#deadlines are approaching and i dont understand any of the content

[california-112]

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[cupid-styles]

omg ok so blurb idea for ginger ale bc u said u needed inspo

i know u kinda already touched up on this in the main story but what if mias like completely drained from school like its exam season and she has to study but shes also somehow failing classes even tho she studied and is swamped with work but cant get up to do anything bc shes panicking and stuff and idk maybe she pushes him away bc shes freaked out and hes like huh bc she never snaps at him like that bla bla and then some angst and fluff and comfort 😭

im so sorry this wasnt supposed to be that long but inspiration struck😭💀obviously u dont have to write it jus a suggestion

omg LOVE THIS!!!!! here's a little something for you :))

word count: 1.7k

content warnings: angst (all is solved in the end), harry being a dummy, age gap romance (8 years)

based on this one-shot!

masterlist | talk to me

. . .

Harry has never seen Mia so exhausted before.

Granted, they've only been officially dating for a few months, but she's typically a relatively organized student. It's something that he's always admired about her — he can think back to his days in university and immediately remembers scattered deadlines and far too many hungover mornings, resulting in constantly missing classes.

Then again, he's never seen her during finals season, and it's apparent that she's feeling the impact of papers, exams, and one too many late nights spent studying.

Because of the nature of their lives, finding time to spend with one another without work or school is often difficult. It's important to Harry that they actively set aside an evening or two each week that's just for them. No discussion of board meetings, lectures, or any stressors — he likes to keep it simple with a delicious and filling meal, a movie on the TV (whether or not they watch it is a separate factor), and his girl nestled into his side.

But for the first time ever, Mia's texting him to cancel.

Under any other ordinary circumstance, he'd be more understanding. Truly. But it's been almost a week since he's seen her, and he's feeling... well, needy. He misses her! And he knows that distance is good, blah blah blah, but this is their time — and it feels like she's just brushing him off, as if he barely matters.

It's why he ends up calling her on his way home from work with Reese driving smoothly and calmly up in the front. Harry drums his fingers against his knee as he listens to the dial tone, a frown on his lips as he waits for her to answer.

"Hello?"

Relief washes over his chest despite her anxiety-ridden tone. "Hey, I'm heading home from work. Do you want me to have Reese come pick you up?"

She sighs frustratedly, "Harry, I just texted you that I can't come over tonight. I have to study."

"You can't give up a few hours to spend with your boyfriend?" he fires back, an accusatory edge to his voice, "I've barely seen you lately."

"You've been in school before, H, you know how stressful exams season is. I need to do well."

"Mi, you're the smartest person I know, you'll be fine if you take some time away from—"

"I won't be, actually," she suddenly snaps. "I'm already failing one of my most important classes and if I don't get at least a B+ on the final, I'll have to retake it next semester. So no, I can't just slack off for a few hours, I need to study, Harry."

Immediately, he pauses. Mia has never gotten angry with him before, vice versa. And he doesn't think he's being particularly unreasonable — if anything, he feels she is — but he's mature enough to know that nothing's getting solved in this conversation. Not when she's clearly tired and stressed. Instead, he opts for the more caring-boyfriend-approach.

"I didn't know you were failing a course. Why didn't you ask for help?"

"Because you can't solve everything!" Mia exclaims, sending a pang of hurt rattling through his chest. "I need to go, alright? I'll see you soon."

With that, the line goes dead.

. . .

Even when Mia falls asleep on her couch, textbook in her lap and a highlighter between her fingers, she can't believe Harry.

The next morning, when she has a persistent ache in her neck and her back feels like it's broken in two, she knows school isn't the only stressful thing her body's responding to.

She thinks dating an older guy is great. Dating Harry is great. Until moments like this, when he somehow forgets that people — including his girlfriend — need to work to get certain things in life, and that they won't just be given an entire company a month after graduation. She doesn't doubt that he understands that on some level, but from the perspective of a partner — well, she thinks he's being pretty insensitive.

Her fingers twitch at her sides in class as she tries her best to pay attention, wanting nothing more to grab her phone from her bag to see if he's texted her. Midway through the day, though, there's still nothing. She can't believe he still hasn't apologized for how he acted the previous night, and it only makes anger fester in her chest even more.

Finally, by the time she trudges home in the cold (December is nearing, and with that comes miserable gusts of wind and flurries of snow), she's had it with his silent treatment. She's barely through the door when she decides that she'll be the one to break the tension — only, when she kicks her shoes off at the door, she notices that her kitchen and living room lights are on, and she surely turned them off before heading out this morning.

Gripping her phone in her hand, she quietly tip-toes out of the entryway, nervous that there's some sort of... homely intruder eating her snacks or watching TV. Instead, she gasps out in shock, clutching her chest when her eyes fall on none other than Harry.

"What the fuck?!" Mia exclaims, her heart thumping quickly with anxiety. "What are you doing here?"

"I wanted to see you."

She squints her eyes, feeling her eyebrows nearly shoot up to her forehead. "So you call. Or text. Not break into my house!"

"You gave me a spare key, Mia—"

"That's for emergencies!" she shouts, suddenly feeling like the living room is slowly getting smaller and closing in on her.

"But you never would've let me come over—"

"Harry, I was literally about to call you when I walked in the door. I'm still mad at you for last night! And you're only making me angrier by being here!"

Tears well up in her eyes as she spits the words out at him. She never thought she'd be in this position with him — it hurts her to even verbalize her anger.

"Wait," Harry stands from the couch, a furrow in his brows as he crosses his arms over the button-up he likely wore to work today, "You're mad at me?"

Mia stares back at him like he has two heads.

"Yes," she slowly replies. "Do not tell me you're mad at me."

His throat bobs. "Yeah. I am."

"For what?!" her anger festers in her chest all over again, exploding like an overflowing pot of boiling water.

"You— you haven't been around lately. You haven't been spending time with me or treating me like a priority."

She squints her eyes, her fingertips finding her temples as an ache begins to settle at the sides of her head. With a shake of her head, she turns around, stomping back towards the entryway of her apartment.

"You need to go," she decides, not even bothering to shed her jacket off yet, "I can't talk to you right now. You're being incredibly unreasonable."

"So you just want to walk away, then? We're not gonna solve anything, we're just gonna keep ignoring each other?"

"I was never ignoring you! I was waiting for you to apologize to me, only to find out that you think I'm in the wrong!"

Harry scoffs as he follows her down the hallway. "Well, I'm not leaving. I want to fix things. And I'm not going until we do."

"Is your approach to annoy me into apologizing?" Mia snaps.

"No," he mutters with a roll of his eyes, "Maybe we're both just being emotional."

She shrugs her shoulders.

"Do you still want me to go?"

Mia shifts her stance from foot to foot. With a noisy sigh, she shakes her head before mumbling out, "No. Let's just... talk about it."

He nods. There's a silence lulling between them as she stands with her back pressed against the wall, stubbornness apparent as she crosses her arms over her chest. He swallows and rolls his lips into a thin line.

"I'm sorry for coming over unannounced. That was very immature of me and crossing a boundary. I wasn't thinking, I just wanted to see you."

She keeps her eyes on the floor. "I just wish you'd texted or called instead. I waited all day to hear from you."

"I'm sorry," Harry repeats, his sock-clad feet taking a hesitant step closer to her, "It makes me feel stupid, how needy I can get. I know we're both busy with our own lives but I adore you, Mi. And I hate being away from you."

"I hate it, too," she mumbles, her bottom lip slightly pouted. "And you're not stupid for being needy... I just need you to understand that I'm working hard trying to get my education, and I need you to respect when I'm stressed or busy."

"I will. I'll do better."

She glances up to look at him. He looks tired, his eyes sad. With a quiet sigh, she lifts her hand to press her palm against his warm cheek. The prickles of his facial hair serve as a harsh juxtaposition from the soft skin beneath.

"I'm sorry, too. I never want you to feel like I don't care or I don't want to be with you. I just get so overwhelmed."

"I understand," Harry coos, wrapping a hand around her wrist to bring it to his mouth. He presses light kisses into her palm. "I know you care. I have to work on being more secure in our relationship."

Mia hums at his kisses, his gentle nature a welcomed change from their arguing.

"You know, you could always move closer," she murmurs with a smirk. He chuckles.

"Yeah. Or you could always just move in."

She rolls her eyes, "Then I'd really never get any work done."

"Mm, but think about how nice it'd be," he mumbles, slipping an arm around her waist to pull her closer. "I'd cook you dinner all the time, bring you snacks and tea while you study... you'd have your own office, of course. We could get a dog or a cat, too. Share a bed every night... you wouldn't have to use travel sizes of all your skincare stuff either, because everything would be there already."

She smiles to herself as she leans her head on his shoulder. The thought is nice. So nice. But they both know it's too early in their relationship, regardless of how deeply they feel for one another. Maybe it's a dream to work up to — a sweet, domestic life together.

"And you know what would be the best part?" she asks, brushing her lips up against the shell of his ear.

"Hm?"

"I'd get to use your heated bathroom floors every day."

[velvetsehun]

hiiii i've been a follower of yours for quite a while and i absolutely love your writings!!! i hope you don't mind me asking since this question is not related to your blog, but it's my first year of college and now that classes are online because of covid 19, i feel so overwhelmed with my work, like i have so many papers and projects all due in the same week and i feel mentally exhausted and just giving up. i honestly don't know how to deal with this, i was hoping you'd give me some advice? 😭

hello lovely! thank you, im glad you enjoy them, its whats they’re there for ;)

I’d be glad to give you some advice, i understand things are tough right now due to the virus, im obviously a uni student myself rn and i had to work out how to do everything so that i dont cry! 

I think the first thing to approaching school is to first of all, take a step back and actually evaluate what it is you have to do - i’ve go 3 essays due the same week as well and the first thing i did was step back, look at the deadlines and then look at the time that i have, its very easy to just see deadlines and think “i have to do all of this right now or it wont get done” which is partly whats overwhelming you! my main factor to planning out work is to put the due day into my google calendar, and then look at the days you have and be realistic with how long it takes to do thing! i’ll write it down in the calendar that way i HAVE to do it. ALSO GIVE YOURSELF AT LEAST A DAY OR TWO BEFORE YOU START!!

It takes me 2-3 days to plan, write and edit an essay (1500-2000 words) and i keep that in mind when i plan, so ill typically dedicate time to each thing i have to do, with a 2-3 day gap in between them! so from today until the 28th, ill be working on an essay, and today specifically ill be making an essay plan and thats all ill do today! 

ill plan my essay, breakdown the paragraphs and their contents, find key reading and then ill just leave it for the rest of the day, give your mind some time to process what it is you’re writing, and then tomorrow ill write! i typically do an hour of writing then 45 minute break, and i’ll do a paragraph in an hour! that way im not dedicating 9 hours to just starting at a word doc, im taking breaks inbetween! you’ll stress your mind out just focusing on one thing for hours on end! and after a few hours the essay is written and then ill leave it again! 

then on the 28th, ill go in and grammar/word check it, make sure it makes sense and read it over and if i feel like it, ill submit it same day! then after ive done that essay, ill take a 2-3 rest and start something new, that way im not bogging my mind down with everything! it also helps to REFERENCE AS YOU GO PLEASE OMG it makes it so much easier, use a website like citethisforme and you’ll save about an hour! 

it get its hard to apply yourself to doing the work in the first place when you’re stuck in the house, but what helps me is getting ready like its a normal day, getting out of pajamas and wearing real people clothes, maybe going for a quick walk outside and then coming back to start your work - that what you’re convincing yourself almost that you’re actually somewhere else and you start to feel a lot less cooped up!

im also someone who cant listen to “loud” music when im writing, so ill literally listen to it on the lowest volume i can still here so that my brain isnt focusing on something else while im trying to write!

here’s an example of what my calendar can look like (i cant show you my actual one since its got personal stuff on it but here’s a good example!):

also! its very important to practice some form of self-care in any break you get! I’m my 45 minute breaks between paragraphs ill make food, ill watch something, maybe write a little, ill talk to someone, ill sometimes just go out into the garden and look around! anything that isnt directly tied to the task im doing so that my break relaxes for a second! 

in my longer breaks between days, ill dedicate my time to other things that i have to do or want to do; ill do some yoga, ill write, ill read, ill cook/bake! 

Its very easy to just want to give up completely, and i completely understand that, but building a routine can really help you and understanding that you CAN do the work, you ARE capable, and that is IS doable; you just need to breathe and look at things a little differently, your own headspace can become uninhabitable so for a little while take a step out of that, and remember that you are a fully capable human and you have feelings! they can be tricky but once you understand how to manage them it gets better, you arent a bad person for wanting to just give up, you just need a little shove! 

I hope this helps! obviously i’m not a professional, i’m just another person, but my own mental health struggles taught me to start doing things another way if i wanted to get better or otherwise im living in a head in which is not meant for living in! 

I believe in you okay? and i know fine well that all the virus stuff is making all of us a bit stuck in a rut, we cant cure it but we can show it that we work with it - you’re fully capable and you’re going to do these assignments to the best of your ability! 

[martinmcg]

Getting Started in Public Relations

So, a few months ago a student on Middlesex University’s journalism degree approached me with some questions about how a journalism student could prepare for work in public relations. Anyone who knows me will be entirely unsurprised to discover that I answered at somewhat stupid length. I think some of the stuff here might be of more general use to those at the start of their careers (although some of it is particular to students at Middlesex) so I thought I’d put it up here.

What are the most important skills you need to work in PR?

Rather than try to answer this myself I’m going to defer to the annual “State of the Profession” report from the Chartered Institute of Pubic Relations (CIPR – attached, along with the 2019 “PR and Communication Census” from the PRCA – Public Relations & Communications Association) which will both give you some insight into the current state of the profession.

The CIPR report (p28) sets out the top five skills most valued by recruiters as:

Copywriting and editing

Social media relations

Media relations

PR programmes/campaign planning

Research, evaluation and measurement

Writing well, being able to write in a variety of voices for different media, and having a working grasp of grammar and punctuation are still the fundamental skills for PR staff. Increasingly, those working in public relations have shifted from being “content prompters” (encouraging others to create material) to being “content creators” and while there can be lots of bells and whistles to this in terms of production skills, the basic requirement is to be able to craft a convincing message – and, most often, that requires a skill with words. No one (almost no one, anyway) is born a good writer – writing is a muscle that is strengthened by reading good writing (and paying attention to why it is good) and practice.

There’s still an assumption amongst some – older – people working in PR that the young (being “digital natives”) have a sort of innate understanding of how social media works that older generations lack. I’ve, generally, not found this to be true (being a consumer is not the same as being a creator) but you can take advantage of this prejudice if you can demonstrate an ability to use social media effectively. Having your own accounts with strong followings and interesting content (but possibly not too interesting) will be regarded as a definite positive by many employers.

Media relations – being able to demonstrate that you understand the needs of journalists, influencers and clients and that you have the ability to develop networks, manage relationships and build contacts remains a fundamental part of the PR role. The way these relationships work is different from sector to sector (financial PR works differently from fashion PR which works differently from political PR). The old-fashioned idea of schmoozing clients over long, expenses-funded, lunches (that, on a good day, became long, expenses-funded dinners) is, in these more austere times, very sadly, largely a thing of the past. But managing professional relationships is still crucial. Some people have a natural talent for the personal connection stuff, other people (like me) have to fake it by keeping meticulous files on contacts, their interests and previous collaborations.

Programme and campaign planning is not something I’d expect a new hire to be able to manage off the bat, but it’s useful if they have an idea how planning works and how their contributions have to fit into the broader scheme of things. If you want an introduction to the theory and basic outline of planning, I highly recommend Anne Gregory’s “Planning and Managing Public Relations Campaigns” – they’ve just published a new edition.

Increasingly pubic relations is expected to demonstrate a clear “return on investment” to managers or clients. So, the measurement and evaluation of projects has become more and more important. In journalism – where clicks tend to be king – measurement tends to be relatively straightforward. For PR it can be more complex – since individual public relations activities are often part of a longer-term strategy. The PR industry has developed the “Barcelona Principles” (introduction here: https://www.prnewsonline.com/barcelona-principles-2-0/) and the AMEC framework (https://amecorg.com/amecframework/home/framework/introduction/) as attempts to standardise and regularise measurement across the industry – but even where these are not formally applied, it is increasingly expected that PR campaigns and individual pieces of work will have clearly defined and measurable outcomes.

Is there any advice you have for me changing from a journalism field to pr?

So, as noted above, the ability to write and to manipulate words remains a key connecting tissue between the PR and journalism industries and if you have other content creation skills from your journalism background (audio, video, social or digital media) then you will definitely be able to leverage those in the PR field.

One of the most common complaints about PRs from journalists is that they get bombarded by useless stuff that isn’t relevant to their job (https://www.prweek.com/article/1668923/pr-pros-dont-understand-story-is-say-majority-journalists) and I think this is a fair criticism of a lot of bad PR. If you can demonstrate an ability to do the research into what the journalists/influencers you are targeting need and can use, then you’ll be doing your clients a favour.

I think one of the things that most journalists don’t get about PR is that, when done well, it is (usually) a much longer term and more strategic role than journalism. Good PR isn’t just about churning out today’s story (in the form of a press release) but developing long-term approach that establishes your client in a particular niche or as having a particular relevance. So, good PR isn’t just reactive – it involves being prepared for events and having crisis plans and developing campaigns that fit into strategies that deliver results over relatively long periods. You do, sometimes, get the buzz from tight deadlines and needed to respond instantly to crises but in between it’s about creating relationships that sometimes don’t pay off for years.

Do you have any suggestions on how you stand out in the industry?

My instinctive response to this – because of my background – is don’t stand out. My experience is in PR for political/social campaigning (unions, charities, causes) and one of the mantras on that side of the industry is “never become the story” and, as such, I’m always a bit suspicious of PRs who spend a lot of time promoting themselves.

That said, I recognise that not all areas of the PR industry are like that and that you do need to build a reputation within the industry.

I’m a big believer in professional standards – I’m a Chartered member of the CIPR – which means I do my “continuous professional development” (CPD) each year and get a little badge that says (to me, and I hope to others) that I’m a good boy who takes his job seriously.

As a student at Middlesex you are automatically entitled to membership of the PRCA – you can sign up here (https://www.prca.org.uk/membership/join – make sure to use your Mdx email address). Their website has lots of interesting and useful links and (in normal times) lots of opportunities to connect with others. You can also, I think, get free access to view their online training – which is normally £200 or so a session.

I’m very sceptical about specific “networking events” as they very often attract people who only have a very instrumental view of building contacts (what can they get out of it for themselves) but – in normal times – London is great for attending industry related events where you can rub shoulders with, get to know and maybe build up relationships with people at high-levels in the industry. Again, the PRCA website is a good place to start – if we’re ever allowed to gather in the same room as other humans again. But right now it’s actually easier to attend things because Zoom calls tend to be a bit less exclusive or exclusionary and – at least for me (I’m not great at the schmoozing bit) – a lot less stressful, though clearly the intensity of engagement is lower online.

Managing your own PR persona is important. A professional website (don’t do what I do, do what I say!) that shows off your skills/abilities/personality can be useful – especially if you can keep it up-to-date with something like a blog that discusses issues in the industry. Similarly, a strong LinkedIn profile can help and good, professional social media accounts that you use to engage in discussions about the industry and build up connections (not just spam people for job opportunities).

Finally, and I say this to all my students, there’s a mindset amongst some people that you can’t do PR or show off your abilities unless someone else has given you instructions – so students sit around complaining about lack of internship opportunities or the chance to show what they can do. This is not true. I am an internship-sceptic – too many of them offer poor opportunities to learn or a real foot in the door. Rather than waiting for the perfect internship, I encourage professionals starting out to “intern for themselves” – find a cause or an issue you care about (a local charity or a community group) and volunteer. Develop a portfolio of stuff that you’ve done that shows you are a self-starter and that you have the skills employers are looking for so that you’re starting to define your future career on your own terms. I graduated into he middle of a recession in the early 1990s and spent two years volunteering – building up a body of work and contacts while doing jobs I didn’t much like (barman, supermarket shelf stacker…) – until I made my first break into working in journalism.

Lastly, is there anything I can do or read to keep myself informed?

This lot should get you started…

MAGAZINES PR Week (https://www.prweek.com/uk) is probably the key industry magazine. It’s online content is mostly behind a paywall but you can register for free for limited access and there’s the blog (https://www.prweek.com/uk/blog). I also like the CIPR’s magazine “Influence” – but the print version is only available members and the online version is relatively limited in content (https://influenceonline.co.uk/).

BLOGS Stephen Waddington is a key UK commentator and writer on PR in the UK https://wadds.co.uk/

Famous campaigns: https://www.famouscampaigns.com/

Power & Influence: https://ellaminty.com/

Comms2point0: https://comms2point0.co.uk/

All Things IC: https://www.allthingsic.com/blog/

Neville Hobson: https://www.nevillehobson.com/

Dan Slee: https://danslee.wordpress.com/

Jessica Pardoe: https://jessicapardoe.com/

Wildfire PR: https://www.wildfirepr.com/blog/

Scriba: http://scribapr.com/blog/

PODCASTS

PR Week’s “The PR Show” is a good general interest effort: https://soundcloud.com/prweekuk

#FuturePRoof Podcast: https://podcasts.apple.com/gb/podcast/futureproof-podcast/id1176718600

PR Moments – https://podcasts.apple.com/gb/podcast/prmoment-podcast/id1334739765

Talking points –  https://podcasts.apple.com/us/podcast/the-talking-points-podcast/id900363572?mt=2

For Immediate Release – https://firpodcastnetwork.com/for-immediate-release/

SpinSucks: https://podcasts.apple.com/us/podcast/the-spin-sucks-podcast-with-gini-dietrich/id1356305060?mt=2

PRovoke: https://www.provokemedia.com/latest/podcast

PR Resolution: https://podcasts.apple.com/us/podcast/pr-resolution-podcast-with-stella-bayles/id1423627061?mt=2

Today In Focus: https://www.theguardian.com/news/series/todayinfocus

Getting Started in Public Relations was originally published on Welcome To My World

[menexplainthingstome783]

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[livingbutamireally]

AY2019/2020 Y1S2 Module Reviews

AY2019/2020 year 1 semester 2 review

Wew this semester was more of a honeymoon period for me still since I cant advance past CS1010S - this is only the first CS mod i have to take big oof. First half of the sem was spent mostly on (re)doing CS1010S AFAST and the rest went to catching up on other modules that are of relatively lower intensities compared to modules i imagine i will have to take next semester? The most challenging mods this sem goes to CS1010S, EC1301 and also.. ST2334? About half of the semester was done at home though due to the COVID-19 pandemic and so the never-ending heap of online lectures to review (for which i am always behind on unfortunately). I have no need to S/U any module this sem fortunately but that also means I might have effectively wasted my last COVID S/Us. I’m also the kind that is happy enough just to pass.

Modules taken this semester:

CS1010S (AFAST)

GEH1031

GES1041

EC1301

ST2334

MKT1705X

CS1010S Programming Methodology (Python) – AFAST

School of Computing

Prof: Ben Leong

Exam Dates: 16 Jan (Midterm Mock - not graded) / 24 Feb (Practical Exam) / 28 Feb (Finals)

Weightage:

Coursemology – 25%

Participation – 5%

Midterm test – NA

Practical exam – 20%

Final assessment – 50%

Since i took the alternative finals i have updated the final weightage for this module (last sems CS1010S had different weightages).

As we already know, this module (or any CS modules in general) easily has the highest workload compared to other modules, except this time without needing to complete missions every week? Also since its a re-module, there were no lectures/tutorials/recitations for this module and the prof spent lesser time than the first module with us. There is just one consultation slot per week that lasts about 1.5-2h, where the TAs/ prof Ben goes through exam questions over the past years and where students get to voice any doubts they might have. Hence, a lot of self-discipline is required on our part to grind past year papers consistently and drill our brains. Not sure if i’ve mentioned this before, but it’s nice of them to provide comprehensive worked solutions for about 50 exam papers (or maybe more) the profs claimed it was the only module in NUS to be doing this. Prof mentioned he was a bit disappointed in our batch as many werent putting in considerable effort right from the start aka ponning consultation slots arranged over the holidays (in December) - which is a lot of effort coming from the professor to arrange this just for our batch (first batch of CS1010S AFAST). Just name me any prof who does this for their students, coming back over the holidays to teach unpaid. Those who were not at level 50 in Coursemology had more time now to finish the missions/side-quests needed to achieve level 50 and get the full points for Coursemology (as we were expected to in Sem 1). Things were a bit rusty after the holidays at the start but it became better with practice. Was a bit disappointed at not being able to get question 2 right during the written paper (finals) it was a bit of an IQ-ish problem solving question. Anyways winged the 4m what-did-you-learn essay question (as usual) at the end as a saving grace and passed albeit by a very bit. I improved by 2 marks ?? compared to the last semester for finals, not the nicest thing to see after so much effort being put in but still. I think I’m just better at writing essays than coding....

Results for the PE

Mean is 14. Median is also 14. Standard Deviation is 7.6. Highest grades was 30/30 Question 1 turned out to be harder than we had intended, but Q2 was quite easy and most of Q3 was doable by most, as you can see in the results. Passing mark for PE is roughly 10/30. 

Mean is 51/10, median is 53/100 and standard deviation is 14.4. Highest was 81/100. Generally, the performance was much worse than we had expected. Pass grade for Finals is roughly 40/100.

Basically, if got 10/30 for PE and 40/100 for Finals and you have done your Coursemology assignments you can expect a C grade. If not, then prepare to SU. CS1010S is not graded on a curve. We set question to test that you have mastered certain concepts and your final grade is a reflection of what you seem to have mastered as reflected by your exam performance.

This whole module was done by recess week so we have more time to focus on other mods. Honestly will be happy enough just to pass. Now, how do i survive CS23030 and CS2040 rip.

GEH1031 Understanding the Universe

Faculty of Science (Physics)

Prof: Cindy Ng

Weightage:

Term Test 1 (3 Mar) – 25%

Term Test 2 (16 Apr) – 25%

Video presentation 5 Apr – 25%

Video critiques 17 Apr – 10%

Astrophotograph 17 Apr – 10%

Quizzes – 10%

Ng is relatively a slower-paced lecturer, which is good for someone like me who cant keep up with faster-paced profs. 2x on her elearning lecture videos makes the best pace imo. Her lecture slides are concise and simple, and will suffice in revision. While she does explain more in depth especially for concepts that are harder to grasp (not many) during the lecture i love that she keeps her lecture slides straight forward to the point. Everything was in point form, short and sweet much appreciated. Also if you pay attention to her lectures, you will do well for the quizzes at the end of each chapter for sure. Though i think you get the marks for quizzes as long as you did them before each deadline like participation marks kinda (?) rather than being graded on whether you answered them correctly. I didn’t do too well for term test 2 unfortunately and I also only just found out you can display the statistics of where you place among the cohort in LUMINUS and needless to say I didn’t place too well. It’s a relatively manageable module though there’s still a lot of content. Term test 1 consisted of MCQs and about 3 2m questions which she call “essay questions” which can be misleading for some (like me!). The MCQs are very tricky and most come in the format of these options: is A/ is not A/ is B/ is not B and you have to pick the right combination (2) out of these 4 options to score 1 point, which of course means less chances of getting them correct compared to the usual 25% in a typical MCQ. Term test 2 was held on LUMINUS at home, and this time since its an e-exam there was only 10mins to do about 25 MCQ, leaving only 0.4 minutes = 24s for 1 MCQ, which proved to be really stressful for many as voiced out by other cohort mates in the forum section (so very valid). The e-exam also had an essay component, 2m per question with 4 questions under 10 minutes. The implementation of this time constraint was to prevent cheating but the duration given was (I feel) unreasonable. As for the video presentation, we had to come up with a 7 min (at most) video most of which lasts 5/6mins on a news article in 2020 regarding astronomy. We had to form groups of 3 at the start of the semester, and were told to look for members on the forums if we did not have enough members. It is not necessary to show your face so you can be creative! For my group, we had a Germany graduate exchange student to work with us which was really cool.  Our group’s theme was NASA’s discovery of exoplanets with the use of TESS which was wrapped up in March, before the deadline in April. Really thankful for him to prompt us each week for progress and have it done and over with instead of rushing it last minute when things get busy during reading week. (I think the guy was really done with us im so sorry Philipp if you are reading this.) Also since term test 2 was done by mid-April we had more time allocated for other modules to prepare for finals (swee). Video critiques were supposedly 50 words long if i remembered correctly but i didnt find out until i hit the submit button and :_D i left 1/2-liners for each. One of the criteria of this video critique was showing that you have watched the videos of other groups well but i dont rmb my critiques proving that ive watched the videos carefully though i really did. I think our group did the best in our cluster though! (based on the critiques). For the astrophotograph, we could take part in the astronomy sessions held on a Friday of every month to use the telescopes but there wasn’t any this semester sadly due to the pandemic.

GES1041 Everyday Ethics in Singapore

Faculty of Arts and Sciences (Philosophy)

Prof: Chin Chuan Fei

Weightage:

4 Journal Entries – 20%

4 Reading Quizzes – 20%

Group Report – 10%

Group Presentation – 20%

Finals – 40%

Chin’s lectures are pretty enjoyable, his voice/tone really suits lectures. He is a very approachable person too and willing to share a lot of experiences relevant to the topic at hand. He includes snippets of related videos in his slides many of which are insightful that made me share with my friends too. There is a total of 4 main themes in the module which are namely inequality, meritocracy, multiculturalism and migration and he also introduced the use of an ethical toolbox to helps us reach a more definitive thought process especially for an abstract topic like philosophy. I didn’t realise this was a philo mod when bidding for it so I was really surprised when i went for the first lecture (like bro it clearly says ETHICS what was i thinking). I also thought it would be something similar to Social Studies but was proven wrong. There are compulsory readings to do each week, about 20 pages long usually per reading and they are all chapters from books written by other Singaporean philosophers regarding the themes gone through which helped to widen my perspectives and broadened my horizons, those were some really good selection of readings. I have learned more things than I previously knew about the foreign domestic workers, migrant workers, racism in Singapore among the many topics we have dealt with.

This module is for those who are : 

Comfortable with reading a lot every week (i put a lot here because i dont usually read)

Comfortable with writing essays (journal entry) 500 words each

Proficient in English (some of the expressions used can be quite complex and may take you a much longer time to process and understand especially with the reading quizzes that tests your comprehension of the readings - really just comprehension in true GP fashion)

Have a lot of experience in this field, those under social work would have many and will be able to share relevant experiences in the journal entry

Interested about the aforementioned themes

Reading quizzes are like comprehension style questions: do your readings and the questions tests you on what you have read so you just have to look for evidence of each option, the questions will refer you to the specific page/reading that will guide you (nice of them to do so). Journal entries and reading quizzes occur on an alternative week basis so reading quizzes followed by journal then reading quiz again and so forth. Nearing the end, you will be grouped according to who you sit close with and you will work together with your group members to work on a project that will have 2 overlapping themes about any policies/ observations of Singapore. It is advisable for the scope to not be too broad. e.g. we chose to talk about offering Muslim food in school canteens vs non-Muslim food (fewer food options for Muslims) and this encompasses both the multiculturalism and inequality themes. The group report will be due before the presentation and it helps identify some main points you will then talk about later during the presentation. Because of the COVID-19 pandemic, the group presentation this semester was done on Microsoft Powerpoint through voice-over slides. God bless, and there goes the need to memorise scripts especially with the finals season so near. The professor was really accommodating and gave us more time to prepare the voice-over slides when he announced that it will be held on powerpoint too. Finals was 20 MCQs in 1 hour on LUMINUS, the questions were similar to the reading quizzes (5 MCQs per quiz).

EC1301 Principles of Economics

Faculty of Arts and Sciences (Economics)

Prof: Ong Ee Cheng

Tutor: Devika

Weightage:

Pre/post-lecture Quizzes

Class Participation

Midterms 7 Mar

Finals 29 Apr

Can’t find the actual breakdown of scores sorry!

Bell-curve is really really steep for this one since its purely MCQ. Divided into micro and macroeconomics so first half of the sem was micro then the other half was macro. Finals was about 70% macro and 30% micro since micro was already tested for midterms. Every week, there’s a pre-lecture quiz to be done before the lecture and a post-lecture quiz due before the next lecture to reinforce your learning. There’s also supplementary readings that were given but i gave up on it by the third week. The way it is taught is a bit different from what I was used to in JC the things they focus on is also a bit different. There’s more calculations than JC whereas JC economics was more conceptual? I took only H1 economics so a lot of concepts were fresh for me like monopolism, comparative/absolute advantages, income elasticity etc. Both midterms and finals was held on Examplify with a lockdown on everything including wifi. The lecturer also provides additional practice questions in the form of quizzes nearing the exams instead of exam papers. To be honest, I felt this module was hard?? Not sure if anyone else felt the same way, it was a struggle.. I thought it was a fluff mod and boy was i very wrong about this. Also important thing to note is though this mod has MCQ-only exam, the MCQs are not 4 options but 6 options long with many tricky options and of course time constraint. Finals was 70/80 questions long in 1h iirc. Midterms was 40 questions. After the 3rd (?) tutorial, there was no more physical tutorials held just zoom tutorial sessions which only 3 ppl in my slot regularly attended. Towards the finals, a lot more zoom sessions were opened up and we could attend other TA’s zoom sessions this was a godsend thank you. My tutor wasn’t really clear in her explanations or maybe it is just me her accent came off a bit strong. I emailed her some questions but even now I have not receive any answers from her, she told me next week, and the next week became next next week and so on. I guess she must have had a lot on her plate. I didn’t think she was a good tutor. I flunked my midterms (5% percentile) so I was a bit dejected.

ST2334 Probability and Statistics

Faculty of Science (Statistics and Applied Probability)

Prof: Chan Yiu Man

Tutor: Li Shang

Weightage:

1. Quiz 1,2,3 (CA1) – 30% (?)

2. Finals – 60% (?)

Prof was really funny and friendly. Although his tutorials left me confused (my friends would care to disagree), his lectures were still pretty good. He always emphasised knowing what we are doing rather than doing the math blindly. The tutor was fast in his replies whenever I asked him questions by email. This module is an extension of statistics in JC, probability and many more probability distribution (F, chi-square, t test, z test) with terms we have never encountered before too (unless you took BT1101 but this mod focuses more on deriving the values than having a program-R calculate it for you). Ever since the outbreak, the lectures were converted to e-lecture slide style but each lesson would take 4 lectures (4h), instead of the 2 lecture per week so we had to spend more time watching the videos than usual. It is easy to be behind on videos when there is only e-lecture videos so much discipline is required to stay on task.

Finals was proctored with zoom and held on Luminus in the form of a quiz. We were expected to scan and submit a pdf with our workings after the exam. I did not have time to finish about 8 questions (a lot of marks gone) there were a total of 30 questions, spent too much time in front on the easier questions. I did study for the later questions but had no chance to utilize what I have revised (sad). I am really dead for this module i hope i dont fail this.

Update. God bless, thought i was really doomed for because i lost so many marks from not being able to finish 8/30 questions that have the most marks rewarded. Guess i really took time to make less mistakes on the previous questions.

MKT1705X Principles of Marketing

Business School (Marketing)

Prof: Regina Yeo

Tutor: Ms Canley

Weightage:

Individual Assignment – 15%

Group Assignment – 25% due in tutorials 4/5

Subject Pool – 10% *

Class Participation – 10% *

Final Exam 30 Apr – 40% *

* not too sure, checked from other reviewers

Individual assignment questions (total of 5) for tutorials 1-3 are given at the start for which the tutor will go through in the allocated weeks. We get to choose the question we want to do and if that week, the question will be discussed that week will be the deadline for our IAs. The other questions in the IA do not have to be submitted but will be discussed in class. There’s class participation for this module so people were more eager than I was used to, to answer questions in class. I had no opportunity to though in this module (halfway into the semester it became elearning), the tutor had too many hands to pick. The tutor was very accommodating and knew our difficulties and was willing to work out compromise. However, her classes were centered mainly on her experiences (which can be a bit boring) it could have been better if she went through the content. Understand that it is a fluff module that requires many examples, but would be good to relate them back to the content we are expected to master. Tutorials are held every alternate week and we are expected to do the individual questions even if we do not need to submit so that we have something at least to share in class. Subject pool was giveaway marks basically do 6 research surveys and u will get the full marks for that. Final exam comprises of 3 essay questions (40m, 30m, 30m) that you have to submit in 1.5h (i thought it was 2h during the paper rip mad rush for the end), no references/research needed but there’s a plagiarism checker by TurnItIn on luminus basically testing the application of concepts to examples.

I got a B+ for group assignment, and A- for individual assignment. I think i can only do essay styled questions, is this a sign to do arts.....

Oh the presentation was changed to a one-shot video recording (no stitching of individual videos together) instead of an actual presentation in front of your tutorial mates. I think a lot of other groups also read off their scripts but ours was really obvious. The tutor grades (structures her own bell-curve) based on those who attempted the same question to be more fair rather than comparing among all the different questions so in a way, the difficulty of the questions won’t affect your grade.

Epilogue. this is probably the last and only time i could do this well.... even if it does not fit the conventional definition of doing well......

[junker-town]

Has Cam Newton played his last game for the Panthers?

Photo by Jacob Kupferman/Getty Images

Newton went on injured reserve and has no guaranteed money remaining on his contract.

Cam Newton won’t be returning to the Panthers’ lineup anytime soon, if ever. Carolina put its starting quarterback on injured reserve in advance of a Week 10 showdown with the Packers, ending his 2019 regular season after only two games due to a foot injury.

That decision puts a middling franchise at a crossroad. Newton, the 2015 NFL MVP, has only one year and no guaranteed money remaining on his contract. His replacement, former undrafted free agent Kyle Allen, won his first four games as a starter in his stead. Allen has since hit a rough patch and has the Panthers on a four-game skid. Now coach Ron Rivera has been fired and any hopes for the postseason are shot.

All that turmoil makes moving on from Newton via trade an interesting possibility. It would likely bring some draft assets back in return while saving the team more than $19 million in salary cap space in 2020.

A Newton trade or release seemed unheard of four years ago when the dual-threat passer rallied his team to a 15-1 regular season record and a victory in the NFC Championship. His Panthers have stagnated since then; he’s an even 23-23 as a starter in the three-plus years since.

In that span, they’ve missed the postseason twice — a third miss is on the way — and gotten a new owner who may be looking to make a splash. David Tepper bought the franchise from a scandal-embroiled Jerry Richardson after a wildly successful finance career based predicated on bold moves. He already moved on from Rivera and could make another such deal by swapping out his starting QB.

So what are the odds Carolina moves on from its all-time passing leader?

Christian D’Andrea: 50 percent (was 20 percent before Rivera’s firing)

There’s some logic to moving on from a former MVP who is only 30 years old. Newton’s breakthrough 2015 looks more like an oasis in a desert of mediocrity the further it gets in the rear view mirror. In the 3.5 years since, he’s completed less than 60 percent of his passes, thrown 44 interceptions in 46 starts, and averaged only 6.9 yards per attempt. Of the 42 quarterbacks who’ve thrown at least 500 passes in that span, Newton’s 82.6 passer rating ranks 33rd — just beneath Joe Flacco and Josh McCown but just ahead of Ryan Fitzpatrick and Blake Bortles.

These are all numbers that likely make a man with an analytical background like Tepper’s very uneasy. With Rivera gone, there’s reason to believe firing a head coach but not cleaning house would be a half measure where a full one is needed. There’s a not-insignificant chance Newton wears a color other than teal for the first time in his NFL career come 2020.

That might be a rash decision whose risks outweigh its potential rewards. Newton’s top gear puts him on a completely different plane than those guys. While it may be panning for fool’s gold to hope he’ll ever be the same player he was — especially as nagging injuries have conspired to sap a little bit more of his strength every year — he still brings plenty to the table.

Newton’s 2020 cap number is a relatively affordable $21.1 million. Combine that with the paltry six-figure/low seven-figure number Allen will receive as an exclusive rights restricted free agent, and you’ve got a QB rotation that would likely cost the Panthers less than the Jaguars will pay Nick Foles next fall.

That’s a fair price to keep a reliable QB tandem in town, and few teams understand the value of a useable backup more than the Panthers right now. If Newton doesn’t work out, he can leave in free agency the following year without Carolina owing him anything. If he does — and the team still believes in Allen as its future — the club could still move him before the trade deadline to a needy team with postseason aspirations and a shaky passing offense.

There isn’t much incentive to release Newton. Trading him while his value may never have been lower isn’t likely to bring the kind of return for which the Panthers would hope. If some team — i.e. the Bears — bowls Carolina over with an offer, Newton could be gone. Otherwise there’s little risk involved with keeping Newton around and seeing what he can do after a full year of rehab.

James Dator: 45 percent

Never, ever underestimate the possibility of the Panthers doing something monumentally stupid — and make no mistake, moving on from Newton would be colossally idiotic. Newton is the first and only true, franchise quarterback the team has ever had, and it took them almost 20 years to draft him.

That said, there are salary cap and coaching issues at play too. Now that the Panthers decided to part ways with Rivera (and likely general manager Marty Hurney by extension), there is a plausible scenario where a new leadership team wants “their guy” to be the quarterback moving forward. Newton will eat up a sizable chunk of the team’s cap space next season, and it might seem prudent on paper to free up that money and get some draft picks in exchange.

Should this happen then the Panthers deserve the next decade of mediocrity. The team’s defense and Christian McCaffrey are good enough that they won’t see a top-five pick anytime soon, so they’ll limp along to a series of 6-10 and 7-9 seasons with Kyle Allen or whomever at the helm until someone finally gets fed up and lets the team tank.

On a personal level, moving on from Newton is just gross. The front office retained their jobs on his back for the last eight years, floundering to give their franchise QB decent receivers or an offensive line of note. He still went on to take them to a Super Bowl and become the best passer in team history despite every card in the beck being stacked against him. Newton never threw the organization under the bus, even when they deserved it. Turnabout is fair play and they deserve to stick with him now.

But football is a cruel, harsh business sometimes run by total idiots who can’t see the forest for the trees — so a scenario absolutely exists where he’s gone by the draft. If Newton is traded to another team they deserve to kick the crap out of Carolina every year until Newton eventually retires.

What does this mean for the Panthers going forward?

D’Andrea: Two questions for you, James.

What do you think Tepper’s presence means to the franchise and how much he’s ready to take the wheel after leaving things relatively stable in his first year as owner?

What you think the Panthers would do with the extra cash/assets the team would glean from moving on from Newton?

Dator: Tepper was resolutely behind Newton when he took over as owner, largely taking the approach that he would support whatever his football staff believed was the right. It’s still early to put a pin on what Tepper really believes in as owner, however. This is still the honeymoon phase, and there’s no doubt he’s monitoring how fans are reacting to Newton being hurt.

In terms of what the team would do with potential assets — that really depends on who the GM is. There’s a scenario where I can envision them finally building from the inside out and shoring up their offensive line before trying to find a quarterback, but fans are also growing weary of mediocrity. If the Panthers decide to part ways with Newton they better have an answer, and fast.

Remember when the Chargers let Drew Brees go to New Orleans? That didn’t sting very much because Philip Rivers is excellent. If that same scenario plays out and the Panthers don’t have a Rivers-like QB to insert then there are no depths of how upset fans will be. The big problem: The team is winning right now.

Some questions for you, since you don’t have a vested interest as a fan.

Is there a scenario you see where the Panthers can compete in the next five years without Newton?

Looking ahead to the draft: Is there any way the Panthers could conceivably find another franchise QB quickly?

D’Andrea: I think the Panthers could be a couple of impact defensive players away from being able to succeed with a caretaker QB. Hell, they hit the midway point of the season 5-3 with Allen playing roughly as well as late-stage Andy Dalton. McCaffrey’s cheat code abilities out of the backfield should boost any quarterback, and adding another few difference makers to the core of Luke Kuechly, Brian Burns, Donte Jackson, Kawann Short, and a potentially re-signed Mario Addison could mire opponents long enough for an average QB to squeak out a series of wins. The last two guys on that list are starting to get old, though — so Carolina would have to make that move soon.

Finding another franchise quarterback, especially without a top-10 pick, will be tough but not impossible. In recent years we’ve seen players like Lamar Jackson, Dak Prescott, Teddy Bridgewater, Jacoby Brissett, Derek Carr, Jimmy Garoppolo, Russell Wilson, and Nick Foles fall to the back end of the first round or deeper. The Panthers could also take a chance on a rehabilitation project on the free agent market like Jameis Winston or Marcus Mariota, if they want to swing hard in 2020. Neither path is ideal. I like the draft idea far more than trying to break a middling QB’s bad habits, especially when you consider the contract costs involved, but Carolina has options.

The Panthers started 5-1 without Newton in the lineup in 2019 and jumped into the thick of the NFC playoff race behind Allen, stout defense, and McCaffrey’s MVP-like performance. That fell apart, though. Now the team is a rudderless, sinking ship that’ll be eliminated from playoff contention soon.

Rivera’s team could wind up stuck in the league’s middle class as 2019 winds to a close; not good enough for the postseason but not ready to rebuild either. That’ll push some serious questions about this team’s future to the forefront of its offseason planning. All things considered, it makes sense for Newton to play out his contract in Charlotte — but asking the Panthers to make the logical choice isn’t always a safe bet.

[noxiim]

(1/3)Okayyyy so i mightve sent a few asks abt this before but this topic is really now bugging me cuz i have depression and im sensitive to like everything. Im starting to take this "not getting notes on my art" thing really personally and i know it sounds childish (and i laugh at myself for it) but i cant help but get upset when i spend so much time and effort and get like no feedback. And i know people say not to draw what u love and not for attention but honestly i dont even know what

and i dont even know if im drawing what ilike sometimes. Yeah i love bts but i dont know if i like what im drawing or ifim just doing it for notes???? And i have a lot of anxiety too and thats wherei feel like im taking this too personally. Cuz im starting to think that my artdoesnt get notes cuz its straight up not good which leads me to think ishouldnt even try to pursue a career in art anymore. But im not good atanything else so wtf am i gonna do if i dont succeed in art???? Like i said i laugh at myself for thinking like this and iprobably sound like a fuckin child but i cant help it???? Like i think my artis decent???? But maybe its not???? Idk like this was really hitting me todaycuz i feel like im wasting so much time and im probably gonna be one of thosepoor college students cuz i decided to focus on art more rather than taking ajob cuz i thought i could make money off of my art but yknow clearly its notgoing so well and im scared for my future U dont have to give advice to all of that i just needed tolet that all out 

Aw dude don’t worry I get what you mean,I actually experienced something similar when I first started posting my art totumblr, and even recently when I first started posting bts fanart. It’sperfectly normal to want recognition (in this case in the form of notes) forsomething you worked so hard on!! I think one of the major issues with postingto such a big fandom such as bts though is that there’s so many peopleproducing content at any given time, that it’s incredibly easy to get drownedout. Especially since tumblr changed how search and track tagging worked, itmade it that much harder for people to get noticed for their content.

When I first switched to drawing for bts,I found it hard because I also focused a lot on my note count. For someone whowas originally well established in a previous fandom, the move to bts was quitea jarring experience. I had built my following on tf2 art, and used toconsistently get a couple hundred notes, but one of main reasons why I left wasbecause of the dwindling of note counts. When I first left, overwatch had justcome out and a lot of attention shifted towards that game away from tf2, andalthough I still love the game, the dramatic decrease in notes on my art fortf2 really made me sad and I ended up deciding to leave the fandom after 3years of drawing tf2 art. I hopped around a bit, before eventually getting intobts. Even then, my first few pieces (they’re not on my #bts fanart tag so mostpeople wouldn’t have ever seen them) either got no notes at all or only two orthree. It was easier for me to establish myself in a fandom such as tf2 back inthe day since it was such a small, tight knit community with limited contentcreators, but now with bts there are so many more people and it just seemedhopeless for a while and I lost motivation in my art. I stopped wanting todraw, since it felt like nobody cared. Art is the biggest hobby I have, solosing my confidence in my art was crushing.

Now you might be wondering how I got towhere I am today. I’ll be completely honest with you. For me, I highly doubt Iwould be anywhere near where I am if it weren’t for networks. I had neverjoined a network before, but decided to join armiesnet and jimin network one daywhen I saw that applications were open. I got accepted, and I joined theirrespective group chats too. I met lots of great people on those chats, and madea lot of new friends which was nice after having moved fandoms and lost touchwith many previous mutuals. I’m so glad I joined networks, because not only doyou have the chance to make mutuals who will support you and your art, thenetwork blog itself also reblogs all its members’ content which gives youexposure to members of the network through both the network tag and through thedashboard. It’s a perfect way to get started, rather than hoping that somebodywith a decent following will happen to stumble across your work in the tags oneday and reblog it.

That being said, unless you’re like somesort of godly human being I don’t think we can ever get over how note countsfeel as an artist. We need something to gauge people’s response to our art, andthat tends to default to note counts. I can assure you that the feeling of disappointmentwhen your post doesn’t get as many notes as you want/expected it to is a thingpretty much all artists on this site shares. People always say “you should drawfor yourself, not for other people” but that’s the equivalent of like say themona lisa being painted and then left to rot in Da Vinci’s closet or something.The whole point of art is sharing your ideas/love for something through yourdrawings with other people, and so it’s perfectly normal to want therecognition you deserve for working so hard and putting so much love into yourcraft. When it feels like you’re all alone, you have to remember not to giveup. Creating art in such a big fandom can be unforgiving, but just rememberthat your art is never the one at fault. It’s all about finding that littlegolden window of exposure, whether it be through one big blog or a couplesmaller blogs reblogging your work. Those kind few people will be what helpsyou grow, and you have to keep posting for that to happen. If you water a plantbut it doesn’t bloom the next day, abandoning it will get you nowhere. If youjust keep going, keep watering it, results will come. Keep reminding yourselfthat you’re doing well, and you can compare older art to your current art tosee the progress and keep you motivated. Don’t force yourself to draw if youaren’t feeling it – art is something that should make you happy. I used to drawbecause I felt the pressure to put out content, but that just resulted in mefalling into a negative spiral of art block, limited motivation and generalunhappiness with my art as a result. Remember that there’s no such thing as adeadline when it comes to posting art on tumblr – work at whatever pace suitsyou and if anybody tries to rush you, shut them down. You’re the artist, youget to choose what you do with your art, how you do it, and how long you spendon it.

If you truly have your sights set onbecoming an artist full time, then by all means go for it! I can’t give muchadvice in that area since I only plan on keeping art as a hobby, but justremember that art school is always optional. In the end, working as an artistis all about the portfolio, not where you graduated from. It’s more importantto work on your art than it is to get in to an amazing art school. Sure, artschools can be useful, but in the end they are simply tools, sort of like atutorial rather than something that will magically turn you into an amazing artistwith amazing job offers. At the end of the day, it’s all up to yourself to workhard and promote yourself. Since art is all about reaching different audienceswith your work, promoting yourself is essential, even if it’s just casualfanart on tumblr. Feedback can’t come without exposure, and exposure can’t comewithout self-promotion.

Lastly, remind yourself that there’s nosuch thing as ‘bad art’. That might sound like a stupid statement, but inreality art is a constantly changing thing. There is no pinnacle of perfection,no model artwork that represents the most perfect drawing out there. Everyonehas different styles, everyone has different approaches, and most importantly,everyone is still improving. I’m still learning and trying to improve my ownart, and there’s no shame in that. It’s easy to perceive someone else’s art asbetter than yours which would lead to some self-critical thoughts, but you haveto remember that the other artist is probably looking at their own art andpicking it apart, thinking “aw man there are so many mistakes here.” It’s fineto make mistakes, after all, that’s how we learn. Just because we see mistakesin our own art doesn’t mean that everyone else will too – nobody looks at artand their first thought is to list all of the mistakes present. As long as youare aware of what you are less confident in and actively work to improve it,you can quickly surpass even the people you look up to.

So yeah, sorry that this is hella longlol, but in all honestly I can understand what you’re going through. It’seasier said than done, but even though it might feel hard - don’t give up. Youmight feel like you’re not getting anywhere at the moment but I assure you thatif you just keep going, things will only get better. That’s the thing abouttumblr, if you keep posting art your audience can only grow. For now, I would definitelyrecommend joining some networks, and making some friends. It’s not uncommon forpeople to promo their own work in the network chat occasionally, as long as youdon’t spam haha

Anywho, I wish you the best of luck withyour art journey. If you need me you know where to find me 💕💕💕

[dunntekraleigh]

SEO Project Management Considerations - Part 3

This blog post http://dunntek.com/seo/seo-project-management-considerations-part-3 is courtesy of DunnTek Blog This is the third and final installment in this particular series about certain special considerations with SEO project management. This isnt intended to be a guide on how to perform SEO project management, since that would be quite a lengthy document. Rather, my aim in this series is simply to shed light on certain areas that project managers used to working in other disciplines might want to consider, as well as to help business owners understand things that make SEO different from other types of Information Technology projects. Without further ado, lets begin.

SEO Project Management Model

As mentioned previously, a fairly standard set of activities will generally need to be performed at the start of any SEO project. These activities include the identification of digital assets, an assortment of various on-page tasks, competition analysis, and early off-page tasks such as link clean-up, just to name a few. Custom SEO agencies may apply their own secret sauce during this phase as well. While the general nature of these activities will tend to be consistent within an agency in how they handle client SEO, the exact details and level of effort required may vary greatly from one project to the next.

Once these baseline tasks are complete, the project will likely go through a series of progressive cycles until the desired results are achieved. A project management methodology that supports this approach of iterative work through successive cycles is recommended in order to maintain flexibility and avoid a constant stream of change orders that would likely result from trying to hold to a traditional waterfall approach.

SEO ROI

There are a lot of opinions and approaches to calculating the ROI of an SEO project. Certainly, every project requires a clear and compelling reason why the business would invest money in it. The bottom line is that SEO is not simply a marketing cost due to the fact that it potentially creates residual value in a way that other forms of marketing do not. SEO is a strategic investment that a business owners makes to help ensure a regular flow of inbound customers that don't depend on paid advertisements. While beginning to realize the ROI may take anywhere from two months to a year or longer depending on your particular industry and location, this varies widely depending on the level of competition and the skill of your SEO.

Perhaps most importantly, SEO creates an exit-strategy for the business owner. It has an incredible ability to transform a business thats just getting by into a valuable target for corporate acquisition by a larger company. Simply put, if you're sitting at the top of the search results for things that generate revenue, someone's likely to be interested if your business is for sale. From such a perspective, the potential ROI is possibly much higher than when simply compared to alternative marketing strategies.

Project Communication

A communication plan is an important part of a project that details how communication is going to occur. This is important in order to prevent a free-for-all of instant messaging, email, phone calls, and cellular text messages that may result not only in complete chaos and missed deadlines but also the potential loss of important project data. A communication plan brings structure to how different types of communication will occur, both internally within the project team and with stakeholders, with the goal of ensuring that the project is successful. In this instance, my particular focus is on certain things that can come into play during communication between the client and the SEO provider which must be considered.

Having managed projects of so many different types, one thing Im certain of is that SEO is different. One thing you may encounter in an SEO project is that semi-technical people are very likely to try and understand things which are simply never going to make sense to them. While that could be said for IT in general, what makes SEO a bit unique is that we deal with a lot of things that people are used to looking at constantly, and, being smart people, they will be quick to think they understand them but theyve never looked at any of those things from an SEO perspective.

This can potentially lead to a lot of conversation because it arouses peoples curiosity when they suddenly discover that the online world thats been right in front of them has immense depths of subtlety they never previously imagined. Analytical people will be naturally inclined to want to get their heads around it, so to speak. Creative people may suddenly find themselves having no end of ideas they want to contribute. For all of these reasons, business owners should decide up front whether they want to pay for their staff to have kind of this extra dialogue or simply let the SEO firm do their thing.

As an example, consider a scenario in which the project is moving into content marketing. Suppose an appropriate piece of content can be sourced by the SEO for $50. Creative staff employed by the client, however, want to hold additional meetings to discuss the content to be used, possibly create their own content, and then invariably have to conduct additional meetings to discuss changes required to make the content suitable for SEO purposes. That type of dynamic creative process takes much longer, and the additional hours required are usually not going to be covered in a standard engagement. As a result, the client needs to determine in advance whether a creative engagement is worth the cost and schedule risk, or whether they prefer to simply let the SEO procure an appropriate piece of content to keep the project on-target in regard to both time and money. Neither approach is right or wrong; its a question of cost and preference, and its something that needs to be established during project inception to avoid any potential heartburn later.

Because SEO may take anywhere from three months to a year or longer, some type of regular contact is certainly needed to assure the customer that something meaningful is happening. I caution, though, against the standard inclination to produce detailed activity reports with tons of detail. If you go into too much detail, what may well happen is that when people read a report with a bunch of activities listed of things you did and digital documents or properties that you created, for example, people are going to try to look at those things online and try to understand both the individual activities as well as how they all fit together. Its human nature to do that. Unfortunately, theres a huge potential for them to end up feeling confused and frustrated for several different reasons. First, some of the things we do in SEO can be counter-intuitive or go against many common misconceptions. Second, they simply lack the years of experience to understand the strategic approach behind why these things are done the way they are. Unless youre dealing with another actual expert, consider the level of detail thats really going to be beneficial to the customer. More is not always better. Seek to provide meaningful indicators of progress while avoiding the inclusion of unnecessary data-points. There is another reason to consider keeping reports at a high level, though.

A critical consideration for any SEO firm is intellectual property and trade secrets. No one expects to walk into a major brand fast food restaurant and walk out with anything more than the vaguest understanding of their secret recipe, and SEO is no different. Within the field of SEO, there is a great amount of highly specialized tradecraft that changes on a very frequent basis. This tradecraft represents an SEO firms secret recipe in how they address the 200+ ranking factors. Accordingly, if you want anything more than a high-level report, dont be surprised if youre asked to execute a legal Non-Disclosure Agreement (NDA) which attaches a hefty financial penalty for violating the terms of the agreement. I prefer to avoid such a situation entirely and keep trade secrets and propriety business processes strictly on a need-to-know basis. As long as you can deliver results, people will not only understand that youve got something special, but theyll also appreciate the fact that you dont take just anyone as a client.

Conclusion

SEO should be seen more as a capital investment than a marketing cost. As a Raleigh SEO provider, our goal is to create residual value for our clients that can lead to a possible exit-strategy for a small business owner looking to sell their business. An SEO project can meet the criteria to be considered a project according to industry definitions, depending on the approach taken by the SEO agency. In selecting an SEO project management methodology, an SEO company should consider modern iterative approaches that will accommodate the dynamic nature of competitive SEO. Finally, if youre a business owner and need an SEO company, drop by (http://dunntek.com/seo)

DISCLAIMER: Subject to terms and conditions as posted on the DunnTek website

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A Melancholic Photographic Journey — In Conversation with Charlotte Lapalus

Charlotte Lapalus is a Marseille-based photographer mainly shooting fashion editorials, portraits, landscape, interiors, and objects. Her captivating photographic style invites the viewer into a world of saturated colors and deep tones filled with mystery, beautiful scenery, poetic style, and serene portraits. Somehow lost in another world, her unique style and distinctive use of colors creates a certain melancholy and calmness throughout her work. Her strict use of muted colors adds a warm minimal aesthetic, that somehow erases or fades the perspectives within the photos, giving it a quaint expression. There exists a certain lightness to every look, as well as the models that often have these serene, dewy look, which catches light, even from the shadows. 

MH : You have stated, “French photographer until I find a real job” as the bio on your Instagram account. Distanced irony or the actual truth? What is the story behind it?

CL : I can say that my bio had a hint of irony, in the fact that I was a notary public after years of law studies, but that somehow deep inside I knew that this was not fulfilling my desire for creativity. I have always had this urge to create whether it was drawing, photography or painting and I knew that this was really what I wanted to do. I just didn’t know I could do it for a living and actually make a career out of it.

And in 2015 it all came together, I left my job, enrolled a photography school in Marseille and booked my first professional shoot 4 months after.

So really that is the story behind my bio, and for what is yet to come, people tend to say that you never know what I am going to pull out my hat next !

MH : Could you please take us back in time and tell us how and when you first become fascinated with photography?

CL : As far as I can remember, I have always been taking photos. At first it was mainly landscapes. It has been a work in progress for many years and it’s my love of photography and the different people I have met along the way that played a decisive role in my choice to change my professional path radically.

I found the work of Massimo Vitali and Raymond Depardon very inspiring when it came to landscapes. I thought that Raymond Depardon and Martin Paar work have a human dimension to them. Mainly the fact that their models play a real role in their pictures more so than Massimo Vitali in my opinion. These kind of artists inspired me to move from landscapes to models.

The work of David Hamilton and Sally Mann for example, have also inspired me in my approach to photograph models. For me their work give you a sense of fragility and sensitivity when it comes to his choice of shooting women models.

So all in all my transition from shooting mainly landscapes to shooting women models has been a natural progression. I find that as I evolved and grew as a photographer, I wanted to get closer to the women I was shooting, closer to their femininity and fragility.

MH : Does growing up in Marseille, and France in general, play any role or has it had an impact on how you create and tell stories?

CL : Probably but as I have never lived anywhere else I cannot really say. However the light and the melting pot of all the different cultures in Marseille is surely a great source of inspiration for my work.

MH : What are the basic requirements for you to create a good photo?

CL : I don’t have special requirements as such, but I think that in order to create a good photo, the prep for the shooting is key: the story telling, the location, the cast…

The most important for me is the lighting and the work around it, I spend a lot of time fine tuning it on a shoot. The team plays a huge role in creating a good photo too, working all together with the same purpose is my moto.

MH : Your use of saturated colors, deep tones and shadow seem to play an important role throughout your work. Can you tell us more about your creative approach to image making?

CL : I can say that I do have a real predilection for a certain color palet for my pictures, but I do not feel that saturated colors are that important in my work. I tend to work with warm colors.

I do feel that my approach to image making is considering the shoot as a whole. I think that it comes with good prep to the shoot, from finding the perfect location, to casting the best model for the job and the choice of the stylist. So in that sense, I really see the making of a good photo as a team effort too.

I do find my inspiration for a shoot from a lot of different creative sources such as poetry, paintings and movies. The idea of the story I want to tell on the shoot mainly comes from a feeling or something subtle that I have seen or felt when thinking about it.

“I do find my inspiration for a shoot from a lot of different creative sources such as poetry, paintings and movies. The idea of the story I want to tell on the shoot mainly comes from a feeling or something subtle that I have seen or felt when thinking about it.”

— Charlotte Lapalus

MH : When it comes to fashion photography, the choice of style, but also the overall scenery and location seems to play an important role throughout your projects. What are your focus points when arranging a picture?

CL : Again, for me the crucial thing is the light. I would position the model and try and find the best angle or place to shoot her with regards to the light.

The other thing that I like to focus on is my communication with the model. I always try and talk to them and direct them as best as possible in order for them to understand and transpose the vision I have for the shoot the best they can. I like for them to understand my approach to the shoot and for that I like to communicate the overall vision I have of the character they are portraying. In other words I ask them to be the character. I like what I call « accidents », when they are not necessarily posing but just being, these photos are usually the ones I select during my edit.

MH : How do you choose your projects? And what project are your personal favourite?

CL : I choose my projects depending on how much I can get involved in the creative process. I like to be inspired but also add something to a campaign. These projects are the ones that I tend to go for as I feel free to express my vision for the shoot.

As for personal favourite the one that comes to my mind is the one I made for a French Charity called « Autour de l’enfant ». This charity is active in Africa and they look after women and children, their wellbeing and their education. This project is really close to my heart as it involves creativity but also humanity. I am going back to Africa soon for another shoot with regards to women rights when it comes to excision.

MH : When I look at your captivating imagery, I often get a reminiscent to David Lynch’s iconic television series, Twin Peaks. Part of your work is like delving into a contemporary fashion editorial taken from the ever-mysterious world of Dale Coopers investigation in what happened to Laura Palmer. What are you inspired by, and where do you get your inspiration from?

CL : Thank you for comparing my work to David Lynch’s series! I am very flattered with your comparison, even if Twin Peaks was not my main source of inspiration. Although I do admit that the atmosphere in Lynch’s series is really close to the one I try to realize in my shoots. It’s the obscure ambiance that you can find in Lynch’s work that I like, the fact that it makes you ask yourself questions about the over all ambiance.

I do find a lot of my inspiration in different movies. The one director that I do particularly like is Xavier Dolan, I love his esthetic approach to the image. The light in his movies is soft and subtle. I like the fact that his direction of actors transpose in his movies, their acting is powerful but also brittle in a way.

I am also inspired by American series such as Mad Men or Fargo. The scenes are like a succession of photographies. As for the scene setting of my photos I am inspired by the resourcefulness of the French cinema, in the sense that with a strong intention and not necessarily a big budget you can still tell a good story.

MH : Working with photography, I assume you have to be comfortable and good with people in terms of interacting and collaborating closely on set with tight deadlines, high expectations on delivery and so forth. When working intensively with all these different people on various projects, both in front and behind the lense, do you follow any guidelines? Or how do you manage and direct in such a situation?

CL : I don’t have guidelines as such. The mere fact that it is a creative process means that there is no organisation as such. I feel like a conductor of well put together « bordel » or organized chaos.

But indeed you do need a minimum of organization. I do believe that as long as you communicate efficiently and in a respectful manner you can ask for anything you need on a shoot.

My experience as a notary public as given me this structure in a way. I did have to manage a panel of different people and skills and it still does serves me in my life now.

It can be very stressful to be the main focal person to whom every one is depending in terms of which direction the shoot is suppose to take, but I feel that focusing on the shoot and what I want to achieve keeps me grounded.

“I feel that focusing on the shoot and what I want to achieve keeps me grounded.”

— Charlotte Lapalus

MH : Visual content takes more and more place in our digital lifes. Living in a digital age the tendency towards an insatiable desire for visual consumption is rapidly growing — a so-called exhibitionism trend highly promoted through social medias and especially Instagram. What are your opinions on the way people are exposed to, and not least digest visual content today?

CL : « Ou la la « I can honestly say that for me it’s a very broad debate! But I do feel that due to the fact that we live more than ever in a virtual world, the amount of visual information that we see on a daily basis can be overpowering. We see a lot but we don’t retain much.

However it allows us to discover new artists, opinions and different vision of things. In a way it allowed me to do this interview today… The fact that we are served this enormous amount of visual content can lead us to laziness when it comes to explore new arts. I do feel that it is very important to keep our curiosity by going to the cinema, theatre and exhibitions.

When it comes to exhibitionism I do think that it is not the apps such as Instagram that promote that but mainly the users. For me some things are private and it is common sense. The users choose to expose their lives, but Instagram for example is just a way of doing so. Personally I made the choice not to expose myself but just my work. I do not feel the need to exhibit my personal life to the public.

MH : Tea or Coffee?

CL : Neither, mainly water.

MH : Sunrise or sunset?

CL : Sunset.

MH : Summer or Winter?

CL : Summer, having grown in the South of France…

All images courtesy of Charlotte Lapalus