callMethod? n.callMethod.apply(n,arguments):n.queue.push(arguments); if(!f._fbq)f._fbq=n;n.push=n;n.loaded=!0;n.version='2.0'; n.queue=[];t=b.createElement(e);t.async=!0; t.src=v;s=b.getElementsByTagName(e)[0]; s.parentNode.insertBefore(t,s)(window,document,'script', 'https://connect.facebook.net/en_US/fbevents.js'); fbq('init', '311356416665414'); fbq('track', 'PageView'); [ad_2] Source link

[news365times]

[ad_1] In the heart of India's vibrant music scene, a stage is set, and the spotlight is ready to shine on the next wave of singing sensations. Radio City, the nation's leading radio network, proudly announces the launch of Season 16 of its legendary talent hunt, 'Radio City Super Singer' (RCSS). Over the years, RCSS has become more than just a competition; it’s a journey that transforms dreams into reality, uncovering voices that resonate with the soul of a nation.   RCSS National Creative   For 15 years, RCSS has been a beacon for aspiring singers, offering not just a platform but a lifeline to the music world and aspiring artists. It’s where stories begin, and dreams take their first steps toward fame. With Season 16’s theme, “Aapki Success ki shuruat humse hai”, a new chapter of discovery unfolds. From pre-hype activities generating nationwide buzz to auditions as gateways to dreams, the journey culminates in a grand finale, crowning new stars from across the country.   This season’s allure is further magnified by the return of the legendary Padma Shri Kailash Kher as the esteemed mentor. Having guided contestants for the last three seasons, his return is like the homecoming of a master storyteller, whose spiritual and film singing, composing, and lyrical expertise have inspired millions. Alongside him, the show’s legacy is built on the shoulders of musical giants—Daler Mehendi, Shahid Mallya, Jasmeet Jassi, Salim-Sulaiman, Aman Trikha, and Sajid-Wajid—who have all graced the stage as judges, turning RCSS into a cultural phenomenon.   Ashit Kukian, CEO of Radio City, remarked, "At Radio City, we are always focused and passionate about supporting novel ideas. Radio City Super Singer is not merely a competition but a platform that identifies and cherishes extraordinary talents from all corners of our diverse nation. As we move further towards the 16th edition, we invite all upcoming singers, regardless of their background or location, to step onto the stage and showcase their unique musical expressions. Together, let’s craft a melody that echoes with millions and inspires the NextGen musical rockstars.”   Radio City is expanding its singing talent hunt across 39 cities, blending on-air, digital, and on-ground activations. The campaign will feature dynamic Innova activations, canter activities, roadshows, auditions, and on-ground activities at R City mall, to maximize reach and engagement. Digital promotions will leverage Radio City's strong online presence with a dedicated microsite, web banners, and active participation on Facebook, Instagram, and YouTube. Additionally, RCSS will be spotlighted on Jio TV's 24x7 TV RC Studio, featuring short videos and ads to captivate audiences nationwide.   Kailash Kher, reflecting on his ongoing role with Radio City Super Singer, expressed, “Being part of Radio City Super Singer over the past few seasons has been immensely gratifying. Watching budding talents grow into confident performers is truly rewarding. I am grateful for the opportunity to mentor these talented individuals once again. Guiding them on their journey to discover and showcase their musical abilities fills me with joy. Each season brings fresh energy and passion, and I’m excited to continue supporting and nurturing the next generation of stars on their musical voyage.”   Mr. Yogesh Mathur, Director of Sales and Marketing, added, “Radio City has always been passionate about nurturing creativity and supporting fresh ideas. Radio City Super Singer isn’t just a contest—it’s a platform that discovers, uplifts, and celebrates outstanding talent from across our diverse nation. As we approach the 16th edition, we extend an invitation to budding singers everywhere to showcase their unique musical artistry. Let’s unite to craft unforgettable tunes that inspire the next generation of music legends.”   Building on the tremendous success of Season 15, which attracted 4.

64 lakh participants, engaged over 800 on-ground touchpoints, and garnered a staggering 8.77 crore in total exposure, Radio City Super Singer (RCSS) is poised for an even greater impact in Season 16. This year, RCSS continues to elevate its legacy with a powerful blend of on-air, digital, and on-ground activations, offering a dynamic platform for aspiring singers to chase their dreams. As RCSS inspires the stars of tomorrow, participants can take their first step by registering at www.radiocity.in/rcss   About Radio City Radio City, a subsidiary of Jagran Prakashan Ltd. under Music Broadcast Limited (MBL), is India’s first private FM radio broadcaster with over two decades of experience. With 39 stations across 12 states and 1 Union Territory, Radio City reaches 62% of India's FM population, engaging 69 million weekly listeners (Source: AZ Research 2019). Its digital presence extends through www.radiocity.in.   Driven by its brand philosophy “Rag Rag Mein Daude City”, Radio City has pioneered unique and impactful content that resonates with city pride. The launch of #CityKiNayiVibe aims to connect with Gen Z through a fresh, modern sound. Popular IPs like 'Babber Sher', 'Joke Studio', and 'Love Guru' have become listener favorites. The station also champions independent music with the ‘Radio City Freedom Awards’ and provides a platform for emerging talent through ‘Radio City Super Singer’, the first radio singing talent hunt, ongoing for 15 years. Additionally, 'Radio City Business Titans' was introduced in 2022 to honor excellence in Indian businesses.   Radio City has embraced ‘Radigitalization,’ integrating radio with digital technology for a seamless experience. This includes AI-driven RJ Sia, who offers personalized, dynamic content, and RC Studio, a 24/7 video channel that blends video and audio, expanding Radio City’s reach and engagement.   Radio City has earned over 217 awards from prestigious platforms such as New York Festivals, ACEF Global, and India Radio Forum. In 2022, Music Broadcast Limited received ‘India's Best Company of the Year 2022’ from Berkshire Media. The company has consistently ranked in ‘India’s Best Companies to Work For’ by Great Place to Work Institute, earning recognition for its workplace excellence, particularly for women. !function(f,b,e,v,n,t,s) if(f.fbq)return;n=f.fbq=function()n.callMethod? n.callMethod.apply(n,arguments):n.queue.push(arguments); if(!f._fbq)f._fbq=n;n.push=n;n.loaded=!0;n.version='2.0'; n.queue=[];t=b.createElement(e);t.async=!0; t.src=v;s=b.getElementsByTagName(e)[0]; s.parentNode.insertBefore(t,s)(window,document,'script', 'https://connect.facebook.net/en_US/fbevents.js'); fbq('init', '311356416665414'); fbq('track', 'PageView'); [ad_2] Source link

[mysticdragon3art]

Spirals.

6/29/2024. Platinum Preppy fountain pen, using Noodler's Ink. Dip pen, using Daler Rowney FW acrylic inks "Purple Lake" and "Marine Blue".

I felt like drawing, but I've been too out of practice to doodle characters. It suddenly dawned on me that abstract drawings don't have to be less valid. So I doodled my usual spirals. I switched to dip pens, because I remembered really enjoying feeling the nib scratch against the paper. It didn't prove to be as satisfying as I remember, but maybe my hand muscles are just not as strong as they used to be, since I'm out of practice.

[bernkastel11]

𝑻𝒉𝒆 𝑮𝒍𝒐𝒓𝒊𝒐𝒖𝒔 𝑬𝒎𝒑𝒓𝒆𝒔𝒔 𝑯𝒂𝒔 𝑨 𝑼𝒏𝒊𝒒𝒖𝒆 𝑳𝒊𝒇𝒆

Part 1

⚠️TW⚠️

In the Vermilia Empire,there existed an Empress whose name were Famous around the Empire for her unique life

She who has a glory to her name was a great Empress that has flowing pink red hair and piercing red eyes. She was a Red Eyes Holder of the Scarlett Imperial Family

Her name was Gloriosa Lennetta Scarlett

This is the story of a Glorious Empress:

Empress Gloriosa had a husband whose name was Arnaut Asterix. He was the son of a Grand Duke

"We met when we were in our youth. We were engaged, a marriage of convenience"

"Our relationship was good and our bond was strong"

"Everyone said we were like love birds"

"Yes it was a beautiful days in my childhood"

"We used to be crazy in love"

"We grew up and reached adulthood, our relationship were still good"

"Then we got married"

"We finally settled in and became what our fate meant to be"

"I gave birth a healthy little prince who I named Ishtar, he was the fruit of our love"

"Life was good"

"Until you changed"

......

"You brought home a concubine, I thought I was your one and only?"

"You were indeed the Emperor so I suppose you can get concubines like other Emperors in History"

"Our affection of more than 20 years is in ruin just because you had a change of heart? Does what we promised meant nothing to you?"

"I was a fool to believe you wouldn't be like this"

"As an unexpected twist as it is,your little concubine was actually in love with me to begin with"

"Turn out Darisa Daler was just using you to get to me. What a tricky girl she was"

"She was a quite cute girl and I'm not saying no to cute girls after my husband betrayed me. It's even better if she's his concubine"

"Darisa said that Arnaut is a scoundrel and she'll show me proof"

"She pretended to be a crybaby and even though she said it like it wasn't really my fault....."

"....Arnaut still put the blame on me, apperently he thought it would be natural if I was to blame,well as his official wife I was supposed to be jealous"

"Darisa is just a daughter of a small noble of the countryside and I was a Princess and Empress of Vermilia, a Red Eyes Holder no less. Why would I be jealous, really? Considering our statuses, I'm obviously the more superior one"

"If you thought I was jealous of your love for her,please don't think too highly of yourself"

[happymeishappylife]

May 27th Playlist

The Silence - Bastille

Torn Apart - The Goo Goo Dolls

Speak Low - Big Bang

Tchaikovsky Symphony No. 5 in E Minor - Chicago Symphony Orchestra

Small Beginnings - Greg Edmonson

Sugar - Maroon 5

Sorry for Party Rocking - LMFAO

Tough - Quinn XCII ft. Noah Kahan

Superbeast - Rob Zombie

Truce - Alfonso Aguilar

Smells Like Teen Spirit - Nirvana

Stuck (RAC Mix) - The Aces

Small Town Moon - Regina Spektor

This is it - Lo Moon

Speeding - Lights

This Love - Maroon 5

Strong Enough - The Aces

The Take Over, The Breaks Over - Fall Out Boy

Tik Tok (cover) - Tyler Ward

Summer Vibe - Walk Off the Earth

The (Shipped) Gold Standard - Fall Out Boy

Tunak Tunak Tun - Daler Mehndi, Ravi Pawar & Yogesh

Someone Like You (cover) - Tyler Ward ft. Rachael Lampa

Slide - The Goo Goo Dolls

Spanish Eyes - The Backstreet Boys

[shoilaartstudies]

Gouache studies (16.-17.8.2019)

During the weekend 16.8.-17.8. we worked mainly with gouache and did some color blending practices and other assignments.

Above painting was an assignment to paint a hand holding some item (I picked a brush, not so surprisingly). The main point was to be able to blend a convincing skin color.  I started of a bit too yellow but lightened it with new layers. I anyway started of with mid tone and then started lightening, as there wasn’t that much shadows and darker areas to make in my pose (just very subtle variations in skin).

The second painting was to study an object, color, light and shadows. There was not that strong light sources to cast shadows but anyway the tin object nicely reflected to the desk.

In this I used some left over quality water color paper piece (you can lightly see ‘Canson’ on the right side of the paper). The paper had nice texture which I could use in the coloring (using slightly drier brush over the dry surface).

The third task, which I picked from multiple different options, was to paint some detail, a very close view of three different surfaces meeting. I went off for a little walk and chose a nice blue windowsill. A close view facing downwards and showing also some of the concrete (?) tiling and the reflections in the window.

We also had some discussions on gouache and one was has anyone actually seen any art in galleries made in gouache. I actually had wondered on this also earlier, since I have been doing now more or less gouache or water color pieces. BUT, I did see some work during Summer, both cases in Mänttä Serlachius museum. There was one wall with Olga Gummerus-Ehrströms work made in gouache and I had not realized earlier that Albert Edelfelt’s massive ‘Finnish Soldiers in The War of 1808-1809′ (Porilaisten marssi) is actually a gouache work on paper (it was displayed in the classics of the museum). I’ve felt gouache works are more manageable with smaller paper, but apparently that is just a limit in my head.

But back to the course days. Before all the object studies, the first day actually started with blending practices, e.g. using two different colors and trying out mixing white into the colors. In some practices color studies were also considered, picking the opposite colors for the studies. Main point was to get acquainted with gouache.

Left side colors as is from tube, right side white added and blended to middle.

tape ripped the paper off quite bad in this one, I think I’ve faced that painful fact also earlier, so should consider when ever taping this paper to board or otherwise . I should try at home how warming the tape helps.

Paper: Daler Rowney, Smooth Heavyweight (A4, 220g).

Additional blending practices, using three colors with some patterns/stripes, second also with three colors (mixed orange) and last with green blended to white.

Here I just played with the opposite colors, making own patches, blending them to each other and also making a color mix of the two. (and adding some patterns as well).

Here I ripped the paper a bit as well, but usually tape gets off this specific paper quite ok. Now there was just a bit of an additional challenge to rip off tape from the sections.

Paper: Claire Fontaine, Paint On Gris (A4, 250g)

[catinspats]

Day 5 - Kitty and Mrawh find a mysterious shack

Still going strong!I really like this one.  It took me far too many thumbnails to figure out what to do but I like what I came up with. So Mrawh doesn't often like to hold hands but I think he is feeling a but spooked.  Is it a witches cottage?  Who knows! Also did   bit more brushwork on this one that I am pleased with. Materials: Shinola Sketchbook, Daler Rowney FW ink, crow quill, brush

[rapperpakman]

Flex Rest By RapperPakMan - (Official Lyric Video)

https://www.youtube.com/watch?v=sqxmOTaDaZ0 Flex Rest By RapperPakMan #lyricvideo Turn up the energy with “Flex” by RapperPakMan, a track from the album 3 AM in Atlanta 12 PM in Pakistan. This lyric video brings out the hustle and street vibes, showcasing RapperPakMan’s strong lyrics and relentless style. Perfect for fans of hard-hitting rap and motivational hip-hop, "Flex" is an anthem for those who live life to the fullest. Don’t forget to like, subscribe, and drop a comment to stay updated with RapperPakMan’s latest tracks! The video is about Flex Rest By RapperPakMan - (Official Lyric Video) but also tries to cover the following subjects: Celebrating confidence and strength through rap Embracing the hustle of hip-hop culture The power of lyrics in motivating listeners ⭐ ⭐ ⭐ Songs is currently on your favorite platforms: 👉 Spotify: https://ift.tt/6hpCZoB 👉 Apple Music: https://ift.tt/9haILvm 👉 Distrokid: https://bit.ly/48HRMV3 👉 Audiomack: https://ift.tt/v28nSZw 👉 Soundcloud: https://ift.tt/NMw6SAt ⭐ ⭐ ⭐ Subscribe To My Channel For More Official Music: https://www.youtube.com/@Rapperpakman/?sub_confirmation=1 ✅ Important Links: 👉 Cash App (Buy me a Coffee): https://ift.tt/uT6c5sx ✅Stay Connected With Me: 👉 Instagram: https://ift.tt/opeXbQG 👉 Facebook: https://ift.tt/podVRve 👉 Tiktok: https://ift.tt/YlKQ8vT 👉 (X)Twitter: https://ift.tt/Iej8yLi 👉 Linktr: https://ift.tt/8AnXt2p ========================= ✅ Other Videos You Might Be Interested In Watching: 📀 Daler Mehndi Rest By RapperPakMan - (Official Lyric Video) https://www.youtube.com/watch?v=l_OYFCVW-lk 📀 Government Assistance By RapperPakMan - (Official Lyric Video) https://www.youtube.com/watch?v=Ij_bQ6GHDUU 📀 “Papa” By RapperPakMan - (Official Lyric Video) https://www.youtube.com/watch?v=hRtFLfxb5LU 📀 Where I Came From By RapperPakMan - (Official Lyric Video) https://www.youtube.com/watch?v=9rFD53zdGD4 ========================= ✅ About RapperPakMan: Welcome to my channel! I'm RapperPakMan, an indie artist living life one verse at a time. Here, you'll get an inside look at my creative process, music projects, and everything that fuels my passion for rap. Join me on this musical journey! For Collaboration and Business inquiries, please use the contact information below: 📩 Email: RapperPakManBooking@gmail.com 🔔 Subscribe to my channel for more great music: https://www.youtube.com/@Rapperpakman/?sub_confirmation=1 ========================= #flex #rapperpakman #lyricvideo #hiphop2024 #newraprelease #rapanthem #streetvibes #urbanhiphop #pakman Disclaimer: We do not accept any liability for any loss or damage which is incurred from you acting or not acting as a result of reading any of our publications. You acknowledge that you use the information we provide at your own risk. Do your own research. Copyright Notice: This video and our YouTube channel contains copyrighted music and images. Any public, media and any other business usage is subject to business licence. Unauthorised usage and publications are prohibited. © RapperPakMan via RapperPakMan https://www.youtube.com/channel/UC_AwJnGuWldTFq-WVxoVg1g November 09, 2024 at 08:13AM

[thejaykumarshow]

Life Story Of Legendary Punjabi Singer Daler Mehandi

In the Indian music world, singer Daler Mehandi is known for his strong tonal quality. Along with music, Daler is a proponent of the Green Movement, which works to protect the environment, and he has a deep love for animals. To read more click here, https://www.jay-ho.com/news/bollywood/bhangra-king-daler-mehndi-holds-music-in-his-heart-harbours-love-of-nature-in-soul

[avidtea]

Inktober day #2

A new volume of the official English translation of Haikyuu!! is released on the first Tuesday of every month. After reading volume 28 (which was released the day I drew this) I decided to draw Bokuto as an owl because why not? His design already has a strong resemblance to an owl. Et voilà, the BokutOwl. I’ve actually finished all 31 of my Inktober drawings as of tonight! I just got terribly behind on photographing and posting them (obviously,) so I’ll be posting them over the next few days. Materials: Daler-Rowney FW Acrylic Artists Ink in Purple Lake, Nikko G nib, Tachikawa T-40 nib holder, Borden & Riley # 234s Paris Paper for Pens

[deoffal-mp-adm7000-n-s1-2022]

My technique after the Spits (how the 57 and the 63 were made):

Before showing anymore posts which include images of my work in situ or publications etc, I want to give a quick synopsis of my processes and materials behind the final resolutions, and after having covered my paintings its only fitting that I elaborate on why I didn’t just keep making paintings on mass and instead leaned on revising and getting back into ink and the achromatic through illustration. As this post evidences in the top images and throughout my notes here, I’ve broken everything down into the most layman mode I could possibly do, for the sake of keeping this post about the practice and not the philosophies behind the imagery. This post is about how the job is done, not why the job looks a whole lot like this. 

Firstly I’ll evidence my materials and tools (bare in mind I won’t be showing pencils and rubbers I use, as I only use a simple cheap rubber and a simple and cheap box of 2 pencils, or HB depending on my mood, there’s no real character there either way, if it was super important I would include it, but those tools are just so common it’s not worth evidencing them when comparing them to the more complicate collection of ink tools I will be discussing):

Fig 1. The paper.

Fig 2. The selection of markers.

Fig 3. Whaline brush tip and edged tip markers.

Fig 4. Shuttle Art markers.

Fig 5. Whaline fine tipped liners. 

Fig 6. The Staedtler brand of designer pens. 

Fig 7. The Paint. 

Fig 8. The brushes, scrapers, straws, artificial hair brushes and natural hair brushes etc.

Firstly, I of course go through many of these Daler Rowney sketchpads, they aren’t too expensive and the rigidity of these sheets has often been a great medium for me to work with. No reason to be snobby about paper, when it works it works and I’ve made many hundreds of images on this paper and so I how it well and find it very easy to work with and to exhibit, it’s just as pliable as the lightest canvas material, yet strong enough that it can withstand water and paint incredibly well, and ink doesn’t bleed as easily into it. The selection of pens later applied on this paper run the gamut from making the finest of details in the wisp of a hair, blacking out the borders of a portrait for later painting, or simply to make hundreds of marks quickly without having to painstakingly scratch them in with the smaller tipped liners. This process of using liners and markers in contemporary art is of course a popular medium among comic illustrators and graphic novelists, in particular and found best in the works of Japanese illustrators such as Junji Ito, Suehiro Maruo and Kentaro Miura (as evidenced here, 1 is Junji Ito, from his graphic story: Planet Remina, 2005. 2 is Suehiro Maruo’s version of St Sebastian, 2021, many of his other pieces are maybe a little too graphic for tumblr so you get the picture. 3 is Kentaro, emblemised best by his series Berserk, 1988 to 2021, 41 volumes, may resume production this year after the death of Miura suspended the series in typical japanese manga tradition, in short, mangas often die with their creator, but Berserk is a gigantic franchise and won’t fade from public consciousness just yet, and with this one panel you can see why)

1.

2.

3.

These panels of course take hours upon days at a time and are often drawn with much of the same tools, the greyscale and tonal differences between the gray and the rest of the marks is made in post through various forms of editing software, this of course being a graceful advancement for illustrators such as this, given just how many panels they make in a year and how often the panels have to be approved or reworked for specific stories and to best showcase all the narrative elements without overdoing it. I of course have no love for grey scaling within my pieces, as that would conflict the value found in the extreme contrast within each piece, in turn symbolising my work as the bridge between dark subjects and the literal and figurative ability to shine a light onto them, in turn making such bright details and yet with absolutely soaked in black backgrounds, further emphasising the faces on show. In the examples shown you can see the build up of marks in both my work and that of my featured idols, alot of what I do is about taking a simple sketch and ever adding and mutating it into the image I want it to be, and that’s why ink is such an exciting media, with it’s strong and dense pigmentation in it’s black choices, you can really see just how the page becomes a work of art and how the white isn’t merely dredged over, but becomes just as important as the patterns over it.

It’s important to mention that my pencil sketches as discussed in a previous post are automatically drawn and a featured best here, are by no means the same image by the end, it’s an evolution and this is of course most fitting given the subject of this piece. I also chose this piece to document as it’s one of the earliest works in the 63 and so I wanted to document atleast one piece for Instagram and for this project, knowing full well it would look good to explain and properly show how I work beyond a starting sketch, especially before I finished the 63. This trend of showing progress is quite popular on social media and so it’s a trend I can easily get behind given just how many sketches I make per month (at one point it was 40 within 3 weeks), I have been posting my sketches every time a new batch are started to clue my audience into the realism of what I do, and the response seems to be quite positive. Speaking now of my actual processes, firstly I take the finest of liners as evidenced above, and build up the essential shapes, this means outlining all the minute and much more minor aspects is essential, everything has to have an outline first before the larger, faster and darker marks are made. Once this beginning stage is out the way I work to strike in the majority of the black into the most dense of areas, while using various modes of hatching and scratching with the fine tips and more brush like tipped pens to create the texture of the piece. Once I am satisfied that the entire piece is marked up (This being shown best in the 5th descending order picture of my piece, all central and and greater details blacked in and well textured but no overworked due to how quickly I fill and finesse an area, with a combination of the smaller brush like dual tipped liners and the bigger fine point markers that are the average ink marker, sharpie sized I guess if I had to compare it to anything) I put a thick black mark round all the outer edges, so as to blend the final layer of paint with the rest of the piece, and so no outlines are lost when I go to paint, unless areas need softening to blend better with the background. The final steps are to paint in some darker shade and to fill in the background, this is done with a wide array of brushes, the background may be painted with straight square tipped brushes so that I don’t go madly over those outlines again, yet mainly to connect the ink border and the paint smoothly. The central detail may be worked over with a much smaller, rounder brush to keep the detail blended into each other, if I wanted more rigid blackness in the piece then I would just stick to the square tips and dry them so that the brush can use the paint the same a felt marker stiffly marks ink into things etc. I only apply as much paint as I need to cover areas of importance, the black I use for my paint and ink markers, typically dry quite matte and very pigmented so I don’t need to overwork or add multiple layers of paint and ink to any of this piece just to get a good concentrated blackness all over. Once the piece is painted it is dried in sunlight on my windowsill, then pressed under some books and old sketchpad boards, this flattens the piece for scanning, you can’t scan bowing pieces because it messes with the fitting of the piece in the scanner and it ruins the symmetry of the paper when scanned, so I use any weight to take the bow and it works perfectly. The ultimate and total resolution of the work is handled first by scanning the works into my laptop through my home printer and scanner, then filing the work into a plastic wallet into it’s grouping of ten pieces (just a way to chronologically group pieces so I can find them far easier, especially when working with tens of pieces that are all the same scale), then I work over the pieces on the laptops own editing software to up the contrast and replicate the real world look of the piece, given scanning can often make a piece brighter and so I have make the piece darker and more contrast centric and the ink and paint can reflect differently at first, looking often as if they are different tones of black, so I correct that and use the digital version for my Instagram and coursework of course so it has to represent the real piece exactly. Once a piece is edited it’s uploaded to my google drive for storing the works somewhere where they won’t be lost or mishandled, the last pictures of the piece on this post show how I edit on borders through a free mobile app called Snapseed (it allows you to make adjustments to a picture that don’t exist in the original image and is akin to something like adobe illustrator and/or photoshop), as I redownload the works onto my phone and then edit them thusly, the very last picture is me editing the image to a 3:2 aspect ratio so they can be well fitted to a typical Instagram post without losing any of the image. The choice of black border is quite the motif of social media horror art, so it’s typical that you do that, especially if you have a really dark collection of work like I do, though I may make white versions too just to have some variation, I prefer the black as it pops the whites more but that’s just personal preference.

Those are my processes and typically it can take around 2 hours to fully complete one portrait, I of course had to do this dozens of times during January, February, March, April and May, the majority of time so far on this project has been about finishing and cataloguing this overwhelming collection. Each piece is also numbered in pencil and catalogued in a small notebook to properly keep track of all my current and completed collections. I run quite the tight turn around with my work and so now you can see why I’m focusing solely on the documentation aspect of this project, the practical side is just so time consuming, but I still greatly enjoy the busyness and prolific nature of my practice due to how busy it keeps and me and how often I get to work on new collections of amazing one of a kind ideas through my portraiture, it’s often been one of the reoccurring peer compliments I get, I just have quite the work ethic and always have so I’m lucky.   

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[artistmedea]

Painting Jam, SOS Colombia, For a Call to Respect Human Rights, LDN, UK, ‘21. @arthouseprojectlondon • SOLD • Some months ago, in the beginning of summer I visited this very special painting jam organized by @arthouseprojectlondon . It was great to see so many strong works which were dedicated to an important cause. Human Rights • Original Colour Sketch. Created, Signed and Dated on the front by me. • Koh-I-Noor Colour Pencils on Daler Rowney White Acid Free Grain Watercolour Paper, 300gsm. A3 Size; Unframed. Protected with UV Archival Varnish Lascaux. • • • #medeayankova #medeayankovaart #medeayankovaartist #medeayankovastudio #shoreditch #bricklane #londonlife #allengardens #londonart #londonartist #graffiti #muralart #colombia #humanrights #mainjobartist #artistforever #artforsell #originalsketches #originalart #originalart #montysbar #usk #urbansketchers #paintingjam #sketcher #onelinedrawing #originalartworks #inspiration #sellingmyart #originalartwork (at Allen Gardens) https://www.instagram.com/p/CRGlhj-j2C4/?utm_medium=tumblr

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