#daniel lukich

[miguelmarias]

TOP 2020

25/12/2020

 A)    Great movies made since 2015 seen for the first time in 2020: 

Buoyancy(Freedom;Rodd Rathjen, 2019)

Les choses qu’on dit, les choses qu’on fait(Emmanuel Mouret, 2020)

L’Île au trésor(Guillaume Brac, 2018)

Le Sel des larmes(Philippe Garrel, 2019/20)

Ghawre Bairey Aaj(Home and the World;Aparna Sen, 2019)

Undine(Christian Petzold, 2020)

Happī awā(Happy Hour;Hamaguchi Ryūsuke, 2015)

Netemo Sametemo(Asako I & II;Hamaguchi Ryūsuke, 2018)

Adolescentes(Sébastien Lifshitz, 2013-9/20)

Family Romance, LLC.(Werner Herzog, 2019)

Demain et tous les autres jours(Noémie Lvovsky, 2017)

Gamak Ghar(Achal Mishra, 2019)

Lunana:A Yak in the Classroom(Pawo Choyning Dorji, 2019)

Semina il vento(Sow the Wind;Danilo Caputo, 2020)

Objector(Molly Stuart, 2019)

La France contre les robots(Jean-Marie Straub, 2020)

Paris Calligrammes(Ulrike Ottinger, 2019/20)

Un film dramatique(Éric Baudelaire, 2019)

 B)    Great movies made before 2015 seen for the first time in 2020: 

Là-Haut, un Roi au-dessus des nuages(Pierre Schoendoerffer, 2003)

Pangarap ng Puso(Demons/Whispers of the Demon/Hope of the Heart;Mario O’Hara, 2000)

Les Films rêvés(Eric Pauwels, 2009)

La vida en rojo(Andrés Linares, 2007/8)

Come Next Spring(R.G. Springsteen, 1955/6)

Song of Surrender(Mitchell Leisen, 1948/9)

Adventure in Manhattan(Edward Ludwig, 1936)

Strannaia zhenshchina(A Strange Woman;Iuli Raízman, 1978)

Chastnaia zhízn(Private Life;Iuli Raízman, 1982)

Málva(Vladimir Braun, 1956/7)

Zhila-byla devochka(Once There Was a Girl;Viktor Eisimont, 1944)

The Unknown Man(Richard Thorpe, 1951)

Aisai Monogatari(Story of a Beloved Wife;Shindō Kaneto, 1951)

Practically Yours(Mitchell Leisen, 1944)

A Summer Storm(Robert Wise, 1999/2000)

Lettre d’un cinéaste à sa fille(Eric Pauwels, 2000)

Sombra verde(Untouched;Roberto Gavaldón, 1954)

Fantasma d’amore(Dino Risi, 1981)

Adieu, Mascotte(Das Modell vom Montparnasse;Wilhelm Thiele, 1929)

Mori no kajiya(The Blacksmith of the Forest;Shimizu Hiroshi, 1928/9;fragment)

Zwischen Gestern und Morgen(Between Yesterday and Tomorrow;Harald Braun, 1947)

Last Holiday(Henry Cass, 1950)

Dialogue d’ombres(Danièle Huillet & Jean-Marie Straub, 1954-2013)

Out-Takes from the Life of a Happy Man(Jonas Mekas, 2012)

Nice Time(Claude Goretta & Alain Tanner, 1957)

Aloma of the South Seas(Alfred Santell, 1941)

A Feather in Her Hat(Alfred Santell, 1935)

La Danseuse Orchidée(Léonce Perret, 1928)

Underground(Vincent Sherman, 1941)

Time Out(in Twilight Zone-The Movie)(John Landis, 1983)

Lackawanna Blues(George C. Wolfe, 2005)

Janie(Michael Curtiz, 1944)

Dernier Amour(Léonce Perret, 2016)

Jeunes Filles en détresse(Georg Wilhelm Pabst, 1939)

Kisapmata(Blink of an Eye;Mike De Leon, 1981)

La Dernière Lettre(Frederick Wiseman, 2002)

The Lady of the Dig-Out(W.S. Van Dyke II, 1918)

Their Own Desire(E.Mason Hopper, 1929)

 C)    Very good movies made since 2015 seen for the first time in 2020: 

Zumiriki(Oskar Alegria, 2019)

Atlantique(Mati Diop, 2019)

J’accuse(An Officier and A Spy;Roman Polanski, 2019)

Richard Jewell(Clint Eastwood, 2019)

Alice et le Maire(Nicolas Pariser, 2019)

Contes de Juillet(July Tales;Guillaume Brac, 2017)

Dark Waters(Todd Haynes, 2019)

Ofrenda a la tormenta(Fernando González Molina, 2020)

Nomad:In the Footsteps of Bruce Chatwin(Werner Herzog, 2019)

Into the Inferno(Werner Herzog, 2016)

The Zookeeper’s Wife(Niki Caro, 2017)

Journal de septembre(Eric Pauwels, 2019)

La Deuxième Nuit(Eric Pauwels, 2016)

Kaze no denwa(Voices in the Wind;Suwa Nobuhiro, 2019/20)

Da 5 Bloods(Spike Lee, 2020)

Izaokas(Isaac;Jurgis Matulevičius, 2019)

A Metamorfose dos Pássaros(Catarina Vasconcelos, 2020)

Tabi no Owari Sekai no Hajimari(To the Ends of the Earth;Kurosawa Kiyoshi, 2019)

La Nuit d’avant(Pablo García Canga, 2019)

My Mexican Bretzel(Nuria Giménez, 2018-9)

Domangchin yeoja(The Woman Who Ran;Hong Sang-soo, 2019/20)

Öndög(Wang Quanan, 2019)

Hatsukoi(First Love;Miike Takashi, 1959)

Million raz pogivaet odin Cheloviek(One man dies a million times;Jessica Oreck, 2018/9)

The Two Popes(Fernando Meirelles, 2019)

Félicité(Alain Gomis, 2016/7)

Salt and Fire(Werner Herzog, 2016)

Ni de lian(Your Face;Tsai Ming-liang, 2018)

Qi qiu(Balloon;Pema Tseden, 2019)

River Silence(Rogério Soares, 2019)

Charlie’s Angels(Elizabeth Banks, 2019)

La boda de Rosa(Iciar Bollain, 2020)

Guerra(War;José Oliveira & Marta Ramos, 2020)

My Thoughts Are Silent/Moyi dumky tykhi(Antonio Lukich, 2019)

Namo(The Alien;Nader Saeivar;co-script-Jafar Panahi, 2020)

Los silencios(The Silences;Beatriz Seigner, 2018)

Terminal Sud(Rabah Ameur-Zaïmeche, 2019)

Tu mérites un amour(You Deserve a Lover;Hafsia Herzi, 2019)

Les Misérables(Ladj Ly, 2019)

Padre no hay más que uno(Santiago Segura, 2019)

Honeyland(Tamara Kotovska & Ljubomir Stefanov, 2019)

Izbrisana(Erased;Miha Mazzini & Dusan Joksimovic, 2018)

This Is Not A Burial, It’s A Resurrection(Lemohang Jeremiah Mosese, 2019)

Primero Enero(Darío Mascambroni, 2016)

Lahi, Hayop(Pan, Genus/Genus Pan;Lav Diaz, 2020)

 D)    Very good movies made before 2015 seen for the first time in 2020: 

Topaze(Marcel Pagnol, 1936)

The SIGN OF THE RAM(John Sturges, 1947/8)

Abandoned(Joseph M. Newman, 1949)

Bewitched(Arch Oboler, 1944/5)

La Femme du Bout du Monde((Jean Epstein, 1937)

The Outcast(William Witney, 1954)

Saadia(Albert Lewin, 1953)

Un monde sans femmes(Guillaume Brac, 2011)

Dishonored Lady(Robert Stevenson, 1947)

Always Goodbye(Signey Lanfield, 1938)

A Blueprint for Murder(Andrew L. Stone, 1953)

Bedevilled(Mitchell Leisen, 1955)

That Forsyte Woman(Compton Bennett, 1949)

The Miracle(Irving Rapper, 1959)

The Madonna’s Secret(Wilhelm Thiele, 1946)

The Town That Dreaded Sundown(Charles B. Pierce, 1976)

Grayeagle(Charles B. Pierce, 1977)

Barricade(Peter Godfrey, 1949/50)

Tomorrow is Forever(Irving Pichel, 1945/6)

David Harum(James Cruze, 1934)

The Vanquished(Edward Ludwig, 1953)

Keisatsukan(Uchida Tomu, 1933)

...Enfants des courants d’air(Édouard Luntz, 1959, short)

The Winds of Autumn(Charles B. Pierce, 1976)

Suddenly It’s Spring(Mitchell Leisen, 1946)

Uchūjin Tōkyō ni arawaru(Warning from Space;Shima Kōji, 1956)

Swiss Family Robinson(Edward Ludwig, 1940)

Ludwig der Zweite, König von Bayern(Wilhelm Dieterle, 1930)

Faithless(Harry Beaumont, 1932)

Botan-dorō(Peony Lanterns;Yamamoto Satsuo, 1968)

Ginza 24 chou(Tales of Ginza;Kawashima Yūzō, 1955)

Goodbye Again(Michael Curtiz, 1933)

Lines of White on a Sullen Sea(D.W. Griffith, 1909)

You Gotta Stay Happy(H.C. Potter, 1948)

Cave of Forgotten Dreams(Werner Herzog, 2010)

Riff-Raff(Ted Tetzlaff, 1947)

The Moon is Down(Irving Pichel, 1943)

The Bride Wore Boots(Irving Pichel, 1946)

Adventures in Silverado(Phil Karlson, 1948)

The Stolen Ranch(William Wyler, 1926)

Congo Maisie(H.C. Potter, 1940)

Marcides(Mercedes;Yousry Nasrallah, 1993)

Hell’s Five Hours(Jack L. Copeland, 1958)

Daniel(in Stimulantia;Ingmar Bergman, 1967)

Diên Biên Phú(Pierre Schoendoerffer, 1992)

Canyon River(Cattle King;Harmon Jones, 1956)

Dos Basuras(Kurt Land, 1958)

Smart Girls Don’t Talk(Richard L. Bare, 1948)

The Big Shakedown(John Francis Dillon, 1933/4)

Corvette K-225(Richard Rosson;p.,collab.Howard Hawks, 1943)

The Gay Deception(William Wyler, 1935)

The Invisible Woman(A.Edward Sutherland, 1940)

Rage in Heaven(W.S. Van Dyke II;collab.Robert B. Sinclair,Richard Thorpe, 1941)

Wild Side(Sébastien Lifshitz, 2004)

I bambini e noi(Luigi Comencini, 1970//7)

The House Across The Street(Richard L. Bare, 1948/9)

The Doughgirls(James V. Kern, 1944)

The Love Trap(William Wyler, 1929)

Torch Song(Charles Walters, 1953)

The Meanest Man in the World(Sidney Lanfield, 1942/3)

Cole Younger, Gunfighter(R.G. Springsteen, 1958)

Ballerine(Gustav Machatý, 1936)

Via Mala(Josef von Báky, 1945//8)

Sky Giant(Lew Landers, 1938)

Les Invisibles(Sébastien Lifshitz, 2012)

Promène toi donc tout nu(Emmanuel Mouret, 1998)

A Story for the Modlins(Una historia para los Modlin;Sergio Oksman, 2012)

Something in the Wind(Irving Pichel, 1947)

Spoveď(Confession;Pavol Skýkova, 1968)

Guilty Hands(W.S. Van Dyke II;collab.Lionel Barrymore, 1931)

Atto di accusa(Giacomo Gentilomo, 1950)

Suspense(Frank Tuttle, 1956)

This Is The Night(Frank Tuttle, 1932)

Escape in the Fog(Oscar ‘Budd’ Boetticher,Jr., 1945)

The Price of Fear(Abner Biberman, 1956)

Happy People:A Year in the Taiga(Werner Herzog, 2010)

Urok(The Lesson;Kristina Grozeva & Petar Valchanov, 2014)

Le Naufragé(Guillaume Brac, 2009)

Lili Marlen(Peter Mihálik;script.Dušan Hanák, 1970;short)

Deseo(Antonio Zavala Kugler, 2013)

  E)     Great movies that improved by new watchings: 

Shanghai Express(Josef von Sternberg, 1932)

The Best Years of Our Lives(William Wyler, 1946)

Till We Meet Again(Frank Borzage, 1944)

Man’s Favorite Sport?(Howard Hawks, 1963/4)

Along The Great Divide(Raoul Walsh, 1951)

Hondo(John V. Farrow, 1953)

Where The Sidewalk Ends(Otto Preminger, 1950)

Mrs. Miniver(William Wyler, 1942)

Driftwood(Allan Dwan, 1947)

‘Good-bye, My Lady’(William A. Wellman, 1956)

Touch of Evil(Preview version, 1975;not later ‘improvements’)(Orson Welles, 1958)

Le Crabe-Tambour(Pierre Schoendoerffer, 1977)

Unfinished Business(Gregory LaCava, 1941)

Madigan(Don Siegel, 1968)

Big Business(James Wesley Horne;s.Leo McCarey, 1929)

Putting Pants on Philip(Clyde A. Bruckman;s.Leo McCarey, 1927)

The Runner Stumbles(Stanley Kramer, 1979)

Yushima no Shiraume(Romance at Yushima;Kinugasa Teinosukē, 1955)

David Harum(Allan Dwan, 1915)

The Virginian(Cecil B. DeMille, 1914)

Island in the Sky(William A. Wellman, 1953)

All About Eve(Joseph L. Mankiewicz, 1950)

L’Eclisse(Michelangelo Antonioni, 1962)

The Roaring Twenties(Raoul Walsh, 1939)

The Plainsman(Cecil B. DeMille, 1936)

JLG/JLG-Autoportrait de décembre(Jean-Luc Godard, 1994)

‘Je vous salue, Marie’(Hail Mary;Jean-Luc Godard, 1984)

La Roue(Abel Gance, 1923)

They All Laughed(Peter Bogdanovich, 1981)

Innocent Blood(John Landis, 1992)

An American Werewolf in London(John Landis, 1981)

The Thing Called Love(Peter Bogdanovich, 1993)

Into the Night(John Landis, 1985)

The File On Thelma Jordon(Thelma Jordon;Robert Siodmak, 1949)

The Little American(Cecil B. DeMille, 1917)

In Our Time(Vincent Sherman, 1944)

The Hunters(Dick Powell, 1958)

Phase IV(Saul Bass, 1974)

L’Honneur d’un Capitaine(Pierre Schoendoerffer, 1982)

Backfire(Vincent Sherman, 1948//50)

Five(Arch Oboler, 1951)

Somewhere in the Night(Joseph L. Mankiewiz, 1946)

A Man Alone(Ray Milland, 1955)

Die Geiger von Florez(Paul Czinner, 1926)

Living on Velvet(Frank Borzage, 1934/5)

La Recta provincia(Raúl Ruiz, 2007//15)

La Noche de enfrente(Raúl Ruiz, 2012)

Carrie(Sister Carrie;William Wyler, 1951/2)

The Spiral Staircase(Robert Siodmak, 1945/6)

The Paradine Case(Alfred Hitchcock, 1947)

L’Amore(Una voce umana+Il Miracolo)(Roberto Rossellini, 1947/8)

The Heiress(William Wyler, 1949)

 F)     Very good movies watched again 

Bluebeard’s 10 Honeymoons(W.Lee Wilder, 1960)

The Five Pennies(Melville Shavelson, 1958)

Take a Letter, Darling(Mitchell Leisen, 1942)

Escape(Joseph L. Mankiewicz, 1948)

Appassionatamente(Giacomo Gentilomo, 1954)

Así como habían sido(Trío)(Andrés Linares, 1986/7)

San Antone(Joseph Kane, 1953)

The High and the Mighty(William A. Wellman, 1954)

Taki no Shiraito(The Water Magician;Mizoguchi Kenji, 1933)

The Web(Michael Gordon, 1947)

The Buccaneer(Anthony Quinn;s.Cecil B. DeMille, 1958)

The Buccaneer(Cecil B. DeMille, 1938)

Desire Me(uncredited:George Cukor/Jack Conway/Mervyn LeRoy/Victor Saville, 1946)

Flaxy Martin(Richard L. Bare, 1948/9)

Swing High, Swing Low(Mitchell Leien, 1937)

Death Takes A Holiday(Mitchell Leisen, 1934)

Irene(Herbert Wilcox, 1940)

Beloved Enemy(H.C. Potter, 1936)

The Cowboy and the Lady(H.C. Potter, 1938)

Der Golem, wie er in die Welt kam(Paul Wegener, 1920)

Mia madre(Nanni Moretti, 2015)

Hell On Frisco Bay(Frank Tuttle, 1955)

Stormy Weather(Andrew L. Stone, 1943)

The Milky Way(Leo McCarey;w.Harold Lloyd, 1936)

Pietà per chi cade(Mario Costa, 1954)

Repeat Performance(Alfred L. Werker, 1947)

Das indische Grabmal:1.Die Sendung des Yoghi,2.Der Tiger von Eschnapur(Joe May, 1921)

Julie(Andrew L. Stone, 1956)

The Member of the Wedding(Fred Zinnemann, 1953)

Winterset(Alfred Santell, 1936)

The Right to Romance(Alfred Santell, 1933)

As Young as You Feel(Harmon Jones, 1951)

You’ll Never Get Rich(Sidney Lanfield, 1941)

The Woman Accused(Paul Sloane, 1933)

Foma Gordeiev(Mark Donskoí, 1959)

The Parent Trap(David Swift, 1961)

High Wall(Curtis Bernhardt, 1947)

Mr. Lucky(H.C. Potter, 1943)

Un Marido de Ida y Vuelta(Luis Lucia, 1957)

The Safecracker(Ray Milland, 1957/8)

She’s Funny That Way(Peter Bogdanovich, 2014)

Oh...Rosalinda!!(Michael Powell & Emeric Pressburger, 1955)

Caribbean(Edward Ludwig, 1952)

Harper(The Moving Target;Jack Smight, 1966)

For You I Die(John Reinhardt, 1947)

Crashing Hollywood(Lew Landers, 1937/8)

Le Souvenir d’un avenir(Chris. Marker & Yannick Bellon, 2001)

Susan Slept Here(Frank Tashlin, 1954)

Bishkanyar Deshot(In the Land of Poison Women;Manju Borah, 2019)

Pollyanna(David Swift, 1960)

A Tale of Two Cities(Jack Conway;collab.Val Lewton & Jacques Tourneur, 1935)

Café Society(Woody Allen, 2016)

Shadow on the Wall(Patrick Jackson, 1949/50)

Tonnerre(Guillaume Brac, 2013)

Le Jouet criminel(Adolfo G. Arrieta, 1969)

‘Once more, with feeling!’(Stanley Donen, 1959)

The Shopworn Angel(H.C. Potter, 1938)

The Absent Minded Professor(Robert Stevenson, 1961)

Gavaznha(The Deer;Masud Kimiai, 1974)

[kwebtv]

A Young Doctor’s Notebook  -  Sky Arts One  -  December 6, 2012 - December 12, 2013 

Dark Comedy (8 episodes)

Running Time:  30 minutes

Stars:

Jon Hamm as the older Dr. Vladmir "Nika" Bomgard

Daniel Radcliffe as the young Dr. Vladmir "Nika" Bomgard

Rosie Cavaliero as Pelageya Ivanovna

Adam Godley as Demyan Lukich

Vicki Pepperdine as Anna Nikolayevna

Christopher Godwin as Leopold Leopoldovitch (series one)

Shaun Pye as Yegorych  (series one)

Tim Steed as NKVD Agent Kirill  (series one)

Margaret Clunie as Natasha   (series two)

Charles Edwards as The Colonel  (series two)

Tom Forbes as Anatoliy (series two)

Daniel Cerqueira as Vlas (series two)

[kayincolwyn]

In Memory Of  Daniel “Danny” Lukich (February 18, 1952 - February 18, 2018)

When I first met Danny about eight or nine years ago at the Ledding Library here in Milwaukie (which we cleaned together almost every Friday night for a number of years after that), I wasn't quite sure what to make of him. With his sometimes difficult to understand speech and shuffling gait, on first impression I wasn't sure how I was going to get along with this strange old man.

But overtime I realized that under the surface, behind those things that those who didn't look any deeper may have judged him for, there was a wise, funny, and kindhearted soul who in spite of all of his struggles in life touched the lives of those who knew him and loved him in his own unique way, and it wasn't long before he won me over.

I soon began a tradition of bringing Danny treats, such as cookies and cupcakes, every Friday that we worked together, which he always appreciated, and I would also bring him birthday and Christmas gifts, and he would bring me gifts as well. While working we would chat about everything from work and family drama to movies and music, from religion and politics to Star Wars and Barbara Streisand. Danny may have had his opinions and his likes and dislikes for sure, but even if we didn't always agree on everything there was a shared mutual respect and affection that we had for eachother, and while I could say that we were co-workers I can also say that we were friends, friends who confided in and encouraged one eachother and enjoyed eachother's company.

I remember he would sometimes playfully tease me about my hair cut or nerdy shirts that I wore (like Star Wars for example), and how he would sometimes pull pranks on me, and how he would call me up on holidays or just leave me random messages that made me smile or laugh and I would think 'that's Danny'. He was a character for sure, with a great sense of humor, which I have little doubt will be one of the things that he is remembered for. While Danny wrestled with a lot of things in his life, and had times when he was angry or disappointed or sad, I believe at heart he was someone who liked most to have fun and to laugh.

I remember Danny telling me about how when he was born because of complications the doctors said that he wouldn't make it that long, and yet even after 60+ years he was still kicking around. I think he took pride in that, that in some sense his life was a miracle, and that he had gone beyond expectations and had beaten the odds. I remember he would half-joke with me at times about dying, as though there was part of him that expected his time was coming soon, and the way he talked about it I don't think he had much fear of death, so while I am sad about his passing, as all those who knew and loved him are I know, I don't believe that he is sad about it, and I believe that wherever Danny is now, whether in spirit watching over us, with a smile and a twinkle in his eye, or in some wonderful realm that is beyond our imagining, I think he is having a good time.

I am thankful for the chance to know Danny for the time that I did, it was a gift and a blessing. I will miss you old man. Thank you for your friendship, and I hope to see you again, somehow, someday, somewhere.

[karoltabis]

In the opal mining red dirt of Andamooka, South Australia; a son faces the memories of the mysterious disappearance of his father in a great flooding storm, while the same storm appears on his own horizon. — The South Australian desert is a mystical place - millennia ago it was an ocean, and opalised aquatic dinosaur fossils are still found in the dirt there today. It is home to an arid land and deep, old magic. It is a place of endless sweeping salt flats and undulating flat red earth. Andamooka is where the frontier is, and the last of the great Australian frontiersmen call it home. The land is a stolen land, and a cursed land - and the magic of that wound has a unique way of working on the people that are born there new, and those who came before. — Executive Producers: Julianne English, Cameron Gray, Matthew Helderman, Johnathan Sheldon, Cameron Cubbison, John Rhodes, Angela Thompson, and Ian Thompson. Producer, Director & Writer: Matthew Thorne Producer: Steven Garrett Associate Producer: Zoe Edema Location Production Manager: Lara Lukich Location Logistics Coordinator: Katalin Wilby Director of Photography: Aaron McLisky Director of Photography (Pickups): Andrew Gough Production Designer: Benjamin Ashley Editor: Katerina Borys Sound Designer: Chris O'Neill VFX Supervisor: Pedro Motta Colourist: Daniel Stonehouse Original Music Composed by Luke Howard Album available online (via Mercury KX — Apple Music, Spotify, most other streaming services) Album available on vinyl (via Hobbledehoy Records — https://ift.tt/2KG99M3) First AD: Christopher Seeto Steadicam: Tim Walsh 1st AC: Chris Braga 2nd AC / Data Wrangler: Danielle Payne Gaffer: Max Gerschabach Grip: Martin Fargher Sound Recordist: Luke Fuller Art Director: Aisha Phillips Art Department Assistant: John Flaws Assembly Editor: Rolando Olalia Assistant Editors: Eliza Cox, Shannon Michaelas, Jana Plumm Compositor (The Refinery): Chris Betteridge Additional Sound Design: Daniel Mueller, Soren Maryasin Dialogue Editing: Brendan O'Neill Title Design: Nadeem Tiafau Kokatha Community Liaison: Glen Wingfield Editorial by The Butchery Sound Design by FrostFire Audio VFX by Push VFX Colour by Crayon DCP by Postlab.io Camera Equipment provided by Gearhead Opals Provided by Dukes Bottle House Motel & Andamooka Opal Showroom Catering by Tanya Simpson, Pippa Stafford and Charlie Sim Produced with the assistance of the ScreenCraft Short Film Grant & Bondit Media Finance Additional Cast: Stacey Dadleh, John Wilby, Paul Uhlik, Taj Gow-Smith, Clive "Spready" Spreadborough, Alan "Staffy" Stafford Heath, Stefan Bilka, Joe Sach, Drago "Tarzan" Antic, Val Harrison, Mash Clifford, Annie Uhlik, Jacinta Carrr, Tanya Simpson, Pippa Stafford, Claudia Mitchell, Greta Howard, Nikki Johnson Special thanks to Greg Franklin, Jack Hutchings, Matt Glasser, Freya Maddock, Jospeh Sach, Margot Duke, Simon Quilliam, Peter Taubers, Lester & Gill Rowley, John West, Clint & Jodie Gow-Smith, Stefan Bilka, Kendal Secker, Conan "The Barbarian" Fahey, Samantha Collings, Mandy Masters, Rebecca Dugan, Rachael Ford-Davies, Greg "Greggie" Franklin, Cowel Electric, APOMA, The Pool Collective, Andamooka SES, Andamooka CFS, Charle & Co. Coffee, Roxby Travel and Cruise, Andamooka Boo-Teek Op-Shop, Coates Hire Roxby Downs, Roxby Downs Motocross Club, The Tuckerbox & Staff For the community of Andamooka, South Australia.

[nadenemurray]

The Sand That Ate The Sea from Matthew Thorne on Vimeo.

In the opal mining red dirt of Andamooka, South Australia; a son faces the memories of the mysterious disappearance of his father in a great flooding storm, while the same storm appears on his own horizon.

—

The South Australian desert is a mystical place - millennia ago it was an ocean, and opalised aquatic dinosaur fossils are still found in the dirt there today. It is home to an arid land and deep, old magic. It is a place of endless sweeping salt flats and undulating flat red earth.

Andamooka is where the frontier is, and the last of the great Australian frontiersmen call it home. The land is a stolen land, and a cursed land - and the magic of that wound has a unique way of working on the people that are born there new, and those who came before.

—

Executive Producers: Julianne English, Cameron Gray, Matthew Helderman, Johnathan Sheldon, Cameron Cubbison, John Rhodes, Angela Thompson, and Ian Thompson.

Producer, Director & Writer: Matthew Thorne Producer: Steven Garrett Associate Producer: Zoe Edema Location Production Manager: Lara Lukich Location Logistics Coordinator: Katalin Wilby

Director of Photography: Aaron McLisky Director of Photography (Pickups): Andrew Gough Production Designer: Benjamin Ashley Editor: Katerina Borys Sound Designer: Chris O'Neill VFX Supervisor: Pedro Motta Colourist: Daniel Stonehouse

Original Music Composed by Luke Howard Album available online (via Mercury KX — Apple Music, Spotify, most other streaming services) Album available on vinyl (via Hobbledehoy Records — hobbledehoyrecords.com/store/luke-howard-the-sand-that-ate-the-sea/)

First AD: Christopher Seeto Steadicam: Tim Walsh 1st AC: Chris Braga 2nd AC / Data Wrangler: Danielle Payne Gaffer: Max Gerschabach Grip: Martin Fargher Sound Recordist: Luke Fuller Art Director: Aisha Phillips Art Department Assistant: John Flaws

Assembly Editor: Rolando Olalia Assistant Editors: Eliza Cox, Shannon Michaelas, Jana Plumm Compositor (The Refinery): Chris Betteridge Additional Sound Design: Daniel Mueller, Soren Maryasin Dialogue Editing: Brendan O'Neill Title Design: Nadeem Tiafau

Kokatha Community Liaison: Glen Wingfield

Editorial by The Butchery Sound Design by FrostFire Audio VFX by Push VFX Colour by Crayon DCP by Postlab.io Camera Equipment provided by Gearhead Opals Provided by Dukes Bottle House Motel & Andamooka Opal Showroom Catering by Tanya Simpson, Pippa Stafford and Charlie Sim

Produced with the assistance of the ScreenCraft Short Film Grant & Bondit Media Finance

Additional Cast: Stacey Dadleh, John Wilby, Paul Uhlik, Taj Gow-Smith, Clive "Spready" Spreadborough, Alan "Staffy" Stafford Heath, Stefan Bilka, Joe Sach, Drago "Tarzan" Antic, Val Harrison, Mash Clifford, Annie Uhlik, Jacinta Carrr, Tanya Simpson, Pippa Stafford, Claudia Mitchell, Greta Howard, Nikki Johnson

Special thanks to Greg Franklin, Jack Hutchings, Matt Glasser, Freya Maddock, Jospeh Sach, Margot Duke, Simon Quilliam, Peter Taubers, Lester & Gill Rowley, John West, Clint & Jodie Gow-Smith, Stefan Bilka, Kendal Secker, Conan "The Barbarian" Fahey, Samantha Collings, Mandy Masters, Rebecca Dugan, Rachael Ford-Davies, Greg "Greggie" Franklin, Cowel Electric, APOMA, The Pool Collective, Andamooka SES, Andamooka CFS, Charle & Co. Coffee, Roxby Travel and Cruise, Andamooka Boo-Teek Op-Shop, Coates Hire Roxby Downs, Roxby Downs Motocross Club, The Tuckerbox & Staff

For the community of Andamooka, South Australia.

[intonews-blog]

Jennifer Hawkins appeared just twice but that was all she needed

JEN Hawkins appeared just twice on the runway at the Myer Autumn 2017 fashion launch but that’s all she needed to steal the show.

The veteran Myer ambassador showed off some serious summer glow in a bold Alex Perry dress with a thigh-high slit in the front and a low-cut V down her chest to open the show. She finished it in a shimmering Toni Matičevski strapless gown.

Huge shoulders, Edwardian high collars, thick lace, soft florals, ruffles, double denim and even triple denim, were all key looks. While there were pops of colour, black dominated.

There were black felt matador hats, black fringing, one-shouldered dresses, flat boots and lashings of leather.

When it comes to skirt lengths this season’s go from one extreme to the other.

For those who dare to bare their pins, flirty skirts as well as tight leather styles are the way to go, while those wearing longer lengths are going well below the knee.

For winter, there is absolutely no in between.

With every new style season comes a re-imagining of a previous decade and this time the 70s are taking centre stage.

The ruffles and sheer fabrics being used by most designers will take fashion lovers back to a period of easy-to-wear shapes, pops of colours, shorter skirt lengths and big, bell sleeves.

Myer executive Daniel Bracken said the retailer recognised lots of people can’t afford some designer brands and was committed to affordable and Australian fashion.

“We have a dedicated position and a commitment to Australian fashion so we like to

nurture brands and we have stretched our designer offer by bringing in some of these ‘bridge’ designers,” he said.

The show was held in the heritage-listed underground carpark at Melbourne University with its striking curved roof.

Sixteen of Myer’s Australian and international designers, with a cast of 30 models, showcased 100 new season looks.

Myer Ambassadors Jodi Anasta and Lauren Phillips are on the guest list in Melbourne alongside personalities including Carrie Bickmore, Nadia and Jimmy Bartel, Lindy Klim, Andy Lee and Rebecca Harding, Ksenija Lukich, Emma Booth and Rebecca Maddern.

Source:www.news.com.au

  Jennifer Hawkins appeared just twice but that was all she needed was originally published on IntoNews